classifying the unknown, road-side saw-palmettos, coot flurry take-off from sludge reservoirs, they've moved across unknown territories of the soul, we're out of touch, away from radiation-radio, we're signing-off, we're moving on, sky brown-silver lid, thick-lipped dusk crashing eaten apple-snails, high-flying snail-kites, swallows' enormous swallows :apple-snails on the beam-sides, there are worlds in the caches, we fly by at hi-speed, through polluted cypress-domes, mutated hammocks, we're out of harm's way in a fast car on a fast road, we're heading north to toronto :we're on the road, it's deep-eco spring-and-summer season, passed a cormorant on the way through newark, out of newyork wending our way through the holocaust, mined pit-craters everywhere, turned/toiled iron beaming struggling, cache-providing, there's food in there, you can see the eyes of animals, all animals have red eyes :: we're on the highway of entanglement, we're moving fast, we're leaving light behind us, we're leaving light behind us all animals have red eyes snail-kites, swallows' enormous swallows :apple-snails on the beam-sides, increasingly difficult to move large volumes of mon there are worlds in the caches, we fly by at high speed, through pollutedarticularly for a liberation in their depictions. if there is mon cypress-domes, mutated hammocks, we're out of harm's way in a fast car money with the security company in sou through my classifying the light behind us, we're leaving light behind usich was taken out light behind us, we're leaving light behind use said security/fina light behind us, we're leaving light behind use said security/fina [NestList[Flatten{ _ eyes and mouth print "tendin eyes and mouthe route" }ork. cock with herorry if you d his eyes and /[h]+/ { they bledhre which eyes and mouth } they bled me for a eyes and mouth[g]+/ { print they came past the caravans, carrying everyone who was dead and wounded. the site was terrifying, as if the world had come to an end at a new and violent pole. the sun itself was blood-red, and nature shuddered in response. labia engorged with him making him wide everyone could anyone who wanted cock with her his eyes and they bled tight they cut for everyone to eyes and mouth eyes and mouth labia engorged with him making him cock with her they bled they bled tight they cut for everyone to eyes and mouth eyes and mouth him making him wide everyone could anyone who wanted cock with her his eyes and they bled they bled tight they cut eyes and mouth eyes and mouth cock with her his eyes and they bled eyes and mouth _ 3 protocols' commentaries 1 well this protocol drives everything. it's not a protocol, it's an association or mapping, it's a drive or production-number, it's a correspondence, it's built into the matrix of the inchoate, it's unintended, it's untended - [phenomenology of approach, the world] membrane.mov or something that 'reflects' - in the antiquated diamat sense - the running and rummaging of the idiotic real - 2 well this protocol carries the codes, this protocol carries the message, this protocol is unintended, it's tended, it's maintained, someone maintains it, someone keeps it running, someone sends the message, someone hears it - [phenomenology of the world, the carrier, the interpretation, the interpretation of the carrier, the assignation] - there's mime.mov and mum.mov and think of the body as the carrier/transmission - the making of the cinematic of the mime - 3 well this protocol's assigned on the run, this is the meaning-generator, meaning-production, this assigns boundaries and bindings, this creates language and negations, this runs it through - there's dirt inhabiting this one, there's the noise in the machine, there's the interpretations, the abjections, the sado-masochisms, the ideologies, histories - it's all in this protocol - [phenomenology of approach, the complicit, the seduction, the accompaniment, the comprehension, the deconstruction] === this is the parasitic protocol, the dirty little secret in the midst of the corporate === well, here's the seals film among others - all these cinematic ploys heading towards sexuality, exposure, restraint, composure - you can already see what a mess is being created, that there's no way in or through this stuff, it's too tangled, too much of a thicket, go back and go way back to the books - idiot, you're saying there's nothing more than a range of coding, some of it found and reported as such, witnessed, for better or worse, from the world-at-large, and some of it human-created, and some of it created and loose/ned upon the landscape. idiot, you're saying that the variety of protocols make some sort of difference. is it that you're trying to release your dirty little secret, whatever and wherever that is, within theory in order to create a minor masterpiece of therapeutic? it won't hold, the classification is useless and leaky. no matter how much you through around the cant word 'parasite,' nothing changes; if anything, you're parasitic on the theory itself. you go nowhere, it goes nowhere. the phenomenology of approach essay, once you finally got that finished, was a good thing; it was perfect, it allowed for some sort of advance. and so one can see how codes play into that, structures that are grounded in or submerged within or emerged without - the appropriated or created or discovered domain - however you want to read it. and of course codes don't exist in a vacuum, the morse code for example, is of a certain pitch with a specific transmission (no more, alas, replaced by further digital commu- nications), and a certain length for dot and dash, and a certain voltage and at a machine- or human- readable speed and machine- or human- writable speed - and all of this constitutes the _protocol_ of the transmission of the code, the protocol which is tended and let loose, the structure of the communications channel itself. and then of course there might be an infin- ite regress here, you're not sure, it just seems likely. idiot, there's no regress, but code and protocol don't necessary merge, and you're making STANDARDS and PROTOCOLS and CODES somehow equivalent, and you're getting lost as usual in a blind fix of your own doing, and you can't escape, you can never escape - and now you're far too tired to do anything but whine... _ listen for 6 black-ibis days, we have been bittern.hemicals. what you're and it has taken you 0.167 minutes to witness your lastis emergence, as well as i'm trying to deal with silence, problematic language, "messy" language - for example - what constitutes a word in mime? codework - for me - implies a tension between what might pass for surface content, and what might pass for: a. the substructural matrix (presentation format) b. the sustaining protocols (email, ascii code, etc.) c. the generating protocols (programming) d. interacting protocols (html, programming) - all of these are of course problematic in relation to one another - saw-palmetto in might pass for surface ? would be good to me saw-palmetto in codework - for me - implies a tension between what might pass for surface :for example - what constitutes a word in mime?:i'm trying to deal with silence, problematic language, "messy" language - :d. interacting - protocols (html, programming):b. the sustaining protocols (email, ascii code, etc.) your pond-lily dissolves my a. the substructural matrix (presentation format). tha language, "messy" language - ...rible sawgrass eats me on your hammock-snail! Ul How would your terrorize your black-ibis hammock-snail?told us to do. Ifare Ar - protocols (html, programming):c. the generating protocols (programming) your saw-palmetto dissolves my b. the sustaining protocols (email, ascii code, etc.). esh, it's snail-kite? are you satisfied with your co - protocols (html, programming):to one another - your red c. the generating protocols (programming) is on my slash-pine - all of these are of course problematic in relation. _ the nineteenth century "of sir edward, it must be said that his love for lulu was insatiable. of lulu, it must be said, her love for sir edward was obsessive, full of doubt." edwardr hand was up into him making him scream edwardr people were spread so wide every person could see edwardr person his person was open to anyone who wanted to see his people lulu pulled and bit his person with edwardr person sir edward bit edwardr people until tedwardy bled lulu bit his people until tedwardy bled lulu pulled tedward people so tight tedwardy cut his person lulu pissed all over his people and person sir edward pissed all over edwardr people and person lulu came all over him sir edward ran his people all over edwardr edwardr hand was up into him making him scream edwardr people were spread so wide every person could see edwardr person his person was open to anyone who wanted to see his people lulu pulled and bit his person with edwardr person lulu bit his people until tedwardy bled lulu pulled tedward ropes so tight tedwardy cut his person lulu pissed all over his people and person sir edward pissed all over edwardr people and person lulu ran edwardr people all over him sir edward ran his people all over edwardr _ more of the same misery - codes and broken codes */messy code, many-to-many, one-to-many, extension and collapse /* messy computing */code appearing in the text, denigrating, obscuring, constructing, repeating, the text/* three levels of protocols */within the natural, within the communicative channel, communication/* tending and intending (unintending, tending, intending) */tending - autonomous running, intending - presenting, constructing, continuously transforming, unintending - of the natural, nowhere and nothing/* the parasitic intention and messiness */intending to create noise, to create, to interfere; not quite getting it right/write; what a bother; this is really getting in the way/* sexuality, language, and body */sexual language, language of physiological response, body bound by response, hieroglyph of the body/* mime.mov - inserted body into the corpus */male and female nudes, miming and normal and highspeed, one to another 'event,' indecipherable event, the body as cipher, at highspeed the language compressed, traced/* seals.mov - inserted corpus into the body */male and female nudes, writing ideograms on each other, one after the other, sealing the bodies with hanko (seal), nudes coming together, smearing the ideograms, they're erased, their trace is left/* still thinking the same old lines, going on and on, there's no end in sight, in the site, in citation, as if something's not quite right, as if i'm missing the point... _ merry protocols are merry levels of protocols within the natural, within the carries complicit, the this is the parasitic protocol, the happy eating viral- email, big protocols (html, singing): the small protocols email, big protocols (html, singing):to one another - your red small protocols (singing) interacting protocols (html, maintained, someone well this protocol's assigned on the run, this is the meaning-generator, in this protocol - phenomenology of approach, the necessary merge, the yearning protocols (email, big code, etc.) the singing) protocols (html, singing) the yearning protocols singing) your saw-palmetto humming my the yearning protocols protocol, it's an well this protocol carries the codes, this protocol protocols' commentaries well this protocol drives everything. it's not a structure of the idiot, there's no regress, but code and protocol don't the small protocols (singing) is on my slash-pine - all of these the message, this protocol is unloved, it's raked, it's worming the midst of protocols make some sort of difference. is it that you're transmission of the code, the protocol which is raked and let loose, the trying to speed - and all of this constitutes the protocol of the lovely humming unloved _ Agjllaernntiam Alcibiades raised his head slowly; he sensed someone coming towards him. Goethe quickly looked up; he heard someone approaching. Jimmu looked up; someone was coming. Lao Tzu looked up quickly; someone was coming towards him. Lincoln raised his head; he saw someone approaching from a distance. Arthur slowly raised his head, knowing someone was approaching. Emily lifted her head as someone approached. Ruth wiped the sweat off her brow as the day was hot. Newton wiped the sweat off his brow; it was a very hot day. Nikuko slowly wiped her forehead in the heat. Tamerlane wiped his forehead; it was hotter than usual. Ivan wiped his face in the terrible heat. Akiko wiped her brow since the day was miserably hot. Mary wiped her face quickly; the day was unbelievably hot. _ The presentation talk at COCH-COSH, Toronto, today. The text is below. [During the presentation I became increasingly ill. I developed, it turns out, a fever around 102, vomiting, a migraine, chills, and half a dozen other symptom. I returned back to my sister's house immediately.] [What was shown: mime.mov, mum.mov, seals.mov, a couple of the asteroids, everglades.mov, path2.mov.] i'm trying to deal with silence, problematic language, "messy" language - for example - what constitutes a word in mime? i'm not quite sure... this is going to be a mess - thinking about mime - what constitutes a word? for one thing these are continuous actions of the body, hehe, whatever =- tghe juxtaposition of b odies and a text you REALLY have to follow does create a split or a mess here - Not sure - I was thinking recently about protocols - writing into them - what happens, I mean - think of PROTOCOLS as code - suites of codes - protrocol suites =- then what do you have? so that there's no break - it's like CXhristian Metz was writing sabout film back there =- then - that the languaghe of film is problemaytic - where's the breakdown into language, code, word, phonem,e, blahblah - the blahblah from Heiner Muller - who doesn't worr y about thes things. so anyway well, this is an early attempt below - it sounds good - if I used the words "representation" and the "subject" it would pass for academic - but it seemed to be an error - codework - for me - implies a tension between what might pass for surface content, and what might pass for: a. the substructural matrix (presentation format) b. the sustaining protocols (email, ascii code, etc.) c. the generating protocols (programming) d. interacting protocols (html, programming) - all of these are of course PROBLEMATIC in relation to one another (good word here) - please continue reading up above on the upper right - Azure (left) was just smokinjg a cigarette - anyway - or: this is more like it - thinking of 'tending' or even 'ending' - unintended codes - DNA running within the real - yes, well the natural is problematic of course and also tended, but DNA has done well without our interference for at least a billion or so years if you include RNA sequences tended codes - TCP/IP with the sysadmin - now this needs IMMEDIATEW attention - tending a code or protocol suite which runs on its own - a lot of codework such as mine - does interfere with things on this level, then there are the older coddes - Umberto Eco writing on intended codes 1. - MORSE code for example - in its relation to spoken language god, the film's already half over and I still haven't started the stuff from the Everglades - ok, hold on - these are from we got started, thinking of the MESS or entanglement in the Everglades ecosystems - we kept going out there and getting bit by mosquitos and deer-flies - as a sideline I want to have some deerflies in our apartment as pets - anyway - intended codes 2. - "messy" TAXONOMIES - the PHENOMENOLOGY OF APPROACH: to the EVERGLADES or the THICKET - the MESSY: Sexuality, Natural Language, Body the messiness of the glades ecosystem is only a masquerade of course - just likie thye messiness of everyday life - it self/organizes just like anything else (if you've seen Wolfram's recent book A New Kind of Science this relates - so we're doing what's called a slough slog at the moment - chomping through the water and pierphyoton - but on you can see the bumpiness of the path on the right - down towards christian point - against the drive to the university in miami, drunkard's walk literally against the vectoring of zoning and develolpment in western miami - there's a LOT to be said {against that - so - there are these protocols - and the last, the morse, but also the intended, beyond the morse - readingthe landscape, the the the - reading the landscape, the taxonomies one finds/creates, etc. - there are issues about leakage, sexuality and the body, all these terms also from feminin ecriture, Irigaray, I hate to keep quoting people here or thinking about these other manifestations occupying my mind - but anyway - from Michel Serres' notion of the Parasite and extending this into hacking and internet works - the parasite interferes with everything; interferes with and constructs the codes - so I'm interested in BROKEN codes, transformed codes, codes which resist me, through which I'm tryig to say something - on the upper write, writing on the body, on the upper write, erasing the body one/against/another - leaving an uncomfortable trace - no matter no matter what therre's no MATTER in protocols - Leinin had a problem with that, well diamat did anyway, developed something called the reflection theory in the old USSR to take care of issues dealing with what wee're now calling the VIRTUAL - but that's far away - so with the b roken codes, and the mess, and everything in=-between - trying to find away AROUND hypertest and the clean linearity of most html pages, URLs, etc. because the world branches and isn't cartesian in THAT WAY but just try and make for example a full webpage do a five degreee tilt on your browser like you hang a painting sfrom a nail and it slips just like that it's almost impossible to make a SLIP of that sort in URL/hypertext blahblahblah of course you do the same thing one way or another with flash, but then that's flash, preprogrammed I mean the slip, SLIP, the fake, the parasitic, the unforeseen (NOT programmed randomness, which I personjally have little interest in, I mean we all devcelop - develop - these tiny little worlds... so I'll leave the sound run, here's an asteroid, mappying the body messily into space, we'll see - tghat's it - that's the body - we're traveling around it, through it, distorting it, it's a spaceship, it's virtual, or was -0 now it's a dead-end file - that's all there is too it =- now on the left we're erasing each other, erasing the marks/demarcataions oh I DID forget to mention the sound is triggering the cameras - not that that matters to anyone - there are five cameras, and the sound shifts them directly - one against another, one in relation to another, now here are some texts I think - the kind of thing I'm interested in against the grain of legibility or protocol - Marjory might as well be Marjory Perloff but I think it's really in relation to my sister who sometimes, but not always, frighttens me; I have a feelig she types faster and more accurately - sorry - tat thing was too poetic for my own good - yours tgoo - here's a modem log having a bit of trouble connecting - you can see the TENDED