trilby sorts and folds sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=0 prevsort=0 sortmode=999 prefsort=0 sort=0 foldFormat=0 foldItems=1667 foldOwn= foldName=6,Bin 1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems=81683 foldOwn= foldName=6,movie foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 foldFormat=0 foldItems= foldOwn= foldName=-1 foldPos=0,0,0,0 === jim hill im climbing barbed wire to heaven - im skating on thin ice for god - im down on the rail and old number seven rolls over with nary a nod - im rolling the cards and tossing the pawn and playing with angels for incense and gold - my arms are tools of the dark devils spawn - my torn bloody hands can hardly take hold - of the wire and ice and fire and spice the trains carrying down on the rail - so careful of angles and star-spangled bangles theyll carry you down without fail from heaven to seven and a nod to a clod - theyll carry you down like a pail running out down the hill with a license to kill - and the bodies are falling and children are bawling - the worlds going out with a wail == philosophy of the thinnest of memories memories of philosopies there are numerous others. what i don't understand is that - there is no reason for me to understand this at all - that the multiple practices you do - they relate - when you die, there will be all these tatters - yiddish name aba, hebrew avi - they're lost - it's a philosophy of distribution - interstitial - you'll find it - don't give up - always looking - the pieces fit together - immersive/definable - sheffer stroke and its dual - defuge - distributed avatars - evanescence - it's all there - the others come to me - at night - the codeine doesn't keep them away - they'll gather the materials - distributive philosophy - reconstruct what you deconstruct - scaffolding - i'm not there yet, i'm getting there - the sexuality for one thing inverts the body - the mind - brings everything to the surface - exfoliations, multiple-connections - mobius surfaces - topography of the body might be any landscape - think of northern sung painting - either multiple or no perspectives - thwarted or borderline landscape -part coalesce - come together - superimpositions, gestures - coherencies - the punctured text - perforations - sprockets - the film is running again - auto- or self-inscription - classical geometries of jordan curvatures - within or without - punctured texts - of inspiration or respiration - beneath the sign of extinction - the imminence of such - the holocaust of wind - inconceivable fragility of the good - the world of pure slaughter - self-slaughter of mass organisms - final breathing of warriors of extinctions - policy of scorched worlds - mindfulness and the clear face - fractal paths through measure geometries - construction of objects by means of paths - appearances of high-speed protocols - turbulence and animals, as if the world stands still - appearance of objects within such a world - for that matter aristotelian logics, regularized laws of distribution - beginnings of the contracts among organs and objects - organisms and neighborhoods - writing the unbearable - your work tending the unbearable - violence and the teeth of the world - philosophy as travel writing - gravitation towards taxonomies - recognition of minutiae - living among the worlds - the dark or darker worlds - protocols lying around 'like bones in a graveyard of the living' - nothing remains within the philosophy of curtailment - the bracketing recognizing distinctions - [[]] - [][] - quantum tunnels - constant memory of the edge or edges - double lips - closures - openings, the slit - nib of the pen - circulations of absorptions - f(x,0) -> 0, f(x,1) -> x - let f(1,0) = f(0,1) undefined - these terms aren't at variance - there's one or the other - coherencies, syncopation - it begins with any distinction, moves through any distinction - of sexualities, the tumor or cancer - the cancer as plasma - black-hole incoherencies - the addendum, diacritical - at least until these things foreclose - i'm breathing on the wires, living in the wires - shadowy presence - nothing else - Sun Oct 13 03:37:29 EDT 2002 === 3 defuge again - the disgust and decathecting occurring for example trying to read a novel pornography 'gone stale' 50-55% of my email spam now it's not junk it sheer unethical content 5-10 nigerian scams day stock offerings complete w/ insider tips child sex 'you have opted receive' 'call here' with telephone number unsubscribe every faced this no way reasonably reply filters blocking just about everything out mail relays, mal-adjusted headers, codework, small servers goes on back into filth mine through something worth-while leave