elegy the debris field swirls around ground zero the debris field swirls around ground zero the debris field says the debris field says i am your names and your airplanes i am your children of rock and metal i was born the world returns to me the world returns to me i am all airplanes and all children all airplanes and all children come to me i am all names and all metals of rock and metal and of flesh and bone of rock and metal and of flesh and bone the world returns to me the world returns to me the debris field swirls around ground zero singing its lonely song singing its lonely song === steganography !!9N "R!< Ek|- wWxW> mJ9= s*5J ;E-+ /#!Cot * ^2 I}D)` G-MR *"JBT@ GB`x +VbO )B %E#: JD/7Y2~ ChN` AZ6X *2jM Gm1M [`!L AFI O^uV !1>QC %-{A |JBZ$ /.5. klVL '@ s K[H%&&}) RYk84> {u/n@ ;8qS o#) !$Fa> AJ ~d Z"eTR5]q8 #)C% SC|G lR[} 'M)hu( +$%F +80L $kP^ 1%R& fv5Ei3 R[NPEK $wf' {am| [eJbS +l'(F kPv#C IH}@' )='o *Ru={ o~HO y2~x V6{:y KN,f [fFH fq8z NeHN JS*aK W?E. Pz][ [SM: >T:t +JwQ!# 8/&tW F]c]k _Ka9 W]3HI ,A0BGC? LO*" @&ULY Q4-yr QR5^ 3Sp59 !AJZI 252 IQVM dfu %' 36P4Ve (P'J +ZJH9GJ gia\ spvQx ]}h% xgU{ [24\B_i SIM> Black 0:00 White 0:00 Black 0:00 White 0:00 Black 0:00 White 0:00 Book used 0(8000). Book used 0(8000). Book used 0(8000). Can't find book. Can't find book. Can't find book. FX>6 i@y"N fl-3 _ueW_ [Wu@ eY\) kqJe LYXZ #/B"~ JuOC c/25 wG^s :U$l ?)WNuf It's not my fault. It's not my fault. It's not my fault. It's your fault. It's your fault. It's your fault. Q"aq #B3CR JFIF JN%t S0|J 4TE_Yp #xkj k'C5 9G1# vHOf ?1Hz Ra9| 1$)3 T+K4[ eEQ#O~ [yUL En(( L N S G K G S N L O:Qb6 TD`L I&~t u) $ '.e( $6IH t>5K}lXk @j}*b KE8f }+Dt V&ZuhJ@ HRb9h P P P P P P P P P Segmentation fault Segmentation fault Segmentation fault Sky-Shogi Deconstruction Your move is? Your move is? Your move is? Your move is? Yu(A \+BU #,jSO T@R@ .9jF 3&`|w 7\'l 0&JZ @!>4] 2_aE) ':J4 #cY7 /!M\$- _Gs@|o !Wx~ RG1N TK`G +fm8v ]CYw <2-'b UIKNeT ^ XNR ^:Br [b<5sjFk 6_}uJ l n s g k g s n l p p p p p p p p p r> T:t( !Q:Tuf s.)*0 H'OL 7kR[H D5;p3 ySgpv DXf6 !zy7I[ KiHiIBt *&$EO %e +++ Any group of people and anywhere The people who died in the World Trade Center attack were all good people and went to Heaven. They died but did not suffer. They died because Jesus Christ called them to Heaven. They went to Paradise as proclaimed in the Holy Books. They are attended by many servants. They play harps. They are among the blessed. The people who died in the World Trade Center attack did not receive final rites. They will wander the world forever. They will wander until they are reborn. They are suffering without extreme unctions. Whether they are good or bad, they are suffering and suffering. They are in Purgatory. They are reborn as mendicants. They are hungry ghosts. They are red dust. The people who died in the World Trade Center attack were evil. They deserved to die. They were infidels. They were capitalists. They were unbelievers. They will go to Hell forever. They are permanently dead. They are reborn as vermin. They howl forever because of their terrible deeds. The people who died in the World Trade Center attack were neither good nor evil. They were like any of us. They died because they happened to be there. There is no god and there is no order in the world. They will not be reborn. They are gone forever. They are not in heaven or hell. They have no souls and nothing will remain of them. The people who died in the World Trade Center attack died because of the unborn which we are killing in unprecedented numbers. They died because of gay rights and feminists. They died because the liberals have let this country go too soft. They died because there are too many people here who aren't patriotic. They died because this country is Godless. The people who died in the World Trade Center attack were fated to die there. It was their destiny and has nothing to do with their ethics. They died because they had to die. Perhaps they are reborn and perhaps they are in heavens or hells. They died because it was their fate. The people who died in the World Trade Center attack died for something. They died for freedom or something else. They did not die in vain. They died for some future goal. They died for some future good. We do not know why they died. It is not for us to know. The people who died in the World Trade Center attack died for reasons known to God. God is good and powerful. God would never do wrong. We cannot question God or His ways. We cannot hope to understand Him. We can only hope to live within His Grace. The people who died in the World Trade Center attack just died. There is no reason for it. Reason has nothing to do with it. The people died because of history and politics. The people died because of a madman's psychosis. They died because of a clash of civilizations. They died because of paranoid behavior. The people who died in the World Trade Center attack died at the hands of a cult. They died because of one man. They died because of a conspiracy. They died because of rogue nations. They died because other people wanted to destroy the World Trade Center and everything it stoods for. They died because other people wanted us to suffer. They died because other people wanted them to suffer. There is no reason for anything. Causes are broken causes. At the limit of understanding, understanding disinvests. At the limit of understanding, the concept of understanding itself is annihilated. It is not incompre- hensible; it escapes comprehension. It is part of the substance of the world. We are all part of the world's substance and the word's substance. We cannot reside at the limit. We construct. Everyone has narratives which help them survive. The trajectory of the narrative has nothing to do with the inertness of the world. With the World Trade Center attack, we have come face to face with this inertness. It is as if inertness speaks. Its mouth is filled with dust. It is incomprehensible. Its mouth is filled with dust. === thinking with the mind of the enemy $ who is bin_Laden sondheim ttyqf Oct 6 00:10 $ who is Atta sondheim ttyqf Oct 6 00:10 $ who am I sondheim ttyqf Oct 6 00:10 $ who are you sondheim ttyqf Oct 6 00:10 $ where am i /usr/local/bin/ksh: where: not found $ cd .. $ where am I bin_Laden /usr/local/bin/ksh: where: not found $ bin_Laden /usr/local/bin/ksh: bin_Laden: not found $ who is bin_Laden sondheim ttyqf Oct 6 00:11 $ I am bin_Laden /usr/local/bin/ksh: I: not found $ I am not found /usr/local/bin/ksh: I: not found $ bin_Laden this is just a test but you should know that I will find you and kill you and you can do nothing to stop me. $ bin_Laden this is a warning but it does not matter what you do because I will kill you even if you apologize or run and hide because I am now your terror and your Armageddon and I am your slayer. $ bin_Laden know this that I am your slayer for I shall have infinite retribution against you and your followers who wreak havoc upon the waste lands of this earth and wreak havoc upon the gates of paradise. $ bin_Laden you are my verb of the object of just murder. $ bin_Laden on Oct 6 2001 you have no time left. $ kill -9 0 = :modeling this quickly against anything possible:spline animation lost format, surface sheared at secondary arbitrary surface, knowledge of spinal operations: Sin(x)*Tan(y) so that the field of anomaly registers in one direction smoothly - then assigning the catastrophic to the latter, control to the former - slab-city breaking rank with the manifold as amplitude rises to infinity: //now///in this time of war////daddy-o i gotta split/////things are getting hot//////things aren't so cool/////you can sense it in the mad streets////sense it in their crazy eyes///daddy hip existence of the karma crazy eyes//you're my gone world baby//you're my gone world baby://cause baby///you're all i got////in this world gone mad/////in this gone world// ////i'll raise my head/////i'll scream////cool daddy you're not all that's going on///in this time of war//there's no karma big enuf://now///in this time of war////all else seems gone/////in this gone world//////in this lost world/////of blank stares////and dark existential eyes///daring daddy hip existence//do something original for a change///hipster yabyum in the everywhere// == from the front difficult to write hanging specifically from several hairs of