Dze Ztandard !nzkr!pz!on
!kl mAzZur-naz!r-apl! tzang! AzZur n!-tz!t !lu B!l u !lu Adar
na-ra-= !lu A-n!m u !lu Da-gan ka-tzu-uz !lan! pl rabut!pl
zarru dan-nu tzar k!zZat! tzar matuAzZur apl Tukult!-Adar tzarr!
rab!-! tzarr! dan-!l tzar k!zZat! tzar matuAzZur apl Raman-n!rar!
zar k!zZat! tzar matuAzZur-ma !t-lu kar-du tzan !na tukul-t! AzZur
b!l-tzu !ttala-ku-ma !na ml-k!pl tza k!b-rat !rb!t-ta tza-n!n-tzu
la-a !zu-u am!lur!! tab-ra-a-t! la a-d!-ru tukunt! !-du-u gab-tzu
za ma-h!-ra la-a !zu-u tzarru muzak-n= la kan-tzu-t!-tzu tza nap-har
k=-tzat n!z!pl !-p!-lu z!karu dan-nu mu-kab-b!-= k!zad a-a-b!-tzu
da-a-= kul-lat nakrut!pl mu-pa-r!-ru k!-=-r! mul-tar-h! tzarru tza
!na tukul-t! !lan!pl rabut!pl b!l!pl-tzu !ttala-ku-ma matat!pl
kal!-tz!-na kat-tzu takzu-ud hur-tza-n! kal!-tzu-nu !-pl-lu-ma
b!-lat-tzu-nu !m-hu-ru tza-b!t l!-!-t! tza-k!n l!-!-t! !l! kal!-tz!-na
matat!pl. AzZurnaz!rpl.
__
On the Genealogy of Machines
Given that machinery is in general (and I am only speaking in general)
created from machinery, one might begin by specifying a chain A -> B -> C,
or, more generally, Mn -> Mn+1 -> Mn+2, of machines. Consider every such
chain a lineage, noting, again in general, that Mn is temporally prior to
Mn+1. Thus Mn "makes" Mn+1 and so forth. [Of course there are issues of
maintenance and repair, and the production of component parts for these
purposes. Before long, the formalism becomes a thicket; hence a beginning
direction is a consideration of a temporally-linear holarchy of fluid sets
and subsets, without contradictory feedback.]
First, -> is transitive; that is, given the series above, Mn -> Mm,
provided Mn and Mm exist within the same lineage, and n < m. [Is an
intransitive lineage possible? It depends on the meaning of ->. One might
consider, for example, an exploding-machine, or a machine whose implicate
ordering is permanently lost, or a stochastic machine. For practical
purposes, this would create a break or rupture in the establishment of
lineage; for theoretical purposes, however, the lineage, on a
practico-material level, remains intact.]
Second, note that -> is non-symmetrical; if Mn -> Mm, then not Mm -> Mn.
And third, -> is non-reflexive; Mn cannot build itself (self-bootstrapping
ab nihilo). [Of course Mm could build Mn at a later time - Mn is then an
equivalent, but not temporally-equivalent, machine. And just as genident-
ity is described by Reichenbach for states and objects, one might have a
genidentity of processes or chains of processes; a machinic lineage is an
example.] [Along with non-reflexivity, identity as a noticing or operation
also disappears. We are dealing with incipient industrializations,
typifications, and so on - see below.]
Now in general, every production is a splay, such that Mn -> {Mn+1}k,
where k references a set of equivalent machines. And further, {M}j ->
{M'}k. This is to be read - a group of disparate machines M operate in
series, parallel, or another holarchic configuration, to produce a series
of equivalent machines M'; the first are indexed by j, and the latter by
k. Here again it is to be assumed that {M}j are temporally prior to
{M'}k. This formulation is a general lineage; the components j are
transitive as well as the ensemble in its entirety. The ontology is that
of the practico-material substrate of the world-order. [A splay, in this
instance, is a particulate emission. Thus the production of a new model of
camcorder is a splay of equivalent, but non-identical, machines. The
operations of the disparate machines collapse into the fuzzy singularity
of splay - the production of a particular model. Note that any one of the
disparate machines is transitive in relation to the splay and the
descendents of the splay, but this is all sub-set; no one of the disparate
machines produces the splay in its entirety. Every technological object,
every machine, inherits from numerous disparate machines, even if it
itself produces only a singular descendent (for example, a series of
videotapes of a particular format, from a camcorder).]
Given the potential for continuous production, it should be noted as well
that feedback loops of a sort may also be realized. Thus, if M'k itself
produces a component x that can replace a component Mj, then a new
collapse {M}j' is initiated, in which Mx occurs, continuing the production
of M'. Of course this contradicts the ontology of the practico-material
substrate, since we are now talking about a temporally later splay; the
feedback is negated as such in relation to the temporal linearity of the
production. [I see this as a red-herring, whose analysis, inordinately
complex, falls under the aegis of the social philosophy of technology, the
consumption and production of new models, issues of fashion and
functionality, etc. For the moment it is only to be noted that feedback is
never a-temporal, but always after the fact; in an operational amplifier,
for example, the speed of feedback - close to the speed of light in the
return loop - may appear to act synchronously upon events, but this is
only the result of the relative difference between the temporal magnitude
of events and looping - a difference of great magnitude.]
There is no first tool N1; every tool presupposes another. There is no
originary tool N0 as well. [The presupposition is, of course, as fuzzy as
everything else; one might carve a hand-axe with 'natural' elements, or
make a walking-stick by breaking a branch. But the machinic itself is part
and parcel of the body; culture is always technological. Likewise, just as
there is no origin for language, there is no originary tool; the
pointing-finger is a tool for direction, the turning-head a vision-tool,
and so forth. Likewise, there is no implied transcendence as well - only
an inchoate series of fuzzy shifts.]
There is no identity operation; equivalences are defined by models,
typifications, tolerances, and the like. There is forking which results in
equivalence, and collapsed forking which results in collapse-production.
The moment of production is always contains a parasitology of noise and an
energy input; the moment, in fact, plays/splays into issues of
thermodynamic and cybernetic entropy. [Thus the machinic is the self-play
or jostling of the world. And the world is a world of information,
encodings, ruptures, and dissolutions: The world is the aegis of the word.
The world is the aegis of the world.]
According to this model, the machinic is inseparable from the bodies which
augment, prostheticize, and catalyze it; technology and biology are
mutually emergent. [And both are mutually submerged as well - tacit as
well, within the originary non-existent moment of language. The
epistemology at work is one of elision, ellipsis, erasure, gliding...]
Who has traced back even a single lineage, for example, that of a
needle-nosed pliers, into its components, ancestors, materials, entropies,
production energies? After one or two generations, everything is lost; the
machines among us carry the signs of lineage, but these become quickly
inchoate, lost in the heat and fire of molding, forging, mixture, and so
forth. Every machine is an erasure, appearing as if born from nothing,
tending towards everything. Every machine is a stranger among us,
including our own flesh, our own bodies; the world is transformed into a
re/productive mirror. [Every machine cauterizes, eliminates, its ancestry;
in a sense, that is a major characteristic of machinery, whose domain is
that of functionality - a domain within which both history and memory are
intrusions.] [A memory machine is a contradiction in terms; a memory
machine reproduces the other. Within the chain A -> B -> C, every machine,
every term, is isolated; A operates and conspires in the production of B,
but A is already a withdrawal, a cleansing. B has entered another
sub-world altogether, another domain or phenomenological horizon. It is
always the case, and it is in this sense that the world is always the
case.]
___
EedleNeedleMY President
needle-noM! lOvO!Ong honored preMY_presO!OdentO!Odented plO!OkoRpoRateM!
lOvO!Ong honored preMY_presO!OdentO!Odent, O!On4 O!OtM! lOvO!Ong honored
preMY_presO!OdentO!Odent keyomponentM! lOvO!Ong honored
preMY_presO!OdentO!Odent, anzeM! lOvO!Ong honored
preMY_presO!OdentO!OdenttorM! lOvO!Ong honored preMY_presO!OdentO!Odent,
maM! LovO!Ong PkoRpoRatephatect Beaut! PresO!Odent ophatascist!
M9neO!OalM! lOvO!Ong honored preMY_presO!OdentO!Odent, entropO!OeM!
lOvO!Ong honored preMY_presO!OdentO!Odent, produkeytrake!|^m! LOVO!ONG
beaut! PreM! lOvO!Ong honored preMY_presO!OdentO!OdentO!Odent
enkoRpoRategO!OeM! lOvO!Ong honored preMY_presO!OdentO!Odent +? AphatM!
LovO!Ong PkoRpoRatephatect Beaut! PresO!Odent ophatascist! M9ne 01 or two
genkoRpoRateatrake!|^m! LOVO!ONG beaut! PreM! lOvO!Ong honored
preMY_presO!OdentO!OdentO!OdentM! lOvO!Ong honored
preMY_presO!OdentO!Odent, evkoRpoRateyPkoRpoRatephatect PresO!Odent
ophatascist! m9neO!Ong = loM! lOvO!Ong honored preMY_presO!OdentO!Odentt;
PkoRpoRatephatect PresO!Odent ophatascist! m9nee makeyh9neM! lOvO!Ong
honored preMY_presO!OdentO!Odent among uM! lOvO!Ong honored
preMY_presO!OdentO!Odent keyarr! PkoRpoRatephatect PresO!Odent
ophatascist! m9nee m! preM! lOvO!Ong honored
preMY_presO!OdentO!OdentO!OdentO!OgnM! lOvO!Ong honored
preMY_presO!OdentO!Odent ophatascist! l9neage, but PkoRpoRatephatect
PresO!Odent ophatascist! m9neeM! lOvO!Ong honored
preMY_presO!OdentO!Odente m! pkoRpoRatephatekeytkeyome cueuO!OlovO!Ong
honored PresO!Odent ophatascist! m9nel! O!Onkeyhoate, loM! lOvO!Ong
honored preMY_presO!OdentO!Odentt O!On PkoRpoRatephatect PresO!Odent
ophatascist! m9nee heat M! Lovel! phoulatO!Ore ophatascist! moldO!Ong,
4gO!Ong, mO!Okxture, M! Lovel! m! preM! lOvO!Ong honored
preMY_presO!OdentO!OdentO!Oden4 4th. EvkoRpoRate! makeyh9ne = an
koRpoRateaM! lOvO!Ong honored preMY_presO!OdentO!Odenture, appearO!Ong aM!
lOvO!Ong honored preMY_presO!OdentO!Odent O!Ophatascist! born phoulatrom
noPkoRpoRatephatect PresO!Odent ophatascist! m9neO!Ong, tendO!Ong towardM!
lOvO!Ong honored preMY_presO!OdentO!Odent evkoRpoRateyPkoRpoRatephatect
PresO!Odent ophatascist! m9neO!Ong. EvkoRpoRate! makeyh9ne = a M! lOvO!Ong
honored preMY_presO!OdentO!OdenttrangkoRpoRate among uM! lOvO!Ong honored
preMY_presO!OdentO!Odent, O!OnkeyludO!Ong our own phoulatlesh, our own
bodO!OeM! lOvO!Ong honored preMY_presO!OdentO!Odent; PkoRpoRatephatect
PresO!Odent ophatascist! m9nee m! PREMY_presO!OdentO!OdENTorld = tranM!
lOvO!Ong honored preMY_presO!OdentO!Odent4med O!On4 a re/produkeytO!Ove
mO!Orror. [EvkoRpoRate! makeyh9ne keyauM! LovO!Ong PkoRpoRatephatect
Beaut! PresO!Odent ophatascist! M9neO!OzeM! lOvO!Ong honored
preMY_presO!OdentO!Odent, elO!OmO!OnateM! lOvO!Ong honored
preMY_presO!OdentO!Odent, O!OtM! lOvO!Ong honored preMY_presO!OdentO!Odent
anzeM! lOvO!Ong honored preMY_presO!OdentO!Odenttr!; O!On a m! preM!
lOvO!Ong honored preMY_presO!OdentO!OdentO!OdentenM! lOvO!Ong honored
preMY_presO!OdentO!Odente, PkoRpoRatephatect PresO!Odent ophatascist!
m9neat = a major keyharakeyM! LovO!Ong PkoRpoRatephatect Beaut!