account or so becomes unmanageable there's time start private networks where's fidonet when we need other models anomalous matrices between inter- intra- nets otherwise violence world 9-11 by any means furious auschwitz get money shoot kill bush thugs world's becoming dark self-advertising replacing news tonight all same substance hammered language them defuge - again defuge again the - disgust the and disgust decathecting and occurring decathecting for occurring example for trying - to trying read - a read novel a pornography - 'gone pornography stale' 'gone 50-55% sheer of 50-55% my of email my spam email now spam it's - not it's junk the it of sheer the unethical complete content unethical 5-10 - nigerian 5-10 scams nigerian day a stock - offerings stock complete offerings w/ - insider w/ tips insider child - sex child 'you - have 'you opted have receive' to 'call - here' 'call with complete telephone with number telephone unsubscribe to every filters faced day this w/ no - way no reasonably to reply reasonably filters spam blocking headers, just blocking about just everything about out everything mail - relays, mail mal-adjusted relays, headers, mal-adjusted codework, - small codework, servers small goes it on goes back day into back filth the mine to through mine something - worth-while becomes leave - account the or day so or becomes it unmanageable - there's - time other start to private start networks private where's - fidonet where's when fidonet we when need we other - models - anomalous of matrices anomalous between matrices inter- between intra- and nets intra- otherwise furious violence the world the 9-11 - by 9-11 any by means other furious - auschwitz world's get - money my shoot - kill to bush - thugs and world's - becoming all dark becoming self-advertising - replacing self-advertising news world tonight news all it's same the substance same hammered - language hammered them kill defuge again - the occurring disgust for and example decathecting - occurring trying for to example defuge trying the to disgust read a a novel novel again pornography 'gone 'gone stale' stale' - 50-55% not of the my junk email of spam it now - it's sheer not 50-55% junk my it spam sheer it's unethical nigerian content scams 5-10 day nigerian - scams stock day complete stock content offerings - complete 5-10 w/ have insider opted tips to child - sex 'call 'you - have w/ opted insider receive' - 'call sex here' - with with telephone telephone number number unsubscribe unsubscribe every no faced to this reply no spam way filters reasonably day reply faced filters - blocking about just everything about out everything - out mail mail mal-adjusted relays, headers, mal-adjusted blocking headers, just codework, servers small - servers it goes and on on back to into mine filth it mine day through back something filth worth-while for leave day account so or worth-while so - becomes account unmanageable there's - time where's start when private we networks need where's - fidonet other when time we to need start other - models anomalous anomalous between matrices inter- between and inter- intra- intra- - nets models otherwise - violence any world - 9-11 otherwise by - any the means of furious world auschwitz to get - money and shoot - kill auschwitz bush get thugs money world's shoot becoming self-advertising dark replacing self-advertising news replacing tonight news it's tonight all all - same the substance same hammered - language hammered them === apocalypse and others apocalypse these are the end-days; make no mistake about it. this is neither rumor nor prediction, although i have participated in both; it is a careful extrapolation from the facts, the proliferation of nuclear and biochemical weapons, increasing world-wide fanaticisms, and exponential depletion of resources, both natural and artificial. we are witnessing an armageddon that began millennia ago, the fascination with divinely-given truths that efface all other considerations. my writing is the writing of the apocal- ypse, and it is the reading of the apocalypse as well. the filters have become the content; we are doomed, just as we continue to be doomed to play out our literary games among the havoc. body-scan 1 camera moving in raster formation across still background image a. camera focused ahead on raster track b. camera focused down on raster track 2 background image cyclic sheaf of still images - victorian azure partially in and out of costume 3 interferences along the path of the camera focused ahead 4 interferences beneath the path of the camera focused down 5 video-texture-mapping on interferences a. 