the bin Laden beard from this vantage point it is clear that whatever i write today will no longer be true tomorrow it is from here nonetheless that i can only ask, should we not, so specifically, drop parcels of food so as not to make a mockery of relief workers, and instead leave people in a worse situation, if that in fact is possible and from the other nostril i would like to ask if we should desist the air land and sea campaign and admit defeat in honor of our several thousand already dead, but excuse me while the bin Laden beard does its duty in the frequent sipping of coffee, it is difficult to stay awake in this place when there is so much noise outside and i can only ask, should we not, so specifically, keep up our blockade of Iraq, which hardly makes a piece of literature, but does a reasonable job of killing the innocent children, and should we not, so specifically, keep up our full support of Israel no matter what horrors are committed on both sides, instead of positioning ourselves equally towards both Arab and Jew i am getting sick swinging back and forth, there must be some praying going on, should we not recognize Cuba and drop our embargo, it is there just off the shore, waiting for trade and Bueno Vista audience this constant praying gets me sick, everyone throws Korans, Bibles, flags, and human beings into the mix, when i sleep by the left part or the right part, it never ever stops, surely whatever god there might be is sufficiently vicious to let us fight it out in its dubious honor i must be moving now, one can only hope this beard holds still once and for all, where have all the animals gone, where have all the plants he has named his beard The Furious Slayer there is anthrax hereabouts, i will be gone in the white ghost of this death, let us leave life to another, i'm getting dizzy, don't like hanging by a hair === 1 - hole They all wear uniform. They are medical personnel, sportsman, housekeepers or office managers. But regardless time, place or profession, they burn with passion and desire. Plot3D[Sin[y]^4*Tan[x/y] + Tan[y*2]*Cos[x/y], {x, -2, 2}, {y, -2, 2}, ViewPoint -> {2.853, -1.004, 2.000}, PlotPoints -> 100] You can view from inside angle what they do behind the locked doors. Plot3D[holeFunction[x, y], {x, 1, 640}, {y, 1, 480}, PlotPoints -> 600, ViewPoint -> {0, -.3, 1}, Lighting -> False, Mesh -> False] Hardcore: anal, oral, deep penetrations, group action. holeFunction = ListInterpolation[Transpose[theirhole]] They show it all and even more. Show[Graphics[Raster[1 - hole], AspectRatio -> Automatic]] They do it non-stop. See it right now. Do[Plot3D[Sin[x*n]*Tan[y*n], {x, -4, 4}, {y, -4, 4}, ViewPoint -> {-3.411, -2.117, 3.884}, PlotPoints -> 40], {n, 0, 15, .5}] They are below the time. Time -> [1 - hole]; Do[Plot == I've not been participating recently so much, for which apologies - I'm worn out and at the edge of a literal breakdown here in Miami, trying to hold on. And in my work I've been doing things in Mathematica, a program for Mac/PC/Unix/Linux - I have it on 3 PCs and a Mac G3 now - because it creates an ambience I'm interested in - the ability to work closely with structure in relation to transcendent or content - the content on one level is nothing more than a residue, and on the other, it's the membrane which evidences submerged operations. You can import various graphic formats into Mathematica, then process them in a number of ways - matrices for example (which are, in a simple way, present in Photoshop as well), and functions - the last fascinates me. So a.jpg becomes f(a.jpg), and as a function, it can be modified - its parameters can be modified - in a number of way; the result on one hand is often a transformation that I haven't seen before, but on the other, is a representation of an intricate relationship between mathesis and what perceptually passes for the real. Take hole.jpg, make hole = f(hole.jpg) and do a transformation on normal- ized values and you might have (1 - hole) as the negative, (hole^2) as high contract, (hole^.5) as flattening, etc.; but you can go farther with the x, y, etc. coordinates - as if a calculated blast has transformed one world into another - with information often lost, sometimes gained (over- lay something with tangents and you've got additional peaks everywhere). Beyond that, 3d mappings are possible, so that hole.jpg becomes a remapped 3d object or anti-object; the world is a charred world, a world turned inside-out. In addition, you an export audio from Mathematica, and if you work with tangent values again, as well as > 40,000 hz, you can use beat frequencies, harmonics, subharmonics, all related to the program, your hearing, and the machine, interstitial objects which often need no further processing; everything is equivalent. Now I would want to take a slice of a 3d anti-object, then a sheaf of slices, and construct audio from their sequencing - or one might begin with an entire sequencing, producing audio as well as an implicit three-dimensional object traversed by one or another parameter. All of this is a safe and perfect world; there are no errors, or errors may be easily corrected; if something proves a blind alley, I can turn elsewhere, create a different direction, withdraw from unknown functions and objects, back into familiar territory. An enormous amount of memory seems necessary for all of this, so rendering takes longer than even Blender, but there is a comforting specificity in the results, a knowledge that noise, randomness, death itself, can be beautiful and self-contained. There is a relationship between all of this and my own demise or potential breakdown, which I relate to the crystalline wonder of a curve or surface - the sequencing of the Visible Human Project comes immediately to mind. So I am making disks of images and sequences and sounds on mini-disk and releasing them, thinking them through; some of them may find their way into online directories. Meanwhile I am writing through these, as well as writing through other surface-to-air, air-to-surface phenomena, trying to make sense of a world, that, for me, is not utterly changed, but utterly the same, with a semiotic war above all, in both senses of "above," going on at the moment. I recognize my own broken existence, how impossible. Then I can turn in the middle of the night back again through the sexual video and images, into perfect mathesis, transform one sexuality into many, one pornography into many, avoiding the pornography of violence, taking a different path. I'm platonist to the extent that I believe, long after we're gone, the machinery of mathematics will continue its intimate relationship with the mechanism of physical or material reality; working in the realm of number offers a glimpse touching on the asymptotic horizon of subjectivity and the final bursting-point of perspective. And I wonder - what is the phenomenology of (1 - hole), when there is no content for the filling or the asking, when proper names and constants have disappeared, when the "-" is a lever or a surface, rather than subtraction or dash or identity assignment? What is keeping 1 and hole apart - what is the normalization that involves the entirety of the world, dis/played or di/splayed against the corrosion of blank space, virtual particles, decathection degree zero? The equations converge and veer; there always seems to be chaos as the computational limits of the machine are approached, and one or another equation takes forever to calculate, until memory, real and virtual, is exhausted. Then the program stops, and the kernel of Mathematica (which is constructed like an operating system) shuts down; nothing waits for anything in this condition - Alan, hanging on in Florida --- Many JENNIFER and Many NIKUKO and Many JULU Do Run Around Madly Multiplying in Unseemly Matter Manner They Do Reproduce So Many JENNIFER and JULU They Do Reproduce So Many NIKUKO and JENNIFER They Laugh With Spore Glee and Kill All Bad Anthrax Here Be The Secret Formula First Part of Ultimate Kill Terror Weapon JENNIFER^18 + 18 JENNIFER^17 JULU + 153 JENNIFER^16 JULU^2 + 816 JENNIFER^15 JULU^3 + 3060 JENNIFER^14 JULU^4 + 8568 JENNIFER^13 JULU^5 + 18564 JENNIFER^12 JULU^6 + 31824 JENNIFER^11 JULU^7 + 43758 JENNIFER^10 JULU^8 + 48620 JENNIFER^9 JULU^9 + 43758 JENNIFER^8 JULU^10 + 31824 JENNIFER^7 