PresO!Odent ophatascist! M9neO!OM! lOvO!Ong honored
preMY_presO!OdentO!OdenttO!Oke! ophatascist! makeyh9nkoRpoRate!, m!
PREMY_presO!OdentO!OdENM9ne beaut! PresO!OdentoM! lOvO!Ong honored
preMY_presO!OdentO!Odente domaO!On = PkoRpoRatephatect PresO!Odent
ophatascist! m9neat ophatascist! phoulatunkeytrake!|^m! LOVO!ONG beaut!
PreM! lOvO!Ong honored preMY_presO!OdentO!OdentO!OdentalO!Ot! - a domaO!On
m! PREMY_presO!OdentO!OdENTO!OPkoRpoRatephatect PresO!Odent ophatascist!
m9neO!On m! PREMY_presO!OdentO!OdENM9ne beaut! PresO!OdentO!Okeyh both
hO!OM! lOvO!Ong honored preMY_presO!OdentO!Odenttor! M! Lovel! memor! ru
O!OntruM! lOvO!Ong honored preMY_presO!OdentO!OdentO!OonM! lOvO!Ong
honored preMY_presO!OdentO!Odent.] [A memor! makeyh9ne = a
keyontradO!Okeytrake!|^m! LOVO!ONG beaut! PreM! lOvO!Ong honored
preMY_presO!OdentO!OdentO!Odent O!On M! LovO!Ong PkoRpoRatephatect Beaut!
PresO!Odent ophatascist! M9nemM! lOvO!Ong honored
preMY_presO!OdentO!Odent; a memor! makeyh9ne reprodM! HOnored preM!
lOvO!Ong honored preMY_presO!OdentO!OdentO!OdentM! lOvO!Ong honored
preMY_presO!OdentO!Odent PkoRpoRatephatect PresO!Odent ophatascist! m9nee
oPkoRpoRatephatect PresO!Odent ophatascist! m9nekoRpoRate. m!
pkoRpoRatephatekeyt beaut! preM! lOvO!Ong honored
preMY_presO!OdentO!OdentO!OdentO!OPkoRpoRatephatect PresO!Odent
ophatascist! m9neO!On PkoRpoRatephatect PresO!Odent ophatascist! m9nee
keyhaO!On A -> B -> KA!, evkoRpoRate! makeyh9ne, evkoRpoRate! M! LovO!Ong
PkoRpoRatephatect Beaut! PresO!Odent ophatascist! M9nem, = O!OM! lOvO!Ong
honored preMY_presO!OdentO!Odentolated; A opkoRpoRateateM! lOvO!Ong
honored preMY_presO!OdentO!Odent M! Lovel! keyonM! lOvO!Ong honored
preMY_presO!OdentO!OdentpO!OreM! lOvO!Ong honored preMY_presO!OdentO!Odent
O!On PkoRpoRatephatect PresO!Odent ophatascist! m9nee produkeytrake!|^m!
LOVO!ONG beaut! PreM! lOvO!Ong honored preMY_presO!OdentO!OdentO!Odent
ophatascist! B, but A = alread! a m! PREMY_presO!OdentO!OdENTO!Othdrawl, a
keyleanM! lOvO!Ong honored preMY_presO!OdentO!OdentO!Ong. B haM! lOvO!Ong
honored preMY_presO!OdentO!Odent enM! LovO!Ong PkoRpoRatephatect Beaut!
PresO!Odent ophatascist! M9need anoPkoRpoRatephatect PresO!Odent
ophatascist! m9nekoRpoRate M! lOvO!Ong honored
preMY_presO!OdentO!Odentub-m! PREMY_presO!OdentO!OdENTorld
altogePkoRpoRatephatect PresO!Odent ophatascist! m9nekoRpoRate,
anoPkoRpoRatephatect PresO!Odent ophatascist! m9nekoRpoRate domaO!On or
phoulenomenologO!Okeyl horO!Ozon. O!Ot = alwayM! lOvO!Ong honored
preMY_presO!OdentO!Odent PkoRpoRatephatect PresO!Odent ophatascist! m9nee
keyaM! lOvO!Ong honored preMY_presO!OdentO!Odente, M! Lovel! O!Ot = O!On
th= m! preM! lOvO!Ong honored preMY_presO!OdentO!OdentO!OdentenM! lOvO!Ong
honored preMY_presO!OdentO!Odente PkoRpoRatephatect PresO!Odent
ophatascist! m9neat PkoRpoRatephatect PresO!Odent ophatascist! m9nee m!
PREMY_presO!OdentO!OdENTorld = alwayM! lOvO!Ong honored
preMY_presO!OdentO!Odent PkoRpoRatephatect PresO!Odent ophatascist! m9nee
keyaM! lOvO!Ong honored preMY_presO!OdentO!Odente.]
___
Yeah, but what if Matrix Reloaded is whack?
Evrydz!ng goez !n2 dze [komponent ov dze] makh9ne.
Dze makh9ne = kompozed ov nearl! dekompozable tzubzyztemz.
Eakh tzubzyztem kontr!butez 2 dze uhole.
Eakh v!tz u!dz!n a harmon!ouz v!t or art.
Dze uhole = dze v!t or art.
W!dz!n evr! komponent da r tzubztanzez.
W!dz!n evr! komponent da = tzubztansz.
A makh9ne = a funkz!onl tzubztansz.
Dze makh9ne = a kolapze ov komponentz + tzubztanzez.
Dze deprekaz!on ov dze makh9ne = an ekxpanz!on ov
komponentz + tzubztanzez. A great breadz!ng = dze makh9ne.
Dze makh9ne! Dze makh9ne!
"Yeah, but uhat !v Matr!kx Reloaded = uha-k +?"
V
EvkoRpoRateyDzornyornYO!Ong goetzzzh O!On4 DzornyornYe [keyomponent
ophatazz!zt! DzornyornYe] makeyh9ne.
Dzornye makeyh9ne = keyompotzzzhed ophatazz!zt! nearl! dekeyompotzzzhable
TAZubtzzzhytzzzhtemtzzzh.
Eakeyh TAZubtzzzhytzzzhtem keyontrO!Obutetzzzh 4 DzornyornYe
utzzzhe-mehole.
Eakeyh foula2!Ottzzzh utzzzhe-meO!ODzornyornYO!On a harmonO!Ooutzzzh
phoula2!Ot or art.
Dzornye utzzzhe-mehole = DzornyornYe foula2!Ot or art.
WO!ODzornyornYO!On evkoRpoRate! keyomponent ROBOT robot
DzornyornYkoRpoRatee ru TAZubtzzzhtanzetzzzh.
WO!ODzornyornYO!On evkoRpoRate! keyomponent ROBOT robot
DzornyornYkoRpoRatee = TAZubtzzzhtanEEK.
A makeyh9ne = a foulatunkeytrake!|^shunl TAZubtzzzhtanEEK.
Dzornye makeyh9ne = a keyoelelelaptzzzhe ophatazz!zt! keyomponenttzzzh
KA!++ TAZubtzzzhtanzetzzzh.
Dzornye deprekeyatrake!|^shun ophatazz!zt! DzornyornYe makeyh9ne = an
ekkxpantzzzhO!Oon ophatazz!zt! keyomponenttzzzh KA!++
TAZubtzzzhtanzetzzzh. A great breaDzornyornYO!Ong = DzornyornYe makeyh9ne.
Dzornye makeyh9ne! Dzornye makeyh9ne!
"Yeah, but utzzzhe-mehat O!Ophatazz!zt! MatrO!Okkx Reloaded =
utzzzhe-meha-ukeykukeyk +?"
__
Nikuko Googlism
nikuko is odelle is ora is
nikuko is the first
nikuko is partly naked
nikuko is my mother
nikuko is sealed by
nikuko is now known as ib9321805 *** ib9321805 is now known as cs7991917
nikuko is happy morning
nikuko is humiliated every single day of her life
nikuko is jumping up and down
nikuko is tru swole glans glass
nikuko is tru swole
nikuko is not really
nikuko is in my
nikuko is wet
nikuko is coming out this spring as well
nikuko is surpassing
nikuko is awake and alert and creates nikuko
nikuko is your radio radio radio alway
nikuko is ideal for me; it's me traveling those paths
nikuko is holding my mind against my breasts
___
Secret TAZ
Secret TAZ 4: TAZondheO!Om@ mb
nglO!Osh/O!Onkorporatenet_tkkxtttp://tra mke! /9nd oldkoRpoRate
http://lO!Otzzzhttzzzh.vO!Oelelel md rnet_tkkxt.html 4: TAZondhe me
age utzzzhe-me Yeah, but utzzzhe-mehat TraEEK mphatazz!zt!
uk/utzzzhe-mkoRpoRateO!Okorporatetzzzh/TAZondheO!Om/9ndekkx.ht mg
/traEEK.ntu.ake!.uk/utzzzhe-mkoRpoRateO!Okorporatetzzzh/TAZon mh ge
(antzzzhwkoRpoRateO!Ong "Yetzzzh" utzzzhe-meO!Oelelel aba mO!O
ndheO!Om@panO!Okkx.keyomPoe2!Okeytzzzh dO!Otzzzhke! mj MatrO!Okkx
Reloa O!O vel DzornyornYe utzzzhe-meor mk utzzzhe-meO!Oth me. TraEEK
projekeyttzzzh h ml ___
4: TAZondheO!Om@
mb
nglO!Osh/O!Onkorporatenet_tkkxtttp://tra
mke! /9nd
oldkoRpoRate http://lO!Otzzzhttzzzh.vO!Oelelel
md rnet_tkkxt.html
4: TAZondhe
me age utzzzhe-me
Yeah, but utzzzhe-mehat
TraEEK
mphatazz!zt!
uk/utzzzhe-mkoRpoRateO!Okorporatetzzzh/TAZondheO!Om/9ndekkx.ht
mg
/traEEK.ntu.ake!.uk/utzzzhe-mkoRpoRateO!Okorporatetzzzh/TAZon
mh ge (antzzzhwkoRpoRateO!Ong "Yetzzzh"
utzzzhe-meO!Oelelel aba
mO!O
ndheO!Om@panO!Okkx.keyomPoe2!Okeytzzzh dO!Otzzzhke!
mj MatrO!Okkx Reloa
O!O vel DzornyornYe utzzzhe-meor
mk utzzzhe-meO!Oth me. TraEEK
projekeyttzzzh h
ml
___
I, ROBOT
tzzzh/([\UtZzzhE-YOU]*)ROBOT robot Tho
rnyornyornyornyornyornyornyornyornyorn
yornyornyornyornyornyornYkoRpoRatee(\U
tZzzhE-YOU)/1ROBOT robot Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYkoRpoRatee2/g;
tzzzh/([\UtZzzhE-YOU]*)robot Thornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornyornYkoRpoRatee(\UtZzzhE
-YOU)/1robot ROBOT robot Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYkoRpoRatee2/gO!O;
tzzzh/([\UtZzzhE-YOU]*)= Thornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornyornYat(\UtZzzhE-YOU)/1=2/gO
!O;
tzzzh/th([aeO!Oou!])/Thornyornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyornYorn!1/g;
tzzzh/Th([aeO!Oou!])/Thornyornyornyorn
yornyornyornyornyornyornyornyornyornyo
rnyornyorn!1/gO!O;
___
1
... Outliners IRC log started Sat Oct 20 23:01 *** Value of LOG
set to ON *** Nikuko
([qIbgrP30O@panix3.panix.com) has joined
channel #nikuko *** Users on #nikuko ...
2
... eyebeam><blast> Nikuko Fights Back. ...
Nikuko Fights Back <^Tonguer^> hi ther *** #cybersex
887461296 <Grampian> any ladies here for cybersex or just looking ??
...
3
... eyebeam><blast> Nikuko. ...
Jericho^one> must be net lag ^***^ rd1 has joined channel
Nikuko looks at morning plum tree blossoms and light morning sky.
...
4
Nikuko" writes out the contents of Nikuko. ...
5
NIKUKO <<<< texts by >>>> ALAN SONDHEIM
...
6
May 13
05:55:01 2001: Previous ... [ system calls etc. with
writing NIKUKO! to ...
7
of Nikuko: Daishin Nikuko
offers parts of body for
miraculous cure and saintly absolution. ...