'mocking interferences' following camera b. ding-an-sich interferences ignoring camera c. deliberately occluding interferences beneath or ahead of camera 1 opaque interferences 2 translucent or transparent interferences 6 particle interferences - disks with 'win' texture mapping setting 7 camera within transparent particle along same path (parenting) 8 ends w/ full-scan or continues w/ cyclic scan sondheim patent blanket the sondheim patent blanket, 7' circular diameter, non-allergenic insulat- ing substance, fully covers the user. there are two types: passive and active. the passive blanket has micro-miniature gas-exchange valves, allowing the flow of oxygen around an 18" diameter area. the active blanket has a small pump, warming incoming air to the interior temperature - the effect is a slow movement of air throughout. the sondheim patent blanket serves the function of a small blanket placed over a cat; it creates a womb-like environment, cutting back light and sound, warming the body, and allowing sleep which otherwise might be too susceptible to the elements. the sondheim patent blanket is under development. === JUSTIFY MY LOVE WE ^THA^Y=Q^U>Dk^P>Dk^SH@^Y>Uy PRESENT IN BOT k24% rm hh yy zz5^VPJ.^Y@^:^ZDMW remove hh? yN55@^?0@^?%^ remove yy? yKN^VKK^Ad^TM remove zz? yight-Ashbu Subject: OnMouseOverN44@elll 1 #471 - 6 Parts/Attachments: GET HELP ^O WRITE 1 OK ~4 lines TEXT ^K CUT TEXT ^C CUR POS W 2 94 KB AudioPg ^K CUT TEXT ^C CUR POS. 3 Shown 0 lines TextJ JUSTIFY ^W WHERE IS ^V 4 15 KB ApplicationSTIFY ^W WHERE IS ^V Next Pg FILE NAME TO WRITE : yy^U*Fv^P*Fv^SMGø$Røiø*|ø ^T6Iq^U6@y^P6@y4@^?^S6Hq^Y=U^U8:e^P8:e3@^?øOn^TPJ!^VPO U3Ta^/3Ta5@^80@^8^3<4^: GET HELP ^O WRITE OUT ^U.8^8^/.8^8^R?W^RH2n^S?Z^U5Za^/5Za^3>Z2}^U:3Q^/: @G0EGQ [1$0À] 8^@O@T4O4Y^X EXIT ^J JUSTIFY === 0000000-0002374 0000000 005012 060555 064553 063556 067040 020157 064544 063146 0000020 071145 067145 062543 073440 060550 071564 062557 062566 0000040 026162 072040 062550 062563 066440 071551 064563 062566 0000060 020163 063157 060440 071542 066157 072165 067551 026156 0000100 060440 020163 063151 071012 061545 070165 071145 072141 0000120 062145 020054 020141 067555 062555 072156 067440 020162 0000140 067555 062562 020054 063157 067440 062162 067151 071141 0000160 020171 064554 062546 020054 064164 020145 060542 072164 0000200 071145 062145 070040 073557 071145 020163 063157 070012 0000220 071145 067546 066562 072141 073151 020145 060554 063556 0000240 060565 062547 020054 071143 060545 064564 067157 063040 0000260 067562 020155 064164 020145 072163 071141 020164 020055 0000300 064164 020145 060550 067566 020143 067543 062555 020163 0000320 071146 066557 062412 071554 073545 062550 062562 020054 0000340 064164 020145 066142 061557 026553 060560 065543 063541 0000360 071545 067440 020146 062564 072170 026563 063157 072055 0000400 072562 064164 020054 064164 020145 071164 062565 071055 0000420 060545 020154 062564 072170 020163 071146 066557 073412 0000440 064550 064143 072040 062550 062562 064440 020163 067556 0000460 062440 061563 070141 026145 060440 067560 060543 074554 0000500 072160 061551 071440 064550 072146 067151 020147 020055 0000520 072151 071447 064440 020156 072557 020162 060556 072564 0000540 062562 072040 005157 067550 062560 072040 060550 020164 0000560 071160 074541 071145 026440 071440 070165 066160 061551 0000600 072141 067551 020156 020055 064164 072141 060440 062040 0000620 063151 062546 062562 061556 020145 071551 066440 062141 0000640 020145 064567 064164 072440 072164 071145 067141 062543 0000660 026412 064440 020156 060546 072143 064440 020164 060555 0000700 062553 020163 067556 062040 063151 062546 062562 061556 0000720 020145 064167 072141 067563 073145 071145 026440 072040 0000740 064550 063556 020163 062562 060555 067151 061040 072562 0000760 060564 066154 020171 064564 062145 072012 020157 072563 0001000 071542 060564 061556 020145 020055 062567 070040 062562 0001020 064544 072143 060440 062156 070040 060554 020171 020055 0001040 020151 071167 072151 020145 071541 064440 020146 064164 0001060 071145 023545 020163 067556 072040 066557 071157 067562 0001100 020167 005055 071541 064440 020146 064164 071551 064440 0001120 020163 064164 020145 060554 072163 066440 071551 064563 0001140 062566 020054 064164 020145 060554 072163 066440 071551 0001160 064563 062554 026440 060440 020163 063151 072040 064550 0001200 020163 071551 072040 062550 066040 071541 005164 071160 0001220 073157 061557 072141 067551 020156 005055 030012 030060 0001240 030461 030066 020040 033060 032464 031466 030040 031066 0001260 032465 020064 031060 032066 030064 030040 030066 032064 0001300 020060 031060 030460 031466 030040 031466 032461 020061 0001320 033460 030062 030064 030040 032066 032465 045060 072145 0001340 074564 005040 030060 030460 030062 020060 