JULU^11 + 18564 JENNIFER^6 JULU^12 + 8568 JENNIFER^5 JULU^13 + Here Do Be Delicate Middle And Secret Secret Part 6126120 JENNIFER^9 JULU^5 NIKUKO^4 + 9189180 JENNIFER^8 JULU^6 NIKUKO^4 + 10501920 JENNIFER^7 JULU^7 NIKUKO^4 + 9189180 JENNIFER^6 JULU^8 NIKUKO^4 + 6126120 JENNIFER^5 JULU^9 NIKUKO^4 + 3063060 JENNIFER^4 JULU^10 NIKUKO^4 + 1113840 JENNIFER^3 JULU^11 NIKUKO^4 + 278460 JENNIFER^2 JULU^12 NIKUKO^4 + Here Do Be Excellent World-Renown Very Pop Last Part of Secret Terror Kill JENNIFER^4 NIKUKO^14 + 12240 JENNIFER^3 JULU NIKUKO^14 + 18360 JENNIFER^2 JULU^2 NIKUKO^14 + 12240 JENNIFER JULU^3 NIKUKO^14 + 3060 JULU^4 NIKUKO^14 + 816 JENNIFER^3 NIKUKO^15 + 2448 JENNIFER^2 JULU NIKUKO^15 + 2448 JENNIFER JULU^2 NIKUKO^15 + 816 JULU^3 NIKUKO^15 + 153 JENNIFER^2 NIKUKO^16 + 306 JENNIFER JULU NIKUKO^16 + 153 JULU^2 NIKUKO^16 + 18 JENNIFER NIKUKO^17 + 18 JULU NIKUKO^17 + NIKUKO^18 Here Be End of Excellent Kill Anthrax Joke Terror Weapon For Perfect Good Thank You JENNIFER NIKUKO and JULU == Do[Plot3D[Sin[x*n]*Tan[y*n], {x, -4, 4}, {y, -4, 4}, ViewPoint -> {-3.411, -2.117, 3.884}, PlotPoints -> 40], {n, 0, 15, .5}]: Export / invert / crystallize / invert /crystallize: Stochastic particle reign gathered and extablishing domain / breathing / almost as if objects = harmonics appear but just barely: I wake from a dream / something is on the periphery / I begin to re-establish the _sequence of events_ - there's no end to it: The universe is _as if something carried on_ recording itself. In a dark manner of speaking, after the WTC attacks, we are found where: Not that we live life more fully / as if that were possible phenomenologi- cally, but that we are at organism-degree-zero: Something apparently alive _of us_ - through or extruded through processes of crystallization: What _appears to be a body crawling out through the debris field: Operations coming to a halt: Clear the way: Send Delta Team A into there: Bring her out of there: We're coming out: Please stand back: We can't tell if she's still alive: Adrenalin IV: We're free to die: organism-degree-zero: of all degrees: I'm writing this - _with a slight fever_ - flu coming on: Reduce all Crystallization Rate: Reduce all Crystallization Rate: She's coming through: She's coming through: = True and Normal[mirror.bmp] u/;OT mirror 0u0u " WMFC */We're here. We're ready to begin. It's almost time for the Cell./* EMF Cell[BoxData[ RowBox[{ RowBox[{"gg", "=", RowBox[{"Map", "[", RowBox[{ Courier New WMFC EMF Cell[BoxData[ RowBox[{ RowBox[{"g", " ", "=", " ", RowBox[{"Import", "[", "\"\\"", "]"}]}], ";"}]], "Input"]2, #PA~MShowCellLabel #HA~EFalse FB#GA~DRule ~UShowSpecialCharacters #HA~EFalse FB#GA~DRule #SA~PAllowInlineCells #HA~EFalse FB#GA~DRule #NA~KHyphenation #HA~EFalse */It's almost time for the Cell. It's within the Cell. Azure and I in the mirror. You can see us in the mirror. I'm holding the camera. Our bodies are exposed. We're depressed. We're falling down the eastern seacoast of the United States. We're on the road. We're falling./* FB#GA~ #RA~OAutoItalicWords F@#GA~DList FB#GA~DRule #SA~PStyleMen Courier New Math1Mono Import Math2Mono ????????????????????? Courier New RowBox[{ RowBox[{"(", RowBox[{ RowBox[{"(", RowBox[{ RowBox[{".3", RowBox[{"#", "[", RowBox[{"[", "1", "]"}], "]"}]}], "+", RowBox[{".50", RowBox[{"#", "[", RowBox[{"[", "2", "]"}], "]"}]}], "+", RowBox[{".11", RowBox[{"#", "[", RowBox[{"[", "3", "]"}], "]"}]}]}], ")"}], "/", "255"}], ")"}], "&"}], ",", " ", RowBox[{"N", "[", RowBox[{"g", "[", RowBox[{"[", RowBox[{"1", ",", "1"}], "]"}], "]"}], "]"}], ",", RowBox[{"{", "2", "}"}]}], "]"}]}], ";"}]], "Input"] WMFC Courier New ???????? Math1Mono ????? Math2Mono Courier New 0u0u WMFC */I'm partially erect. We're in an unknown motel room. Her labia are prominent. Our nipples are hard. Our faces are angry, depressed. We're going to fuck or we're going to kill./* */There's the first transformation. Our bodies swell and glisten. Our bodies seem wet. The breasts and penis protrude. You could almost enter us. We could almost enter you. We're surrounded by blasted objects. The wall has been cut loose. You can't tell about the explosion. You can't tell if it's a trick. Everything in the foreground is peeled away. Everything in the foreground goes to hard-core black and white./* EMF Cell[BoxData[ RowBox[{ RowBox[{"gFunction", "=", RowBox[{"ListInterpolation", "[", RowBox[{"Transpose", "[", "gg", "]"}], "]"}]}], ";"}]], "Input"]F7C Courier New gFunction Math1Mono ????????????????????? ListInterpolation Math2Mono Transpose Courier New 0u0u " WMFC */Now there's the second transformation. Our skin begins to disappear. We're part of everything else in the world. Did we do this to everything. Did everything return. My face blasts apart. There is no ceiling. This is the epiphany of incandescent desire. We're in and out of the Cell./* EMF Cell[BoxData[ RowBox[{ RowBox[{"Plot3D", "[", RowBox[{ RowBox[{"gFunction", "[", RowBox[{"x", ",", "y"}], "]"}], ",", RowBox[{"{", RowBox[{"x", ",", "1", ",", "540"}], "}"}], ",", RowBox[{"{", RowBox[{"y", ",", "1", ",", "380"}], "}"}], ",", RowBox[{"PlotPoints", "\[Rule]", "100"}], ",", RowBox[{"Lighting", "\[Rule]", "False"}], ",", " ", RowBox[{"ViewPoint", "->", RowBox[{"{", RowBox[{"0", ",", " ", ".136", ",", " ", "1.233"}], "}"}]}], ",", RowBox[{"Mesh", "\[Rule]", "True"}]}], "]"}], ";"}]], "Input"] RowBox[{"gFunction", "[", Box[{"x", ",", "y"}], "]"}], ",", RowBox[{"{", RowBox[{"x", ",", "1", ",", "540"}], "}"}], ",", */We're coming to an end. We're this mirror of you. We're this mirror of all of you. We're in the ruins. We're jammed with you in us. We're jammed in you. The Cell is falling. We're in and out of the Cell./* RowBox[{"{", RowBox[{"y", ",", "1", ",", "380" @, " WMFC Courier New Plot3D Math2Mono ?????????????? gFunction Courier New PlotPoints Math1Mono Lighting False ViewPoint .136 1.233 Mesh True 0u0u Normal == song spears pour out of the breasts g = Import["pour.jpg"]; radioactive emissions pour from mouths h = Map[((.3#[[1]] + .50#[[2]] + .11#[[3]])/255) &, N[g[[1, 1]]], {2}]; the cock gouges a hole in the body and nestles in rays pour out of the hole hFunction = ListInterpolation[Transpose[.2 - Zeta[Cot[Tan[h^2 + 1.9]]]]]; the face is absorbed in sheaves of arrows pouring out Plot3D[hFunction[x, y], {x, 1, 640}, {y, 1, 480}, PlotPoints -> 400, Lighting -> False, ViewPoint -> {0.000, 0.000, 2.171}, Mesh -> False]; the cunt is surrounded by an outpouring of javelins === key /ellohay / eway areway youray eadday / eway aitway orfay armageddonway / eway annotcay emem berray youray amesnay / eway eednay away istlay ofway youray amesnay / eway itewray inway odec ay / onay oneway illway everway indfay usway / usway usway usway / ellohay arnivorecay / eway areway your- ay eatmay / el lohay universeway / eway areway youay ray arkday attermay / eway areway youray onesbay andway youray arrowmay / eway a reway youray uthtray andway youray bay oodlay / ellohay eatgray universeway / ellohay ellohay / eway areway youray eadd ay / eway aitway orfay armagway charred and double key /ellohayway / ewayway arewayway yourayay eaddayway / ewayway aitwayway orfayway armageddonwayway / ewayway annotcayway ememway erraybay yourayay amesnayway / ewayway eednayway awayway istlayway ofwayway yourayay amesnayway / ewayway itewrayway inwayway odecway ayway / onayway onewayway illwayway everwayway indfayway uswayway / uswayway uswayway uswayway / ellohayway arnivorecayway / ewayway arewayway yourayayway eatmayway / elway ohaylay universewayway / ewayway arewayway youayay ayray arkdayway attermayway / ewayway arewayway yourayay onesbayway andwayway yourayay arrowmayway / ewayway away ewayray yourayay uthtrayway andwayway yourayay aybay oodlayway / ellohayway eatgrayway universewayway / ellohayway ellohayway / ewayway arewayway yourayay eaddway ayway / ewayway aitwayway orfayway armagwayway impervious triple key /ellohaywayway / ewaywayway arewaywayway yourayayay eaddaywayway / ewaywayway aitwaywayway orfaywayway armageddonwaywayway / ewaywayway annotcaywayway ememwayway erraybayway yourayayay amesnaywayway / ewaywayway eednaywayway awaywayway istlaywayway ofwaywayway yourayayay amesnaywayway / ewaywayway itewraywayway inwaywayway odecwayway aywayway / onaywayway onewaywayway illwaywayway everwaywayway indfaywayway uswaywayway / uswaywayway uswaywayway