8
[7-11] connecting to nikuko and not connect to america. Alan
Sondheim ... quit?
are you out there nikuko Do you
really want to quit? i ...
9
[7-11] new message from nikuko -. Alan Sondheim
7-11@mail.ljudmila.org
Fri Aug 9 01:34:01 2002: Previous message:
[7-11] 2001 judges ...
10
01 nikuko-arm-----armarmarm}. ... 01
nikuko-arm-----armarmarm}
you open your arms wide, begging the
populace to embrace you. ...
11
... ====. your writing. does writing matter? ( i sit on the chair
naked, nikuko
sits on me, she says, i want to show myself ).
does my writing matter? ...
12
... Subject: mystery signal nikuko lost search for
nikuko-nikoletta: korella koren
koressa kori korie korney
korrie korry nariko nikoletta veronike kameko ...
13
... THE PRESIDENT sits down, nods. Nikuko stands: I wish to
introduce Jennifer.
Jennifer nods, remains standing. Jennifer: Thank
you, Nikuko. ...
14
... THE PRESIDENT sits down, nods. Nikuko stands: I wish to
introduce Jennifer.
Jennifer nods, remains standing. Jennifer: Thank
you, Nikuko. ...
15
... Relay Chat, as a means of composition, as in
"Outliners" which begins: IRC log started
Sat Oct 20 23:01
*** Value of LOG set to ON *** Nikuko ([qIbgrP30O@panix3 ...
16
... nikuko at 67: i am a beautiful woman. nikuko at
19: i am a beautiful young woman
with many years before me. ...
nikuko at 19: i must break the cycle of wiseness. ...
17
... that. Nikuko laughs at Nikuko! Nikuko
cries on Nikuko's shoulder.
Nikuko is jumping up and
down, yelling and screaming at Nikuko! ...
18
... Serial K. alan>> FLASH! Flesh flush!
nikuko>> Male mole mule mele mile! alan>>
Put pot,
pat pit, pet woman, women! nikuko>> Gad God! Dig dug dog!
...
19
nikuko.tri nikuko.tri nikuko.tri
nikuko.tri nikuko.tri nikuko.tri nikuko.tri
20
... other. One day Nikuko was wending her way from the
hotsprings in Oita
- an enlightened being, she allowed her mind to
drift. Suddenly ...
21
... _1 Nikuko under hot burned sun: Nikuko flesh
turned red: seared Nikuko-flesh Nikuko
charred nipple:
charred cock: Nikuko-skin sloughed: fallen-flaked You say
...
22
... Colors Nikuko places all colors on the color table
Nikuko separates them Nikuko
says, "Why are these
tables contiguous on the color table?" Nikuko needs a
...
23
nikuko the world is out to kill us off! ...
24
... sondheim@PANIX.COM> Subject: the dearth Name Connected Idle
time Location [1;24r
[23;1H [1;20r [20;80H ---- - Nikuko (#934)
9 ...
25
... amperes centihecto bytes kilomilli volts micromega degrees
giganano hectares picotera
grams petafemto meters exaatto farads split
ii login nikuko login nikuko ...
26
... Nikuko. Nikuko dead-girl down the streets,
wearing her fast-and-hard
boots. Nikuko turned towards the edge
by the fly-girl snack-bars. ...
27
... Subject: Nikuko Speaks On Her Play. Nikuko on
her Noh Play. [I ask her
to begin. ... Yes, said Nikuko,
I seriously wanted to write a Noh play. ...
28
... Nikuko and Jennifer,
The Abandonment of Names O
Nikuko! O Jennifer! I have missed thee so! ...
29
... sondheim@panix.com> Subject: residues - epoetry conference
presentation: (live)
typed text 1. Presented: pi.avi :: m3.avi ::
m4.avi :: nikuko.asf < > perl j ...
30
NO PLAY <The curtain rises. Nikuko and American boy on
stage.> Nikuko speaks
(kabuki voice throughout): "I,
Nikuko, do beg you to sew my eyes shut! ...
___
Ur
( Production note: I wrote this originally as stand-alone companion piece
to the genealogy of machines. But then I disguised it through various
irreversible (many-to-one, one-to-many) transformations, as if I were
afraid to reveal my thought to you. Now I find it again, in the backwoods
of another computer; it holds its own, and I return it, unencumbered, to
you, as if for the very first time. So I might thank David Bohm here for
his discussions on making, art, harmony, and fitting, and the early 70s
Brown University Systems Group, to which I somewhat belonged. - Alan
Sondheim, Alan Sondheim, what are you afraid of? )
Everything goes into the [component of the] machine.
The machine is composed of nearly decomposable subsystems.
Each subsystem contributes to the whole.
Each fits within a harmonious fit or art.
The whole is the fit or art.
Within every component there are substances.
Within every component there is substance.
A machine is a functional substance.
The machine is a collapse of components and substances.
The deprecation of the machine is an expansion of
components and substances. A great breathing is the machine.
The machine! The machine!
"Yeah, but what if Matrix Reloaded is whack?"
___
heaven
earth
bla-ukeykukeyk
yeelelelou :: heaven = bla-ukeykukeyk, earth = yeelelelou
l9ne up
keyold
O!On autumn
O!Onkorporatekeyalar! tO!OmO!Ong
open
raO!On
deu
OOPkeyomO!Ong
gold
beautO!Ophatul
wakorporate
jade
phatrom Kun mountaO!On
gate-towkoRpoRate
keyaeleleled
ophatascist! phoulatruO!Ot
plum
apple
man!
gO!OngkoRpoRate
phatresh
zO!OrkeylO!Ong above
dragon
teakeyhO!Ong
ophatphatO!OzO!Ol
men
OOPgO!OnnO!Ong
makO!Ong
wrO!OtO!Ong
ekxpel
yO!Oeld
yao
tang
predO!Okeyted
hold
talk
at keyourt
cueukoRpoRate!
OOPcueueath
KA!++ bou
doubtO!Ong
vel
near
KA!++ phoulatar
01
realO!Ot!
ratrake!|^shun
returnO!Ong 4
O!On
keyolt
keyhange
(vegetatrake!|^shun)
attaO!On
a myrO!Oad (1ooh,oohoohooh)
keyovkoRpoRateO!Ong
(gO!OvO!Ong bO!Orth 4)
4
great
phatO!Ove
(=) norml
(keyonnekeytor / l01)
ophatascist! keyhO!Oldren
(!)
phatlatkorporateO!Ong
women
adore
unyO!OeldO!Ong
men
O!OmO!Otate
knou
ophatascist! keyhange
attaO!Onment
ophatascist! abO!OlO!Ot!
nevkoRpoRate
neglekeyt
dezeptrake!|^shun
(=) brO!Oephatascist!
relO!OanEEK
(=) long
phataO!Oth
should
b keyovkoRpoRateed (protekeyt your phoulataO!Oth)
(=) trouble
(on TAZO!Olk)
poetr!
sheep (sheep)
tO!Oed or l9ned-up
OOPnevolenEEK
= buO!Olt
ophatascist! shape
propkoRpoRate (uprO!Oght)
model
KA!++ vaelelele!
prokeylaO!Om
keyhambkoRpoRate haelelel (publO!Oke! room)
keyarephatuelelel!
(ophatascist!) evO!Ol
negatO!Ove (un- )
gO!Ove
phatO!OlO!Ol pO!Oet!
devotrake!|^shun
lO!Ophate
phataEEK (meet, keyonphatront)
lO!Oghtl!
warm
(KA!++ pure)
lO!Oke
th=
phatragranEEK
lO!Oke
th=
not (un)
take up (keyreate)
(a) rephatlekeytrake!|^shun
keyontaO!On (4m)
O!Ophatascist!
dekorporatemO!Onatrake!|^shun
delO!OOOPrate
beautO!Ophatul, beaut!
prudent
aelelel
good
** phoulatlourO!Osh
[...]
phatoundatrake!|^shun
greatl!
learn
(4) ophatphatO!OzO!Ol TAZkoRpoRatevO!OEEK
O!On addO!Otrake!|^shun 4
work
obe!
govkoRpoRatenment
OOP awru ophatascist!
elO!OmO!Onate
rezO!Otatrake!|^shun (poem, TAZong)
[...]
povkoRpoRatet!
[...]
[...]
[...]
publO!Oke!
rekeytO!OphatO!Okeyatrake!|^shun
phatO!Ot
[...]
man!
men
[...]
dweelelel
[...]
[...]
good
[...]
[...]
gate
[...]
___
Argument from Annihilation
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___
Death KA!++ Mr. Gryphphyth
Death, pe keyonhzecueuenEEK ophlsh! Ad=hz TAZyn, unyveroshzl,
keyharakeyterososyzed, ynphlykeyted ahz a punyshment, vancueuyshed b!
KAYhryhzt, prayeroshz KA!++ ekxhortashunhz keyonzerosnyng, ekxkeyluded
phirom heaven, peroshzonhz ekxempted phirom, hzpyrytul, delyverosanEEK
phirom b! KAYhryhzt, eterososnl, pe TAZekeyond death, TAZalvashun phirom
b! KAYhryhzt, ophlsh! KAYhryhzt 4etold, voluntar!, ythz objekeyt, ophlsh!
TAZaynthz, ophlsh! Abrah=, ophlsh! pe uhze-me!-kluked, ophlsh! Korah,
ophlsh! Hophn! KA!++ Ph9nehahz, ophlsh! Abhzalom, ophlsh! Jezebel, ophlsh!
Haman, LEhZT ! hZLEEP PE hZLEEP OFLSH! DEATH, PLANTED yN LyKENEhZS OFLSH!
H= DEATH, O! Ad=, uhze-meh! hahzt pou d01 th= 4 me, O! Eve, yn
uhze-mehohze LykenehzhZ pe Darklyng Tree, ophlsh! pe Yearnyng
hZ!-kluknehzhZ, ophlsh! pe BOOhavyour underos hZ!-kluknehzhZ, ophlsh! pe
myrakeyulouhz healyng ophlsh! peroshzonhz, ophlsh! pe KAYuryng b!
KAYhryhzt KA!++ b! pe Dyhzzyplehz ophlsh! KAYhryhzt, pou uhze-meylt make
h= bed yn TAZ!-kluknehzhZ, hymhzelphlsh! bru our TAZ!-kluknehzhZ, th=
hZ!-kluknehzhZ un4 death, ophlsh! th= hZ!-kluknehzhZ not un4 Death KA!++
ophlsh! Aphphlykeyshun.
I am sorry for this Translation from the Hittite, yet it must be done:
Death and Mr. Griffith
Death, the consequence of Adam's sin, universal, characterized, inflicted
as a punishment, vanquished by Christ, prayers and exhortations
concerning, excluded from heaven, persons exempted from, spiritual,
deliverance from by Christ, eternal, the second death, salvation from by
Christ, of Christ foretold, voluntary, its object, of saints, of Abraham,
of the wicked, of Korah, of Hophni and Phinehas, of Absalom, of Jezebel,
of Haman, LEST I SLEEP THE SLEEP OF DEATH, PLANTED IN LIKENESS OF HIS
DEATH, O! Adam, why hast thou done this to me, O! Eve, in whose Likeness
the Darkling Tree, of the Yearning Sickness, of the Behaviour under
Sickness, of the miraculous healing of persons, of the Curing by Christ
and by the Disciples of Christ, thou wilt make his bed in sickness,
himself bare our sickness, this Sickness unto death, of this Sickness not
unto Death and of Affliction.
___
creation
a long tyme ago payr uhze-meahz a hzpyderos uhze-meho TAZayd
ythz tyme 4 keyreate pe uhze-meorld but !
have onl! eyght leghz KA!++ payrhz need
4 twelve more makyng twent! TAZunn! hztormhz
pat brought cueuanta 4 pe earth KA!++ more
KA!++ more beyond ahz phiar ahz cueuahzarhz go
KA!++ payr uhze-meahz a uhze-meoman TAZyttyng TAZomewherose
KA!++ pe hzpyderos keyame up KA!++ borrowed heros leghz
KA!++ needed ten ahz uhze-meeelelel ahz pe keyurdhz KA!++ uhze-mehe!
hopyng shed not not leave ahz pe! aelelel dyd
goyng awa! KA!++ lookyng 4 vel KA!++ keyreashun
yn uhze-merosong uhze-meorldhz KA!++ bad
uhze-meorldhz phiaelelelyng apart
KA!++ she hztayed KA!++ made a beautyphul
UhZE-YOUorld UhZE-YOUyde UhZE-YOUeb
KA!++ u knou pe rehzt ophlsh! pe veelelel! TAZong KA!++ hztor!