030040 030062 0001360 033061 020063 033460 032461 030465 030040 031067 032060 0001400 020060 033060 032462 030065 030040 033066 032060 020060 0001420 033460 032461 030464 030040 032460 033061 020064 033460 0001440 030461 030066 020040 024040 030065 034471 020051 030012 0001460 030060 031061 030062 020040 033460 030463 033465 030040 0001500 030466 032465 020067 033460 030462 030464 030040 033466 0001520 032465 020061 031060 030460 033065 030040 032460 032460 0001540 020065 033060 032061 031061 030040 030067 032061 071061 making no difference whatsoever, these missives of absolution, as if recuperated, a moment or more, of ordinary life, the battered powers of performative language, creation from the start - the havoc comes from elsewhere, the block-packages of texts-of-truth, the true-real texts from which there is no escape, apocalyptic shifting - it's in our nature to hope that prayer - supplication - that a difference is made with utterance - in fact it makes no difference whatsoever - things remain brutally tied to substance - we predict and play - i write as if there's no tomorrow - as if this is the last missive, the last missile - as if this is the last provocation - 0001240 072151 066141 063040 066151 071554 072040 062550 064440 error capital fills the interstices - tunnels beneath the streets - email tags and headers - sewage capital - finally bringing weapons to the foreground - fighting back is useless - at this point, weaponry accumulates - anthrax plus anthrax = anthrax; bomb plus bomb = bomb - it's boolean at the heart of it - 0001560 073545 020163 020040 020040 020040 020040 030012 030060 0001600 031061 030064 020040 033460 030462 030465 030040 033066 0001620 032061 020061 033060 030063 030064 030040 033066 032461 0001640 020061 033460 032461 032065 030040 031067 032060 020060 0001660 033060 032462 030065 030040 032066 032064 005060 071145 0001700 067562 020162 005012 060543 064560 060564 020154 064546 0001720 066154 020163 064164 020145 067151 062564 071562 064564 0001740 062543 020163 020055 072564 067156 066145 020163 062542 0001760 062556 072141 020150 064164 020145 072163 062562 072145 0002000 020163 020055 066545 064541 020154 060564 071547 005040 0002020 067141 020144 062550 062141 071145 020163 020055 062563 0002040 060567 062547 061440 070141 072151 066141 026440 063040 0002060 067151 066141 074554 061040 064562 063556 067151 020147 0002100 062567 070141 067157 020163 067564 072040 062550 063040 0002120 071157 063545 067562 067165 020144 026412 063040 063551 0002140 072150 067151 020147 060542 065543 064440 020163 071565 0002160 066145 071545 020163 020055 072141 072040 064550 020163 0002200 067560 067151 026164 073440 060545 067560 071156 020171 0002220 061541 072543 072555 060554 062564 020163 020055 067141 0002240 064164 060562 020170 070012 072554 020163 067141 064164 0002260 060562 020170 020075 067141 064164 060562 035570 061040 0002300 066557 020142 066160 071565 061040 066557 020142 020075 0002320 067542 061155 026440 064440 023564 020163 067542 066157 0002340 060545 020156 072141 072040 062550 064040 060545 072162 0002360 005040 063157 064440 020164 005055 005012 0002374 bang we're dead === THESE LIARS MUST BE CRUELLY SMASHED. 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We take great care in removing subscribers in a timely manner. === the doors and none of you can judge me and i will kill forever and i will live forever in this new and brutal world i've never been to i've spain never but i'm but sure i'm i sure was i born was there born oklahoma i've never been to spain but i'm sure i was born there i've been to oklahoma but i've never been to spain the world of full the terror world is about being is it's travelled the world of full terror is about to being born it's never travelled farther than mine own heart farther than mine own farther heart than in i light to brilliant light sky blue sky and was oil blue upside-down i was born in oklahoma to the light of brilliant terror the sky was blue and oil the world was upside-down found brutal world new york in baghdad and capital was gold silver left gold me and oiled flowed back black sky flaming black seeped without you can find you pop-up find window the space-time i found the world was brutal in spain and oklahoma in new york and in baghdad i was born in capital rode wild i horses rode none and judge can will kill and forever i live and this i've never been i've to never spain been - to but but i'm i'm sure sure i i was was born born there there oklahoma i've gold and silver left me oiled flowed back in me the sky was black and flaming capital seeped without me the world of the full world terror of is about being about it's travelled farther than mine