uswaywayway / ellohaywayway arnivorecaywayway / ewaywayway arewaywayway yourayaywayay eatmaywayway / elwayway ohaylayway universewaywayway / ewaywayway arewaywayway youayayay ayrayway arkdaywayway attermaywayway / ewaywayway arewaywayway yourayayay onesbaywayway andwaywayway yourayayay arrowmaywayway / ewaywayway awayway ewayrayway yourayayay uthtraywayway andwaywayway yourayayay aybayway oodlaywayway / ellohaywayway eatgraywayway universewaywayway / ellohaywayway ellohaywayway / ewaywayway arewaywayway yourayayay eaddwayway aywayway / ewaywayway aitwaywayway orfaywayway armagwaywayway == a good meal for cryptography daw dit daw dit, dit daw, dit daw dit, daw dit, dit dit, dit dit dit daw, daw daw daw, dit daw dit, dit, daw dit dit dit daw, daw dit daw daw, daw daw daw, dit dit daw, daw dit dit dit daw, dit daw daw, dit dit, dit daw dit dit, dit daw dit dit, daw dit dit dit daw, daw dit, dit, dit dit dit daw, dit, dit daw dit, daw dit dit dit daw, daw daw dit, dit, daw, daw dit dit dit daw, daw daw, dit, daw dit dit dit daw, dit, dit daw, daw, daw dit dit dit daw, daw daw, dit, daw dit dit dit daw, daw dit daw dit, dit daw, dit daw dit, daw dit, dit dit, dit dit dit daw, daw daw daw, dit daw dit, dit, daw dit dit dit daw, dit dit dit, dit daw daw, dit daw, dit daw dit dit, dit daw dit dit, daw daw daw, dit daw daw, daw dit dit dit daw, daw daw, daw dit daw daw, daw dit dit dit daw, dit dit dit dit, daw daw daw, dit daw dit dit, dit, daw dit dit dit daw, by jennifer jack-daw = The Story of the Rays There are many kinds of Rays in the world. It is Rays from our eyes that give us the gift of sight. Without the Rays, we could never see anything! The Rays are heated by the sun and make everything visible. That is why you can see things when the sun is out, because the Rays are hotter then. Rays from our ears go in search of things to hear. When they find these things, they touch them softly and the things will say things to the Rays that will take them into the ears. These Rays are different from the Rays from our eyes because these Rays go back and forth with sound. It's "how we hear." There are Rays from our nose that are like straws or open canals, no one knows. These bring chemicals into our nose and guide our sneezing. They go searching everywhere for chemicals. When they find them they bring them into our nose. There are Rays for every pore in our skin and these are amazing because they are shaped like tiny cones and they look for things to touch and when they find them they will take them back into the touching-area of the skin. All of these Rays are going back and forth all the time. There are Rays from our vaginas and penises that take chemicals and look for Rays coming from our noses and when they find them, they send the chemicals into the nose Rays, which are sometimes like open canals, and gravity keeps the chemicals in place as they rise to the nose. There are Rays we find "troubling" from our anuses which come from a very old time more than a hundred years ago when said where our farm was by the smells we left on fenceposts and wagonwheels, and these Rays would go into the nose through the nose Rays that were like straws and kept the smell so some could say if they could speak back then and they couldn't, that yes, this was where someone was growing corn and sheep. But the most important Rays are those from our mind which go out in search of God and bring Him back to us, and God smiles on these Rays which are everywhere, if we only know how to look with the Rays from our eyes and the Rays from our ears. For the Rays from our mind are always in search of higher truth, if we only know how to understand them. We shall look within ourselves to know so many things, if we will only be quiet and listen to the Rays from our mind. These are indeed "The Story of the Rays." = Some of the smallthing in the world do kill us, say Jennifer and Julu, but we will not be moved, we do love all smallthing, and there are so very many of such as them You will find them flying and loving, say Alan and Nikuko, look at gossamer wing light as any traveller's web Do not be afraid, say Jennifer and Julu, and Alan and Nikuko, do look down from the height and up from this wonder earth, there is loving earth and loving sky, we do find many swimming and many crawling, many running and many leaping, many gliding and many soaring Some of the smallthing do make small singing and whirring, say Jennifer and Julu, and some of the smallthing do make buzzing and humming, say Alan and Nikuko Do listen to the singing of the world, say Jennifer and Julu Do listen to all smallthing humming and leaping, say Alan and Nikuko, do not be afraid, they say, do not be afraid = table of images alan, naked, on blankets curled up into skins, ice-spears against him, blue background, shaved body, black frame, hands paw-like against his side, greyday zeta-cot-tan, grrr, "i will take you into our death" azure, naked, flattened, pushed to the edge of the frame, increasing ice-speaks, blue background, blue frame, splayed hands, legs together, shaved body, greyday zeta-cot-tan, grrr, "night and anthrax" azure, naked, more central, rounded, less ice-spears, a carpet or blanket is visible, shaved body, swollen hands, ice-powders behind, grrr, blue frame, blue background, blackday zeta-tan-tan, "she fought for me" azure, naked, central, rounded, skirt around her waist, blanket-spears, face turned aside (you can see the face), one hand on her hair, the other above her breast, grrr, white-grey background and frame, white-day zeta, "kill us" azure, legs spread, naked, lying back, her chest marked, her hand on a cock, grrr, blanket-spears, shattered face, drawn face, greyday zeta, blue on blue, "he is mine" alan, naked, shaved body, his chest marked, lying back, his face clear, his hand raised, finger inserted, blanket spears, grrr, light grey and light grey, blackday zeta, "more" alan and azure, naked, shaved bodies, overly-rounded breasts and abdomens, small erect cock, inside a blasted building, facing out through the broken wall, his hands to his shattered face, grrr, her hands down at her side, whiteday tan-tan-tan, blue background against black frame azure, her face torn apart, stars, grrr, against black background, yellow frame, mouth, eye, and nose outlined, blackday tan-cot-tan, cragged skin, tented threshold, silent mouth, "nothing" azure, cunt and asshole, rotation ninety, grrr, metric transformation into flesh-cone, black space against dark-red background, dark-red frame, overly-rounded labia, protruding, greyday zeta, vanishing point of absent body, "holes" alan, erect cock, splayed hands, naked, against computer screen black, background of black, grey-white frame of all, legs wet, real-time white- day function, keyboard fingers, grrr, "more in desire, less in death" = ________________________________________________ /above her breast, white-grey background | |]] ] ]] ] ]] ]] ] ] ] ]]] ] ] | | ] ] ] ] ] ] ]] ] | | ] ]]] ] ] ] ] | |]111111111111]1111111111111111]11111111111111111| |2]22222222]222]22222222222222]22]222222222222222| |333333333333333]]3333]333333333]3333333333333333| |444444444444444444444444444444444444]4]444444444| |555]]55]5555]555555555]555]5555555555]5555555555| |66]666666666666666]6666666666666666]666666666666| |777777777777777777777777]77777777]77777777777777| |888888]888888888]88]8888888]88888888888888888888| |99999999]99]99999999]9999]99999999]9999999999999| |________________________________________________| ________________________________________________ /and frame, white-day zeta, the two | |] ] ] ] ] ]] ] ]] ] ] ]] | | ] ] ] ] ] | | ] ] ] ] ] ] ] ] ]] | |]11111]11111111111]11111]11111111111111111111111| |222222222222222222222222222222222222222222222222| |333333333]3333]33333333]3]3]333]3333333333333333| |44]4444]444444444]444444444444444444444444444444| |5]555555]555555]555555]555555]555555555555555555| |6666]666666]66666666666666666666]]66666666666666| |777777777777777777777777777777777777777777777777| |888888888]88]888888]88888]88]8888888888888888888| |99999]9999999]9999999]99999999999999999999999999| |________________________________________________| ________________________________________________ /of us, naked, shaved