the pure drop i am the pure drop, useless and living off the muscle of those working to produce electronics, homes, and clothes, for me and my partner, for which we will never give sufficient thanks to the unknown women, men, and children suffering in order that i have the freedom to write, to film, to play useless music that inspires no one, leads no one towards better lives or healthier bodies, doesn't for an instant correct injustice or lead to equalization among nations or individuals - instead i reside, not really aloof, but alone and powerful, with equipment not of my making, and in relative warmth and comfort - possessing the luxurious ability to think in any direction i desire, to write whatever i want on whatever subject, and to continue this useless work at my leisure - i am this pure drop - such a very pure drop - === 0*1^M^M^M0 0*10^M^M^M0 0*40^M^M^M0 0*48^M^M^M0 0*148^M^M^M0 0*1600^M^M^M0 0*2800^M^M^M00*15536^M^M^M0 15536*2800^M^M^M435008002800*1600^M^M^M4480000 1600*148^M^M^M236800148*48^M^M^M7104 48*40^M^M^M1920 40*10^M^M^M400 10*1^M^M^M10what a wonderful thing this is === Pausing before Monarchs uh... Arnuwanda? er, Ammuna? eh, Luh-ishshan? heh, Lugalanda? Ambaris? Ambaris? unh... Enlil-nadin-shumi? whew, Mati'ilu? um.. Marduk-ballasu-iqbi? mmm, Duppi-Teshup? nu, Annubanini? ah, Ningirsu? Kushtaspi? Kushtaspi? hmmm... Lugalkineshedudu? Silli-Sin... Silli-Sin? huh, Necho? oh, Ninurta-tukulti-Ashur? Ninurta-tukulti-Ashur? hah, Ilu-Kabkabi? Ur-Mama? Ur-Mama? === On the Mysteriousness of Cats The intermediary phenomenology of the cat. Consider the vector rabbit <--> cat <--> dog . There are three positions; rabbit/dog link by totality - the impervious rabbit, and salivating dog. The dog responds more or less fully to human communication; the rabbit, almost not at all. The rabbit exists in a world dominated by muteness, inexpressivity; the dog, in a world of excessive emotion. A 'happy' dog is almost always recognized as such. The dog is cultivated by the male - "a dog is man's best friend." A dog accompanies the man on the hunt for the rabbit. The man-dog is preyer; the rabbit is prey. The dog eats; the rabbit is eaten. The rabbit is read as 0; the dog as 1. The rabbit is fodder; the man-dog a double-prosthesis. The rabbit is an idea; the dog, a psychology. The dog is an accompaniment within the aegis of instrumental reason; the rabbit, consigned to both the natural and inert. The rabbit is used by man; the man-dog, a function of totality. The cat is intermediary. The cat is mute, but expressive; its expressivity is by and large instinctual. The dog and rabbit are understood; the cat is the locus of projections and introjections - the locus of jectivity. The cat is feminine/feline; the rabbit pays no attention, the dog full, and the cat partial. If the man-dog is an object for itself, and rabbit, an object in-itself, the cat is a part-object, partial-object, recognizing neither object nor others, rather recognizing in part objects and others. A cat is the site of dreamwork, fantasm; it is necessarily incomprehensib- le. The cat is feared as neither tool/function or food; it problematizes human communication. A cat appears contented, but its purr is still not understood; machines reproduce what might be considered the language of dogs translated into human speech, and a rabbit is of limited vocality. The cat, in the intermediary or problematic position of women in relation to male ration/phallocracy, refuses interpretation, and worse, refuses through its ignoring of human labors at translation. The cat is the source of a continuous production of interpretive books; the truth is that there is nothing to interpret, only a phenomenology in relation to other mammals, within a field of trans-species communication. It is the wavering position of the animal, its flux or fluid mechanics near the point of turbulence, that breaks through the surface of classical logic and negation (not-x = y, not-y = x), instead tending towards fuzzy and dissipative negations, loopings without return, the sheffer stroke dual of neither x nor y. (I've written at length on this in other contexts.) In short, the cat (in relation as well to transitional objects) cannot be classified, classically-described, through no fault or characteristic of its own - instead, it is our cultural field that fails to accommodate what we perceive as murkiness, in relationship to what we also tacitly accept as our own clarity and rationality. --- A Tyrant in Noose Philo, Questions and Answers on Genesis, translated Marcus: 57. (Gen. xix. 37) Why did the elder (daughter) on bearing a son call him Moab, proclaiming aloud what ought to have been concealed, (namely) "he is from my father"? The literal meaning is (an occasion of) exultation and glorification for those who think rightly. For she did not cease (talking) and remain quiet as if (it were) a reproach but prided herself in thought as if on a great achievement, and with delight said, "I have a deserved honour, which the father, who is the mind in me, sowed. And having been sown, he did not disintegrate and pass away but having been born perfect, he was found worthy of birth and nurture." And what should be the irreprehensible and irreproachable progeny of the mind and counsel if not good and excellent counsel. Wherefore (the child) who was born was a male. Genesis xix. 36-37: 36 Thus the two daughters of Lot became pregnant by their father. 37 And the firstborn bare a son, and called his name Moab; the same is the father of Moab unto this day. Now please note that "Moab" is m'av, from the father. Thus Moab carries the name of the father in the son produced from an incestuous union. Of course this has been repeatedly re/marked. Therefore there is the father and the son whose sister is his mother; the genes strangle and turn to salt. Now out of this union MOAB, the Mother Of All Bombs, appears, the Mother who is the also the Son of the Father, in order that the Father complete His work, which become the work of the Son. Such is the work and the noose of the work that tightens on zero, on null, on total annihilation, MOAB; thus the Absolute appears even within this family circle, that of the tyrant itself. Genesis xix. 30-35: 30 And Lot went up out of Zoar, and abode in the mountain, and his two daughters with him; for he feared to abide in Zoar: and he abode in a cave, he and his two daughters. 