farther own than heart mine in was light the brilliant of sky the blue was and blue oil and upside-down the found i brutal was new in york new baghdad in capital born gold silver gold left and me silver oiled flowed back oiled black was flaming and seeped without you can you find can pop-up the window pop-up space-time of rode wild rode horses the none none judge judge will and kill i forever will live i this in you can find the pop-up window of capital in space-time i was born in oklahoma i rode the wild horses === scan.mov of azure, dreaming, repetition, stars, victorian, small black buttoned blouse, white nightgown, brown jacket and skirt background azure background in azure victorian. in there victorian. are there stars. are the moving. stars the moving. in victorian, out, and 52. out, the 52. are she and is out out 52 of victorian. 52 stars. foreground a a plane. plane. it it is somewhat luminous. luminous. in reflective. the starless. victorian. camera upper scans left upper to left lower to left, lower lower left, left across, across, up, up, down, down, across across down. down. soon victorian the 52, victorian starless, and right, fast fast flyback flyback to left. scans then then repetition. repetition. background, background, azure, out body azure, scanned scanned flyback. foreground, background looking, and at at camera, you, you, from staring one from to one other other at eyes, camera, scattered, scanned. scattered, glowing, scanned. rounded, glowing, moving at edges. of background azure in victorian. there are stars. the stars are moving. the victorian, in and out, are 52. she is in and out of the 52 victorian. the stars. in the foreground a plane. it is somewhat luminous. it is somewhat reflective. the victorian. in and out, are 52. foreground azure in victorian. starless. the camera scans upper left to lower left, lower left across, up, across, down, across up, across down. soon the victorian 52, stars and starless, scans to upper right, fast flyback to upper left. then down, in repetition. in foreground and background, azure, in and out of 52 victorian. the body is somewhat luminous. the body is scanned up, down, across, flyback. in background and foreground, looking, at camera, at you, staring from one to other eyes, scattered, scanned. glowing, rounded, in and out of the 52 victorian. stars moving at the edges. foreground azure in victorian. === Terror We are are absolutely absolutely going going to to be be destroyed, destroyed, Jennifer Jennifer said said We Using attribution the of attribution quotes of makes quotes it makes easier, it Nikuko easier, replied Nikuko Using replied the No quotes then, said said Jennifer Jennifer We're We're off, off, said Nikuko No New is York a is city a in city perpetual in anxiety perpetual and anxiety mourning and New mourning York One dominates sniper hundreds dominates of hundreds square square of miles curtailed curtailed One activity sniper The world world hates hates the United States, States, which which lies lies constantly constantly The There in evil will will coupled destroy suicide coupled There with is suicide evil or well another rule religion the may ruins well of rule the ruins One planet religion Every await day the we nuclear await holocaust nuclear come, holocaust Jennifer come, Every This This no no time time for for attribution, attribution, carry carry face face disease disease destruction destruction Biogenetics Biogenetics guarantees guarantees virulence virulence remaining remaining Capital now Capital drives now itself drives heedless itself consumers of pours every into remaining every interstice; interstice; is there no escape pours can apocalypse scribble over apocalypse over over again, again, One It It difference difference at at all, all, Then Then softens softens blows blows needlessly, needlessly, What is, we're said saying Nikuko is, and together, What then we're laughed saying We are absolutely going to be destroyed, Jennifer said. Using the attribution of quotes makes it easier, Nikuko replied. No quotes then, said Jennifer. We're off, said Nikuko. There is evil in the will to destroy coupled with suicide. Every day we await the nuclear holocaust to come, Jennifer said. This is no time for attribution, Nikuko replied. We carry the face of disease and destruction. One can scribble the apocalypse over and over again, Nikuko said. It makes no difference at all, Jennifer replied. Then attribution softens the blows needlessly, Nikuko said. What we're saying is, said Nikuko and Jennifer together, then laughed. === Terror We are absolutely going to be destroyed, Jennifer said Using attribution the of quotes makes it easier, Nikuko replied No then, We're