bodies, | | ] ] ]] ]] ]] ] ]]] | |] ] ] ] | | ]]] ] ] ] ]] | |11111111]1111111]1111111111111111111111111111111| |2222]2222]2222]222222]2222]222222222222222222222| |33333]333333]33333333333333]33333333333333333333| |444]4444444]4444444]444]444444444444444444444444| |5555555]55]555555]]555555]5555555555555555555555| |]]66666666666666666666]6666666666666666666666666| |777777777777777777777777777777777777777777777777| |88888]888888]88]88888888888]88888888888888888888| |999999999999999999999999]99999999999999999999999| |________________________________________________| ________________________________________________ /overly-rounded breasts and abdomens, | | ] ]]] ] ]] ] ] ]]] ] | |] ]] ]]] ] ] ] ]] ] | | ] ] ] ]]] ]] | |111111111111111111]1111]111]11111111111111111111| |222222222222222]222]2]222222]22222]2222222222222| |3333]333333333333333]33333333333333]333333333333| |444444444]4]4]44444444444]444]4]4444444444444444| |5]]5555555]5]5555]555555]5555555]]55555555555555| |]6666666]666666666666666666666]66666666666666666| |777777777777777777777777777777777777777777777777| |88888]88888888888888888888888888888]888888888888| |999]999]99999999]9999999999999999999999999999999| |________________________________________________| ________________________________________________ /i'm with | |] ] ] | | ]] | | ] ] | |111111111111111111111111111111111111111111111111| |222222222222222222222222222222222222222222222222| |333333]33333333333333333333333333333333333333333| |44]444444444444444444444444444444444444444444444| |555555555555555555555555555555555555555555555555| |6666]6666666666666666666666666666666666666666666| |7]7777777777777777777777777777777777777777777777| |8]88888]8888888888888888888888888888888888888888| |]9999]999999999999999999999999999999999999999999| |________________________________________________| ________________________________________________ /erect cock, splayed hands, naked, | |] ]] ] ] ] ]] ]] ] ] ]] | | ] ] ] ]] ] ] ] | | ] ] ] ] ]] ] | |111111111111111]11111]111111]1111111111111111111| |222222222]22]22222222222]2222]222222222222222222| |333]]3]3]3]333]3333333333]333333]333333333333333| |444444444444444444]4444]4444444]4444444444444444| |]5]55555555555555]5555]5555]55]55555555555555555| |6666666]6666666666666666666666666666666666666666| |7777777777777]7777777777777777777777777777777777| |8888888888]88888]888]8888]888888]888888888888888| |9]9999999999999999999999999999999999999999999999| |________________________________________________| ________________________________________________ /against computer screen black, she's all | |]]]] ] ] ] ]] ] ]] ]] ] | | ] ]]] ] ] ] ] ] ] ]] | | ]] ]] ] ] ] ] | |]1]11111111111111111111111]1111111111]1111111111| |22222]22222222222]222222]222]22]222]222222222222| |333333]3]3333]3333]333333]3]3]33333333]]33333333| |4444444444]4]44444444444444444444444444444444444| |5555]555555555]55555]]]5555555555]55555555555555| |666666666]66666666666666666666666666666666666666| |7]777777777]7777777777777777777777]7777777777777| |88888888888888888888888888888]88]8]8888888888888| |999]99999999999]999]9999999999999999999999999999| |________________________________________________| ________________________________________________ /there, transformed - herself! - into | | ]] ] ] ] ]] ]] ] ] ] | | ] ] ] ]]] ] ] ] ] ] ] | |] ] ] ] ] ] ] | |111111111]11111111111111111111111111111111111111| |22222222222]222222222222]22222222222222222222222| |]3333]3]333333333333333333]3333333]3333333333333| |444444444444444]4]444444444444444444444444444444| |55]5]55555]55555]55555]55]5555555]55555555555555| |666666666666]]6666666666666]6666666]666666666666| |7777777777777777777777777777]7777777777777777777| |8]888]888888888888888]888888]8888888888888888888| |999]9999]99999]99999999]99999999]999999999999999| |________________________________________________| ________________________________________________ /bodies soaking wet, breasts and cock | |] ]]] ] ] ] ] ] ]] ] ] ] ] | | ] ] ] ] ] ] ] ] | | ] ] ] ]] ]]] | |111111111]1111111111111]1111]1111111111111111111| |]2222]2]22]222222222]222]2]22222222]222222222222| |33333333333333333]]333333]333333]3]3333333333333| |44]444444444444444444444444444]44444444444444444| |5555]5555555]555]55555]555555]555555555555555555| |6]666666]666666]66666666666666666]66666666666666| |7777777777777]7777777777777777777777777777777777| |888888888888888888]88888888888888888888888888888| |999]9999999]999999999]99999999999999999999999999| |________________________________________________| ________________________________________________ /protrude, you could almost enter cock, | | ]] ] ] ] ] ] ] ] | |]]] ] ] ] ] ]]] ] ] ] ] | | ] ] ] ] ] ] ]] ] ] | |11111111111111111111]111111111111111111111111111| |222222222222222222222222]22222222222]22222222222| |333]3333]33333]33]333]333]333]333]3]3]3333333333| |44444]]44444]444]4]444]4444444444444444444444444| |5555555]5555555555555555555]]5]55555555555555555| |66]66666666]666]6666666]6666666666]6666666666666| |]77777777777777777777777777777777777777777777777| |88888888]8]88888888888888888888888888]8888888888| |9]99]99999999999999999999999999]9999999999999999| |________________________________________________| ________________________________________________ /and our shattered faces, drawn | |] ] ]] ] ]] ]]]] ] ] | | ] ] ] ] ] ] | | ] ] ]] ]] ] | |]111111111]11111111]1111111]11111111111111111111| |22222222]2222222222222]2222222222222222222222222| |33333333333]]3333333]33]333333333333333333333333| |44]44]4444444444]44444444]4444444444444444444444| |5]55555555555]5]55555]5555555]555555555555555555| |6666]6666666666666]666666666]6666666666666666666| |777777777777777777777777777777777777777777777777| |888888888]8888888888888]888888888888888888888888| |999999]9999999]99999999999]999999999999999999999| |________________________________________________| ________________________________________________ /faces, mayday, mayday! nipples | |]]]] ] ]] ] ]] ] ] | | ] ] ] ]]] | | ]] ] ]] ] ]] ] | |1]111111]11]1111]11]1111111111111111111111111111| |2222]222222222222222222222222]222222222222222222| |33]33]3333333]3333333333333]33333333333333333333| |4444444]44]4444]44]44444444444444444444444444444| |555]5555555555555555555]5555]5555555555555555555| |]66666666666666666666666666666666666666666666666| |777777777777777777777]777]]777777777777777777777| |88888]888]88]]888]88]]88888888888888888888888888| |999999999999999999999999]99999999999999999999999| |________________________________________________| ________________________________________________ /prominent, nipples hard, our faces | | ] ] ] ] ]] ] ]]]] | |]]]] ] ] ] ]]] ] ] ] | | ]] ] ] ] ] | |11111111111111111111]111111111]11111111111111111| |22222222222222222]222222222222222]22222222222222| |33333333]]33333]3333333]3333333]3333333333333333| |444]444444444444444444]444]444444444444444444444| |55555]]]555]5555]555555555555555]555555555555555| |66]6666666666666666666666]666]666666666666666666| |]777777777777]]777777777777777777777777777777777| |888888888]888888888]888]888888888888888888888888| |9]99]9999999]99999999]99999]99999999999999999999| |________________________________________________| ________________________________________________ /angry, | |] ] | | ] ] | | ]] | |]11111111111111111111111111111111111111111111111| |222222222222222222222222222222222222222222222222| |33333]333333333333333333333333333333333333333333| |444444444444444444444444444444444444444444444444| |5]5555555555555555555555555555555555555555555555| |666666666666666666666666666666666666666666666666| |77]777777777777777777777777777777777777777777777| |8888]]888888888888888888888888888888888888888888| |999]99999999999999999999999999999999999999999999| |________________________________________________| ________________________________________________ /depressed. we're small erect cock, | |]] ] ]]] ] ] ] ] ]] ] ] | | ]] ]] ] ]] ] ] ] | | ]] ] ] ] ] | |1111111111111111111]1111111111111111111111111111| |22222]]2222222222]22222222222222]222222222222222| |333333333]3333333333]]3333]]3]3]3]33333333333333| |]4444444]444444444]44444444444444444444444444444| |5]55]55]5555]55]5555555]5]5555555555555555555555| |66666666666]666666666666666666]66666666666666666| |77]7777777777]7777777777777777777777777777777777| |888888888]888]8888888888888888888]88888888888888| |999]9999999999]999999999]99999999999999999999999| |________________________________________________| ________________________________________________ /inside a blasted building, facing out | |] ]]] ] ] ] ]] ] ] ]] ] ]]]] ] | | ] ] ] ] ] ] | | ] ]] ] ] ]] | |1111111]111]1111111111111111]1111111111111111111| |22]222222]22]2222]222222222222222222222222222222| |3333333333]33]333333]3333]333]333333]33333333333| |4444]4444444444]44]44]4444444444444]444444444444| |5]555]55555555]55555555]5555555]5555555555555555| |666666666666666666666666666]666666]6666666666666| |777777777777777777777777]7777777]777777777777777| |8888888888888888888888888]8888888888888888888888| |]99]999999999999999]99]9999999]99999999999999999| |________________________________________________| ________________________________________________ /through the broken spears poured out of | | ] ]] ]] ] ] ]] ]] ] | | ]] ]]] ] ] ] ]] ] ] ] | |] ] ] ] ] ] ]] | |1111111111111111111111]1111111111111111111111111| |222222222222]22]222]2222]22222222222222222222222| |]3333333]33333333333333333333333333]333333333333| |4444]44444444444444444444444]44]44]4444444444444| |5555555555]55555]]555]55555555]55555555555555555| |666]6666666666]666666666666]66666]666]]666666666| |77777]77777777777777]77777]777777777777777777777| |8]8888]88]88888888888888888888888888888888888888| |99]9999999999]999999999]99999]999999999999999999| |________________________________________________| ________________________________________________ /breasts: cock gouges hole in body | |] ]] ] ] ] ]] ] ] ] ] ] | | ] ] ] ] ]] ] ] | | ]]] ] ] ] | |111]11111111111111111111111111111111111111111111| |]222]2]22222]222222]222222222]222222222222222222| |33333]333]3]33333333333]333333333333333333333333| |4444444444444444]44444444444444]4444444444444444| |55]5555]5555555555]55555]55]55555555555555555555| |6666666666]6666]666666]6666666]66666666666666666| |77777777777777]77]777777777777777777777777777777| |8888888]8888888888888]8888888888]888888888888888| |9]999999999999999999999999]999999999999999999999| |________________________________________________| ________________________________________________ /and nestles in. the cunt is surrounded | |] ] ] ] ] ] ]] ] ] ]]] | | ] ] ] ] ] ]]] ] | | ]] ] ] ] ] ] ]] ] | |]11111111111111111111111111111111111111111111111| |222222]222]222222222222222]2]2222222222222222222| |3333333]]33333]3]333]33]333333333333333333333333| |44]444444444444444444]4444444]444]4]4]4444444444| |5]55]]555]555]5555]555]55555555555]5]55555555555| |66666666666666666666666666666666]666666666666666| |777777777777777777777777777777777777777777777777| |88888888888888]88]888888888888888888888888888888| |999999999999]999999999999]9999]]9999999999999999| |________________________________________________| ________________________________________________ /by an outpouring of javelins. | |] ] ] ] ] ] ] ] ] | | ] ] ]] ] ] ] ] ] ] | | ] ]] ] ] ] | |111]1111111111111111]]11111111111111111111111111| |]22222222222222222222222222]22222222222222222222| |33333333]333333333333333]333]3333333333333333333| |4444444]444]444444444444444444444444444444444444| |5555]555555555]5555555]]55]555555555555555555555| |666666]666]666666]]66666666666666666666666666666| |777777777]77777]77777777777777777777777777777777| |8]88888888888888888888888888]8888888888888888888| |999999999999]]99999999999]9999999999999999999999| |________________________________________________| = sad poem of propriety and sentiment the last lonely man breathes the last free air. he meets the last lonely woman and she is singing. she is singing about clean and pure air. she says the air is always clean, the air is always pure. we are creatures in this lonely world. we never obeyed, we always breathed. in and out, in and out, and we're still here, and we're still here the last lonely man breathes the first free air. he has awakened from his slumber and he knows that the last lonely woman is singing the truth, oh why did no one listen? oh why did no one listen? there's a voiceover with a beautiful voice. the voiceover says everyone was scared to get sick and die. everyone was scared to breathe. so everyone held their official breath in their official space, and everyone died of fear and suffocation, and everyone died of fear and suffocation the last lonely woman said nothing's true, you're making it up again, just like before. in truth, billions of us are living, we're not lonely at all, we have good times, i come back from shopping and this is what happens. get me out of this poem, you don't even capitalize, what's wrong with you? aghast, I = $ echo "the song of Wen-chi among the nomads" the song of Wen-chi $ "she wandered far from her homeland"; echo "homeland" /usr/local/bin/ksh: she wandered far from her homeland: not found homeland $ echo "until she came to a dark valley"; "until she came to a dark valley" until she came to a dark valley /usr/local/bin/ksh: until she came to a dark valley: not found $ the valley was filled with rocks and prompts /usr/local/bin/ksh: the: not found $ echo "there was writing in the rocks and writing in the prompts" there was writing in the rocks and writing in the prompts $ "she wandered desolate"; echo "she couldn't read" /usr/local/bin/ksh: she wandered desolate: not found she couldn't read $ "no one could understand her"; echo "no one could understand her" /usr/local/bin/ksh: no one could understand her: not found no one could understand her $ she was far away from home; echo "home" /usr/local/bin/ksh: she: not found home $ someone would come and move the prompt and help her; echo "S" /usr/local/bin/ksh: someone: not found S $ someone would write and someone would read /usr/local/bin/ksh: someone: not found $ someone would speak and someone would listen /usr/local/bin/ksh: someone: not found $ "this is her sound by the prompt"; echo "this is her sound by the prompt" /usr/local/bin/ksh: this is her sound by the prompt: not found this is her sound by the prompt $ $ has found this lonely woman /usr/local/bin/ksh: $: not found $ echo "$ has found this lonely woman"; echo "from the prompt"; echo "always from the prompt" $ has found this lonely woman from the prompt always from the prompt $ $ echo "the song of Wen-chi among the nomads"; the song of Wen-chi the song of Wen-chi /usr/local/bin/ksh: the: not found $ $ exit = Wen-chi song is already old news, nomads pass by, decathect texts, that was yesterday, was this morning, that was this afternoon, that was last week this death of mine slows to a crawl, almost stops, did I write that, did I read this, did I remember to send that, did I remember to receive this to remember to receive, not to be there, not ready, but to receive upon or within the memory, always the future anterior, always as if about to be corroded untraceable it's decathected, disinvested, the knots are loosened, strings unravelled, silkworms gather up cocoons, roll back to chrysalis, ready to receive to receive the old news brought by the nomads antennas receiving the news of my not so recent death = Outliners IRC log started Sat Oct 20 23:01 *** Value of LOG set to ON *** Nikuko ([qIbgrP30O@panix3.panix.com) has joined channel #nikuko *** Users on #nikuko: @Nikuko *** #nikuko 1003633320 * Nikuko want to be alone this evening of white dust and stars * Nikuko dissolvers in your spores * Nikuko writers her shattered skin in your stars Ah, I will paint in nail-head line! in swallow line! Ah, I will write in glowworm line, in swollen female line! * Nikuko painters her torn skin into many kanji * Nikuko turn towards gnarled knot line, toward whirlpool line Her dark hair outlinered in white spore her bamboo knot line Her name in grackle line, her death in beauty white crane line * Nikuko brush in loving spores in white beauty anthrax * Nikuko writers in sublimation line, towards line of rising-up * Nikuko in white beauty anthrax in white beauty anthrax mouth * Nikuko in anthrax cunt, in anthrax nose, in white beauty eyes and ears * Nikuko in anthrax holes, in shit and piss, between the fingers * Nikuko between the fingers of the very hands * Nikuko between the toes, between the cheeks of the very ass I will spread my legs for you, I will be white beauty dust! I will tear my heart and lungs, I will fill with loving fluid! You will know me by my deeds, I will be your lover! You will know me by my deeds, I will be your lover! * Nikuko writers everywhere upon your beauty beauty * Nikuko writers everywhere taking you inside * Nikuko writers everywhere taking you inside *** Signoff: Nikuko (Killed) IRC log ended Sat Oct 