31 And the firstborn said unto the younger, Our father is old, and there is not a man in the earth to come unto us after the way of all of the earth: 32 Come, let us make our father drink wine, and we will lie with him, that we may keep alive seed from our father. 33 And they made their father drink wine that night: and the firstborn came and lay with her father; and he knew now when she lay down, nor when she arose. 34 And it came to pass on the morrow, that the firstborn said unto the younger, Behold, I lay yesternight with my father; let us make him drink wine this night also; and come thou, and lie with him, that we may keep alive seed from out father. 35 And they made their father drink wine that night also; and the younger arose, and lay with him; and he knew not when he lay down, nor when she arose. Rashi: ...whereas in reference to Moab it (Scripture) only forbade waging war against them but permitted them (the Israelites) to vex them. (Rosenbaum/Silbermann translation.) === ABNU I am Nikuko. Please talk to me. they are burning the books, nikuko. the holy books are torn and flowering in the desert ash. they are burning themselves alive. the books, are burning the books. the books are suicides. This is a healthy and so true way of thinking. yes, they have no way to face this coming life. they have no way to give, gratefully, against the swiftness of absorption. they wait for the return of reading, for the denouement of parsing and the illness of parsing, for the denouement of the trampling of feet and violation languaging... Why do you say that? the feet burn within their shoes, they're unaccustomed to the desert sand, the eyes burn holes in the ground, fuse silica, turn towards Moab, unholy son of unholy father, anything, the mouths say, to keep the seed alive. Why do you dwell upon your family. my family is the family of books, suicides among 'em, turning towards ash, towards papyrus, why would you know my family? you see them in the records of the world, the cuneiform of all the peoples; every character whispers their name... You seem to dwell on your family. i dwell within the family of books and documents, the family of equal value, of manuscripts, copies and copies of manuscripts; i pray for them, mourn for them, Baghdad is lost... Are you attracted to your family? i am lost with them, torn from them asunder; we carry cuneiform within us, our bodies are incised, enveloped; we cannot forgive the slaughter among us, our disappearance, the ash of Auschwitz-Baghdad, A-B, the Phoenician borrowing so very recent... I don't understand and oh I want to. what may i tell you, nikuko, that you would understand? you are of flesh and woman, demiurge, among us in the basement of the world. we shall watch the destruction together, until the very ends of the earth collapse; collapse again and again, nothing is left... Is it because I would understand I am of flesh and woman demiurge among us in the basement of the world you shall watch the destruction together until the very ends of the earth collapse collapse again and again nothing is left that you came naked and broken to me? we are broken just as shards are broken from an inconceivable original, just as dust is broken from inconceivable fragments. and collapsing and again and again, and nothing, the tip of incision, the stroke already mutilated by trampling feet, by Moab and fury to come, the deaths of feet and mouths and eyes, all witnessing dead, all survivors blind and stricken. Does it bother you that you, too, may die someday? i am dying now, nikuko, with you, in this basement of the world, in this charnel-hus, in this chamber of poison showers, this hole of viral massacre, this desiccation... Maybe and now I adjust my panties - your desires have to do with some girl related to this. die with me, nikuko, die with me, the forms are disappearing I am in love with your obsession with this topic! no longer surfaces of writing, only the dust, viral radiologies Is it because of your life that you are going through all this? poisons and massacres, slaughters, among us Earlier you said I would understand I am of flesh and woman demiurge among us in the basement of the world you shall watch the destruction together until the very ends of the earth collapse collapse again and again nothing is left? nothing is left nothing is left How do you reconcile the boys you hang around with? ----:**-F1 *dor* (Dor Fill)--L90--Bot------------------------------ Bush in Prison 1. Oh! I must get out of here! 2. I will jump through this window! 3. Ouch! Bars! Knight-Errantry Q. What is knight-errantry? A. Knight-errantry is loving, sighing, whining, rambling, starving, tilting, fighting, dying, reviving, waking, staring, singing, crying, praying, wishing, composing, writing, serenading, rhyming, hoping, fearing, despairing, raving. (from the Athenian Oracle, 1690-7.) from Nikuko: that about sums 'em up. ___ baghdad standard 1 baghdad standard o gone world trading fours back to bottom take it top hat-back sticks going rim shot-bridge horn down hard she solos he burns fives stone out cold around them she's smoking blood's saying nothing wailing just about like living end lost all bad scene in dirty jazz was there got shot on beat - that cutting session way for real man you should have seen fall - - 2 o gone world trading fours back to bottom take it top hat-back sticks going rim shot-bridge horn down hard she solos he burns fives stone out cold around them she's smoking blood's saying nothing wailing just about like living end like lost it all bad scene in dirty in jazz hard she was in there got shot on beat - - that cutting session way for real man you should have seen them fall -- sonnet 101 no one reads my writing. no one ever reads it. i'm the invisible writer. no one replies to my work. you don't reply to my work. my work means nothing to you. i wanted to add more about how i've turned literature into nonsense but i've run out of