off, New is York a city in perpetual anxiety and mourning One dominates sniper hundreds square miles curtailed activity The world hates United States, which lies constantly There evil will coupled destroy suicide with or well another rule religion may ruins planet Every await day we nuclear holocaust come, This no time for attribution, carry face disease destruction Biogenetics guarantees virulence remaining Capital now drives itself heedless consumers pours every into interstice; there escape can apocalypse scribble over again, It difference at all, Then softens blows needlessly, What is, we're saying together, then laughed said. replied. Jennifer. Nikuko. suicide. destruction. laughed. === didn't i'm want sick to of write it, about i any stay of out this. of i'm didn't sick want it, write i about stay any out of discussions, want they're to too write painful. about jews. discussions, you they're not too one painful. then anything. don't europe know and anything. british europe empire and refused british them, empire didn't refused then them, don't help. i so was nothing. shot israel if palestine. you was then shot help. at. so if nothing. never, israel you're ignorant. ignorant. middle-eastern middle-eastern psychosis psychosis over over decades. decades. i've i've been been there, there, you're arab all jewish walk friends. first we're in all my racists. shoes walk then first arab in and my jewish shoes friends. i'll else's listen. than someone no else's group's than exempt. your i've own. i'll no listen. group's walk exempt. in there have many idea times. what's have on. idea been what's there going too on. many worlds times. corralled, to lassoed, write by a words. long wanted on a corralled, long lassoed, essay by on words. this, i the wanted experient- ial the political, what's but the point. contaminate rather experiential contaminate of writing, back this the text, usual. play own back life's usual. the own this life's text, exempt, not country's the holocaust the continues same same country's names have world-wide, you felt have it. you eaten-holocaust, names drank world-wide, drunk-holocaust. me tell excuses. me without excuses. we without might we drunk-holocaust. might don't you. chains with - usual all chains over - you. wouldn't it, word, blind, what deaf, talking you about, can blind, is deaf, speak can i'm do talking is about, speak you're speak, death-wish speak. to it's judge death-wish other. judge started other. speak, started it's way the before had now, its every pogroms, country you had wouldn't its know, pogroms, you know, now, haven't country wrong you end even gun. suffocating even the marched. wrong suffocating of me, know :: didn't want to write about any of this. you wouldn't know, you haven't been on the wrong end of a gun. have you even marched. you're suffocating me, you don't know what this is all about, do you. === excise To: sondheim@panix.com [ "l To: sondheim@panix.com Get Help ^O WriteOut To: sondheim@panix.comPg ^K Cut Text ^C C To: sondheim@panix.com To: sondheim@panix.com]o yy To: sondheim@panix.comt Text ^C Cur Poser o To: sondheim@panix.com usual. your own life' To: sondheim@panix.comtry ^X Exit ^J Ju To: sondheim@panix.com Next Pg ^U UnCut Te To: sondheim@panix.com, nom holocaust contin To: sondheim@panix.comorld-wide, have you f N To: sondheim@panix.comating of me, know :: d To: sondheim@panix.comut any of this. europ To: sondheim@panix.com.net europeet Hel brit To: sondheim@panix.comu wouldn't know, you h To: sondheim@panix.comg end of a gun. have y To: sondheim@panix.com^R R ^G Get Help ^O W === mouth.mov the star-field, more numerous than usual, principally between the mouthing mouth and doubled orality of the mouth-breast, breast-breast, the stars as skin-emanations, emanation-skins, circulations and ellipsoidal, calling or beckonings, the scanning camera which is our eyes outside of the planes, beyond the reaches of mouths and breasts, unknown to the doubling subjects within the spaces and times of the imagery, the slow swaying of the world as if absorption of each and every thing, the liquidity and pastels of the breathing of the planes, organisms, continuous neoteny of our universal homelands -:primarily the first or secondarily, against the background, mouth opening and closing, it's there, spaceless, conditioning the space, the orality of the mouth as if the pill of the desiccated sphere or wounded plane were already an absorption, but in reality the plane and sphere occlusions, the glittering of the teeth, muteness and lustre of the lips, tongue held back, restrained, in the arched space, the coming- forward and retreating occlusions heretofore of the mouth, present and impresent, an