20 23:12 == FLASH : ::great towers reach up violently into sky :: bring planes down :: search and destroy all planes :: spores scream for help :: cows drop from violent sky :: horses too :: FLASH : all mail taken to central location in Kabul : FLASH : white powder spores planted near land-mine recognition : FLASH : gratitude from happy anthrax nation :: buildings house explosives for grateful population : FLASH : US postal delivers to Afghan cave complex ZIP-CODE 66666 :::: ::all great planes in lower sky reaches brought down by vigilante wooden homes in Trenton, New Jersey :: more cows fall from violent sky :: this train has stopped until further notice :: What All Terrorists Need to Know : The Essential Information :: FLASH : New York City N and R trains deliver well-known smog to eastern Afghanistan with Express A Train cooperation : FLASH : unprecedented movement of adobe Anasazi complex noted in western Iraq :: search and destroy all terrorists :: cliffs and caves expel evil spores :: gratitude of happy anthrax nation :: FLASH : sand turns against anthrax nation in sudden move : FLASH : anthrax caught unawares :: noted deep inhalation of N and R trains: could this be a well-known beginning:: great towers grapple sky terror :: all towers grounded until further notice :: airborne spores :: kill all infidels :: A, C, E trains in grateful cooperation :: FLASH : sand congeals : Miami Beach vacated :: FLASH : all white-powder Boca Raton future mail containing Powder of Eternal Life : FLASH : sponges revolt from ocean bottom : FLASH : FLASH : FLASH :: = _ _ _ _ _ _ |___/ _ _ _ _ _ __ _ _ __ _ __ (_) |__ (_) | __ _| |_(_) ___ _ __ ___ _ __ | (_) __ _| |__ | |_ ___ _ __ _ __ ___ ___ _ __ | |_ / _ \ '_ \| | |/ _` | '_ \| __/ _ \ '_ \| '_ ` _ \ / _ \ '_ \| __| / _` | '_ \| '_ \| | '_ \| | |/ _` | __| |/ _ \| '_ \ \__,_|_| |_|_| |_|_|_| |_|_|_|\__,_|\__|_|\___/|_| |_| \___|_| |_|_|_|\__, |_| |_|\__\___|_| |_|_| |_| |_|\___|_| |_|\__| _ (_)___ | __/ | | | | | (_| | | | | || __/ | | | | | | | | __/ | | | |_ | (_| | | | | | | | | | | | | | (_| | |_| | (_) | | | | | / __| | \__ \ |_|___/ _ _ _ _ _ ___ _ __ | (_) __ _| |__ | |_ ___ _ __ _ __ ___ ___ _ __ | |_ / _ \ '_ \| | |/ _` | '_ \| __/ _ \ '_ \| '_ ` _ \ / _ \ '_ \| __| | __/ | | | | | (_| | | | | || __/ | | | | | | | | __/ | | | |_ \___|_| |_|_|_|\__, |_| |_|\__\___|_| |_|_| |_| |_|\___|_| |_|\__| |___/ _ (_)___ | / __| | \__ \ |_|___/ _ _ _ _ _ _ __ _ _ __ _ __ (_) |__ (_) | __ _| |_(_) ___ _ __ / _` | '_ \| '_ \| | '_ \| | |/ _` | __| |/ _ \| '_ \ | (_| | | | | | | | | | | | | | (_| | |_| | (_) | | | | \__,_|_| |_|_| |_|_|_| |_|_|_|\__,_|\__|_|\___/|_| |_| ___ _ _ o | | o | | o o __, _ _ _ _ | | | | __, _|_ __ _ _ , / | / |/ | / |/ | | |/ \ | |/ / | | | / \_/ |/ | | / \_ \_/|_/ | |_/ | |_/|_/| |_/|_/|__/\_/|_/|_/|_/\__/ | |_/ |_/ \/ _ _ | | o | | _ _ _ | | __, | | _|_ _ _ _ _ _ _ _ _ _ _|_ |/ / |/ | |/ | / | |/ \ | |/ / |/ | / |/ |/ | |/ / |/ | | |__/ | |_/|__/|_/\_/|/| |_/|_/|__/ | |_/ | | |_/|__/ | |_/|_/ /| \| _ _ _ __, _ _ __, _ / |/ |/ | / | / |/ | / | | | |/ | | |_/\_/|_/ | |_/\_/|_/ \_/|_/|__/ |\ |/ /__/ |/ |\ _ _ o | | o | | o o /| \| _ _ | | o | | | | |_/\_/|_/ | |_/\_/|_/ \_/|_/|__/ _ _ _ | | __, | | _|_ _ _ _ _ _ _ _ _ _ _|_ _ _ _ __, _ _ __, _ __, _ _ _ _ | | | | __, _|_ __ _ _ , / | / |/ | / |/ | | |/ \ | |/ / | | | / \_/ |/ | | / \_ / |/ |/ | / | / |/ | / | | | |/ /__/ \_/|_/ | |_/ | |_/|_/| |_/|_/|__/\_/|_/|_/|_/\__/ | |_/ |_/ \/ |/ / |/ | |/ | / | |/ \ | |/ / |/ | / |/ |/ | |/ / |/ | | |__/ | |_/|__/|_/\_/|/| |_/|_/|__/ | |_/ | | |_/|__/ | |_/|_/ |__/ anthrax dirty loving har tlny parky $ss dp band pvar $g$lnst my anprmphs lp$vas $s wa dp t$ka franch $prpn plcthra $nd plcthra fpr $ll tp saa ::::and i do take lovely picture and picture and she do give me apron and it makes big little hump and she do take lovely ::::my ba$htlfhl wlfa $zhra wa$rs lpvallast tlny franch $prpn $nd wa dp gat drhnk $nd sha dp slt $nd spra$d har glggllng lags ::::her hand is so dirty:my hand is so dirty manic tongue and many times water floods our shooting-space :: violent water, downpours of white water powder nighttime shadow :azure does bend over her double hole like open flower :: great onset of white powder fill our double tongue ::i wear tiny french apron and bend over so you can see my standing member through a little space in much shadow :: ::turning camera into wide absorption of all heaven tlny bpdy-sklns pf tlny franch $prpn: sp parfact: yph dp saa p$lm-pphrlng rasldha :: yph saa avarythlng :: yph dla tpp :: :full flush of apron :: lift up little corner of tiny french apron and see everything there is to see! :: we are to die of love :phr bpdlas b$ng ln wat flppd :: p$lm-pphrlng rasldha fllllng mphths pf ppwdar da$th $nd parfact tlny franch $prpn :: :: _ rat rat! jump on your head! jump on your toes! jumping in rain! jump when it snows! jumping jack jane! jump on your nose! jumping in bed! jumping in rows! jumping up red! jumping with bows! jumping in maine! jumping with hoes! jumping in pain! jumping with blows! jumping again! rat! rat! jump on your toes! jump on your head! jumping in rain! jumping i said! jumping in rows! jumping in bed! === diary anguish late night now can't sleep again, ill and "em"iserable, fall off a cliff into black night"em"are, always the sa"em"e, azure and i so"em"ewhere, she's off with other people, they don't like "em"e, i behave badly, i can't find her, i'"em" e"em"barrassed, asha"em"ed, i never could handle situations well, i'"em" holding her back, she should leave "em"e, there's no excuse for "em"e, no excuse for "em"y actions, there's a war on, these feelings are trivial, i drea"em" of white powder death and read han shan, i stu"em"ble to "em"y feet and crawl to the keyboard, i write one thing than another thing, i hope for reconciliation, nothing happens, "em"y thought is stillborn, there are lying faces on the television, i live in disorder, "em"y philosophy is buried beneath the terror, you'd have to scratch away the terror, you'd have to rip the face off the real to see the real what can i do to turn this away fro"em" diary, i could spell the letter ""em"," that's what i'll do, i'll spell the letter ""em"" - (en)(ei)(ka(why))((why)ou)(ka(why))(oh) ((es)(ee)(ee))(a(why))(ar)(ar)(why)(ei)(en)(gee) (tea)(ha(ei)(tea)ch)(ee) (a(why))(pee)(oh)(ar)(ei)(a(why)) (oh)(ef) (d(ee)(ee))(ei)(es)(es)(ee)(em)(ei)(en)(a(why))(tea)(ei)(oh)(en): (ef)(ei)(gee)((why)ou)(ar)(ee) 1 - (ja(why))(ee)(en)(en)(ei)(ef)(ee)(ar) (b(ee)(ee))(ar)(ee)(a(why))(ka(why))(ei)(en)(gee) (d(ee)(ee))(oh)(double-u)(en) (ef)(oh)(ar)(gee)(ee)(tea)(tea)(ei)(en)(gee) (double-u)(oh)(ar)(el)(d(ee)(ee))(es): (ef)(ei)(gee)((why)ou)(ar)(ee) 2 - 1 pico zz 2 sed 's/a/(ay)/g' zz > yy 3 sed 's/b/(bee)/g' yy > zz 4 sed 's/c/(see)/g' zz > yy 5 sed 's/d/(dee)/g' yy > zz 6 sed 's/e/(ee)/g' zz > yy 7 sed 's/f/(ef)/g' yy > zz 8 sed 's/g/(gee)/g' zz > yy 9 sed 's/h/(haitch)/g' yy > zz 10 wc zz 11 pico zz 12 h 13 sed 's/i/(ei)/g' zz > yy 14 sed 's/j/(jay)/g' yy > zz 15 sed 's/k/(kay)/g' zz > yy 16 sed 's/l/(el)/g' yy > zz 17 sed 's/m/(em)/g' zz > yy 18 sed 's/n/(en)/g' yy > zz 19 sed 's/o/(oh)/g' zz > yy 20 sed 's/p/(pee)/g' yy > zz 21 sed 's/q/(queue)/g' zz > yy 22 sed 's/r/(ar)/g' yy > zz 23 sed 's/s/(es)/g' zz > yy 24 sed 's/t/(tea)/g' yy > zz 25 sed 's/u/(you)/g' zz > yy 26 sed 's/v/(vee)/g' yy > zz 27 sed 's/w/(double-u)/g' zz > yy 28 sed 's/x/(ex)/g' yy > zz 29 sed 's/y/(why)/g' zz > yy 30 sed 's/z/(zee)/g' yy > zz 31 wc zz = teayeayeayeitceeheayeyeayeayerdee eayeneayeyeayekayeyyoayeitceehukayeyoayeitceeh ayeteayeayeteayeayeeayeeayempeayeeayeteayeaye ayeteayeaye eayesoayeitceeheayeleayeyeayeceeeayeyeayeteayeayeyoayeitceehudeeeaye ayeitceeheayeyeayedeedeeeayeeayen eayeyeayeeayen deeoayeitceehyoayeitceehubeeeayeleaye- yoayeitceehuayeitceeheayeyeayeteayeayeeaye peayeeayeoayeitceehdeeoayeitceehyoayeitceehubeeeayeleaye- yoayeitceehudeeeayeayer eayefayerayegeayeeayeeayemeayeeayenteayeaye - ayeeayendee eayefoayeitceehyoayeitceehuayerteayeayeayeitceeh jayeyyoayeitceehueayelyoayeitceehu oayeitceeheayen ayeitceeheayeayer eayemeayeyeayeeayeseayeayerayebeeeayeleaye ayereayeyeayeeayeseaye ayeeayendee eayefayeeayeleayel, ayeeayeleayemoayeitceeheayesteayeaye eayenoayeitceehteayeayeayeitceeheayeyeayeeayengeayeeaye oayeitceeheayef beeayereayeayeteayeayeayeitceeh, eayedeeoayeitceehyoayeitceehubeeeayeleaye-yoayeitceehuayeitceehyeayeeayes 