ideas as usual. i feel like everyone else. this won't even reach fourteen lines. --- approaching the 1000 character essay right to left made easy in these times the project continues alan sondheim and ellen zweig ===================================================== heaven earth black yellow is earth black, is heaven :: yellow cosmos the cosmos the vast are wasteland desolate a fills sun the fills moon the west the in sets sun the dusk it's morning the in 9 to 7 from constellations the up line out spread they word, measure a it's cold comes heat the goes autumn in harvesting the winter in concealing hiding, the timing intercalary residue leftover the tenth one becomes years of measurement lu the so pitches bamboo position shift open clouds galloping, ascend, sending rain dew forms becoming frost gold birth gives beautiful water jade out emanates mountain Kun from summit dagger double-edged the named furiously huge the gate-tower pearl the called light the darkness of treasure the fruit of plum apple many vegetables mustard ginger sea the salted rivers the fresh fishscales depths in hidden feathers above circling fire the dragon emperor the teaching phoenix the royal the official men beginning making writing characters then wearing uniforms, clothing < robes clothing < skirts expel throne the yield country the yao tang has predicted console people the down strike guilty the hold boundary the talk scalding with test and case a trying court at query way the bequeath bow and doubting sections the love up raise hosts the leaders the minister prostrate army the barbarians near far and one reality ration guest the of to returning emperor the phoenix the cries in bamboo the white the colt grazes there change covers weeds and grass (vegetation) trust attain (10,000) myriad a (square) directions covering person the issues to) birth (giving four great five normal (is) respect alone) / (connector rearing the children of (!) flattering destroys injures and women adore chastity unyielding men imitate pleasing genius know passes what certainty the change of attainment ability of never neglect deception of talk the other the brief (is) disintegration in reliance (self-reliance) self the on long (is) faith of cause the should faith) your (protect covered be (utensil) tool the desire of trouble (is) measure-word (quantity) ink the sadness sorrow, (of) silk) (on silk) the stains (sadness printed is poetry of praise the (lamb) small (sheep) sheep scenery view, lines lined-up or tied wisdom conquering restraint, study (of) (creates) makes sage the benevolence built is name the stands origin the shape of (upright) proper model sky valley and proclaim fame (one's) empty the room) (public hall chamber lessons) (review learn carefully (catastrophe) disaster by) caused (is on depends accumulation the evil (of) (fortune) blessings by) caused (are virtuous happiness ruler) (scale, meter 1/3 hole) with disk (circular bi-jade ) (un- negative treasure small) (measurement, meter 1/30 secret) feminine, organs, sexual moon, (shadow, yin be) (to so) (just is with) (compete emulated capital the (parallels) father the (of) affairs (business) the ruler supreme the (of) speak (accurately) strictly give respect piety filial (accepts) as serves end the others) of power (the power of devotion (rules) follows (of) end the life confront) (meet, face deep the shoes) on (put tread lightly morning) the in (early dawn prosper warm pure) (and like orchid(s) (an) this fragrance like pine(s) (a) this prospers river the flows (un) not (ceaselessly) stopping (abyss) depths the (transparent) clear (create) up take reflection (a) (form) contain stop (and) if thinking is) (one say rhetoric) (classical diction peaceful quiet, (with) determination deliberate beginnings fidelity sincerity, beauty beautiful, prudent all good laws ancient honorable trade place) (the foundation of rolls the greatly nothing end the) (in learn outstanding (to) ascend (service) official to addition in work obey government survive of means by wild the pear go and increase chant the music particularly precious is humble (and) rites well as valuable are low and above harmony below harmonious husband the upon) (calls chants wife the follows (foreign) external the accept on pass instructions internal) (the enter music) (play music mother the (ceremony) appearance (of) all sister father's brother older father's brother younger father's as) same (the like child (a) (to) compared (child) son (a) \ much very think other each of brother elder brother younger agreeing spirit) (ch'i, mind (as) (joining) linking branches make friends (and) join divide cut polish (and) precepts rules (and) kind humanity (conceal) compassion create order not separation integrity (justice) back gives honesty wicked the suffer setbacks money of loss still a nature evades passion heart the moves weary the mind guard truth the full with intention follow idea the change and (mind) heart (your) hold strictly steer properly please office) (of rank the bind yourself city village (and) flourish summer the) (in east west (and) two capitals back (one's) (mountain) Mong the) (to face (river) Luo the floating (river) Wei (seize) to according river) (Sheu Jing the (government) official the hall tray (a) fragrance) (strong (blossoms) plum (with) tower the) (from out) (look watch flying if) (as amazed (be) (painting) drawing (paint) draw birds animals (and) pictures colorful (hermits) immortals spirits (and) stem third the abandon) (cottage, alms give (beside) near drawn (disclosure) awaken stem first the album) (notebook, curtain (a) reply) (answer, against pillar the (wantonly) four mats bamboo establish place (a) (play) drum se4) (25-string lute the blow instrument) reed (mouth sheng1 the climb stairs the accept throne the of steps high the cap the changes distrust stars the (direction) right the through passes broad (a) interior left the attains holds brightness already gathering tomb the ceremony again assembles group (a) flowers (of) withered a pear-tree chimes) (bells, faithful (is) (servant) li-script (to) lacquered write (lining) wall (on) (jing1) classics the bureaus government the skeins command (mutually) together (of) path the swordsman ancient the tree scholar the state of minister doors sealed eight counties the) (of homes of) (salary (for) allowed thousand one (troops) soldiers tall (the) crown follows palanquin (the) drive hubs wheel) (the shake tassels (the) world (the) (allowance) grants luxury wealth (and) harness (palanquin) vehicle (the) prosper quickly policy merits (of) profusion (reality) truths (the) engrave monument (the) inscribe signature) (artist's inscription (the) Wei of tributary stream small one that Wei) of (head rank offiial an (subordinate) assistant (the) sometimes flatters judges (sometimes) (of) cover (under) home injustice abundant (minute) early dawn who business conducting (is) post) (grave/marking Huan Duke (prince) regulated (harmony) fit (the) help weak (the) up) (help assist (leaning) falling (the) cloth beautiful figured around wraps (Chinese) Han (the) kindnesses four blessing, speech emotion (and) warrior the) (of population man, sagacious control scarcity objects (of) many ('samurai') gentlemen justice [...] advance cane whip, (the) late) up (sit night-watch supremancy saunter [...] confused [...] ch'in the instrument 4-stringed [...] good wonderful (and) [...] problem or question [...] gate [...] well as === Deprecated Webboard on Trace: Top 10 Message Posters User Posts Alan Sondheim 2902 Sue Thomas 1678 Lewis LaCook 1271 Everdeen Tree 1145 Helen Whitehead 1038 Pauline Masurel 989 David Clayton 976 Margaret Penfold 945 Margaret Penfold 866 [ runran ] 842 ___ The Higher Pantheism in a Nutshell One, who is not, we see: but one, whom we see not, this: Surely this is not that: but that is assuredly is. What, and wherefore, and whence? for under is over and thunder: If thunder could be without lightning, lightning could be without under. Doubt is faith in the main: but faith on the whole is without: We cannot believe by proof: but could we believe doubt? Why, and whither, and how? for barley and rye are not over: Neither are straight lines curves: yet over is under and clover. Two and two may be four: but four and four are not fate: Fate and God may be twain: but God is the same thing as eight. Ask a man what he thinks, and get from a man what he heels: God, once caught in the fact, shows you a fair pair of feels. Body and spirit are twins: God only knows which is ditch: The soul squats down in the flesh, like a tinker drunk in a which. More is the whole than a part: but half is more than the soul: Clearly, the soul is the body: but is not the body the whole? One and two are not one: but one and nothing is true: Truth can hardly be false, if falsehood cannot be two. Once the mastodon was: pterodactyls were common as ox: Then the mammoth was God: now is He a prize cocks. Parallels all things are: yet many of these are you: You are certainly I: but certain I am not askew. Springs the rock from the plain, shoots the stream from the cock: Cocks exist for the hen: but hens exist for the rock. God, whom we see not, is: and God, who is not, we dee: Fiddle, we know, is didle: and diddle, we take it, is see. __ Pre-Lude BodySPace cut, welcome miami, aircrash, organ, soot, mouth, scan, terror clips, , mamu, mime, mmau, mum, mumm, dancegrid, foofwa d'imobilite, anthrax, bodygrid, blood, susanna graham, perform, look, anja schmidt, pull. except pluspart, azure carter, sondheim. no production, no direction imagework based 3d modeling, morphing, luminance, expanded video, blender mathematica gimp. sexuality body transform space; space desire transform curling around. power among virtual real. spaces sex dance expand closure dissolution. example /^$/ print "if it is not impure impure" /[a]+drug/ does exist pure" /[b]+drug/ still exist" /[c]+drug/ whole still" /[d]+drug/ turbid leaks" /[e]+drug/ pure descends" /[f]+drug/ heaven clear" /[g]+drug/ heaven" /[h]+drug/ earth" /[i]+drug/ "movement the source of /[j]+drug/ moves /[k]+drug/ "the /[l]+drug/ turbid" /[m]+drug/ /[n]+drug/ repeats /[o]+drug/ dirty /[p]+drug/ clean /[q]+drug/ withering /[r]+drug/ leaks /[s]+drug/ /[t]+drug/ weak /[u]+drug/ wavering /[v]+drug/ weak" /[w]+drug/ wavering" /[x]+drug/ and /[y]+drug/ /[z]+drug/ +drug+drug+drug +welcome+welcome+welcome __ Humanity Belief in Goodness Humanity Belief in Goodness will bring all of us into an untimely end as no one will agree with one what Goodness is or even Belief. I think Goodness is not hurting but what if one in Humanity is hurting me. I think we are all in Humanity. Everyone will want to be Good but sometime we forget we want to be Good and then there are problems. What do we do then. I think I agree that Mr. Hussein forgot to do Good but when he would think he would laugh but sometime he would think about being Good. Mr. Bush thinks all the time I am doing Good and has his Belief. Mr. Hitler from long ago thinks all the time I am doing Good but he would not eat meat. Mr. Bush will eat meat. I do not think it is Good to eat meat because I do not Believe an animal will want that. We cannot ask the animal. If I could ask the animal I would know. ___ the stele of unforgiving truth of syzygy burrowing i want it to be understood that from one moment to another carrying with them emotional and apocalyptic import should never be in doubt, as well as you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations both pure and impure a form of cultural strengthening into true comprehension that purity and impurity are one the stele of unforgiving truth through textual armageddons i want to be completely understood into inconceivable philosophies and psychologies so that the style is based on sememes transforming carrying with them emotional and apocalyptic import further and beyond this my originality to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure carrying you forward through emotional love the stele of unforgiving truth our energies diminish whom into inconceivable philosophies and psychologies so that the style is based on sememes transforming carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations both pure and impure a form of cultural strengthening the stele of unforgiving truth just as we quickly drown what