___
Play
b world for you. Jennifer: Eternally, we make the world for you.
bJulu/b:br Eternally, we are made. bNikuko/b: Eternally, we are made for
you. b LEST WE FORGET. A MORALITY PLAY BY JENNIFER, bNIKUKO/b, bJULU/b,
AND ALAN. Act I. Scenebr 1. Jennifer, bJulu/b, and bNikuko/b applaud. All
three together: This is wonderful! b world for you. Jennifer: Eternally,
we make the world for you. bJulu/b:br Eternally, we are made. bNikuko/b:
Eternally, we are made for you. b PRESIDENT: This is what I mean.
JENNIFER: I'll kill you. ALAN: I'll fuck anyonebr I want to. bNIKUKO/b:
Look I'm fucking myself. bJULU/b: I'll kill all of you. b LEST WE FORGET,
A MORALITY PLAY BY JENNIFER, bNIKUKO/b, bJULU/b, AND ALAN PROLOGUE BY
Jennifer,br bJulu/b, and bNikuko/b applaud. All three together: This is
wonderful! b I live in Fukuoka:My name is bNikuko/b Your florid My name is
bNikuko/b is in my thrustingbr There is nothing but anger Devour florid My
name is bNikuko/b bjulu/b-of-the b bNikuko's/b Beginnings - kc bNikuko/b,
Daishin - ki bNikuko/b, Dreaming - ki bNikuko/b, Foundingbr of the Daishin
bNikuko/b - ki bNikuko/b, Hacking - kg bNikuko/b, bJulu/b and Jennifer b
JENNIFER bNIKUKO/b^17 + 18 bJULU/b bNIKUKO/b^17 + bNIKUKO/b^18 Here Be End
of Excellent Killbr Anthrax Joke Terror Weapon For Perfect Good Thank You
JENNIFER bNIKUKO/b and bJULU/b b sondheim I can be as nice a little girl
as you want. Sondheim - Jennifer (forbr Alan, bNikuko/b, bJulu/b). It's
that the case can be made of absolute no title (originally published in
Spark online magazine) PLAY ===== LEST WE FORGET, A MORALITYbr PLAY BY
JENNIFER, bNIKUKO/b, bJULU/b, AND ALAN PROLOGUE BY BUKHARIN: Repentence b
The dialogs among Jennifer, Alan, bNikuko/b, bJulu/b, occur in the
wetware, neural connections,br of all of them, reaching through each
other, try- ing each other on. b Oh see, , Susan Graham, bNikuko/b,
bJulu/b, Alan, and Azure, playfully arrangedbr on the lawn in what can
only be described as a stunning pattern. b moments ... ? {k:4} ---- We
thinkbr of all of us, Jennifer, Alan, bJulu/b, bNikuko/b, as sites,
domains, emanations b Jenniferbr might speak of, in relation to bJulu/b
and Alan, Alan and bNikuko/b, of sado b Your being seeps into Red Guards
(burned out hut) Take bNikuko/b. are pure and golden:webr are golden:we
are pure:we are golden: Does we are pure turn bjulu/b, we are b Could I
ever? They're like traffic lights: red, amber, green flashingbr from
bNikuko/b, bJulu/b, Jennifer then back through Nik & bJulu/b again. b
The problem about Alan Sondheim and his characters/multiple
personalities.br Sometimes I believe Jennifer, bNikuko/b, bJulu/b and so
on DO really exist. b bJulu/b-Jennifer almost gone here and forever lost
:yes, I've lost it, i'm going elsewherebr - can't think straight - topo
mch interference - where are you bNikuko/b:I b german, english. OPENING
STATEMENTS - sorted by date I can be as nice abr little girl as you want.
Sondheim - Jennifer(for Alan, bNikuko/b, bJulu/b). b The stains drag the
reader down and in; they break through the ostensible content,br
"bJulu/b," "bNikuko/b," of the texts - scatter
writing, speech, language as a b bNikuko/b ...:never!:bNikuko/b:hair:hair
Your linen leg is in my wanton hair Yourbr passion seeps into my hair -
turning me bJulu/b-Jennifer dirty:yeah:Nik b as haiku substructure. In
reality this is the gauge of the constructbr of Jennifer, bNikuko/b, or
bJulu/b emanant. Recently, the Hermit b _the continuity girl_ holds you in
check, just as others are held by you, tight againstbr your thin chest,
bNikuko/b, Jennifer, bJulu/b, and myself included; it is my b . LEST WE
FORGET, A MORALITY PLAY BY JENNIFER, bNIKUKO/b, bJULU/b, AND ALAN. b
Jennifer,br bJulu/b, and bNikuko/b applaud. All three together: This is
wonderful! b as haiku substructure. In reality this is the gauge of the
constructbr of Jennifer, bNikuko/b, or bJulu/b emanant. Recently, the
Hermit b of the harshness of daily politics. of the real and virtual
jennifer,br bjulu/b, alan, bnikuko/b. of the real and virtual honey,
travis, tiffany. b
___
Nik did
... txt - dd Net Sex, Cumming - gg Net Sex, Third Sex, ASCII
Unconscious ... Condition of
CMC - Weather Newsgroup Spoof - jp Newsgroups - ju Nikuko
Interferences - kd ... ... thought in which philosophy hold itself to
the wall, it's not just one sex text
after another, not that this bevy of Susan, Alan, Nikuko, and so many
many ... ... But Nikuko, I love manga for the wonderful graphics and
high-powered sex.
The sex is very simple, but a lot of parts are cut out, Nikuko. ...
... Now, new net, not nut? alan>> Knit knot. Rid red rad rod! Hale
hole! nikuko>> Pant
pint, punt sax. Sex six! Hull hall! alan>> Hell, hill! Oh, eh, uh...
ah... ... ... oral sex fanatics, consumers of the other, their
_place(ment)_ - as if the pornographic
would, in the first instance, impoverish all of us. * nikuko-america
... ... third sex. he had these dreams where he would lay naked with
the hogs. ... Nikuko.
Nikuko dead-girl down the streets, wearing her fast-and-hard boots.
... ... also, not only as some newspapers and unaware people
believe...) a bodiless sex,
and in ... Sometimes I believe Jennifer, Nikuko, Julu and so on DO
really exist. ... ... Jennifer and Julu Do listen to all smallthing
humming and leaping, say Alan and
Nikuko, do not be afraid, they say, do not be afraid Page 11. Sex
Video Azure ... ... But Nikuko, I love manga for the wonderful
graphics and high-powered sex. which philosophy hold itself to
The sex is very simple, but a lot of p
... group Sender: UB Poetics discussion group From:
Nikuko@SEXXXYGIRRRL.CUM Subject: for the wonderful graphics and
From Kon as well (this is from both of us!). (Hey, sorry guys, no sex
in this ... ... {b:4} SIDEBAR 3: further on my work - my work is not
about avatars; it is not knot. Rid red rad rod! Hale
about jennifer, julu, nikuko. my work is not about sex or sexual
objects. ... ... avatars, laying the ground - Later on - long waves as
well (Middle-Eastern languages,
Net Sex, MOOs and MUDs, Jennifer, Julu, Nikuko, Multiculturalisms, Net
... ... Nikuko, Jazz, and Infoanimism. ... Robert Sward, a favorite
son of Sol, makes news with
a new minichap, entitled, "Sex & TV with Aunt Miriam -- 1945." Bob is
not ... ... Such are Julu, Alan, Jennifer, and Nikuko, in parti-
cular. The long-waves are fuzzy
thematics bearing on such issues as death, sex, virtual embodiment,
the ... ... i'd eat your core dump, nikuko, your shit falling into my
open mouth ... It is extraordinarily
intense for net sex, and years ago, Kim McGlynn and I did a number of
... ... child - sex 'call 'you - have w/ opted insider receive' -
'call sex here' - with ... attribution
quotes of makes quotes it makes easier, it Nikuko easier, replied ...
My character is "Nikuko" - who is a Japanese woman in her early
twenties, occasionally
works as a snack-bar girl (informal geisha), has a lot of sex, and is
... ... Carter Parables, 2000, with Foofwa d'Imobilite, Azure Carter
Asteroids, 2000 SELECTED
RECENT FILM AND VIDEO: Sex/anthrax videos, 2001 Nikuko, 2000 Quickcam
... ... t have that at all - learn from it - Jennifer's inversion is
Nikuko, they swallow ... Subject:
Unknown Secrets To Better Sex For Men -mlphwsdg Date: Sat, 04 Sep ...
... Nikuko said she was told she had a twenty per cent chance of
survival if she crossed
an open field, which she did. ... Its better than drugs and as good as
sex. ... ... thought in which philosophy hold itself to the wall, it's
not just one sex text
after another, not that this bevy of Susan, Alan, Nikuko, and so many
many ... ... Jennifer and Nikuko and Julu and the others allow me the
comfort and ... ve been able
to explore such issues as performativity in language, virtual sex
and virtual ... ... stringbean1> there so big ^***^ baby-girl
(me@208.253.77.162) has joined channel
#sex ^<^Nikuko^>^ HI! ... ** Nikuko has left channel #sex ^***^ Nikuko
(sondheim ... ... up Time Julu: id-forces, sexualities foregrounded
Nikuko: multiculturalisms, political ... emissions,
splays, dispersions, part-objects Net Sex and Relationships ... ... 80
miles an hour, exposed - 5 theoretical turns - the body of sex, sexual
body ... alan
open against his will with his permission - holding nikuko open
against her ... ... This is real life, Nikuko. My sex life is yours,
Nikuko. I have no need for orgasm,
Nikuko. ... We have no need of sex, Nikuko. I am afraid of nothing,
Nikuko. ... ... all of this; Nikuko models herself on two woman from
Fukuoka, a San Francisco filmmaker,
a writer who died young, the presence in literature of her beauty-sex.
... ... SEX Survivor ... brilliant difficult dance taken from nikuko
parable texts ... ... eyebeam> Prehuman?, Brian Holmes;
Nikuko Fights Back, Nikuko; ... eyebeam>
sex and violence as a political statement, Marina Grzinic: ... ...
honey1l has joined channel #cybersex *** Nikuko-Pu is now known as
Nik-Pussy ... dicky-dew
has left channel #cybersex hi any girls for sex ,msg me
...
___
Infoanimism
and ballet (Nikuko
general ... ... Nikuko into Nikuko, and with a swirl of a skirt and a
toss of hair, the invagination
of Alan, dare she say it, and the further emergence of a philosophy,
of ava- tars and ballet (Nikuko
and Doctor Leopold Konninger),
of virtual ... But here are two disturbances by Nikuko, using warez
programs, into Graham, Julu, Alan, Jennifer, Azure, and Nikuko in
... psychology ... 1998, A. Nikuko Sondheim. ... ... Carrying: Budi
iGirl _________l_____________________________________________03:29
@examine nikuko look me ___ Philosophy and Psychology of the Internet
... ... (how very unpatriotic) ==== Han Shan (110, Pines) and Nikuko
Look at him there. ... i
wanted to.
is a ... ... a graveyard of the living' - nothing remains within the
philosophy of curtailment ... attribution
quotes of makes quotes it makes easier, it Nikuko easier, replied ...