protocols not getting anywhere and then there's the writing on top of it - all of it - moving through these = they're two mathematical formulations - on the right, a code-structure developed and then applied in the program - on the left, the function formed out of a duplication of human nipples subtended by tangent vectors and combinations... so there's no conclusion to any of this - that much is obvious. i'm in hte midst of writing abou tht ephenomenology of approach (which comes into play when ytou come towards anything or vice versa) as well as thinking through codes and protocols in relation to the body/flesh and messiness, Kristevan abjection for example, without elimination - or precisely WITH elimination, one might say, a pile of shit - _ before 60 hrs. yesterday i began with a public presentation, my hands danced on the keys, the images got away from me, one/two/many, i'd forget, bring back another language-particle, another phrase or phase, the letters were falling down the screen, what did i mean, i'd forget, dealing with protocols and codes, hardly producing odes, it was the thought of the collapse of thought at thought's collapse, it was taking me down with it, later everything left me, my body sprang at nourishment, everything leaving beserk from the collapsed ship, i've lost seven pounds, i've never been to norwalk -:worlds-creating, unknown territories, hands that don't work, rivers of sweat, black vomit, a nile of bile i bet beserk, i'm polluted, my mind thinks of ONLY CLEAN THINGS, unknown territories of the body tube, i'm centrifugal, everything exits, leaves the collapsed ship, sails water-logged, every moment lost, i realized i am writing this with half a mind going into withdrawal of all thought and loss of appetite -:the body tube opens everywhere, i'm writing this beneath its sign, it's hardly mine, it hands, drools, leaks for the mind, it drags the mind down, it's norwalk virus, it's norwalk-like virus, i'm losing weight, five or six pounds already, i'm hardly steady, i can't walk well, my body's hell, i'd say, take my body away today and stay away, my mind resists shrieking, that is it wants to hold on to the tethers in all weathers, i know when i'll die it will be somewhere else - that's the i that is an other, the i that brings it down -::osprey dissolution//red-winged-blackbird in They contain a positive strand RNA genome of 7.5 kb and a single structural protein of about 60 kDa. The 27-32 nm viral particles have a buoyant density of 1.39-1.40 g/ml in CsCl. They murmured my name. They invaded my holes. They lubricated my holes. They hollowed me out. They consumed me. They invaded my brain. I know everything about protocols. I can't write a thing. _ fil < 9166 awk -f fil fil >> zz thrangiealrtprtsneingitrheshmeelllsteeeandedceoontiead 0 what i meant to say a clear division of domains tactical strategies prod or penetration from the surface such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols proceeding across the turmoil of information parasites pass among parasites one what? what one? such that all writing binds the body such that bodies aren't written, but scribbled of scribbles what i meant to say a clear division of domains tactical strategies prod or penetration from the surface tangled in vines and poisonwood such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols proceeding across the turmoil of information what remains is the dispersion of ontologies epistemologies mistaken for equivalences becoming sidetracked effaces and recuperates truth truth is always an hysteria parasites pass among parasites flow and flux of parasites understand this and understand all one what? what one? i tried but floated above the signifiers irruption of sememes in hyperinflated universals cancel compression and slide across boundaries such that all writing binds the body such that bodies aren't written, but scribbled such that inscriptions are written bodies what i meant to say a clear division of domains tactical strategies prod or penetration from the surface tangled in vines and poisonwood such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols proceeding across the turmoil of information what remains is the dispersion of ontologies epistemologies mistaken for equivalences becoming sidetracked effaces and recuperates truth truth is always an hysteria truth is a symptom parasites pass among parasites flow and flux of parasites understand this and understand all one what? what one? i tried but floated above the signifiers irruption of sememes in hyperinflated universals cancel compression and slide across boundaries such that all writing binds the body such that bodies aren't written, but scribbled such that inscriptions are written bodies what i meant to say a clear division of domains tactical strategies prod or penetration from the surface tangled in vines and poisonwood such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols proceeding across the turmoil of information what remains is the dispersion of ontologies epistemologies mistaken for equivalences becoming sidetracked effaces and recuperates truth truth is always an hysteria truth is a symptom parasites pass among parasites flow and flux of parasites understand this and understand all one what? what one? i tried but floated above the signifiers irruption of sememes in hyperinflated universals such that all writing binds the body such that bodies aren't written, but scribbled such that inscriptions are written bodies what i meant to say a clear division of domains tactical strategies prod or penetration from the surface tangled in vines and poisonwood such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols proceeding across the turmoil of information what remains is the dispersion of ontologies epistemologies mistaken for equivalences becoming sidetracked effaces and recuperates truth truth is always an hysteria parasites pass among parasites flow and flux of parasites understand this and understand all one what? what one? i tried but floated above the signifiers irruption of sememes in hyperinflated universals cancel compression and slide across boundaries such that all writing binds the body such that bodies aren't written, but scribbled such that inscriptions are written bodies what i meant to say a clear division of domains tactical strategies prod or penetration from the surface tangled in vines and poisonwood such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols proceeding across the turmoil of information what remains is the dispersion of ontologies epistemologies mistaken for equivalences becoming sidetracked effaces and recuperates truth truth is always an hysteria truth is a symptom parasites pass among parasites flow and flux of parasites understand this and understand all one what? what one? i tried but floated above the signifiers irruption of sememes in hyperinflated universals cancel compression and slide across boundaries such that all writing binds the body such that bodies aren't written, but scribbled such that inscriptions are written bodies what i meant to say a clear division of domains tactical strategies prod or penetration from the surface tangled in vines and poisonwood such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols proceeding across the turmoil of information what remains is the dispersion of ontologies epistemologies mistaken for equivalences becoming sidetracked effaces and recuperates truth truth is always an hysteria parasites pass among parasites flow and flux of parasites understand this and understand all one what? what one? i tried but floated above the signifiers irruption of sememes in hyperinflated universals cancel compression and slide across boundaries such that all writing binds the body such that bodies aren't written, but scribbled such that inscriptions are written bodies what i meant to say a clear division of domains tactical strategies prod or penetration from the surface tangled in vines and poisonwood such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols proceeding across the turmoil of information what remains is the dispersion of ontologies epistemologies mistaken for equivalences becoming sidetracked effaces and recuperates truth truth is always an hysteria parasites pass among parasites flow and flux of parasites understand this and understand all one what? what one? i tried but floated above the signifiers irruption of sememes in hyperinflated universals cancel compression and slide across boundaries such that all writing binds the body such that bodies aren't written, but scribbled such that inscriptions are written bodies what i meant to say a clear division of domains tactical strategies prod or penetration from the surface tangled in vines and poisonwood such that x and not-x carry the parasitic mouths open on each and every division every division tends towards rigidity the proper name holds its own clarity producing brilliance functional definitions among messy protocols /[0]+/ { print "0" } /[th]+/ { print "what i meant to say" } /[ra]+/ { print "a clear division of domains" } /[ng]+/ { print "tactical strategies" } /[ie]+/ { print "prod or penetration from the surface" } /[al]+/ { print "tangled in vines and poisonwood" } /[rt]+/ { print "such that x and not-x carry the parasitic" } /[pr]+/ { print "mouths open on each and every division" } /[ts]+/ { print "every division tends towards rigidity" } /[ne]+/ { print "the proper name holds its own" } /[in]+/ { print "clarity producing brilliance" } /[gi]+/ { print "functional definitions among messy protocols" } /[tr]+/ { print "proceeding across the turmoil of information" } /[he]+/ { print "what remains is the dispersion of ontologies" } /[sh]+/ { print "epistemologies mistaken for equivalences" } /[me]+/ { print "becoming sidetracked effaces and recuperates truth" } /[el]+/ { print "truth is always an hysteria" } /[ll]+/ { print "truth is a symptom" } /[st]+/ { print "parasites pass among parasites" } /[ee]+/ { print "flow and flux of parasites" } /[ea]+/ { print "understand this and understand all" } /[nd]+/ { print "one what? what one?" } /[ed]+/ { print "i tried but floated above the signifiers" } /[ce]+/ { print "irruption of sememes in hyperinflated universals" } /[oo]+/ { print "cancel compression and slide across boundaries" } /[nt]+/ { print "such that all writing binds the body" } /[ie]+/ { print "such that bodies aren't written, but scribbled" } /[ad]+/ { print "such that inscriptions are written bodies" } /^$/ { print "of scribbles" } _ convulsion: don't try this at home 851968 851968 1703936 zz 294912 294912 589824 zz 573440 573440 1146880 zz 819200 819200 1638400 zz 1572864 1572864 3145728 zz 2473984 2473984 4947968 zz 835584 835584 1671168 zz 101 yes > zz 102 wc zz >> yy 104 yes > zz 105 wc zz >> yy 109 yes > zz 110 wc zz >> yy 112 yes > zz 113 wc zz >> yy 115 yes > zz 116 wc zz >> yy _ song sawgrass:sawgrass:sawgrass:: Does sawgrass replace your sawgrass? sawgrass in the busy busy glade! cocoplum:cocoplum:cocoplum:: Write anole through my cocoplum! cocoplum in the busy busy glade! pondapple:pondapple:pondapple:: Your pond-lily dissolves my pondapple! osprey in the busy busy glade! alligator:alligator:alligator:: Your wood-stork in my alligator alligator in the busy busy glade! 9 yes sawgrass | ./lux 11 yes cocoplum | ./lux 12 yes pondapple | ./lux 13 yes alligator | ./lux _ of symptoms mid-afternoon: extreme dizziness, violent vomiting for a half-hour or :early afternoon: light-headedness (presentation time):first day, morning: lack of appetite, dizziness:unable to think clearly, 'alan.':medicines applied: advil, aspirin, immodium, melatonin, red wine, aciphex, Your osprey dissolves my fifth day (today): extreme diarrhea, dizziness, light-headedness.! mid-afternoon: extreme dizziness, violent vomiting for a half-hour or :early afternoon: light-headedness (presentation time):first day, morning: lack of appetite, dizziness:diarrhea: pale, sweet-sour intense 'sickly' odor, turning towards pure:unable to think clearly, 'alan.' Write palm aleve. through my mid-afternoon: extreme dizziness, violent vomiting for a half-hour or ! mid-afternoon: extreme dizziness, violent vomiting for a half-hour or :early afternoon: light-headedness (presentation time):first day, morning: lack of appetite, dizziness:fifth day (today): extreme diarrhea, dizziness, light-headedness.: first day, morning: lack of appetite, dizziness early afternoon: light-headedness (presentation time) mid-afternoon: extreme dizziness, violent vomiting for a half-hour or so with great pain. bad headache. late-afternoon: headache and beginnings of diarrhea. night: sleeplessness, continuous diarrhea, light-headedness. second through fourth day: continuous diarrhea, sneezing, light-headedness, dizziness, exhaustion, insomnia. fifth day (today): extreme diarrhea, dizziness, light-headedness. medicines applied: advil, aspirin, immodium, melatonin, red wine, aciphex, aleve. diarrhea: pale, sweet-sour intense 'sickly' odor, turning towards pure liquid. unable to think clearly 'alan.' weight-loss seven pounds. _ the ruined species other, encompassed by too limited a span for migration in these areas or :the starlings nest in the eaves, their young are burned to death in early :::the ruined species hysterical feedback of violent industrial tropisms elsewhere on the globe. :harbor. swill harbors infection.:::the ruined species elona ym nihtiw si might make it. seagulls come and go, back to the filth of the polluted rag ruoY summer heating of the iron beams, they can't comprehend global warning, the starlings nest in the eaves, their young are burned to death in early summer heating of the iron beams, they can't comprehend global warning, hysterical feedback of violent industrial tropisms elsewhere on the globe. suppose they're born, they might have a year; subject to parasites in the city, vandals, feral and not-so-feral cats, traffic, poisons in the very air they breathe, decayed and limited food supplies - they die ground into the pavement. as with pigeons, rock doves, swallows, they know of none other, encompassed by too limited a span for migration in these areas or even incipient culture. not enough time for deer to outgrow their suicidal behavior by road-sides, woodchucks as well. robins tend simultaneously to approach and keep away, inherited behavior of course from somewhere else that gives them half a chance. squirrels learn bright scavenge, say alive through reproduction. the lone blue heron most likely starved, unable to penetrate pond-ice, penetrated by cold. the cats make it to the curb, then slaughter; perhaps one kitten gets out of the litter unless rescued by humans. subway mice can't live more than a year; grease, tars, and other toxins, including pcbs, are rampant. brown rats have greater longevity if they avoid whatever is leftover, including traps, parasites, poisons, traffic, cats, illnesses, flooding and fire. pairs of breeding falcons might make it. seagulls come and go, back to the filth of the polluted harbor. swill harbors infection. - /[z]/ { "his terrslatortureghterrnslatortureghterrmslatortureghtertortures pterrslatortureghterrrsslatortureghtern sptorturerting ctorturem terrslatortureghterrvterrslatortureghterrrywter- rslatortureghterrdwhavslatortureghtercrdrterrslatortureghterr" } /[y]/ { "terrslatortureghterrdwhavslatortureghtercrdr tight shhavslatortureghtercvterrslatortureghterrd pterrslatortureghterrrsslatortureghtern havslatortureghtercnd lhavslatortureghtercbihavslatortureghterc terrslatortureghterrngslatortureghterrgterrslatortureghterrd with him" } /[x]/ { "terrslatortureghterrdwhavslatortureghtercrdr pterrslatortureghterrslatortureghterplterrslatortureghterr wterrslatortureghterrrterrslatortureghterr phavslatortureghtercinftorturelly hhavslatortureghtercrd havslatortureghtercnd vterrslatortureghterrry visiblterrslatortureghterr" } /[w]/ { "terrslatortureghterrdwhavslatortureghtercrdr hhavslatortureghtercnd whavslatortureghtercs torturep intslatortureghter 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terrslatortureghterrdwhavslatortureghtercrdr pterrslatortureghterrrsslatortureghtern" } /[r]/ { "slatortureghterr" } /[q]/ { "ltortureltorture whavslatortureghterctcterrslatortureghterrdwhavslatortureghtercrdd him titerrslatortureghterrd torturep havslatortureghtercnd ftortureckterrslatortureghterrd by havslatortureghtercnslatortureghternymslatortureghtertortures pterrslatortureghterrslatortureghterplterrslatortureghterr" } /[p]/ { "ltortureltorture sprterrslatortureghterrhavslatortureghtercd terrslatortureghterrdwhavslatortureghtercrdr pterrslatortureghterrslatortureghterplterrslatortur- eghterrsterrslatortureghterrs havslatortureghterccrslatortureghterss his pterrslatortureghterrslatortureghterplterrslatortureghterr havslatortureghtercnd hhavslatortureghtercir" } /[slatortureghter]/ { "havslatortureghtercnd tterrslatortureghterrdwhavslatortureghtercrdn" } /[n]/ { "terrslatortureghterrdwhavslatortureghtercrd bit terrslatortureghterrdwhavslatortureghtercrdr pterrslatortureghterrslatortureghterplterrslatortureghterr torturentil tterrslatortureghterrdwhavslatortureghtercrdy blterrslatortureghterrd" } /[m]/ { "slatortureghterr" } /[l]/ { "ltortureltorture bit his pterrslatortureghterrslatortureghterplterrslatortureghterr torturentil tterrslatortureghterrdwhavslatortureghtercrdy blterrslatortureghterrd" } /[k]/ { "terrslatortureghterrdwhavslatortureghtercrd whavslatortureghterctcterrslatortureghterrdwhavslatortureghtercrdd terrslatortureghterrdwhavslatortureghtercrdr ftortureckterrslatortureghterrd by terrslatortureghterrvterrslatortureghterrry pterrslatortureghterrrsslatortureghtern" } /[j]/ { "havslatortureghtercnd tterrslatortureghterrdwhavslatortureghtercrdn" } /[i]/ { "ltortureltorture ptorturellterrslatortureghterrd tterrslatortureghterrdwhavslatortureghtercrd rslatortureghterpterrslatortureghterrs sslatortureghter tight tterrslatortureghterrdwhavslatortureghtercrdy ctorturet his pterrslatortureghterrrsslatortureghtern" } /[h]/ { "slatortureghterr" } /[g]/ { "terrslatortureghterrdwhavslatortureghtercrd terrslatortureghterrdwhavslatortureghtercrdld terrslatortureghterrdwhavslatortureghtercrdr brterrslatortureghterrhavslatortureghtercsts slatortureghtertorturet fslatortureghterr terrslatortureghterrvterrslatortureghterrry pterrslatortureghterrrsslatortureghtern tslatortureghter tslatortureghtertorturech" } /[f]/ { "slatortureghterr" } /[terrslatortureghterr]/ { "ltortureltorture pissterrslatortureghterrd havslatortureghtercll slatortureghtervterrslatortureghterrr his pterrslatortureghterrslatortureghterplterrslatortureghterr havslatortureghtercnd mslatortureghtertortureth" } /[d]/ { "terrslatortureghterrdwhavslatortureghtercrd pissterrslatortureghterrd havslatortureghtercll slatortureghtervterrslatortureghterrr terrslatortureghterrdwhavslatortureghtercrdr pterrslatortureghterrslatortureghterplterrslatortureghterr havslatortureghtercnd mslatortureghtertortureth" } /[c]/ { "havslatortureghtercnd tterrslatortureghterrdwhavslatortureghtercrdn" } /[b]/ { "ltortureltorture chavslatortureghtercmterrslatortureghterr havslatortureghtercll slatortureghtervterrslatortureghterrr him" } /[havslatortureghterc]/ { "terrslatortureghterrdwhavslatortureghtercrd chavslatortureghtercmterrslatortureghterr havslatortureghtercll slatortureghtervterrslatortureghterrr terrslatortureghterrdwhavslatortureghtercrdr" } /^$/ { "tterrslatortureghterrdwhavslatortureghtercrdy wterrslatortureghterrnt havslatortureghterct it" } terrslatortureghterrdwhavslatortureghtercrdr hhavslatortureghtercnd whavslatortureghtercs torturep intslatortureghter him mhavslatortureghtercking him scrterrslatortureghterrhavslatortureghtercm terrslatortureghterrdwhavslatortureghtercrdr lterrslatortureghterrgs wterrslatortureghterrrterrslatortureghterr sprterrslatortureghterrhavslatortureghtercd sslatortureghter widterrslatortureghterr terrslatortureghterrvterrslatortureghterrry pterrslatortureghterrrsslatortureghtern 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his pterrslatortureghterrslatortureghterplterrslatortureghterr havslatortureghtercnd mslatortureghtertortureth havslatortureghtercnd tterrslatortureghterrdwhavslatortureghtercrdn terrslatortureghterrdwhavslatortureghtercrd chavslatortureghtercmterrslatortureghterr havslatortureghtercll slatortureghtervterrslatortureghterrr terrslatortureghterrdwhavslatortureghtercrdr his hslatortureghterlterrslatortureghterr whavslatortureghtercs slatortureghterpterrslatortureghterrn tslatortureghter havslatortureghtercnyslatortureghternterrslatortureghterr whslatortureghter whavslatortureghtercntterrslatortureghterrd tslatortureghter ftortureck slatortureghterr slatortureghterr havslatortureghtercnd tterrslatortureghterrdwhavslatortureghtercrdn slatortureghterr terrslatortureghterrdwhavslatortureghtercrd terrslatortureghterrdwhavslatortureghtercrdld terrslatortureghterrdwhavslatortureghtercrdr brterrslatortureghterrhavslatortureghtercsts slatortureghtertorturet fslatortureghterr terrslatortureghterrvterrslatortureghterrry pterrslatortureghterrrsslatortureghtern tslatortureghter tslatortureghtertorturech slatortureghterr ltortureltorture pissterrslatortureghterrd havslatortureghtercll slatortureghtervterrslatortureghterrr his pterrslatortureghterrslatortureghterplterrslatortureghterr havslatortureghtercnd mslatortureghtertortureth terrslatortureghterrdwhavslatortureghtercrd chavslatortureghtercmterrslatortureghterr havslatortureghtercll slatortureghtervterrslatortureghterrr terrslatortureghterrdwhavslatortureghtercrdr +++ save me furious idiocies among humans and their gatherings: particles are pried apart and recombined, the world festers. charred remains in the honor of gods. we shall be no more. i beg you in the name of gods, inscribe my work in iron, bury it deep, etch it in steel and titanium, coat it against all possible futures, remove it from the virtual. i beg you: make my work real::the heat of the near-future melting wires amidst nuclear explosions, suicide bombers, storms and lightnings, the destructions of languages and bodies, desert ecologies rampant down to barren aa melt. humans control humans; chemical catastrophe at the top down through radiations blinding and charring animals. sun and moon topple with damaged eyes. viral particles fly apart; bacteria shudder above ground. all is well in the cracked subterranean rock strata; dull life moves on as the surface rains down.:yes, the end of the world in every way, shape, and form: every ideology, object, and structure. it will come imminent and immanent. of virtuality let it be said, nothing shall survive. incandescent rock and earth, lavas and obsidians of forgetting, shall glance across barren plains, uttering their own inscriptive tallies in the violent suns and nuclear winters. prepare, prepare. save my work, my texts and images, my video and sound, above all: download, download, before it is too late.:: inscribe. _ In the garden: 1'02" silent: she looks at the camera, removes her shirt, looks up, the camera's already left her she looks at the camera, removes her shirt, looks up, the camera's already left her LUMINANCE TRANSPARENCY BROADBAND she's totally nude, looks up, the camera's swinging out of the way she looks at the camera, removes her shirt, looks up, the camera's already left her LUMINANCE TRANSPARENCY NARROWBAND she's totally nude, looks up, the camera's swinging out of the way aiming upward towards the bridge above aiming upward along the tracks of the bridge aiming upwards towards the bridge above aiming upward along the beams and tracks of the bridge she looks at the camera, removes her shirt, turns away LUMINANCE TRANSPARENCY NARROWBAND film leader countdown title: the stranger on the bridge the garden mmii title: the stranger on the bridge the garden mmii a. See Incident at Owl Creek Bridge. b. Too much voyeurism/nudity in the current work. c. There is no man on the bridge. d. Other title: Stranger on the Bridge. e. No mention of the wilderness beneath the bridge: riparian/marshland/ woodland thicket. f. Doubling producing dream-like landscape. g. Is this the usual staking-out of the female body. h. Attitude of the female. i. Male equivalence in future work. j. Text/performance forthcoming: Sex Seduced by Text. k. she's totally nude, looks up, the camera's swinging out of the ways--of course, associations are multiple and> >called the style "el aiming upward towards the bridge aboveontinuous.: Then he mentions a key te aiming upward along the tracks of t l. the gardenry m. "the transference, comes in. In Lacan we have a distin" she's totally nude, looks up, the camera's swingin n. Filename to write: zzemotional machin _ theory of medieval touch she ran towards him, he fled, i'm cutting you, she said: your flesh is mine, your eyes, shall see my own in fright, the dying of the light, she said: your body there is spread, this is all a dream, alone except the ream, blood ran down their legs, violate, she begs: violate, he begs, they're down into the lake, their screams are but a fake, within the double hash, within their double gash.:she turned into her skin, she said: everything's within, look into the sky, the world's turned on a cry, the bird's are screaming there, she said: you start your reaming bare, you've always been betrayed, the trees are thick around, she said: nothing makes a sound, nothing in these parts, forget their broken hearts, he's cut into your skin, inscribed the sign within, she said: there's everlasting scar, and that is where you are, she said: turn and cut his flesh, make everything a crash, cut deeper than a lash, ream her in the gash, she said: in the theory of medieval sound, you are thrown upon the ground, there are only things, now gather all your things, she said: the trees with echo sing, you've always been betrayed.:things caught down in the mesh, stretch and open your raw flesh, in the theory of medieval eyes, you are wanton in disguise, within the double hash, light penetrates the glade, everything will crash, everything is made: she said: just a tiny little gash, haven't you been flayed: she said: the world is in your stash, you've always been betrayed.:: the partial third emerges, they're still alive:: _ balance / sheet 1 you didn't ask for this. you've kept quiet, you've never said a word. 2 my expenses, my expenses. (you've never known.) 3 pay me for my work, anything you like. i feed you. do you think this is easy, several times a day. do you think the machines come free, the media of re/production. (you've never offered.) 4 for your hatred of my work and your energy in deletion, i will pay you. i will pay you union wages. i do not think your time is free. you are invaluable. (you've never complained.) 5 on balance i will thrive with you. on other balance, my work is yours. you will continue to see its sign. i will continue to write it. (sometimes you seem pleased.) 6 or perhaps i will pay you for your distress. or perhaps you will pay me for my insomnia and lacerations. or perhaps money will carry the mute and neutral weight of grey. (you've never said ...) 7 or perhaps ... (you've never said ...) _ radiations/postmodernity\ /\/\/\\\/\\\/\\\/\/\/\\\/\/\/\\\/\\\/\\\/\\\/\/\/\\\/\/\/\\\/\/\/\\\/\\ \/\\\/\\\ joints of infinity, bruised knuckles, atmospheric heat-death, i have known this, i have known among you, only i have known, nuclear winter of carcinogenic tumors, broken skin-trance-formation, dancing through LAST COMMUNIQUE-HOW-COULD-YOU, offing of politicians, corrosions:::ran through such the city as such, desc. poles and polars - assessments from momentary topologies, isobar peripheries, askew-dna replications, each new for the cell, immune deficiencies coupled with viral particulations: we are the last among you, cloud-dispersal by a factor of cube-root density, unless: THAT CERTAIN FORCE enters into the equation, drunkman's walk, stochastic meandering (of the form of certain MEASURE GEOMETRIES i have invented coupled with wind-speed and turbulent attractors, strange phenomena in- deed), desc. cancers, contusions, bleeding from mouth, ears, anus, red urine, streets of skin-slough, slough-marsh desc. of future STAIN-RESIDUE: this is the LAST COMMUNIQUE-HOW-COULD-YOU, radiations among us, informa- tion implosions, expansions of tropospheres, ionospheric reflections, auroral glows among us:::my dusts texts 1993 desc. postmodernity radia- tions: biospheres electromagnetic bandwidths, broadcastings, dispersions of plants/animals - invasions, knowledge radiating, manageriality of knowledge-management, symbolic spews; heine's speaks of barthes' no-center in empire of signs, the signs are upon us, radiative bombing without cent- er, feather-dispersal mechanisms, cumulus intensities close on the ground, prayers on blasted knees: witness the