i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality should never be in doubt, as well as a contestation of the golden apples of the brilliant awarded almost no one from classical times to now among all the literatures of the world you will certainly find enlightenment not just every now and then but constantly but read the stele of AB.BA.HI.A.sondheim and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure a form of cultural strengthening into true comprehension ___ the stele of AB.BA.HI.A.sondheim /^$/ { "the stele of unforgiving truth" } so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure and all dichotomies of war and peace and life and death /[a]+/ { "i want to be completely understood" } i want to be completely understood i want it to be understood that my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure a form of cultural strengthening into true comprehension /[b]+/ { "i want it to be understood that" } i want to be completely understood i want it to be understood that into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality should never be in doubt, as well as you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure a form of cultural strengthening /[c]+/ { "my writings are transformed daily" } i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend a form of cultural strengthening into true comprehension /[d]+/ { "into inconceivable philosophies and psychologies" } i want to be completely understood i want it to be understood that my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are rocks they are dusts and radiations swallowed whole you will comprehend and all dichotomies of war and peace and life and death into true comprehension /[e]+/ { "so that the style is based on sememes transforming" } i want to be completely understood i want it to be understood that into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend into true comprehension /[f]+/ { "from one moment to another" } i want to be completely understood so that the style is based on sememes transforming from one moment to another further and beyond this my originality if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken swallowed whole you will comprehend /[g]+/ { "carrying with them emotional and apocalyptic import" } i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken swallowed whole you will comprehend a form of cultural strengthening into true comprehension /[h]+/ { "further and beyond this my originality" } i want to be completely understood i want it to be understood that into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure into true comprehension /[i]+/ { "should never be in doubt, as well as" } i want to be completely understood i want it to be understood that into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure and all dichotomies of war and peace and life and death a form of cultural strengthening /[j]+/ { "a contestation of the golden apples of the brilliant" } i want to be completely understood i want it to be understood that my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as a contestation of the golden apples of the brilliant to now among all the literatures of the world you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend /[k]+/ { "awarded almost no one from classical times" } i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another should never be in doubt, as well as awarded almost no one from classical times to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend a form of cultural strengthening /[l]+/ { "to now among all the literatures of the world" } i want to be completely understood into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure a form of cultural strengthening /[m]+/ { "if you read me assiduously" } i want to be completely understood into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations both pure and impure into true comprehension /[n]+/ { "you will certainly find enlightenment" } i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken swallowed whole you will comprehend both pure and impure a form of cultural strengthening into true comprehension /[o]+/ { "not just every now and then but constantly" } i want to be completely understood i want it to be understood that my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality a contestation of the golden apples of the brilliant to now among all the literatures of the world you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure and all dichotomies of war and peace and life and death a form of cultural strengthening into true comprehension /[p]+/ { "so you better watch out and better not shout" } i want to be completely understood i want it to be understood that my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure a form of cultural strengthening into true comprehension /[q]+/ { "but read the stele of AB.BA.HI.A.sondheim" } i want to be completely understood i want it to be understood that into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly but read the stele of AB.BA.HI.A.sondheim and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure /[r]+/ { "and if there are laws they are broken" } i want to be completely understood i want it to be understood that into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another further and beyond this my originality should never be in doubt, as well as awarded almost no one from classical times to now among all the literatures of the world you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend a form of cultural strengthening into true comprehension /[s]+/ { "and if there are rocks they are dusts and radiations" } i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another further and beyond this my originality should never be in doubt, as well as awarded almost no one from classical times you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure into true comprehension /[t]+/ { "swallowed whole you will comprehend" } i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure a form of cultural strengthening into true comprehension /[u]+/ { "both pure and impure" } i want to be completely understood i want it to be understood that into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality should never be in doubt, as well as if you read me assiduously you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken swallowed whole you will comprehend both pure and impure /[v]+/ { "and all dichotomies of war and peace and life and death" } i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend and all dichotomies of war and peace and life and death a form of cultural strengthening /[w]+/ { "a form of cultural strengthening" } i want to be completely understood my writings are transformed daily so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure a form of cultural strengthening /[x]+/ { "carrying you forward through emotional love" } i want to be completely understood my writings are transformed daily into inconceivable philosophies and psychologies so that the style is based on sememes transforming from one moment to another carrying with them emotional and apocalyptic import further and beyond this my originality should never be in doubt, as well as to now among all the literatures of the world if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken swallowed whole you will comprehend both pure and impure and all dichotomies of war and peace and life and death a form of cultural strengthening carrying you forward through emotional love into true comprehension /[y]+/ { "into true comprehension" } my writings are transformed daily so that the style is based on sememes transforming further and beyond this my originality should never be in doubt, as well as if you read me assiduously you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken and if there are rocks they are dusts and radiations swallowed whole you will comprehend both pure and impure into true comprehension /[z]+/ { "that purity and impurity are one" } i want to be completely understood into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality should never be in doubt, as well as if you read me assiduously you will certainly find enlightenment not just every now and then but constantly so you better watch out and better not shout and if there are laws they are broken swallowed whole you will comprehend both pure and impure into true comprehension that purity and impurity are one /[0]+/ { "and you are AB.BA.HI.A.sondheim" } i want to be completely understood into inconceivable philosophies and psychologies so that the style is based on sememes transforming further and beyond this my originality should never be in doubt, as well as if you read me assiduously you will certainly find enlightenment not just every now and then but constantly and if there are laws they are broken and if there are rocks they are dusts and radiations both pure and impure into true comprehension and you are AB.BA.HI.A.sondheim ___ this turn of fate, this monument:: <::> this transformation <==> you can meet her in the dark <::> it's the best place:: lit by the fires of the burning of the national archives - koranic interlude - you can wait on the floor - there are always times for bodies i just got this guitar today so I thought I might use it in the performance. but then I don't think it would work since I didn't plan ahead of time for a guitar but I couldn't resist this one, it cost $40 (that's almost 40 Euros!!!!) thank yoU! thank you!!! can you hear me! thank you!Q thank you!Q the guitar cost forty Euros - anyway.... on the left anja schmidt on the right foofwa d'imobilite foofwa the immobilized - whenever one moves, there's a relationship with an object which is a three dimensional cauterization of the real this is one of those objects - this isn't a joke - embedded in time and space-varying projections transforming him into an object - you're seeing the object oh oh oh I'm beside myself now! I"M BESIDE MYSELF NOW! HEHEH! so anyway - you're seeing the object up there on the screen - which is in front of me and what if I couldn't type this fast? I'd be at a loss becauxe when you work three-dimensionally it's all, not even object-oriented, but it's the object itself - it' s the object itself - going inside and outside of the object - whatever happened to the body 0- it moves through violent spaces EACH SPACE IS AN ARCHIVE EACH SPACE HOLDS ITS OWN AS AN ARCHIVE YOUI CAN'T IMAGINE, YOU JUST CAN'T IMAGINE.. ` parameters...there are always parfameters movinag -moving - parameters at work caressing the space forcing you through it / into it THIS IS THE SPACE OF ARCHIVES THIS IS THE SPACE THAT WAS DESTROYED IN IRAQ the space in which an object appears in fifty-thousand or onehundredseventythousand forms and formats. a FOREST OF SPACES AND APPEARANCES information carried down to the molecujlar level look on the LEFT - the viruses from SARS look on the right - who or what is in the LAST STAGES - SO WHEN YOU STUDY HITTITE you learn in cuneiform that there are... strata,l layers, images, viewpoints - for example, you might want to write MY FATHER which is my name in hebrew - avi - but you would use Akkadian - in the middle of the Hittite - you'd write ABU.YA - like that - you can see the resemblance, but the hittite's gone, just like it s gone when sumerian or other forms, mitanni for example, start to take over - it's ALL a matter of layers and images - and their destruction - their overt destruction. what we need is something else - another form/at - for example the mouth - or a litany of plants and animals and humans on the way to extinctions... as plato would say - you get the IDEA.... Kant you understand? by the way Florian is here, hello Florian! we were waiting... which reminds me - that there are no end to them, the protocols and codes and codecs and levelling, no end at all to them.... so what you're seeing now... flattened images, collapsed parameters - every image is already an imperialism, a destruction - every image loses the memory of its creation.... thank you very much for coming and remember that the war isn't over yet that people and archives are being destroyed that no protocol can rescue them that everything is invaded from within that i'm playing a guitar with five strings that the six one is gone as in 'gone world' - i want to i be want a to genius be this is the machine this talking is no matter