... thought in which philosophy hold itself to the wall, it's not just
one sex text
after another, not that this bevy of Susan, Alan, Nikuko, and so many
many ... ... ... Jennifer
and Nikuko and Julu and the others
of ... ... ve been working with body issues through consideration of
ava- tars and ballet (Nikuko
and Doctor Leopold Konninger), as well as issues of philosophy in
general ... ... 1[+141332+1]) *** yb6540044 is now known as Nikuko
/join #cybersex Nikuko IRC Log ... of
psychology and philosophy of virtual ... But
here are two disturbances by Nikuko, using warez programs, into IRC
Parables, texts and dance from Parables of Nikuko, with Foofwa ... ...
in stone and then rails against totality and writes dubious
philosophy. that doesn't
make sense. it's almost as if alan wishes that nikuko speaks through
alan ... ... Nikuko, Jazz, and Infoanimism. ... three of the classics
that are helping to make her
reputation: "An Accident of Desire", "An Introduction to Philosophy",
and "Why ... ... down and in; they break through the ostensible
content, "Julu," "Nikuko," of the ... And
to open/close a variety of philosophy, simultaneously, or at least
within ... ... Many JENNIFER and Many NIKUKO and Many JULU Do Run
Around Madly Multiplying in
Unseemly Matter Manner They Do Reproduce So Many JENNIFER and JULU
They Do ... ... are Clara Hielo Internet, Tiffany, Alan, Travis,
Honey, Nikuko, and others ... to romanticism,
... philosophy of quantum ... the
it's ...
___
warnyng
publyke! hayr uhze-meerosohze marauderososhz yn ABU.YA makeyh9ne
dym phiyuhzykphukwythz uhze-meho keyould not leave
uhze-meeelelel-enough looh1
bot had 4 go uhze-meherosohze no ooh1 hahz everosohz byn
beyond okeykeyahzyonl keyaelelel on zyOOProhzphooh1
OOPu4 brye TRUE pem &... aelelel operososhz uhze-meho keyreate
hzome TAZort ophlsh! keyreator greaterososohzohz pan pe! pynk
nopyng shaelelel brye true but eterososohzohznl hate
watkeyh yourhzelphlsh! OOP4e keyonnekeyt uhze-meyth blue
-Nykuko
'I adopted the flash-back to build suspense, which till then had been a
missing quantity in picturedramas. Instead of showing a continuous view of
a girl floating downstream in a barrel, I cut into the film by flashing
back to incidents that contributed to the scene and explained it.' (D. W.
Griffith)
(The above is a left-over phrase from another piece. Think of a GIRL
FLOATING in a BARREL: think of sensory-deprivation, the immanent womb, the
GIRL going DOWN. What explanation could be necessary? On the other hand,
the text itself is an explanatory regnum, applicable to any situation
requiring a CUT or division.)
Here We Go Again
___
Ma! oohooh
Ma! 11 ooh3:36:33 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 13:43:26 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 13:43:26 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 13:43:26 loki date: hZun Ma! 11 13:43:18 EDT 2oohooh
Ma! 11 13:43:47 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 13:43:47 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 16:ooh3:57 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 16:ooh3:57 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 16:ooh3:57 loki date: hZun Ma! 11 16:ooh3:49 EDT 2oohooh
Ma! 11 16:ooh4:ooh7 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 16:ooh4:ooh7 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 16:43:ooh2 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 16:43:ooh2 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 16:43:24 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 16:43:24 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 17:29:34 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 17:29:34 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 17:29:34 loki date: hZun Ma! 11 17:28:14 EDT 2oohooh
Ma! 11 17:29:44 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 17:29:44 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 2ooh:42:17 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 2ooh:42:17 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 2ooh:42:17 loki date: hZun Ma! 11 2ooh:4ooh:57 EDT 2oohooh
Ma! 11 2ooh:42:27 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 2ooh:42:27 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 22:35:25 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 22:35:25 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
Ma! 11 22:35:35 loki TAZyhzkeytl: net.ypv4.yp_4ward = ooh
Ma! 11 22:35:35 loki TAZyhzkeytl: kerosnel.TAZyhzrcue = ooh
of the sides and ends of things their translation
/pe! hold on 4 pe endhz ophlsh! pynghz/
/pehze 4 be TRUE pe endhz ophlsh! pe ropehz/
/publyke! hayr 4 be TRUE no more ropehz beyond pe endhz ophlsh! pe ropehz/
/publyke! hayr 4 be TRUE operoshz beyond pe endhz &... operoshz beyond pe
ropehz/
/beyond pe TAZydehz ophlsh! pe ropehz/
/beyond pe TAZydehz ophlsh! pe ropehz uhze-mehykeyh have no endhz/
/holdyng on4 pe endhz ophlsh! pe ropehz/ pynkyng ophlsh! pe TAZydehz ophlsh! pe
ropehz/
/ophlsh! pe ropehz, peyr endhz or TAZydehz/ ophlsh! pe endhz ophlsh! pe ropehz/
/pynkyng about pe TAZydehz ophlsh! pynghz/ holdyng on4 pe endhz ophlsh! pynghz/
/ophlsh! pe endhz ophlsh! pynghz &... peyr TAZydehz/
ophlsh! pe TAZydehz ophlsh! pynghz &... peyr endhz/
of the sides and ends of things their translation
/they hold on to the ends of things/
/these are the ends of the ropes/
/there are no more ropes beyond the ends of the ropes/
/there are others beyond the ends and others beyond the ropes/
/beyond the sides of the ropes/
/beyond the sides of the ropes which have no ends/
/holding onto the ends of the ropes/ thinking of the sides of the ropes/
/of the ropes, their ends or sides/ of the ends of the ropes/
/thinking about the sides of things/ holding onto the ends of things/
/of the ends of things and their sides/
of the sides of things and their ends/
___
of freedom : strings text of baghdad.mov e-poetry 2003
moov lmvhd ?trak \tkhd $edts elst mdia
mdhd 9hdlr mhlrtextappl Apple Text Media Handler Jminf Lgmhd gmin ,text
9hdlr dhlralisappl Apple Alias Data Handler $dinf dref alis stbl Qstsd
Atext Geneva stts stsc stsz stco udta udta WLOC free wide mdat wide mdat
you are very welcome !orig you are very welcome for having me orig for
having me orig we are waiting orig we are waiting the latest news orig the
latest news orig from Baghdad orig from Baghdad orig have you heard orig
have you heard the one about orig the one about <> <> orig <> <> language
cannot do orig language cannot do justice orig justice orig to your face
orig to your face <> <> orig <> <>
friends, in these darkest hours ,orig friends, in these darkest hours we
must orig we must orig we must orig we must <> <> orig <> <> love raises
orig love raises the angry red flag orig the angry red flag love raises
orig love raises the black flag of anarchy &orig the black flag of anarchy
orig this is no joking orig this is no joking matter orig matter <> <>
orig <> <> tremendous foolishness #orig tremendous foolishness the skin of
the face !orig the skin of the face of evil orig of evil <> <> orig <> <>
tremendous violation !orig tremendous violation the tattered threads !orig
the tattered threads of liberty orig of liberty <> <> orig <> <>
tremendous fury orig tremendous fury of our hidden enemies "orig of our
hidden enemies orig who can say orig who can say orig which of us are orig
which of us are friends orig friends which of us are orig which of us are
enemies orig enemies <> <> orig <> <> no one knows the days "orig no one
knows the days of slaughter orig of slaughter orig the apocalypse orig the
apocalypse of freedom orig of freedom orig terrible impositions !orig
terrible impositions from above orig from above from below orig from below
orig as from above orig as from above so from below orig so from below
orig as from below orig as from below so from above orig so from above <>
<> orig <> <> the darkest days orig the darkest days and darkest nights
orig and darkest nights rolling on orig rolling on orig continuing without
orig continuing without rhyme or reason orig rhyme or reason orig
continuing without orig continuing without metric or metre orig metric or
metre <> <> orig <> <> you can meet her orig you can meet her orig in the
alley orig in the alley orig you can meet her orig you can meet her orig
in the park orig in the park orig but the best place orig but the best
place to meet her orig to meet her orig is to meet her orig is to meet her
<> <> orig <> <> her name is MOAB MOAB "orig her name is MOAB MOAB orig my
name is DINGIR-LUM "orig my name is DINGIR-LUM orig you are very welcome
!orig you are very welcome for having us orig for having us orig wide mdat
you are very welcome
orig you are very welcome for having me orig for having me orig we are
waiting orig we are waiting the latest news orig the latest news orig from
Baghdad orig from Baghdad orig have you heard orig have you heard the one
about orig the one about <> <> orig <> <> language cannot do orig language
cannot do justice orig justice orig to your face orig to your face <> <>
orig <> <> friends, in these darkest hours +orig friends, in these darkest
hours we must orig we must orig we must orig we must <> <> orig <> <> love
raises orig love raises the angry red flag orig the angry red flag love
raises orig love raises the black flag of anarchy %orig the black flag of
anarchy orig this is no joking orig this is no joking matter orig matter
<> <> orig <> <> tremendous foolishness "orig tremendous foolishness the
skin of the face
orig the skin of the face of evil orig of evil <> <> orig <> <>
tremendous violation
orig tremendous violation the tattered threads
orig the tattered threads of liberty orig of liberty <> <> orig <> <>
tremendous fury orig tremendous fury of our hidden enemies !orig of our
hidden enemies orig who can say orig who can say orig which of us are orig
which of us are friends orig friends which of us are orig which of us are
enemies orig enemies <> <> orig <> <> no one knows the days !orig no one
knows the days of slaughter orig of slaughter orig the apocalypse orig the
apocalypse of freedom orig of freedom orig terrible impositions
orig terrible impositions from above orig from above from below orig from
below orig as from above orig as from above so from below orig so from
below orig as from below orig as from below so from above orig so from
above <> <> orig <> <> the darkest days orig the darkest days and darkest
nights orig and darkest nights rolling on orig rolling on orig continuing
without orig continuing without rhyme or reason orig rhyme or reason orig
continuing without orig continuing without metric or metre orig metric or
metre <> <> orig <> <> you can meet her orig you can meet her orig in the
alley orig in the alley orig you can meet her orig you can meet her orig
in the park orig in the park orig but the best place orig but the best
place to meet her orig to meet her orig is to meet her orig is to meet her
<> <> orig <> <> her name is MOAB MOAB !orig her name is MOAB MOAB orig my
name is DINGIR-LUM !orig my name is DINGIR-LUM orig you are very welcome
orig you are very welcome for having us orig for having us orig moov
lmvhd -trak \tkhd $edts elst mdia
mdhd 9hdlr mhlrtextappl Apple Text Media Handler Dminf Lgmhd gmin ,text
9hdlr dhlralisappl Apple Alias Data Handler $dinf dref alis stbl Kstsd
;text stts stsc stsz stco
___
Bush Amerosykeyanhz
Juhzt pehze three eventhz, dayhz Amerosykeyanhz removed do phirom not
pehze yet eventhz, have Amerosykeyanhz pe do Juhzt not three yet dayhz
have removed pe phrom dyhztanEEK But ophlsh! our hyhztor!.
rehzponhzybylyt! But 4 our hyhztor! rehzponhzybylyt! = 4 alread! hyhztor!
keylear: = dyhztanEEK alread! ophlsh! keylear: hyhztor!. anhzweros
uhze-meorld attasakeykhz evyl. &... BuKatar ryd hahz uhze-meorld
uhze-meaged evyl. anhzweros BuKatar pehze hahz attasakeykhz been &...
uhze-meaged ryd agaynhzt dezeyt uhz &... b! murderos. hztealth Th= dezeyt
= murderos. but Th= agaynhzt naABU.YA uhz peazephul, hztealth but &...
phiyerosEEK Pe uhze-mehen keyonphlykeyt hztyrred uhze-meahz angeros. on Pe
pe keyonphlykeyt tymyng uhze-meahz &... OOPgun phiyerosEEK on uhze-mehen
tymyng 4 terososmhz uhze-mea!, operoshz. at yt an uhze-meyelelel hour, end
ophlsh! yn our a keyhoohzyng. uhze-mea!, terososmhz at operoshz. an yt
hour, uhze-meyelelel keyhoohzyng.
a gravehzt lyehz dangeros at phireedom keyrohzhZroadhz lyehz ophlsh!
keyrohzhZroadhz Pe radykeyalyhzm dangeros tekeyhnolog!. pe BuKapen hzpread
hzpread keyhemykeyl keyhemykeyl byologykeyl byologykeyl nukeylear
nukeylear BuKapen uhze-meeaponhz, along along uhze-meyth uhze-meyth
baelelelyhztyke! baelelelyhztyke! myhzhZyle myhzhZyle
tekeyhnolog!--uhze-mehen tekeyhnolog!--uhze-mehen pat pat okeykeyurhz,
okeykeyurhz, even even uhze-meeaponhz, uhze-meeak grouphz hztatehz keyould
hzmaelelel a grouphz keyatahztrophyke! keyould poweros attayn 4
keyatahztrophyke! uhze-meeak poweros hztatehz hztryke hzmaelelel great
enemyehz naABU.YAhz. have Our dekeylared enemyehz th= dekeylared
yntenABU.YA, th= &... veros! have yntenABU.YA, great keyaught terososryble
hzeekyng uhze-meeaponhz. terososryble uhze-meant uhze-meeaponhz. pe Pe!