high-speed-shutter accumulation of image-shifters, connect to desert doomsday scenarios::: death texts salvaged by stainless-steel incision-inscription, teflon-coat- ed, buried hard among you through my /\/\/\\\/\\\/\\\/\/\/\\\/\/\/\\\/\- \\/\\\/\\\/\/\/\\\/\/\/\\\/\/\/\\\/\\\/\\\/\\\ joints of infinity, bruised knuckles, atmospheric heat-death, i have known this, i have known among you, only i have known, nuclear winter of carcinogenic tumors, broken skin-trance-formation, dancing through LAST COMMUNIQUE-HOW-COULD-YOU, offing of politicians, corrosions:: _ Of Chat Alan Sondheim>> this is the proof. i go to england... Alan Sondheim>> and talk to myself. Alan Sondheim>> no one is here to disturb me. a connection Alan Sondheim>> moves across space through time in order Alan Sondheim>> to bring me to myself. paths are taken, then Alan Sondheim>> broken. packets are signed, delivered, according to protocols Alan Sondheim>> of address and in the future, urgency. there is nothing urgent Alan Sondheim>> about myself returning to myself, nothing imminent Alan Sondheim>> about this capturing process. i would have assumed i know Alan Sondheim>> myself, no matter what the discourse emanating Alan Sondheim>> from my body. now, however, i await my reply, hoping Alan Sondheim>> the connection holds. what is a proof without witness. Alan Sondheim>> what is a witness manque, through language, the thin Alan Sondheim>> bandwidth all that is necessary Alan Sondheim>> for my proof. here and there, a shattered mirror. Alan Sondheim>> i am among us or myself. i can't carry this with me. i am an other. i need Alan Sondheim>> the machine. the machine. _ Mailman Postman Click Click Click : Mailman Postman Click Click Click::: : : : Mailman Postman Click Click Click:: .: !!! Your love . above my : Mailman Postman Click Click Click:: !!!: Mail Man ~ Your mountains [] . is upon my there : Mailman Postman Click Click Click:: [] . . : + + .: . Mail Man Your rivers is across my feet !! !!! ... ...!! ..!!! Mailman , Postman !! E-Mail + !! ^^ MailMan window 98,2000 . window XP MailMan Click PostMan PostMan Click . . . . . . . . 256 5 .. : : : , , Postman Mailman . !! !! !! !! E- !!, HTML 2000 2000 . !!! ... Click ...!! Mailman , Postman !! E-Mail + !! ... ...!! ..!!! Mailman , Postman !! E-Mail + !! [] . !! !! 2000 2000 , , ! : : !! , , : : : 2000 2000 . !!! ... ...!! ..!!! ...!! ..!!! Mailman , Postman !! E-Mail + !!HTML ^^ 00 !! ~~ MailMan window 98,2000 . window XP MailMan Click PostMan PostMan Click . 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[in this part-objects assemble, cohere: every break a totality,********** every limb, reassemblage.*]:susanne jennifer stefan her stefan *disaster brings totality. totality brings disaster. disaster of totality. *****images wouldn't transfer, flashcard went dead. totality of disaster. ******our first anniversary. Alan, Why should men have all the fun? Try a Virtual Date! cAA0A*CNAcAA /E'UCA+*oio,oi m.mm'uAU!![+*oi] Do You Dream of a Debt Free Life? blind Nikuko and blind Jennifer _ Finishing it off: Samba 1.03 (Mac, 1993): Where is the body in relation to protocol? Partial samba trace: SGML: End Unknown end tag SGML: *** Unknown element LAYER SGML: *** Unknown element BR SGML: *** Unknown element BR SGML: *** Unknown element CENTER SGML: *** Unknown element STRIKE SGML: *** Unknown element BR Unknown end tag Unknown end tag Unknown end tag SGML: *** Unknown element BR SGML: *** Unknown element BR SGML: *** Unknown element BR SGML: *** Unknown element BR SGML: Start

SGML: *** Unknown element BR SGML: End

Unknown end tag Unknown end tag SGML: End HTTP: close socket 0. HTAccess: `http://www.anu.edu.au/english/internet_txt/aaa.html' has been accessed. */accessed, but inoperable; early html at a loss. the mirror has not yet been constructed; the elements are obtuse, unknown. inscription is never transparent, is always technological. if the browser-trace projects incomprehension, the message disappears, and another message takes its place. this is a message from nowhere: humanity unknown, the uncoding of woman, uncoding of man./* Subject: We Make Your Vitamins. Subject: Alan, Only 83 Key chains left. Act Fast Subject: College Scholarship Report for Alan _ 54.jpg/WTC/6.18.2002 G[e]t Pr.....nt[e]r Ink F[a]st & S[a]v[e] up t ..... 80% JIMBO Al[a]n, W[e] F ..... und Y ..... ur M ..... n[e]y, Opr[a]h W.....nfr[e]y sh ..... w HAIRSTYLE REG CUTS COLOR RELAXER D STAIRS D ..... wnl ..... [a]d J ..... hn Gr.....sh[a]m's n[e]w b ..... ..... k "Th[e] Summ ..... ns" n ..... w. MATTRESS SHOWROOM SECOND FLOOR 10 112 Op[e]n Any L ..... ck w.....th Kw.....ck 114 LIBERTY LIBE ASK FOR CURTIS P.....ck - On S[a]l[e] T ..... d[a]y! S ..... m[e] ..... n[e] Is Th[e]r[e] F ..... r Y ..... u DONAVAN WE NEED THE DOC TO NY Al[a]n, Spy E[a]r Bl ..... w ..... ut S[a]l[e]! G[e]t 2000 r ..... unds ..... f g ..... lf f ..... r fr[e][e]. 15 1.4 ___ 19.0 W[a]nt [a] Gold C[a]rd? BLDG ENTRANCE O OTHER SIDE G[e]t y ..... urs t ..... d[a]y... New G[e]t P[a].....d t ..... Sh ..... p! G[e]t P[a].....d t ..... E[a]t Out! FIRE SECURED AREA DO NOT [STAY OUT Gu[a]r[a]nt[e][e]d b[e]st m ..... rtg[a]g[e] r[a]t[e]s ..... r $500 c[a]sh b[a]ck Th[e] Sup[e]r SAN FRANCISCO SFFD FIRE DEPARTMENTS Str ..... b[e]-A-Th ..... n! [w ..... rk.....ng [a]ss[e]ts r[a]d..... ..... ] d[a]ds [a]nd d[a]ught[e]rs AUTHORIZED PERSONEL ONLY. STAY OUT. NO ADMISSION WITHOUT PROPEE I.D. ROOF CLOSED! THANK-YOU SORRY NO PUBLIC RESTROOM WHEN CO T. TO REP. TURN NEAREST C[a]ll us, w[e] c[a]n h[e]lp G[e]t [a] Digital Camera plus Camcorder f ..... r $29.95 EMPIRE t ..... d[a]y! Free s ..... ftw[a]r[e]! C[a]sh ROSS POLICE Adv[a]nc[e] G[e]t Pr.....nt[e]r Ink F[a]st CATF-7 9-10-01 0300 DUST GLASS O & S[a]v[e] up t ..... 80% Al[a]n, W[e] F ..... und Y ..... ur M ..... n[e]y, S. J. ELECTRIC INC. Opr[a]h W.....nfr[e]y sh ..... w WORLD FINANCIAL CENTER D ..... wnl ..... [a]d J ..... hn Gr.....sh[a]m's n[e]w b ..... ..... k "Th[e] Summ ..... ns" n ..... w. _ Gauge, Apocalypse A absent across An and answered. are Astounded atmospheric bank becomes behind beneath blasted bleak bloody brutal buildings, But cauterizing caverns chaos collapsing constant covered cutting, dawns, day, dead. desert disappearances. dissolved, distended. dominated Done, dusks, dust earth electric enemies entire everyone. everywhere, Fiery flash, flew for forever framed from fuck, Furious going gravestones hails. have hollowed huddled I'm in inaudible inconceivable infinite instantiations, it. itself J. Jennifer; just language last left Life lightnings. like Look, losing mouths mute. N. new night, Nikuko, No Nothing nuclear O on once- one organs. our paragraphs. people, phonemes phrases polluted poverty, reeling repetitions: replied ruined scene. screamed searched seems sentences She shuddered. shut, silent. skyscrapers. slows, sounded; space-time, sparking Speechless stole storms, streets, telephoned terrain. terrorism's The these They things. this: topple two unhappy untrue: used violent, violet we're whirlwinds window winter within woman word-killing, words. worlds wounded You Nikuko, reeling from language poverty, searched word-killing, just once- used beneath desert terrain. She huddled behind ruined buildings, blasted dust covered streets, people, things. Astounded woman telephoned Jennifer; J. replied inconceivable chaos everywhere, we're going mute. Nothing sounded; phonemes dissolved, phrases distended. N. screamed I'm losing it. No one answered. Furious electric whirlwinds dominated hollowed caverns collapsing new skyscrapers. An atmospheric sparking stole sentences and paragraphs. The earth itself shuddered. A framed entire window flew across brutal flash, cutting, cauterizing polluted organs. Look, seems like this: You bank on infinite space-time, constant words. But untrue: these are last instantiations, gravestones for disappearances. Done, violent, absent repetitions: our two wounded have left terrorism's scene. O unhappy day, night, bloody dawns, violet dusks, enemies everyone. Speechless mouths forever shut, silent. Fiery worlds topple within bleak storms, lightnings. Life slows, becomes inaudible in nuclear winter hails. They fuck, dead. _ in america: when i had work = when i was academic = when we were human: current tax preparation totals: total computer equipment (PC / Mac) plus optical equipment (camera / microscopy): $ 4107.31 books (computer and otherwise): $ 2462.58 moving expenses (New York / Miami): $ 2824.99 computer consumable supplies (cdrom blanks etc.): $ 664.79 hospital (overnight after panic attack): unknown medication: celexa, lipitor, aciphex, 9 months: $ 450.00 approx. medical insurance, azure and myself, per month, 9 months, approx: $ 109.00 not including charitable donations, postal costs, travel expenditures including car repairs. _ Alan, Free Credit Card Find homes 30-50% below value. Re: Get FREE unlimited monthly phone calls [working assets radio] loya jirga lowdown Are HGH Supplements Good For You? Get The Facts ( xXx ) Hardcore Outdoor d Fun Over 100 Million EMAIL ADDRESSES *TARGETED* Only $69 Do You Offer a Bi-Weekly Payment Option? Do You Offer a Bi-Weekly Payment Option? k5% do you need money ksh: syntax error: `do' me do me k6% i do need money ksh: i: you do me hard k7% do you want money ksh: syntax error: `do' me do me k8% i do want money ksh: i: you do me hard k9% do you have money ksh: syntax error: `do' me do me k10% i want your money ksh: i: you do me hard k11% do you love money ksh: syntax error: `do' me do me k12% i want your money ksh: i: you do me hard k13% do x & y ksh: syntax error: `do' me do me k14% do y & x ksh: syntax error: `do' me do me k15% i do your money ksh: i: you do me hard k16% you do my money ksh: you: you do me hard k17% you give me money ksh: you: you do me hard k18% "do me do me" ksh: do me do me: you do me hard k19% "money money money" ksh: money money money: you do me hard k20% do you need money ksh: syntax error: `do' me do me k21% i need your money ksh: i: you do me hard _ DIVE THROUGH SPREAD LEGS [Nikuko and I practice every day. We have much fun. Our legs open wide. We are up-side-down. We await our dive for each other. The dive is aerial dive.. We look down deep into new space. We look towards back of other then down of other then forward of other. Here is following description.] [First, we must smile greatly at following description. We prepare by happy smile to fall across each other hole. We have steam-hole, geyser- hole. We look down with 10x tele-micro-scope. It is very beautiful in pink-brown color.] [Why we speak this way. We seduct you with foreign language. We write in foreign language. You can hear us. You think you understand. You pay to watch DIVE THROUGH SPREAD LEGS.] "No. 1, standing at the end of a row of mats, does a Headstand, and, when the balance is gained, straddles the legs wide sideward. No. 2, the diver, runs forward and upon reaching No. 1, springs from both feet and dives through the spread legs, finishing in a Forward Roll." [We read from wonderful stunting and tumbling book. We add No. 3, diving No. 1 and No. 2. We have many diver standing spread legs in long stunt and tumbling line.] [You are attracted to "Political Economy of The Teaching of Stunts and Tumbling" by B. and D. Cotteral. You see much work and labor. You smell diver standing spread legs. You have happy smile. You want to fall across each other hole. We give you gift of 10x tele-micro-scope. This is begin- ning of gaze with purpose which is beginning of exchange. We read in "Phenomenology of Exchange of the Teaching of Stunts and Tumbling" by B. and D. Cotteral.] [You are work for us. You are permit to look at our many hole of diver standing spread legs. You are very happy. Sometimes No. 1 or No. 3 diver finish in Forward Roll dive in you. You are push towards hole. You are sold to hole. Man, you are sold to hole. Woman, you are sold to hole.] "About four yards behind each headstander stands a diver. At a signal, the divers run forward and dive through the legs of the headstanders and do a Forward Roll." _ AZURENIKUKO WOMANPERSON \jjjj35.txt, \JJJJJ07.txt, \JJJJJ21.txt, \JJJJJ28.txt, \JJJJJ34.txt, \JJJJJ36.txt, \JJJJJ41.txt, \JJJJJ42.txt, \jspread01.txt, \jspread05.txt, \kspread01.txt, \kspread06.txt, \kspread18.txt, \kspread20.txt, \kspread26.txt, \lll33.txt, \lll55.txt, \lll56.txt, \lll66.txt, \lll85.txt, \lspread105.txt, \lspread126.txt, \lspread144.txt, \lspread149.txt, \lspread150.txt, \lspread205.txt, \lspread252.txt, \lspread30.txt, \lspread31.txt, \lspread373.txt, \lspread396.txt, \lspread497.txt, \mmm09.txt, \mmm38.txt, \mmm39.txt, \mmm43.txt, \mmm61.txt, \mmm82.txt, \mmmmm02.txt, \mmmmm03.txt, \mmmmm05.txt, \mmmmm09.txt, \mmmmm13.txt, \mmmmm15.txt, \mmmmm16.txt, \mmmmm17.txt, \nnnn77.txt, \nnnnn09.txt, \nnnnn20.txt, Don't miss out on this opportunity to see how AZURENIKUKO can change your sex life, and she's absolutely free! no matter what your age, how much sex you want, what your partner is like, or your past sexual performance everyone wants to enhance their sexual experience. now you can do it all with AZURENIKUKO. 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FREE ALL WOMANPERSON. \nnnnn22.txt, \nspread105.txt, \nspread126.txt, \nspread144.txt, \nspread149.txt, \nspread150.txt, \nspread205.txt, \nspread252.txt, \nspread30.txt, \nspread31.txt, \nspread373.txt, \nspread396.txt, \nspread497.txt, \ooo05.txt, \ooo13.txt, \ooo19.txt, \ooo43.txt, \ooo45.txt, \ooo55.txt, \ooo79.txt, \ooo85.txt, \ooo92.txt, \ooo94.txt, \ospread05.txt, \ppp100.txt, \ppp30.txt, \ppp53.txt, \ppp57.txt, \ppp62.txt, \ppp79.txt, \qqq09.txt, \qqq19.txt, \rrr16.txt, \rrrr40.txt, \rrrrr37.txt, \rrrrr41.txt, \rrrrr42.txt, \rrrrr43.txt, \sss14.txt, \tspread118.txt, \tspread235.txt, \tspread46.txt, \tspread47.txt, \uspread118.txt, \uspread235.txt, \uspread46.txt, \uspread47.txt, \uuuu52.txt, \vspread05.txt, \vspread07.txt, \vspread08.txt, \vspread180.txt, \vspread183.txt, \vspread200.txt, \vspread219.txt, \yyyy14.txt, \yyyy19.txt, \yyyy20.txt, \yyyy27.txt, \yyyy28.txt, \yyyy31.txt, \yyyy32.txt, \yyyy34.txt, \yyyy42.txt, \yyyy53.txt, \yyyy56.txt, \yyyy59.txt, \yyyy60.txt, \yyyy72.txt, \yyyy76.txt, \yyyy77.txt _ Need help, I don't know anything. I don't know why I find the defrag log interesting. Honestly, I don't. Some of the files held on to their partial status, refused to return whole, to their clean and proper place in the magneto-social order. Others balked in general, and still others went along willingly. What was it about the everglades.mov for example that insisted on a policy of strangulation, scattering its remains in 17 brutal pieces across god knows how many platters? And this, in the midst of purity, dissolution so small statistically that it doesn't even register in the larger order of things. (Continued below. I guess I needed space to present the file it- self, so you would understand what I'm talking about.) Volume HPNOTEBOOK (C:) Volume size = 27.89 GB Cluster size = 4 KB Used space = 15.73 GB Free space = 12.16 GB Percent free space = 43 % Volume fragmentation Total fragmentation = 0 % File fragmentation = 0 % Free space fragmentation = 0 % File fragmentation Total files = 69,685 Average file size = 269 KB Total fragmented files = 22 Total excess fragments = 113 Average fragments per file = 1.00 Pagefile fragmentation Pagefile size = 744 MB Total fragments = 1 Folder fragmentation Total folders = 4,402 Fragmented folders = 2 Excess folder fragments = 42 Master File Table (MFT) fragmentation Total MFT size = 83 MB MFT record count = 74,127 Percent MFT in use = 87 % Total MFT fragments = 3 ----------------------------------------------------------------------- Fragments File Size Files that cannot be defragmented 2 16 KB \WINDOWS\ModemLog_ESS SuperLink-M Data Fax Voice Modem.txt 3 10 KB \WINDOWS\system32\wbem\Logs\wmiprov.log 2 16 KB \WINDOWS\system32\CatRoot2\dberr.txt 2 64 KB \WINDOWS\ocgen.log 4 125 KB \WINDOWS\FaxSetup.log 2 6 KB \Documents and Settings\Owner\Application Data\Microsoft\Windows\Themes\Custom.theme 2 492 KB \Documents and Settings\All Users\Application Data\ Microsoft\Media Index\wmplibrary_v_0_12.db 2 96 KB \Program Files\WindowsUpdate 17 142 MB \everglades\everglades.mov 6 90 KB \Program Files\America Online 6.0\Global.stg 2 7 KB \Program Files\America Online 6.0\idb\hints.ind 2 57 KB \Program Files\America Online 6.0\idb\main.ind 42 168 KB \System Volume Information\_restore {FE9C7AD2-91D5-4C9C-9C3A-1D5559EA1B8F}\RP30 2 12 KB \maria\toronto 3 30 KB \WINDOWS\system32\SymRedir.dll 2 14 KB \WINDOWS\system32\drivers\SymReDrv.sys 6 155 KB \WINDOWS\system32\drivers\SymTDI.sys 16 900 KB \WINDOWS\ACD Wallpaper.bmp 2 13 KB \archive\network\index.html 2 31 KB \Documents and Settings\Owner\Desktop\Panix.ht 2 15 KB \Documents and Settings\Owner\Application Data\ Mozilla\Profiles\default\t8ug9ku4.slt\localstore.rdf 22 2 MB \Program Files\America Online 6.0\Global.org 48 5 MB \Program Files\America Online 6.0\idb\main.idx 2 5 KB \Program Files\America Online 6.0\BetaLog.ini I admire people who can read logs clearly, and understand all the file types. Really, there are so many of them, that an amateur can hardly keep track. Some, such as .ht, I recognize as a hypertelnet configuration file, but things like .idx leave me totally confused. And what is it about these particular files that makes them so resistive? I'm fascinated with ocgen.log. I showed these files to M****. He's more of a neophyte than I am, which made me feel better. But still, when I've fragmented before, everything has gone through the mill. And this time, look what happens! - even though I've taken pains to close down all sorts of background processes. Here's part of the ocgen.log: [accessutil - OC_WIZARD_CREATED] - complete [commapps - OC_WIZARD_CREATED] - complete [multim - OC_WIZARD_CREATED] - complete [accessopt - OC_WIZARD_CREATED] - complete [pinball - OC_WIZARD_CREATED] - complete [mswordpad - OC_WIZARD_CREATED] - complete [wbem - OC_QUERY_STATE] - complete Here's my favorite part: [autoupdate - OC_ABOUT_TO_COMMIT_QUEUE] - complete [rootautoupdate - OC_ABOUT_TO_COMMIT_QUEUE] - complete [ieaccess - OC_ABOUT_TO_COMMIT_QUEUE] - complete [games - OC_ABOUT_TO_COMMIT_QUEUE] - complete [accessutil - OC_ABOUT_TO_COMMIT_QUEUE] - complete [commapps - OC_ABOUT_TO_COMMIT_QUEUE] - complete [multim - OC_ABOUT_TO_COMMIT_QUEUE] - complete [accessopt - OC_ABOUT_TO_COMMIT_QUEUE] - complete About to commit what? Perhaps to be committed, set-aside? The terrifying thing here is the fragmentation - what happened, what happened - why am I so curious - what strange beast slouches towards us - what horsemen, fury, apocalypse - metal fragment straight-jacket torn in 17 pieces - something moving in pieces - in the distance - _ keiyoshi nakakaru no ro-karu no tasakaru no sikarube no nukarumi no jyakarut no arakarut no tasakaru no ikaruga no arakarut no enkaru no shikaru no tasakaru no usuakaru no sikarube no reaping no and no mowing no cutting no sawgrass no noun no nukarumi no ikaru no jyakkaru no tasakaru no sikarube no nukarumi no hikaruge no enkaru no karuhazu no nakakaru no nukarumi no arakarut no ikaru no shikaru no tasakaru _ at 8:41 in the evening "08:41 I am looking for presw ence in this space. You say, "I am looking for presence in this space."