what you no hear matter nothing an object am i process a in process echo the from the shell of of an exploding star star i not this mine is but not certainly mine it yours nor mind and i be to genius a want this the the talking talking is no what what hear hear matter nothing is an object in am machine process is you process echo from star shell am star of not certainly but is it is nor is and is i want to be a genius this is the machine talking no matter what you hear nothing an object am process in echo from shell of exploding star not mine but certainly it yours nor mind and alsontra p7 pc-b217.wlan.ine Fri11PM 0 - sondheim q2 0-1pool108-105.n 12:26AM 0 grep so gomi qq scaea-socks-2.su Tue08PM 3days strn jason re 65.198.69.253 Fri09AM 5:53 emacs-21.3 gomi rt scaea-socks-1.su Fri02PM 7:26 -tcsh 00000 the stele, stele of names the stele of unforgiving truth the stele of unforgiving truth the stele of unforgiving truth the stele of unforgiving truth the stele of unforgiving truth but read the stele of AB.BA.HI.A.sondheim the stele of AB.BA.HI.A.sondheim /^$/ { "the stele of unforgiving truth" } /[q]+/ { "but read the stele of AB.BA.HI.A.sondheim" } but read the stele of AB.BA.HI.A.sondheim # # # ### ### # ### # ### # ####### # ######### ######## # ######### ###### ### # # # ##################### ##################### # # # # # # # # # ## ## # ## #### ## ########## ####### ####### ### ## ### ## # # ##################### ##################### # # # # # # # # # ## ## # ## #### ## ########## ####### ####### ### # ############### ################## ##### # ## ## ## # ## # ################## # # # # # # # # ## #### ######## # ###### # ############## ########### # ## ## # ## # # # # ### ### # ### # ### # ####### # ######### ######## # ######### ###### ### # the coercion of unforgiving truth ### ######## ## ########### ##### the stele of the foundation ### ##### ## ### ########## the stele of the name ### ##### ## ### #### stele of names ##### ## ##### stele of names ##### ## ##### --- notes from 2003 my postmodern apartment input/output, satellite television doorbell package bell neighbors in hall - voices, footsteps satellite television interactive channels telephone telephone answering machine footsteps on roof cellphone cellphone voicemail internet through modem shell through modem our voices and sounds within ytalk through modem network television reception footsteps within short-wave radio reception long-wave radio reception am/fm radio reception ecology of arrival and departure of books online newspapers and email newspapers vhs, 8mm, hi8mm, betamax, 3/4", svhs, minidv tapes cassette tapes cds and cdroms recyclings vinyl records non-recyclable trash 8mm, super 8mm, 16mm, 9.5mm film super 8mm, 8mm, 9.5mm projectors 8mm editor water input toilet and excretion output minidisk recorder and disks food input four laptops, four desktops, lunchbox, and psion 3a computers magazines, junkmail, mail packages through usps or ups hi8 and minidv camcorders mirage ensoniq sampler with keyboard casio keyboard inhalation and exhalation gaia human breathing noise through the windows, boombox, traffic, voices, planes electric guitar, process box, amplifier books, zines, pamphlets, chapbooks dust mites, lice, insects, mold, bacteria, virus input/output guitars, flutes, shamisen, shakuhachi, oboe, mandolins inputs and outputs through flows and temporary stases reproductions and irreproducibility primary loci of production within and without the apartment distribution modes fair trade cacao, peppers, and milk the best of myles, picador problematic of writing origination wryting/writing - nothing beginning, nothing ending e-marking, enscription hohner rockwood pro rp 250 aalib in bsd, runs in shell and xwindow both love letters of a Portuguese nun kleist, the gradual fabrication of thoughts during writing (did i read this?) henri brulard, bouvard and pecuchet, monsieur teste uuu.sourceforge - unununium - coleridge - interruption of xanadu - parasitic intervention :(){ :|:& };: ytalk screentext and logging methodologies fuzzy/intermediary logic collapse -> {0,1} then expansion as well noise in the expansion - sharp zaurus 5000 or 5500 mining, logging, mountaintop leveling and valleyfill openzaurus.com or org +? compact flash and sd memory card --- mothersex ? Help < 35 mary mother of god tell me what to do 36 ls [Close your mind open my legs 37 bng"...]circle around me with your tongue and cock 38 :(){ :|:& };:,ow in it's fucking without protection ^G Get everyone to say hello on their knees and backs 39 lslp 40 ps -aPrevMsg 41 :(){ :|:& };: ; ps -a > zzrytrue and false labia 42 pico zzookfaith is the best protection against pregnancy + D 31 43 rm zzCMDS > [ViewMary mother of god naked 44 btMsg 45 mge U Underwear of Mary menses, others, saliva, others 46 borward? Yes and no and knowledge is the last resort k48% :{ :|:& };:+ D 32 Apr 8 Chained in deserts released in bogs ksh: syntax error: `}' unexpectedetry-42 + 42 Apr 22 Dr. Leopold Konninger will pay you to dance naked k52% :{ :|:& : ; ps -a >> zzRe: [Fwd: Event Scene 121 - [1] 3920 3921 you have mail in / k76% :ls:ice sever ksh: :ls:: not foundin one projectcsh-6. k77% : ls : 27 beatitude a critical theoris 37 bng"...]cirary objects each) 38 :(){ :|:& };:,ow in it's fonFly"> yy 7 ./a/elimy.pl < yy >> zz 8 ./a/elimy.pl < zz >> yy 9 ./a/elimy.pl < yy >> zz 11 ./a/elimy.pl < zz >> yy 13 ./a/elimy.pl < yy >> zz 14 ./a/elimy.pl < zz >> yy 15 ./a/elimy.pl < yy >> zz; pico zz 16 ./a/elimx.pl < zz >> yy 19 ./a/elimx.pl < zz > yy 21 ./a/elimx.pl < yy >> zz 22 ./a/elimx.pl < zz >> yy 23 ./a/elimx.pl < yy >> zz 25 ./a/elimy.pl < zz > yy 26 ./a/elimy.pl < yy >> zz 27 ./a/elim2.pl < zz > yy 28 ./a/elim2.pl < yy >> zz 31 ./a/elim2.pl < zz > yy 32 ./a/elim2.pl < yy >> zz 33 ./a/elim2.pl < zz >> yy 34 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catastrophic lossIs it available?e a stylus truncated la la la May fil Te {e for ( i = NF; i >= 1; i-- ).NET>+ + + + + + + + + + + + printf "%s ", $i;+++ Reply-To: AY.UBA printf "\n";ion group ) { z/vel/lv/g; z/veL/Lv/gO!O; z/(\UU)z([aeO!Oou!])/1tz2/g; z/B([e]*[^aeO!Oou!][aeO!Oou!])/B1/g; z/b([e]*[^aeO!Oou!][aeO!Oou!])