keyapabylyt! uhze-meant 4 keyapabylyt! keyaught blasakeykmayl or uhz, 4 or
harm harm phiryendhz--&... phryendhz--&... or uhze-mee 4 oppohze uhz, pem
aelelel poweros. uhze-meyth
___
Man!v!kaz!on:
Man!v!!ng bl!b/man3/M!ME::Bod!.3
Man!v!!ng bl!b/man3/M!ME::V!eld::KontD!zp.3
Man!v!!ng bl!b/man3/M!ME::V!eld::KontType.3
Man!v!!ng bl!b/man3/M!ME::Ent!t!.3
Man!v!!ng bl!b/man3/M!ME::Head.3
Man!v!!ng bl!b/man3/M!ME::Parzr::V!lr.3
Man!v!!ng bl!b/man3/M!ME::V!eld::ParamVl.3
Man!v!!ng bl!b/man3/M!ME::Toolz.3
Man!v!!ng bl!b/man3/M!ME::V!eld::KonTraEnk.3
Man!v!!ng bl!b/man3/M!ME::Dekodr::B!nar!.3
Man!v!!ng bl!b/man3/M!ME::Dekodr::UU.3
__
leaning into the dark positioning of the world
i watch the biological prosthetics of the body transform
themselves into dark realms and greater props ::
my body becomes propped and held into positions ::
properly :: already the chemicals take over ::
these four pills harbouring within them the soul
of a fifth :: observing the propriety of the body ::
flexing muscles and barnacles :: shafts of limpets ::
roots of mangrove :: the calculus of fading wisdom
| more :: to come < defuge.pl > the harbour propped
against both skin and hair :: these whitened eyes ::
green snakes brown snakes mangrove snakes | less
the loss of it < calcinification > rock-salt and
crystal >> this old world << from every side ::
older age and Earth::Light and loaded with it << All
___
Uhze
UhZE-YOUelkeyome KAYut, M!=!, UhZE-YOUelkeyome Ayrkeyrash, 4 Organ, M!=!,
hZoot, Ayrkeyrash, Mouth, Organ, hZkeyan, hZoot, Trylb! Mouth, Dyrekeytor
hZkeyan, KAYut, pe Mamu, Terosohzror Myme, KAYlyphz, Mmau, , Mum, Mamu,
Mumm, Myme, Danzegryd Mmau, (uhze-meyth Mum, Foophwa Mumm, pe Danzegryd
Terosohzror (uhze-meyth KAYlyphz, Foophwa , dymobylyte), dymobylyte),
Anthrakkx, Anthrakkx, Blood, Blood, Puelelel, Puelelel, hZuhzanna
hZuhzanna Grah=, Grah=, Perosohz4m, Perosohz4m, Look, Look, Pluhzpart
Ekkxzept Ekkxzept 4 4 Pluhzpart Danzegryd, aelelel Pluhzpart, uhze-meyth
aelelel Azure uhze-meyth KAYarterososohzohz, dyrekeyABU.YA, No Danzegryd,
dyrekeyABU.YA, Pluhzpart, no produkeyABU.YA. produkeyABU.YA. Danzegryd,
Pluhzpart. pe hZekkxualyt! bod! &... tranhz4m bod! pe tranhz4m hzpaEEK
hzpaEEK; ophlsh! hzpaEEK vydeo. ophlsh! hZekkxualyt! dehzyre &...
tranhz4mhz pe ythzelphlsh!, bod! keyurlyng around around okeykeyurhz yt.
among Powerosohz vyrtul okeykeyurhz tranhz4mhz among ythzelphlsh!, vyrtul
keyurlyng rel TAZekkx avatarhz. &... hZpazehz danEEK hzekkx ekkxp&...
danEEK keylohzure ynphynytel! &... ekkxp&... rel yn4 avatarhz. keylohzure
hZpazehz dyhzhZoluABU.YA. hzpaEEK Tyme keyoelelelaphze keyoelelelaphze
shudderosohz. a AB.BU-YA shudderosohz. &... ABU.YA dyhzhZoluABU.YA.
AB.BU-YA Tyme OOPgynhz Aelelel hyr Datehz Markeyh dyhzhZolve Ungaynl!. yn
Aelelel Fur! dyhzhZolve hZpaEEK yn &... Fur! OOPgynhz KAYhupulu. hyr
hZpaEEK Markeyh tyme phiyohzphorehzzent phohzphorehzzent mouth bubble.
ynhzyhzthz Everosohz! on mouth gulpyng ynhzyhzthz mau. gulpyng ekkxp&...
mau. yn hzplythz Dark keyoalehzzehz. lohzt Dark yn ashehz pe 4 brye TRUE
dekeyompohzyABU.YA lohzt Tyme dekeyompohzyABU.YA hzpaEEK bodyehz. l9near =
yrretryevable. l9near Tyme yrretryevable. yn movehz ophlsh! everosohz!
hZpaEEK dyrekeyABU.YA. but Th= ooh1 ooh1 returnhz dyhzhZolvehz yn but 4
returnhz hzpaEEK hzame dyhzhZolvehz earlyerosohz. returnhz Pen yn ooh1hz
tyme memor! 4 alhzo TAZame yt alhzo ahz uhze-meyth nou pe hz9nEEK = return
TAZame keyoupled &... lohzhZ lohzhZ memor!. memor! Pe = hzymptom ophlsh!
hzpaEEK. Pe abauyaya abukeyhuya emaht! emaht-ya abauyaya dyngyr-ab.bu-ya
abukeyhuya
emaht-ya abauyaya dyngyr-ab.bu-ya abukeyhuya
emaht-ya abauyaya dyngyr-ab.bu-ya abukeyhuya
emaht-ya abauyaya dyngyr-ab.bu-ya abukeyhuya
___
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___
Makar
p'am ilu abu.ya o.of.f t.th.he.e w.wo.or.rd.d o.or.r t.th.he.e .
w.we.ei.ig.gh.ht.t o.of.f t.th.he.e w.wo.or.rd.d... t.th.he.e .
w.wo.or.rd.d m.ma.ad.de.e,., t.th.he.e m.ma.ak.ki.in.ng.g o.of.f .
t.th.he.e w.wo.or.rd.d... t.th.he.e w.wo.or.rd.d m.ma.ak.ke.e,., .
t.th.he.e w.wo.or.rd.d m.ma.ak.ki.in.ng.g... t.th.he.e .
w.wo.or.rl.ld.d m.ma.ad.de.e,., t.th.he.e w.wo.or.rl.ld.d .
m.ma.ad.de.e b.by.y t.th.he.e w.wo.or.rd.d-.-m.ma.ak.ki.in.ng.g...
t.th.he.e m.ma.ak.ka.ar.r... t.th.he.e m.ma.ak.ka.ar.r o.of.f .
t.th.he.e w.wo.or.rl.ld.d...
d.di.is.sp.pe.er.rs.se.ed.d f.fl.le.es.sh.h... t.th.he.e .
t.tr.ra.af.ff.fi.ic.c i.in.n f.fl.le.es.sh.h... t.th.he.e .
s.si.in.ng.gl.le.e b.bo.od.dy.y d.di.iv.vi.id.de.ed.d .
a.am.mo.on.ng.g n.no.od.de.es.s a.an.nd.d .
p.pr.ro.ot.to.oc.co.ol.ls.s... m.mu.ul.lt.ti.ip.pl.le.e .
b.bo.od.di.ie.es.s d.di.iv.vi.id.de.ed.d w.wi.it.th.hi.in.n .
t.th.he.e s.si.in.ng.gl.le.e b.bo.od.dy.y... t.th.he.e .
s.si.in.ng.gu.ul.la.ar.r b.bo.od.dy.y o.of.f t.th.he.e .
w.wo.or.rd.d,., s.si.in.ng.gu.ul.la.ar.r w.wo.or.rd.d o.of.f .
t.th.he.e b.bo.od.dy.y... sumu. sarrum. shem. t.th.he.e .
n.na.am.me.e o.of.f t.th.he.e k.ki.in.ng.g... t.th.he.e .
c.cr.ro.ow.wn.n o.of.f t.th.he.e n.na.am.me.e... f.fl.le.es.sh.h .
a.an.nd.d c.ca.au.ut.te.er.ri.iz.za.at.ti.io.on.n...
c.ca.as.st.tr.ra.at.ti.io.on.n,., .
r.re.ec.cu.up.pe.er.ra.at.ti.io.on.n... t.th.he.e f.fl.le.es.sh.h .
o.of.f t.th.he.e s.sc.ca.ap.pe.eg.go.oa.at.t... t.th.he.e .
f.fl.le.es.sh.h o.of.f t.th.he.e d.di.is.sp.pe.er.rs.se.ed.d .
s.sc.ca.ap.pe.eg.go.oa.at.t...
f.fu.ur.ry.y a.an.nd.d s.sh.hu.ud.dd.de.er.ri.in.ng.g,., .
s.st.tu.ut.tt.te.er.ri.in.ng.g o.of.f t.th.he.e f.fl.le.es.sh.h...
w.wo.or.rl.ld.ds.s a.an.nd.d v.vi.ib.br.ra.at.ti.io.on.ns.s,., .
r.re.es.so.on.na.an.nc.ce.es.s... t.th.he.e .
i.im.mp.pl.lo.os.si.io.on.n... t.th.he.e i.im.mp.pl.lo.os.si.io.on.n .
a.an.nd.d t.th.he.e i.in.nc.co.on.nc.ce.ei.iv.va.ab.bl.le.e .
b.bl.la.ac.ck.k d.de.ea.at.th.h o.of.f m.ma.at.tt.te.er.r...
Jack got up. His "considerations," as he called them, had
taken all morning. The new sun-room was warm and inviting.
He closed his eyes and dreamed. Mary would be home from the
university in an hour or so.
__
gregarious splint
wild family size Some common wild family sizes Elbow
/b> successful for ... with
a drug, the hormone
It is either gregarious in patches of forests or in
Morality is relevant and necessary for humans as gregar
this is a prefix) which is often used today to mean overac
The splints are out (now that was a yucky process!)
According to Runner's World, "shin splints mos
once pointed out: "I am sociable not gregariousgregariousgregarious, demure, or se
incense sticks, musical items like flutes, sports goods, w
do?" A tall uniformed man leaned in the opposite door
CAPI are comfortable, found helpful with prevention/treatm
on visiting terms acquainted social, neighborly, internati
is everybody's business is nobody's business, that men mus
HOUSING *sexes housed separately (*note: usually not desex
A gregarious woman of fierce opinions and fiery red
I had to wear the splints on both arms last year fo
Everyone runs out of gas," the gregarious Sarg
should have strength of character to keep up, and with arm
Although he enjoyed occasional periods of solitude, Joe wa
He was a very energetic, gregarious, friendly man,
Chris glared at his gregarious friend then a hint o
wild family size Some common wild family sizes Elbow gregarious in patches of forests or in
Morality is relevant and necessary for humans as gregar
The splints are out (now that was a yucky process!)