imbalance -:the breast is duplicated, the scan across the manipulated breast on a planar tilt, the interruptions by a sphere already interrupted by breast-mapping and distortion traveling a secondary scan across the first, the tilt of the first, the camera moving across the first, encountering the second, the manipulated breast of the secondary or primary scan conditioned by an interrupted flow of swollen matrix, the oral longing:none:none DOES the breast is duplicated, the scan across the manipulated breast on a planar tilt, the interruptions by a sphere already interrupted by breast- mapping and distortion traveling a secondary scan across the first, the tilt of the first, the camera moving across the first, encountering the second, the manipulated breast of the secondary or primary scan condi- tioned by an interrupted flow of swollen matrix, the oral longing REPLACE YOUR star-field, more numerous than usual, principally between the mouthing mouth and doubled orality of the mouth-breast, breast-breast, the stars as skin-emanations, emanation-skins, circulations and ellipsoidal, calling or beckonings, the scanning camera which is our eyes outside of the planes, beyond the reaches of mouths and breasts, unknown to the doubling subjects within the spaces and times of the imagery, the slow swaying of the world as if absorption of each and every thing, the liquid- ity and pastels of the breathing of the planes, organisms, continuous neoteny of our universal homelands - === VAG.3D BLENDER_v203REND SRscreen DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA ?DATA SRscreen.001 DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA XU?" ?8^j f>G< u>hJR >'l'? L?UUM? DATA DATA DATA< SAVE FILE ovie\ e/psx/test/ vag.blend ag3.jpg ag.blend DATA SELECT IMAGE 001.jpg .JPG e:\trilby\ AME/ 001.jpg .JPG 0033.JPG e:\trilby\ SRscreen.002 DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA ?fffA fffA DATA< SAVE FILE /pics/blender/ rt1.blend DATA DATA DATA ?fffA fffA DATA< SAVE FILE /pics/blender/ rt1.blend DATA DATA ?DATA ?fffA fffA DATA< SAVE FILE /pics/blender/ rt1.blend E:/render/ DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA DATA( OBCube.001 X?t+ DATA */VAGINAL-EJECTA/* OBCube.002 Ve9@ VO<@,:? C6KA DATA OBLamp ^Tc@ */LIGHT-EJECTA/* OBLamp.001 OBLamp.002 v~?Q 7i}? O+AG:r? OBLamp.003 v~?Q 7i}? e7r? OBLamp.004 v~?Q 7i}? OBLamp.005 ZM|=, OBLamp.006 XM|=+ Q~KA} OBLamp.007 OBLamp.008 bX>@ dM>( >b3u? OBLamp.009 Ve9@ *Q?!L C6KA MfW>b OBCone Ve9@ >~*B Ve9@ C33 */TEXT-EJECTA/* TETex.001 ;_>33 TETex.002 TETex.003 TETex.004 IMP9220035.JPG e:\100OLYMP\P9220035.JPG IM399.jpg e:\trilby\399.jpg IM191.jpg e:\trilby2\191.jpg CACamera.001 */EYE-EJECTA/* LALamp */LIGHT-EJECTA/* LALamp.001 LALamp.002 LALamp.003 LALamp.004 LALamp.005 LALamp.006 LALamp.007 LALamp.008 LALamp.009 IPObIpo DATAP @DATAP @DATAP DATAP DATAP DATAP DATAP ?DATAP ?DATAP ?DATA Ak#J@ BZW,@ BgF@? P{1Ct- 4C^0 }4CPq 5Cmh DATA Bdr3 "'BV' Wm6B \Bh! BEye@ DATA 0AO%6 B0e&@ PY{Bzp C4w' L4CM 4Cu'r DATA seA) BHAC DATA WA"g n7BGx BC9! B$H8= 4CO; DATA m7BR# DBl& \B7C B6un DATA }#2C% M_4C1 DAC? DATA }#2C% M_4C1 DAC? DATA }#2C% M_4C1 DAC? IPObIpo.001 DATAP ?DATAP DATAP DATAP DATAP DATAP ADATAP ?DATAP ?DATAP ?DATA 0A.# k]7B ,/]BQ 4C)k VvAC DATA 0AdjV yn|B C"b4@ 5Cjg DATA +\AWE B9&2 p%^BDW Wc{B Bf`= $C-P 24*CxB 4Cy# z7Ci /qAC DATA r[YA i5BM! LU*Bs 8gB8 ~B4L B_QD 2Cp* PACV DATA ,1YA AA>! iZ-B zMAC DATA AOg#A A^NZ@ Y7BU\ BV'TA B[MUA BTa;A $Cu}R 6:4C|l RAC' DATA u(Bd 4Ci. K_4C DATA u(Bb 4Ci. K_4C DATA u(Bc 4Ci. K_4C IPObIpo.002 DATAP DATAP DATAP DATA -9\C DATA BJBA ""CG DATA O'FB*O x#C; WOWorld.001 DATAP ;1?z "C?GLOB DNA1 SDNANAME} */WORLD-EJECTA/* TLEN STRCt ENDB === MATERIAL-REAL ---------------- Date: 10/22/02 Time: 20:54:07 Drive: C: Sector: 265 ---------------- text, "she said." Just as quotations slip laterally in the sentence, there is also a slippage in depth, for example, as Nikuko replies. @wet Nikuko. Nikuko is wet, dripping urine through her white cotton panties. We understand the oddity of this proposal, but we have been dealing with formally performative language for the past few years, in order to look at issues of virtual subjectivity, interaction, projection and introjection on the Net. We worry about being taken seriously, not as broken sch ---------------- Date: 10/22/02 Time: 21:07:52 Drive: C: Sector: 266 ---------------- izo- phrenics. put mouth on panties. You drink urine of Nikuko. "Performative" can be considered in any number of ways. For example, there is a _trace_ function in the Julu program Jennifer has written, a function which produces a text representing parent/child processes in unix, choices made by the user, manipulations by the program itself. The function produces a