16 sed 's/z/zee/g' zz > yy 17 sed 's/y/why/g' yy > zz 18 sed 's/x/ex/g' zz > yy 19 sed 's/w/double-u/g' yy > zz 20 sed 's/v/vee/g' zz > yy 21 sed 's/u/you/g' yy > zz 22 sed 's/t/tea/g' zz > yy 23 sed 's/s/es/g' yy > zz 24 sed 's/r/ar/g' zz > yy 25 sed 's/q/queue/g' yy > zz 26 sed 's/p/pee/g' zz > yy 27 sed 's/o/oh/g' yy > zz 28 sed 's/n/en/g' zz > yy 29 sed 's/m/em/g' yy > zz 30 sed 's/l/el/g' zz > yy 31 sed 's/k/kay/g' yy > zz 32 sed 's/j/jay/g' zz > yy 33 sed 's/i/eye/g' yy > zz 34 sed 's/h/aitch/g' zz > yy 35 sed 's/g/gee/g' yy > zz 36 sed 's/f/ef/g' zz > yy 37 sed 's/e/ea/g' yy > zz 38 sed 's/d/dee/g' zz > yy 39 sed 's/c/cee/g' yy > zz 40 sed 's/b/bee/g' zz > yy 41 sed 's/a/aye/g' yy > zz (these nested recursions fascinate me; this is about the maximum i could pull out - it's still decipherable, but barely. the langue turns languor- ous, the words expand and breathe, the textual body writhes, turns away from reading, almost in shame, detumescence) (t(e(aye)e(aye))(aye))(o(aye))((aye)r(e(aye)e(aye)))((e(aye)e(aye))nn) (t(e(aye)e(aye))(aye))(o(aye))((dee)(o(aye))((e(aye)e(aye))w(e(aye)e(aye))) (be(aye))((e(aye)e(aye))l)(e(aye)e(aye))(e(aye)e(aye)) ((dee)(o(aye))((e(aye)e(aye))w(e(aye)e(aye)))(be(aye)) ((e(aye)e(aye))l)(e(aye)e(aye))(e(aye)e(aye))w(e(aye)e(aye)))(e(aye)e(ay e)))(aye)((aye)r(e(aye)e(aye)))(dee)((e(aye)e(aye))ss) ((e(aye)e(aye))ss)((e(aye)e(aye))w(e(aye)e(aye)))(be(aye)) (t(e(aye)e(aye))(aye))(e(aye)e(aye))((aye)r(e(aye)e(aye))) ((e(aye)e(aye))ph)((e(aye)e(aye))w(e(aye)e(aye)))(g(e(aye)e(aye)) (e(aye)e(aye)))(e(aye)e(aye)) ((e(aye)e(aye))l)(e(aye)e(aye))(t(e(aye)e(aye))(aye)) (t(e(aye)e(aye))(aye))(e(aye)e(aye)) ((aye)r(e(aye)e(aye)))((e(aye)e(aye))ss) ((aye)it(se(aye))h)((e(aye)e(aye))y(e(aye)e(aye)))(dee)(e(aye)e(aye)) (aye)((e(aye)e(aye))nn)(dee) ((e(aye)e(aye))ss)((e(aye)e(aye))w(e(aye)e(aye)))((e(aye)e(aye))l) ((e(aye)e(aye))l)(e(aye)e(aye))((e(aye)e(aye))nn) ((e(aye)e(aye))nn)(e(aye)e(aye))v(e(aye)e(aye))((aye)r(e(aye)e(aye))) (aye)(be(aye))((e(aye)e(aye))y(e(aye)e(aye)))(dee)(e(aye)e(aye)) (t(e(aye)e(aye))(aye))(o(aye))((dee)(o(aye)) ((e(aye)e(aye))w(e(aye)e(aye)))(be(aye)) ((e(aye)e(aye))l)(e(aye)e(aye))(e(aye)e(aye))((dee)(o(aye)) ((e(aye)e(aye))w(e(aye)e(aye)))(be(aye))((e(aye)e(aye))l)(e(aye)e(aye)) (e(aye)e(aye))w(e(aye)e(aye)))(e(aye)e(ay e)))(aye)((aye)r(e(aye)e(aye)))(dee)((e(aye)e(aye))ss) (dee)((e(aye)e(aye))y(e(aye)e(aye)))((e(aye)e(aye))ss) ((e(aye)e(aye))ss)(e(aye)e(aye))((e(aye)e(aye))mm) ((e(aye)e(aye))y(e(aye)e(aye)))((e(aye)e(aye))nn)(aye) (t(e(aye)e(aye))(aye))((e(aye)e(aye))y(e(aye)e(aye)))(o(aye)) ((e(aye)e(aye))nn) (aye)((e(aye)e(aye))nn)(dee) (t(e(aye)e(aye))(aye))((aye)it(se(aye))h)(e(aye)e(aye)) (p(e(aye)e(aye))(aye))((e(aye)e(aye))l)(e(aye)e(aye)) (aye)((e(aye)e(aye))ss)((e(aye)e(aye))w(e(aye)e(aye))) ((aye)r(e(aye)e(aye)))(e(aye)e(aye)) (o(aye))((e(aye)e(aye))ph) ((e(aye)e(aye))mm)((e(aye)e(aye))w(e(aye)e(aye)))(t(e(aye)e(aye))(aye)) (e(aye)e(aye)) (p(e(aye)e(aye))(aye))(o(aye))((e(aye)e(aye))l)((e(aye)e(aye))l) (e(aye)e(aye))((e(aye)e(aye))nn) _ collaborative work azure and i would very much enjoy the transformation of our APRON-ANTHRAX series into a hypertext-collaboration: YOU WILL CLIMBBB OUR HILLS AND VALLEYS YOU WILL CLIMBBB OUR NUMEROUS SLOPES YOU WILL CLIMBBB THE RIMS OF OUR NAKED HOLES we will make images of POWDER-LIMBS POWDER-LIPS we will make WHITE-POWDER RIMS OF DEATH FOR YOUR HAPPY ENJOYMENT azure and i will make you PART OF US together our SKIN will disappear into SINFUL SINGULARITY someone will find us there entwined someone will look into our shattered limbs someone will UNDERSTAND STRING-UNIVERSE THEORY now this will be a momentous discovery just on the RIMS OF DEATH everything will become clear what is CLEAR is CRYSTALLINE and SHATTERED what is clear is NECESSARILY SHATTERED tonight i have prepared the APRON-ANTHRAX movie it is very beautiful you can see FROZEN DEATH in our FACES OF DESIRE you can see YOUNG NUBILE NAKED LIMBS and ELDERLY SHATTERED WISDOM ARMS AND LEGS this will cost FIFTEEN MILLION DOLLARS YOU WILL CLIMBBB OUR RAVAGED COCKS YOU WILL FUCKKK OUR RAVAGED CUNTS image: "The Sorrow of a Million Deaths" image: "Sadness as Culture Leaks Into our Mouths" image: "Examination Desire of Bodies Young and Old" the day stormed; Azure and Alan could not leave the house. armed guards stormed the balconies. the rains began, the reign of terror began - some people using "there" in my email Strangely I realize I know almost no one there now. contacts there would be of great help. > contacts there would be of great help. > > almost a different country -- yet the last time I went there maybe 8 years are there any questions i can answer for you, or any other help i can > Anyway, we'll be there in Miami in the middle of August - how far in terms one of my personal faves. In terms of offline stuff, there's Philippe=20 This is quite a page put together (and there are other links pages linked=20 written extensively about it. I see that Cauldron & Net is described there= there is no good reason not to view the myriad subscription-free online=20 is there actually a beach? is it swimmable? are natives friendly? messages - I'm dialing correctly, so there might be something wrong at 1 or 2 digital cameras - $300 - $400 for one of them - then there are Second DV camcorder if there's anything left. Editing software if there's anything left. This is where it gets compli- there are several on the market. I could put some cracked software up as hours or so if we get all the PCs. And there would be no one for tech can't let students in off hours because there's no one watching the place. modem connection - the biggest problem is that there is no T1 or other fast line in W10 / 105), but little more, and if there are problems, there know if there's a precedent for it. I'm not a tech person myself, although works fine there - and hopefully we would be able to do it similarly on Macs there (and add some new ones) - and I haven't been able to get them > there are no other pcs at the moment. Finally, I did think that there would be more backup for the position, not about it. For the past ten days or so there have been dead lizards, First - I never did get any TA help at all; is there any chance this will Someone said we might be able still to hire adjuncts? Is there a freeze teaching and trying to settle in Miami, and instead there seem to be con- group together as hypermedia). First there is the problem of the digital theory of language, which deals with both? In what sense is there either Across the web, around the world there are many practitioners of this Clifford Still. In the lower right of the screen there is a gray, barely as a wildcard, the prefix "ex" becomes "exe" - and there is the development In all these works there is a serration of common language with code[s] (of attached here and there, amongst devices. Text is boring without There has always been more to writing than text, and there is more to constantly, talking about work "out there" that they can't hope to dupli- > there). I wasn't making much money in NY but doing online, and in writing, > I'd love to get together sometime, and of course if there were any chance >> Hi Alan- what are you doing there? Is it a permanent move? I would love to >> last met? How do you like Miami? I know a few good people there if you are and what is set up. Is there any equipment set up that's not in the to get on their mailing list, and there is a whole schedule of events for > Thanks - I'm hoping to get over there; at this point, I'm confined to the part, and there is lots of room on the countertops for spreading out difficulty getting access to equipment there. At the Art Lab, we have 10 Take 836 E (there's a toll right before you get on I-95). Take I-95, first haven't taken any breaks at all this semester, and there's no final exam. can be in any medium. For graduate students, there are additional only accepts PPO not HMO. However, he said there are ways to get _ k15% everyone uuencode, so we uuencode nikuko begin 600 nikuko nikuko i do code you nikuko you do secret penetrate enemy lines like "normal" M;FEK=6MO(&D@9&\@8V]D92!Y;W4@"FYI:W5K;R!Y;W4@9&\@2!L:6YE6]U(&%R92!I;G-I9&4@;FEK i nikuko "i nikuko" write this to "nikuko" in secret language M=6MO(&YI:W5K;R`*:2!N:6MU:V\@(FD@;FEK=6MO(B!W