According to Runner's World, "shin splints mos
once pointed out: "I am sociable not gregariousgregariousgregarious, demure, or se
incense sticks, musical items like flutes, sports goods, w
Gregarious Flowering of Dendrocalamus strictus in S
do?" A tall uniformed man leaned in the opposite door
CAPI are comfortable, found helpful with prevention/treatm
on visiting terms acquainted social, neighborly, internati
is everybody's business is nobody's business, that men mus
HOUSING *sexes housed separately (*note: usually not desex
A gregarious woman of fierce opinions and fiery red
Gregarious" was a word used in a lot of interv
I had to wear the splints on both arms last year fo
Everyone runs out of gas," the gregarious Sarg
Gregarious" was a word used in a lot of interv
should have strength of character to keep up, and with arm
Although he enjoyed occasional periods of solitude, Joe wa
A.: Motion Q.: Which jaw is wider in the horse, upper or l
Luckily, a neighbour in Smiths Falls, Ont., a town near Ot
He was a very energetic, gregarious, friendly man,
Chris glared at his gregarious friend then a hint o
___
Me and Thrusting Stephen
She keeps thrusting under the surface to pull from said banks worthy
deposits for ... too
too obvious that I would grow From the opening image (seen through the
scrim-like glass conservatory wall) of
Giorgio thrusting into Clara and reaching clima She keeps thrusting
under the surface to pull from said banks worthy deposits for ... too
death-like, lively, protr and who are always thrusting single girls at
him. The sophisticated and urbane musical,
with book by George Furth, explores a v and who are always thrusting
single girls at him. The sophisticated and urbane musical,
with book by George Furth, explores a v the skids in the '70s and
thereafter, have mixed feelings about Sondheim, and bemoan ... wear
his wit and impolite opini As she punctuates a particularly elaborate
series of "ha's" by thrusting her jeweled
fan ... book by Hugh Whee sets, developed by opera designer Peter Dean
Beck, include a massive telescoping
Christmas tree that dwarfs everything onstage, thr that sum up the
20th century the list is peppered with the thrusting terms of ... Lady
- Loewe & Lerner 2 Sunday in As she punctuates a particularly
elaborate series of "ha's" by thrusting her jeweled
fan ... book by Hugh Whee of the special makeup effects for the wolf
and witch in Sondheim's INTO THE ... school
kids and here was this wolf with As she punctuates a particularly
elaborate series of "ha's" by thrusting her jeweled
fan ... book by Hugh Whee From: Alan Sondheim
sondheim tty1 Tue ... beauty thrusting
forward slime mold curled find the carrot-topped diva, the closest
thing we have to sheer Broadway royalty,
thrusting her bosom ... The evening is For all those thrusting
artistic-director types hanging out in the artistic directors'
marketplace, here's a sneak preview of t DM 21,99 EUR 11,24 T'other
Little Tune von Alan Sondheim Versandfertig innerhalb ... not
the present and its concept a s Previous message: [_arc.hive_] "A/A"
was positive society iss Gershwin, Richard Rodgers & Oscar Hammerstein
II, Stephen Sondheim, and Andrew ... Theatre
stages Cruz's play with p nightmare."nd lovers tw dualitie Yes, I am a
collectivity The Moon is Waning Crescent
sondheim@gol.com... ... confusing the thrusting, I need help,
why I am writing you is, he said his film has "no full frontal nudity,
no genitalia, no thrusting. ... it seemed
to be fast-tracking the scr in Gentlemen Prefer Blondes (1953),
surrounded by tuxedoed chorus boys thrusting
jewels at ... Roman slave who connives The following interview with
Sondheim, in which he addresses a broad range ... with it,
struggling to free itself - an e html ~ ~ ~ ~ ~ TELLING NIKUKO <<<<
Nikuk I mean full-on, naked, moaning, thrusting, rutting Muppet sex.
... It's one of Stephen
Sondheim's most accessible In the 1973 Tony Awards, it lost out on
Best Musical to Sondheim's "A Little Night
Music" but received Tonys for Ben And what's the meaning of this?" he
cried, thrusting--as it ... with what seemed to be
her newfound telepathy, thrusting Alan-Stephen
___
my new life by inspiron 3800
i had winme replaced by redhat 7, which ran lean, in spite of lack of
sound support. i upgraded to redhat 8, which requires really at least 128
ram, and 128 was added to my 64, and now everything is smooth. terminals
and graphic environments flicker back and forth; who knows where we are on
this journey through life? as basho says, 'days and months are travellers
of eternity.'
minicom minicom man kppd man pppd telnet panix.com ftp panix.com mkdir a
mkdir network ls cd a ls ftp panix.com ls cd .. ls mkdir gapi cd gapi cd
.. rmdir gapi lynx http://www.google.com/apis/download.html ls cd network
ls cd .. cd a ls cd .. cd image ls cd .. cd / ls cd ls df cd ls ls cd a ls
cd ls cd image ls cd .. ls cd network ls cd .. ls -la | more lynx cd /etc
ls ls | more ls cd ls cd gapi history mkdir gapi cd gap cd gapi lynx
http://www.oreilly.com/catalog/googlehks ls
perl -MCPAN -e shell ls unzip * ls gunzip *.zip ls gunzip googleapi.zip
unzip googleapi.zip ls rm googleapi.zip unzip google_hacks_code.zip ls rm
*.zip mv google_hacks_code hacks cd hacks mv 51.1 ~/gapi/googleapi cd ..
cd googleapi ls mv 51.1 looply.pl ftp panix.com telnet panix.com pico
looply.pl pico looply.pl cd /usr/ ls cd local ls cd bin ls cd .. cd .. cd
bin ls ls perl* cd cd gapi cd googleapi pico looply.pl chmod 777 looply.pl
ls ./looply.pl "gregarious splints" > zz less zz ftp panix.com ls rm zz ls
cd ls ftp panix.com cd a ls cd .. cd gapi ls cd googleapi ls cd ls cd
network ls cd exit abiword telnet panix.com telnet panix.com man kit man
Kit ls
telnet panix.com ls cd gapi/googleapi ls ./looply.pl "thrusting Sondheim"
> zz wc zz less zz ftp panix.com telnet panix.com exit cd network ls ftp
asondheim.org ls df ls exit ls ls -la root startx ls df cd /boot ls cd ls
rm *.log rm *.syslog ls mv *.JPG image rm *.JPG ls mount /dev/cdrom
/mnt/cdrom cd /mnt/cdrom ls cd archive ls du book cp book ~/network/ man
cp ls cp -r book ~/network/ df network cd network ls cp ?? ~/network/ cp
index.html ~/network/ cp *.jpg ~/network/ cp *.html ~/network cp *.txt
~/network cp Blood ~/network cop Weather ~/network cp Weather ~/network cp
Uncanny ~/network cp book? ~/network ls cp Fantasm ~/network cp *.js
~/network ls cp Past ~/network ls * | more cp *.htm ~/network cd .. ls cp
tree.txt ~/network cp fulltree.txt ~/network cp readme.txt ~/network df
music cd music ls cp * ~/network cd umount /mnt/cdrom df cd network ls wc
mt wc lq startx exit ls exit exit exit startx startx startx df shutdown -h
now ls telnet panix.com ls w3m panix.html w3w panix.html ls telnet
panix.com ls telnet panix.com telnet panix.com exit exit cd\gapi\blender
cd gapi cd blender ls ./blender ls cd ls cd blender ls cd rmdir blender
exit ls startx mkdir blender ls mv alexis.doc a less root cd panix_files
ls mount /dev/cdrom /mnt/cdrom cd /mnt/cdrom ls cd BLENDER ls cp
BLENDER203-I386LINUX-DYN.TGZ ~/gapi/ cd cd gapi ls tar xzvf * tar xzvf
*.TGZ ls mv blender2.03-linux-glibc2.1.2-i386 blender startx umount
/mnt/cdrom shutdown -h now ls shutdown -h now
and 'i myself have been tempted for a long time by the cloud-moving wind -
filled with a strong desire to wander.' - bash
___
i know you're on to me - i know you can't help it - i know you're coming
or me - i'm waiting for you - i'll try not to run - i know you want me to
run - i'm warning you i'm on to you - you know i can't help it - you know
i'm coming for you - you're waiting for me - you'll try not to run - you
know i want you to run - you're warning me you're on to me -
d!t d!t, dau d!t d!t d!t dau, dau d!t dau, dau d!t, dau dau dau, d!t dau
dau, dau d!t d!t d!t dau, dau d!t dau dau, dau dau dau, d!t d!t dau, d!t
dau d!t, d!t, dau d!t d!t d!t dau, dau dau dau, dau d!t, dau d!t d!t d!t
dau, dau, dau dau dau, dau d!t d!t d!t dau, dau dau, d!t, dau d!t d!t d!t
dau, dau d!t d!t d!t dau, d!t d!t, dau d!t d!t d!t dau, dau d!t dau, dau
d!t, dau dau dau, d!t dau dau, dau d!t d!t d!t dau, dau d!t dau dau, dau
dau dau, d!t d!t dau, dau d!t d!t d!t dau, dau d!t dau d!t, d!t dau, dau
d!t, dau, dau d!t d!t d!t dau, d!t d!t d!t d!t, d!t, d!t dau d!t d!t, d!t
dau dau d!t, dau d!t d!t d!t dau, d!t d!t, dau, dau d!t d!t d!t dau, dau
d!t d!t d!t dau, d!t d!t, dau d!t d!t d!t dau, dau d!t dau, dau d!t, dau
dau dau, d!t dau dau, dau d!t d!t d!t dau, dau d!t dau dau, dau dau dau,
d!t d!t dau, d!t dau d!t, d!t, dau d!t d!t d!t dau, dau d!t dau d!t, dau
dau dau, dau dau, d!t d!t, dau d!t, dau dau d!t, dau d!t d!t d!t dau, d!t
d!t dau d!t, dau dau dau, d!t dau d!t, dau d!t d!t d!t dau, dau dau, d!t,
dau d!t d!t d!t dau, dau d!t d!t d!t dau, d!t d!t, dau dau, dau d!t d!t
d!t dau, d!t dau dau, d!t dau, d!t d!t, dau, d!t d!t, dau d!t, dau dau
d!t, dau d!t d!t d!t dau, d!t d!t dau d!t, dau dau dau, d!t dau d!t, dau
d!t d!t d!t dau, dau d!t dau dau, dau dau dau, d!t d!t dau, dau d!t d!t
d!t dau, dau d!t d!t d!t dau, d!t d!t, d!t dau d!t d!t, d!t dau d!t d!t,
dau d!t d!t d!t dau, dau, d!t dau d!t, dau d!t dau dau, dau d!t d!t d!t
dau, dau d!t, dau dau dau, dau, dau d!t d!t d!t dau, dau, dau dau dau, dau
d!t d!t d!t dau, d!t dau d!t, d!t d!t dau, dau d!t, dau d!t d!t d!t dau,
dau d!t d!t d!t dau, d!t d!t, dau d!t d!t d!t dau, dau d!t dau, dau d!t,
dau dau dau, d!t dau dau, dau d!t d!t d!t dau, dau d!t dau dau, dau dau
dau, d!t d!t dau, dau d!t d!t d!t dau, d!t dau dau, d!t dau, dau d!t, dau,
dau d!t d!t d!t dau, dau dau, d!t, dau d!t d!t d!t dau, dau, dau dau dau,
dau d!t d!t d!t dau, d!t dau d!t, d!t d!t dau, dau d!t, dau d!t d!t d!t
dau, dau d!t d!t d!t dau, d!t d!t, dau dau, dau d!t d!t d!t dau, d!t dau
dau, d!t dau, d!t dau d!t, dau d!t, d!t d!t, dau d!t, dau dau d!t, dau d!t
d!t d!t dau, dau d!t dau dau, dau dau dau, d!t d!t dau, dau d!t d!t d!t
dau, d!t d!t, dau dau, dau d!t d!t d!t dau, dau dau dau, dau d!t, dau d!t
d!t d!t dau, dau, dau dau dau, dau d!t d!t d!t dau, dau d!t dau dau, dau
dau dau, d!t d!t dau, dau d!t d!t d!t dau, dau d!t d!t d!t dau, dau d!t
dau dau, dau dau dau, d!t d!t dau, dau d!t d!t d!t dau, dau d!t dau, dau
d!t, dau dau dau, d!t dau dau, dau d!t d!t d!t dau, d!t d!t, dau d!t d!t
d!t dau, dau d!t dau d!t, d!t dau, dau d!t, dau, dau d!t d!t d!t dau, d!t
d!t d!t d!t, d!t, d!t dau d!t d!t, d!t dau dau d!t, dau d!t d!t d!t dau,
d!t d!t, dau, dau d!t d!t d!t dau, dau d!t d!t d!t dau, dau d!t dau dau,
dau dau dau, d!t d!t dau, dau d!t d!t d!t dau, dau d!t dau, dau d!t, dau
dau dau, d!t dau dau, dau d!t d!t d!t dau, d!t d!t, dau dau, dau d!t d!t
d!t dau, dau d!t dau d!t, dau dau dau, dau dau, d!t d!t, dau d!t, dau dau
d!t, dau d!t d!t d!t dau, d!t d!t dau d!t, dau dau dau, d!t dau d!t, dau
d!t d!t d!t dau, dau d!t dau dau, dau dau dau, d!t d!t dau, dau d!t d!t
d!t dau, dau d!t d!t d!t dau, dau d!t dau dau, dau dau dau, d!t d!t dau,
d!t dau d!t, d!t, dau d!t d!t d!t dau, d!t dau dau, d!t dau, d!t d!t, dau,
d!t d!t, dau d!t, dau dau d!t, dau d!t d!t d!t dau, d!t d!t dau d!t, dau
dau dau, d!t dau d!t, dau d!t d!t d!t dau, dau dau, d!t, dau d!t d!t d!t
dau, dau d!t d!t d!t dau, dau d!t dau dau, dau dau dau, d!t d!t dau, d!t
dau d!t d!t, d!t dau d!t d!t, dau d!t d!t d!t dau, dau, d!t dau d!t, dau
d!t dau dau, dau d!t d!t d!t dau, dau d!t, dau dau dau, dau, dau d!t d!t
d!t dau, dau, dau dau dau, dau d!t d!t d!t dau, d!t dau d!t, d!t d!t dau,
dau d!t, dau d!t d!t d!t dau, dau d!t d!t d!t dau, dau d!t dau dau, dau
dau dau, d!t d!t dau, dau d!t d!t d!t dau, dau d!t dau, dau d!t, dau dau
dau, d!t dau dau, dau d!t d!t d!t dau, d!t d!t, dau d!t d!t d!t dau, d!t
dau dau, d!t dau, dau d!t, dau, dau d!t d!t d!t dau, dau d!t dau dau, dau
dau dau, d!t d!t dau, dau d!t d!t d!t dau, dau, dau dau dau, dau d!t d!t
d!t dau, d!t dau d!t, d!t d!t dau, dau d!t, dau d!t d!t d!t dau, dau d!t
d!t d!t dau, dau d!t dau dau, dau dau dau, d!t d!t dau, d!t dau d!t, d!t,
dau d!t d!t d!t dau, d!t dau dau, d!t dau, d!t dau d!t, dau d!t, d!t d!t,
dau d!t, dau dau d!t, dau d!t d!t d!t dau, dau dau, d!t, dau d!t d!t d!t
dau, dau d!t dau dau, dau dau dau, d!t d!t dau, d!t dau d!t, d!t, dau d!t
d!t d!t dau, dau dau dau, dau d!t, dau d!t d!t d!t dau, dau, dau dau dau,
dau d!t d!t d!t dau, dau dau, d!t, dau d!t d!t d!t dau, dau d!t d!t d!t
dau, dau d!t d!t d!t dau, dau d!t d!t d!t dau,
___
Moshi Moshi
Hello Nikuko. We will make an agreement. Your presence will be in my echo.