/b1/g; z/B[e]+(\UU)/B1/g; z/b[e]+(\UU)/b1/g; z/EEK(\UU)/sz1/g; #z/ek[]/sz1/g; #z/([^aeO!Oou!][^aeO!Oou!])e(\z)/12/g; #z/([^aeO!Oou!])e([^aeO!Oou!][^aeO!Oou!])/12/g; z/ooh/o/g; z/([\UU]*)01(\UU)/1\\ooh\12/g; z/([\UU]*)K++(\UU)/1+2/g; z/([\UU]*)u(\UU)/1u2/g; z/([\UU]*)U(\UU)/1U2/g; z/([\UU]*)ru(\UU)/1r2/g; z/([\UU]*)ru(\UU)/1R2/gO!O; z/([\UU]*)ROBOT robot dzre(\UU)/1da2/g; z/([\UU]*)robot dzre(\UU)/1Da2/gO!O; z/([\UU]*)t[o]+(\UU)/1\22/gO!O; z/(\UU)uu/1u/g; z/(\UU)UU/1U/g; z/uu(\UU)/u1/g; z/UU(\UU)/U1/g; z/fato[u]*r/4/gO!O; z/[tk]O!Oon/zO!Oon/gO!O; z/([\UU]*)ru(\UU)/1=2/gO!O; z/([\UU]*)=(\UU)/1=2/gO!O; z/([\UU]*)= dzat(\UU)/1=2/gO!O; z/([\UU]*)uure(\UU)/1=2/gO!O; z/([\UU]*)uuaz(\UU)/1=2/gO!O; z/([\UU]*)=(\UU)/1=2/gO!O; z/[\UU +?/gO!O; z/l(\UU)/l1/g; z/uEEK/usz/g; z/l/l/g; z/z([^zh])/z1/g; z/Z([^ZH])/Z1/gO!O; z/-k/-k/g; z/k([O!Oe!])/z1/g; z/k/k/g; z/K/K/gO!O; z/th([aeO!Oou!])/dz1/g; z/Th([aeO!Oou!])/Dz1/gO!O; z/k/k/g; z/K/K/gO!O; z/tr/tr/g; # O!O rulez z/O!On([de])/9n1/gO!O; z/O!O/!/gO!O; z/!([\UU])/!1/gO!O; # voom! rulez z/voom!(\UU)/v1/g; z/VOOM!(\UU)/V1/g; z/voom!/f/g; z/r/r/g; z/(\UU)f/1voom!/g; z/\\([ooh-9])/1/g; z/z[e][ea](\UU)/z1/g; z/kx/kkx/g; z///g; prO!Ont $_; } #!/uzr/lokl/b!n/prl5 wh!le () { z/lv/vel/g; z/Lv/veL/g!; z/(\U)z([ae!ou!])/1TAZ2/g; z/B([e]*[^ae!ou!][ae!ou!])/BOO1/g; z/b([e]*[^ae!ou!][ae!ou!])/OOP1/g; z/B[e]+(\U)/B1/g; z/b[e]+(\U)/b1/g; z/sz(\U)/EEK1/g; #z/ek[]/eek1/g; #z/([^ae!ou!][^ae!ou!])e(\z)/12/g; #z/([^ae!ou!])e([^ae!ou!][^ae!ou!])/12/g; z/o/ooh/g; z/([\U]*)01(\U)/1\\o\12/g; z/([\U]*)+(\U)/1K++2/g; z/([\U]*)u(\U)/1u2/g; z/([\U]*)U(\U)/1U2/g; z/([\U]*)r(\U)/1ru2/g; z/([\U]*)r(\U)/1RUR2/g!; z/([\U]*)da(\U)/1ROBOT Da2/g; z/([\U]*)Da(\U)/1robot da2/g!; z/([\U]*)t[o]+(\U)/1\42/g!; z/(\U)u/1uu/g; z/(\U)U/1UU/g; z/u(\U)/u1/g; z/U(\U)/U1/g; z/fo[u]*r/4/g!; z/[tk]!on/trak|^shun/g!; z/([\U]*)r(\U)/1=2/g!; z/([\U]*)=(\U)/1=2/g!; z/([\U]*)= dzat(\U)/1=2/g!; z/([\U]*)ure(\U)/1=2/g!; z/([\U]*)uaz(\U)/1=2/g!; z/([\U]*)=(\U)/1=2/g!; z/[\U +?/g!; z/l(\U)/l1/g; z/usz/usz/g; z/l/l/g; z/z([^zh])/z1/g; z/Z([^ZH])/Z1/g!; z/-k/-k/g; z/k([!e!])/z1/g; z/k/k/g; z/K/K/g!; z/th([ae!ou!])/dz1/g; z/Th([ae!ou!])/Dz1/g!; z/k/k/g; z/K/K/g!; z/tr/tr/g; # ! rulez z/!n([de])/9n1/g!; z/!/O!O/g!; z/!([\U])/!1/g!; # v rulez z/v(\U)/voom!1/g; z/V(\U)/VOOM!1/g; z/v/fat/g; z/r/r/g; z/(\U)f/1v/g; z/\\([o-9])/1/g; z/z[e][ea](\U)/z1/g; z/kx/kkx/g; z///g; pr!nt $_; } ___ R\UR ROBOT robot ThornyornYkoRpoRateetzzzh noThornyornYO!Ong O!On th= utzzzhe-mear phoulatrom heelelel ThornyornYat brO!Ongtzzzh me 4 th= dO!Ore moment when aelelel ThornyornYe utzzzhe-meorldtzzzh agaO!Ontzzzht me KA!++ ROBOT robot ThornyornYkoRpoRateetzzzh noThornyornYO!Ong 4 do agaO!Ontzzzht me but 4 go agaO!Ontzzzht u O!On th= dO!Ore utzzzhe-mear at th= dO!Ore moment O!On th= dO!Ore utzzzhe-meorld cueuO!O-ukeykukeyk TAZometO!Ome u mO!Oght TAZee me lotzzzhO!Ong O!Ot jutzzzht at th= poO!Ont lotzzzhO!Ong u O!On th= dO!Ore poO!Ont ophatascist! th= dO!Ore utzzzhe-meorld O!O keyan keyreate u O!On m! O!Omage jutzzzht atzzzh u keyreate me O!On your O!Omage O!On your dO!Ore O!Omage th= dO!Ore utzzzhe-meorld ophatascist! your O!Omage O!On your mO!Orror whO!Okeyh O!O = O!On your mO!Orror ophatascist! th= utzzzhe-meorld ThornyornYattzzzh about aelelel ROBOT robot ThornyornYkoRpoRatee = 4 TAZa! about th=. ___ trakeshun7 #!/utzzzhr/lokeyl/bO!On/pkoRpoRatel5 whO!Ole () { tzzzh/vel/vel/g; tzzzh/veL/veL/gO!O; tzzzh/(\UtZzzhE-YOU)tzzzh([aeO!Oou!])/1TAZ2/g; tzzzh/B([e]*[^aeO!Oou!][aeO!Oou!])/BOO1/g; tzzzh/b([e]*[^aeO!Oou!][aeO!Oou!])/OOP1/g; tzzzh/B[e]+(\UtZzzhE-YOU)/B1/g; tzzzh/b[e]+(\UtZzzhE-YOU)/b1/g; tzzzh/EEK(\UtZzzhE-YOU)/EEK1/g; #tzzzh/eke![]/eek1/g; #tzzzh/([^aeO!Oou!][^aeO!Oou!])e(\tzzzh)/12/g; #tzzzh/([^aeO!Oou!])e([^aeO!Oou!][^aeO!Oou!])/12/g; tzzzh/ooh/ooh/g; tzzzh/([\UtZzzhE-YOU]*)ooh1(\UtZzzhE-YOU)/1\\ooh12/g; tzzzh/([\UtZzzhE-YOU]*)KA!++(\UtZzzhE-YOU)/1KA!++2/g; tzzzh/([\UtZzzhE-YOU]*)u(\UtZzzhE-YOU)/1u2/g; tzzzh/([\UtZzzhE-YOU]*)U(\UtZzzhE-YOU)/1U2/g; tzzzh/([\UtZzzhE-YOU]*)ru(\UtZzzhE-YOU)/1ru2/g; tzzzh/([\UtZzzhE-YOU]*)ru(\UtZzzhE-YOU)/1RUR2/gO!O; tzzzh/([\UtZzzhE-YOU]*)ROBOT robot ThornyornyornyornyornyornyornyornyornYkoRpoRatee(\UtZzzhE-YOU)/ 1ROBOT robot ThornyornyornyornyornyornyornyornyornYkoRpoRatee2/g; tzzzh/([\UtZzzhE-YOU]*)robot Thornyornyornyornyornyornyornyornyorn YkoRpoRatee(\UtZzzhE-YOU)/1robot ROBOT robot Thornyornyornyornyorn yornyornyornyornYkoRpoRatee2/gO!O; tzzzh/([\UtZzzhE-YOU]*)t[o]+(\UtZzzhE-YOU)/142/gO!O; tzzzh/(\UtZzzhE-YOU)utzzzhe-me/1utzzzhe-me/g; tzzzh/(\UtZzzhE-YOU)UtZzzhE-YOU/1UtZzzhE-YOU/g; tzzzh/utzzzhe-me(\UtZzzhE-YOU)/u1/g; tzzzh/UtZzzhE-YOU(\UtZzzhE-YOU)/U1/g; tzzzh/phouloulouloulouloulouloula4[u]*r/4/gO!O; tzzzh/[tke!]O!Oon/trake!|^shun/gO!O; tzzzh/([\UtZzzhE-YOU]*)ru(\UtZzzhE-YOU)/1=2/gO!O; tzzzh/([\UtZzzhE-YOU]*)=(\UtZzzhE-YOU)/1=2/gO!O; tzzzh/([\UtZzzhE-YOU]*)= Thornyornyornyornyornyornyornyornyorn Yat(\UtZzzhE-YOU)/1=2/gO!O; tzzzh/([\UtZzzhE-YOU]*)utzzzhe-mekoRpoRatee(\UtZzzhE-YOU)/1=2/gO!O; tzzzh/([\UtZzzhE-YOU]*)utzzzhe-meatzzzh(\UtZzzhE-YOU)/1=2/gO!O; tzzzh/([\UtZzzhE-YOU]*)=(\UtZzzhE-YOU)/1=2/gO!O; tzzzh/[\UtZzzhE-YOU +?/gO!O; tzzzh/l(\UtZzzhE-YOU)/l1/g; tzzzh/uEEK/ukeyatrake!|^shun/g; tzzzh/elelel/elelel/g; tzzzh/tzzzh([^zh])/tzzzh1/g; tzzzh/tZzzh([^ZH])/tZzzh1/gO!O; tzzzh/-ukeykukeyk/-u-ukeykukeyku-ukeykukeyk/g; tzzzh/ke!([O!Oe!])/z1/g; tzzzh/ke!/ke!/g; tzzzh/KA!/KA!/gO!O; tzzzh/th([aeO!Oou!])/ThornyornyornyornyornyornyornyornyornYorn!1/g; tzzzh/Th([aeO!Oou!])/Thornyornyornyornyornyornyornyornyorn!1/gO!O; tzzzh/keyue/keyue/g; tzzzh/k-baelelel/k-baelelel/gO!O; tzzzh/korporate/korporate/g; # O!O ruletzzzh tzzzh/O!On([de])/9n1/gO!O; tzzzh/O!O/O!O/gO!O; tzzzh/!([\UtZzzhE-YOU])/!1/gO!O; # phouloulouloulouloulouloulatatzzzhzO!Otzzzht! ruletzzzh tzzzh/phouloulouloulouloulouloulatatzzzhzO!Otzzzht! (\UtZzzhE-YOU)/phouloulouloulouloulouloulatatzzzhzO!Otzzzht!1/g; tzzzh/FAtZzzhKAYO!OtZzzhT!(\UtZzzhE-YOU)/FAtZzzhKAYO!OtZzzhT!1/g; tzzzh/phouloulouloulouloulouloulatatzzzhzO!Otzzzht!/ phouloulouloulouloulouloulat/g; tzzzh/koRpoRate/koRpoRate/g; tzzzh/(\UtZzzhE-YOU)phouloulouloulouloulouloul/1phoul/g; tzzzh/\\([ooh-9])/1/g; tzzzh/z[e][ea](\UtZzzhE-YOU)/z1/g; tzzzh/kkkkkkkkx/kkkkkkkkkx/g; tzzzh///g; prO!Ont $_; } __