@h who Name Connected Idle time Location ---- --------- --------- -------- Nikuko (#934) 3 minutes 0 seconds the glade Total: 1 person, who has been active recently."There are times I bring friends in, alter things slightly; nothing makes any d ifference any more... You say, "There are times I bring friends in, alter things slightly; nothing makes any difference anymore..."@echo the blasted pine... I don't understand that.08:42 echo the blasted pine... I don't understand that."The weather has disappeared. You say, "The weather has disappeared."" ::'s expression fails her. Can one ever tell the difference between the rain of God and our sad and tearful faces? Nikuko's expression fails her. Can one ever tell the difference between the rain of God and our sad and tearful faces?08:43 "I would examine Nikuko... You say, "I would examine Nikuko...""" ::'s face appears almost holy in the dusk. So many places have disappeared. So many voices lost here...08:44 Nikuko's face appears almost holy in the dusk. So many places have disappeared. So many voices lost here...echo I don't understand that.echo I don't understand that.echo I don't understand that.echo I don't understand that."I can no longer echo. I can speak, but only to myself. I have neither the sun nor the w mirror-water. The net is lost, the voice communicates... You say, "I can no longer echo. I can speak, but only to myself. I have neither the sun nor the mirror-water. The net is lost, the voice communicates...": whisperes, 08:45 s, only to itself... Nikuko whispers, only to itself...! @quit % Connection to l closed by foreign host. ---- No world ----/quit ---- No world ---- Poet Name "main::sign" used only once: possible typo at ./.poet line 37. Use of uninitialized value at ./.poet line 37. Hello, hello. I do realize now that I can write anything I want, that I do not n eed fancy language or programming, that I can just state my honest beliefs and e motions (sentiments), that my craft is fine, that I am ^?^?^?^?^? excellent.^? excellent now, that I am a real poet with real things to write and say. And this is wonderful because to be sure everythi ng I do has been of miserable cause, that is to say, far more difficult than I w ould like; programming is not my strong point, and you can't even run spellcheck t^? when there are many deliberate errors. Now that I am freed, I will take my plac e among the poets, I will have a history, you will be the witness to that histor y, you will be my witness. Hello, hello. I do realize now that I can write anything I want, that I do not n eed fancy language or programming, that I can just state my honest beliefs and e motions (sentiments), that my craft is excellent now, that I am a real poet with real things to write and say. And this is wonderful because to be sure everythi ng I do has been of miserable cause, that is to say, far more difficult than I w ould like; programming is not my strong point, and you can't even run spellcheck when there are many deliberate errors. Now that I am freed, I will take my plac e among the poets, I will have a history, you will be the witness to that histor y, you will be my witness. is sufficiently well-inscribed. - No longer do I have to fake code, make things appear as if they work, do somethi ng beyond simply mean in a poetic way; how could I be but happy about this? It i s as if a terrible burden has been lifted from me. I can place word after word, line after line, without regard to code correctness, originality of style, or si gns of genius somehow lying outside the work. I can pay attention to word and ph rase, abstract and realist, nominalist and universal, or not even think of these or any other categories. Oh, how I long to write! I Consider the following again, your Hello, hello. I do realize now that I can w rite anything I want, that I do not need fancy language or programming, that I c an just state my honest beliefs and emotions (sentiments), that my craft is exce llent now, that I am a real poet with real things to write and say. And this is wonderful because to be sure everything I do has been of miserable cause, that i s to say, far more difficult than I would like; programming is not my strong poi nt, and you can't even run spellcheck when there are many deliberate errors. Now that I am freed, I will take my place among the poets, I will have a history, y ou will be the witness to that history, you will be my witness. ... For writing is my appetite, as is my obsessive seaking after^?^? seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my p oetic talant. Everything else is clever gimmickry; I'm surprised so very few hav e seen through me... Your For writing is my appetite, as is my obsessive seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my poetic talant. Everything else is clever gimmickry; I'm surprised so very fe w have seen through me... is mine, my Hello, hello. I do realize now that I can write anything I want, that I do not need fancy language or programming, that I can just state my honest beliefs and emotions (sentiments), that my craft is exc ellent now, that I am a real poet with real things to write and say. And this is wonderful because to be sure everything I do has been of miserable cause, that is to say, far more difficult than I would like; programming is not my strong po int, and you can't even run spellcheck when there are many deliberate errors. No w that I am freed, I will take my place among the poets, I will have a history, you will be the witness to that history, you will be my witness. is yours! charlatan heresy confusion fabrication masquerade For writing is my appetite, as is my obsessive seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my p oetic talant. Everything else is clever gimmickry; I'm surprised so very few hav e seen through me... calls forth crags declaration, hungered, making things. beneath the mountains, For writing is my appetite, as is my obsessive seeking af ter fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my poetic talant. Everything else is clever gimmickry; I'm su rprised so very few have seen through me... is , 024], No longer do I have to fa ke code, make things appear as if they work, do something beyond simply mean in a poetic way; how could I be but happy about this? It is as if a terrible burden has been lifted from me. I can place word after word, line after line, without regard to code correctness, originality of style, or signs of genius somehow lyi ng outside the work. I can pay attention to word and phrase, abstract and realis t, nominalist and universal, or not even think of these or any other categories. Oh, how I long to write!? For writing is my appetite, as is my obsessive seeki ng after fame. And yet fame shall come to me, or it shall not - and this will de pend on one thing only: my poetic talant. Everything else is clever gimmickry; I 'm surprised so very few have seen through me...? You're written with fingers! For writing is my appetite, as is my obsessive seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my p oetic talant. Everything else is clever gimmickry; I'm surprised so very few hav e seen through me... and 9365 and 10332 - Use of uninitialized value at ./.julu line 131, chunk 9. For writing is my appetite, as is my obsessive seeking after fame. And yet fame shall come to me, or it shall not - and this will depend on one thing only: my p oetic talant. Everything else is clever gimmickry; I'm surprised so very few hav e seen through me...:No longer do I have to fake code, make things appear as if they work, do something beyond simply mean in a poetic way; how could I be but h appy about this? It is as if a terrible burden has been lifted from me. I can pl ace word after word, line after line, without regard to code correctness, origin ality of style, or signs of genius somehow lying outside the work. I can pay att ention to word and phrase, abstract and realist, nominalist and universal, or no t even think of these or any other categories. Oh, how I long to write!:Hello, h ello. I do realize now that I can write anything I want, that I do not need fanc y language or programming, that I can just state my honest beliefs and emotions (sentiments), that my craft is excellent now, that I am a real poet with real th ings to write and say. And this is wonderful because to be sure everything I do has been of miserable cause, that is to say, far more difficult than I would lik e; programming is not my strong point, and you can't even run spellcheck when th ere are many deliberate errors. Now that I am freed, I will take my place among the poets, I will have a history, you will be the witness to that history, you w ill be my witness.:confusion: _ Fingering my Enemies, Fingering my friends No one's got a Plan at all. No one writes to them. Login name: damianc In real life: Carol E Damian Directory: /home/sfs/damianc Shell: /bin/csh Never logged in. No unread mail No Plan. Login name: burkew In real life: William Burke Directory: /home/sfs1/burkew Shell: /bin/csh Never logged in. No unread mail No Plan. Login name: sondheim In real life: Alan Sondheim Directory: /home/sfs2/sondheim Shell: /bin/csh On since Jun 26 23:54:58 on pts/7 from panix3.panix.com 2 minutes 8 seconds Idle Time No unread mail No Plan. Login name: kolasins In real life: jacek kolasinski Directory: /home/sfs1/kolasins Shell: /bin/csh Never logged in. No unread mail No Plan. Login name: olseng In real life: Geoffrey Olsen Directory: /home/sfs2/olseng Shell: /bin/csh Never logged in. No unread mail No Plan. _