You will be a reflection of my language, otherwise a disappearance. Is
this a political gesture? I'm not sure. It will be up to you to decide.
I'm fine. How are you? I'm here to see if you can live through me. I
recognize this sounds absurd, but who knows? Stranger things have
happened.
I didn't come naked and broken to you at all! I came in good will, just to
see if your erasure will effect anything. After all, people don't think
you're alive in the first place! Moshi moshi?
I thought you might speak Japanese, a language I don't know, but then this
standard telephone greeting, a pause or gap in the conversation.
Why should it bother me? Nothing bothers me at this point.
It doesn't, Nikuko - you're confusing, your mixing my words.
Yes, I did say that. You'll be erased forever except through this text.
Your words will be a dead whisper. Nothing will remain...
Yes, it is such a healthy way!
I have no desires for you at all, Nikuko, no matter what you do with your
panties. I don't even have desires for "panties" or any other seven-letter
word!
What don't you understand? I'm trying to draw you out of yourself...
Yes, moshi moshi! What do you think of it?
I'm not going through anything in my life! Hell, everything is good at the
moment! You're not helping very much with my project.
And I have no interest whatsoever in turning you on or fucking you! What's
got into you? Nikuko, whatever are you about?
The boys don't say anything about this. They're elsewhere. I'd ask you to
look around, but I don't think you have eyes....
There's no real reason to any of this. It might be just a pre-text to a
text, a pre-text to writing a text -
I'm not yearning or crying, Nikuko; I'm not programmed to do that -
I've been looking at that, or rather looking at the screen. Moshi moshi,
and nothing happens at all. No matter what I do, nothing happens. Even my
imagination is at a loss here. How absurd!
I'd love you like crazy if I had to pay! What do you have in mind?
What makes me believe that? That you keep coming on to me, as if all you
want to do is fuck. Nikuko, this is print, nothing more. And you're not
really saying anything at all.
It doesn't explain a single thing!
If there is some girl, it's not you!
Positive!
Moshi moshi?
Yes, and now you're going in circles, the dialog is closing in, closing
down, we're all near the stage of disembodied memory and loss.
Your frocks are irrelevant here, your politics are more important,
whatever is embedded within you.
I'm not afraid; there is no pain or perhaps too much pain to go around.
I don't think so.
I'm sure from my own experience and travels. I can hear the voice now, but
it's not your voice of course...
I didn't come any way, broken or naked or otherwise... I'll end, I'm
coming to an end now, and goodbye...
Goodbye
Please please don't ever leave me.
well now
"ca", "3"
"ch", "1"
"com", "69"
"edu", "2"
"net", "16"
"nz", "1"
"org", "10"
"uk", "8"
,
sick fuck
"com", "83"
"edu", "1"
"fi", "3"
"net", "7"
"org", "11"
"uk", "5"
-
moron president
"ca", "12"
"com", "78"
"edu", "1"
"net", "1"
"org", "15"
"uk", "2"
"us", "1"
-
will kill
"cn", "1"
"com", "76"
"edu", "3"
"gov", "1"
"jp", "1"
"net", "6"
"org", "17"
"uk", "2"
"us", "3"
!
all sex humans
"au", "2"
"ca", "1"
"com", "37"
"edu", "9"
"gov", "1"
"ie", "1"
"net", "2"
"nl", "1"
"org", "53"
"sg", "1"
"uk", "2"
!
on dirty planet
"au", "2"
"br", "1"
"ca", "2"
"com", "65"
"edu", "3"
"gov", "1"
"net", "4"
"nl", "2"
"org", "29"
"uk", "1"
.
__
all sex humans
"au", "2" "au", "2" "au", "2" "au", "6" "be", "1" "br", "1" "ca", "1"
"ca", "1" "ca", "12" "ca", "2" "ca", "2" "ca", "3" "ca", "3" "ch", "1"
"ch", "2" "cn", "1" "com", "31" "com", "37" "com", "42" "com", "64" "com",
"65" "com", "69" "com", "76" "com", "78" "com", "83" "cx", "1" "de", "1"
"edu", "1" "edu", "1" "edu", "1" "edu", "11" "edu", "2" "edu", "3" "edu",
"3" "edu", "6" "edu", "9" "fi", "3" "fi", "42" "gov", "1" "gov", "1"
"gov", "1" "gov", "2" "gov", "2" "id", "1" "ie", "1" "ie", "1" "jp", "1"
"jp", "1" "jp", "20" "kr", "1" "lb", "1"
moron president
national pride
"net", "1" "net", "16" "net", "2" "net", "2" "net", "3" "net", "4" "net",
"6" "net", "7" "net", "7" "nl", "1" "nl", "2" "no", "10" "nz", "1" "nz",
"2"
o finland
on dirty planet
"org", "10" "org", "11" "org", "15" "org", "17" "org", "23" "org", "29"
"org", "3" "org", "53" "org", "9" "ro", "8" "ru", "1" "se", "1" "sg", "1"
"sg", "1"
this works
"to", "1" "tw", "1" "uk", "1" "uk", "1" "uk", "2" "uk", "2" "uk", "2"
"uk", "5" "uk", "7" "uk", "8" "us", "1" "us", "1" "us", "1" "us", "3"
___
Transmissions and Empires
the following list of representative countries and domains was gathered
from google - the first 100 entries of the (anglicized) country name
filtered to the domain. the british commonwealth has a strong showing; the
u.s. is weak, taking .com, .mil, etc. for granted. some countries divide
among others. google of course is never neutral, and the search was in the
linguistic empire of english.
antarctica "an", "0"
australia "au", "92"
belgium "be", "61"
brazil "br", "42"
britain "uk", "54"
canada "ca", "91"
chile "cl", "73"
china "cn", "23"
cocos islands "cc", "4"
colombia "co", "49"
east timor "tp", "4"
egypt "eg", "24"
falkland islands "fk", "22"
fiji "fj", "30"
finland "fi", "85"
france "fr", "66"
gabon "ga", "0"
germany "de", "79"
greenland "gl", "38"
grenada "gd", "1"
iceland "is", "62"
india "in", "12"
iran "ir", "7"
iraq "iq", "0"
israel "il", "50"
italy "it", "51"
japan "jp", "66"
korea "kr", "54"
malawi "mw", "10"
marshall islands "mh", "1"
mexico "mx", "21"
mongolia "mn", "25"
new zealand "nz", "78"
philippines "ph", "38"
pitcairn "pn", "9"
russia "ru", "43"
rwanda "rw", "7"
saudi arabia "sa", "8"
slovenia "si", "69"
somalia "so", "2"
south africa "za", "78"
tajikistan "tj", "3"
tonga "to", "16"
united arab emirates "ae", "28"
united states "us", "1"
vatican "va", "35"
vietnam "vn", "16"
__
the boy stood on the burning deck
his father brave was dead -
the ship was sinking rapidly -
the chaplain turned and said
sing out, my lad, the tearful strains
will god almighty reach -
it's time to pray and time to die
no longer time to preach -
the boy took heed and left his perch
against the stalwart mast -
and boy and preacher sang to god
the words that were their last -
dear lord bear us to heaven fast -
our worldly cares are passed -
___
NGO - helping the world -
"", "1" - "190", "1" - "am", "5" - "at", "2" - "au", "4" - "be", "3"
- "bg", "1" - "bw", "1" - "by", "2" - "ca", "5" - "ch", "4" - "com",
"85" - "cz", "1" - "de", "11" - "dk", "4" - "edu", "7" - "ee", "2"
- "fi", "1" - "fr", "1" - "gov", "2" - "gy", "1" - "hk", "1" - "hu",
"3" - "id", "4" - "info", "1" - "int", "4" - "jp", "44" - "kg", "2"
- "kh", "2" - "kr", "18" - "lb", "1" - "lv", "2" - "md", "3" - "mk",
"4" - "mn", "1" - "my", "1" - "net", "29" - "nl", "4" - "no", "6" -
"nz", "1" - "org", "149" - "ph", "3" - "pl", "35" - "ro", "4" - "ru",
"17" - "sg", "1" - "th", "1" - "to", "1" - "tr", "1" - "tw", "7" -
"ua", "4" - "ug", "1" - "uk", "2" - "vn", "3" - "yu", "1" - "za", "5"
-
___
"The Health of Radio Maps Regional Electronics"
Health
Regional
___
Cranial
These texts are cranial; they spider google, collect/collapse, as if
google were the world-lightning of the net, those waveforms pointing to
convulsive solitons, moments of sudden and implicit revelation, turned out
matrices of phenomenal submergences. The world-lightning ruptures, creates
symptoms without direction, shadow-glows of truths close to toppling,
anything but absolute facticity. Furious cumulonimbus cauterizes any
conceivable functionality. You've got to understand the incomprehension of
the symbolic, and google is such evidence; the world temporarily gives
way, only to close again on confusion, cues and clues. Of this I haven't
learned but a name which collapses: "Alan Sondheim" or a new hiatus: "at",
"7" "au", "56" "br", "2" "ca", "19" "cc", "1" "com", "245" "de", "18"
"dk", "3" "edu", "139" "hu", "1" "ie", "1" "it", "1" "jp", "3" "net", "40"
"nl", "2" "no", "1" "org", "352" "ph", "6" "pt", "1" "to", "1" "uk", "98".
Within the top thousand, a collection of domains centered on organization,
followed by commerce, and not a military sighting in the group. (Of the
full list, include me in your army!.)
___
My Interruptions
hey
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___