file, .trace, which, when reversed, is legibile. The .trace file accumulates, carrying the history of repeated usage; here is an examp ---------------- Date: 10/22/02 Time: 21:08:05 Drive: C: Sector: 267 ---------------- le: hairpiece:sure thing:Julu:leg: Come home with me, hairpiece, julu-of-the-fast-crowd! Your dirty arm is in my black neck HaPPINESS:Yes:Alan:: Your psychotic head is in my sexy head Your your penis seeps into my head - turning me Julu-Jennifer Hole:YES!!:Julu:nail: Your poor urine is in my depressed nail Devour poor urine julu-of-the partying Hole! Nikuko ...:never!:Nikuko:hair:hair Your linen leg is in my wanton hair Your passion seeps into my hair - turning me Julu-Jennifer dirty:yeah:Nik ---------------- Date: 10/22/02 Time: 21:08:17 Drive: C: Sector: 268 ---------------- uko:ear: Your psychotic eye is in my velvet ear Devour psychotic eye julu-of-the partying dirty! Note the stick-like or _anime_ figures at work, distributed authorships and anatomies. look panties. You see nothing special. So that "performative" language has three constituents: 1. Its usual site and analysis as speech act or performative in tradi- tional linguistics (and all the accompanying critiques); 2. Referencing programming language, which is always performative; thus "echo `date`" call ---------------- Date: 10/22/02 Time: 21:08:27 Drive: C: Sector: 269 ---------------- s up date which echo then sends to the standard output; 3. _Any_ statement, say, in a chat (IRC, talker, MOO, MUD, chat, etc.) environment, which both _constitutes_ and _constructs_ the subject/user; without the statement, the subject/user disappears for others. There is thus the constructed/constituted subject - who is, by virtue of protocols, always already _well-defined,_ and the subject on the other/ near side of the screen - who need not detain us: one might in this fashion call the "real" or ---------------- Date: 10/22/02 Time: 21:08:31 Drive: C: Sector: 270 ---------------- "physical-real" subject the _virtual subject_ by virtue of his or her dis/appearance in relation to others on the Net. Avatars are always disturbances, always irruptions of language, a lang- uage portending _the raveling of existence and essence,_ for these terms meld within each other, tangled in avatar-sites/sights/citations. @create $thing called begging. You have a $thing called begging with object number #75438. (Now we call _these_ avatars _emanants,_ since they are more deeply em- bedded ---------------- Date: 10/22/02 Time: 21:08:39 Drive: C: Sector: 271 ---------------- ==== REAL-MATERIAL DIRTY:YEAH ondheim@panix.com-----Out ^R Read Fil (4468) Re: por nadan TIMEAGE TEXT dirty:yeah:Nik^K Cut Text ^essage -- Subject: MATERIAL-REAListurbances, always irpanix.comat I've he Netcf wa --------------- ---------------- Netccer. ------ Subject: MATERIAL-REAListurbances, always ir- CDROM of collected work 1994-2002 availabl ----------------@panix.com------ Subject: MATERIAL-REAListurbances, always irLooking for some l To: sondheim@panix.comnou ----------------th CDROM of coll Subject: MATERIAL-REAListurbances, always irm@panix.com'm Looking for some loving from - ----------------initiativepanix. Subject: MATERIAL-REAListurbances, always irl p MATERIAL-REAL Hello i'm Lo CDROM of coll ----------------002 available: w Subject: MATERIAL-REAListurbances, always ir-- ot ondheim@panix.com-----Out ^R Read Fil (4468) Re: por nadan TIMEAGE TEXT dirty:yeah:Nik^K Cut Text ^essage -- == ZECHARIAH Sector: 587 ---------------- u t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t* t m p 6 . t m p x \ P r o Sector: 673 ---------------- """ """DDD333DDDDDDUUUDDDUUUUUUUUUDDDUUUDDDDDD333333"""333"""333"""""""""""" Sector: 798 ---------------- EOFError', 'IOError', 'ImportError', 'IndexError', 'KeyError', 'KeyboardInterrupt', 'MemoryError', 'NameError', 'None', 'OverflowError', 'RuntimeError', 'SyntaxError', 'SystemError', 'SystemExit', 'TypeError', 'ValueError', 'ZeroDivisionError', '__name__', 'abs', 'apply', 'chr', 'cmp', 'coerce', 'compile', 'dir', 'divmod', 'eval', 'execfile', 'filter', 'float', 'getattr', 'hasattr', 'hash', 'hex', 'id', 'input', 'int', 'len', 'long', 'map', 'max', 'min', 'oct', 'open', 'ord', 'pow', 'range', 'raw_inp Sector: 806 ---------------- Jennifer heroin drugs down girl onto floor where we fuck there wood while she ties cock cocaine-you-know-me into needle world get codeine dreams lost among junkie heavens unbearable ecstasy kill way like drawn within inside put-you-in-me in-me in-you within-you inside-you put-you-inside crawled floors impossible highs incandescent those squeezed juice baby babe rand(25); hunger!\n lost-body-skins tracks...\n these Heroin takes back drug, me...\n park\n Reds <