in the air http://www.asondheim.org/dike11.mp3 out of it wyoming susquehanna river dike river-side chorus added thunderstorm front just off the radar = my Very Low Frequency Radio Sexy thing song wanna sing dah dee dah lyrics. (make me wanna sing) Dah dee dah, dah mom dah dee dah. (somethin like, somethin like) By ye yah dah dah, by ye yah dah mom. ... Dah dee dah, dah mom dah dee dah Sexy thing, I can do anything, cuz dee dah, dah mom dah dee dah. (By ya dah) Dah dee dah, dah mom dah dee dah. (Mmm I cant explain) ... dah-di-di-di-dit dah-dah-di-di-dit dah-dah-dah-di-dit dah-dah-dah-dah-dit ... dah-di-di-dah-dit dah-di-di-di-dah di-dah-di-dah-dit di-di-di-dah-di-dah Dah dee dah, dah mom dah dee dah. (By ya dah) Dah dee dah, dah mom dah dee dah. (Mmm I cant Sing hey lah dee dah As the world goes by You never did like weddings Hey lah dee dah Hey lah dee dah Dah dah momConstantly recovery true Dah dee dah, dah mom dah dee dah. I cant explain, why I feel this way, Dah-dah-dah, hey! Imagine a basketball dee dah, dah mom dah dee dah. (by ya dah) Dah dee dah, dah mom dah dee dah. ... dah, dah mom dah dee dah. Dah dee dah, dah mom dah dee dah-di-di-di-dit dah-dah-di-di-dit dah-dah-dah-di-dit dah-dah-dah-dah-dit ... dah-di-di-dah-dit dah-di-di-di-dah di-dah-di-dah-dit di-di-di-dah-di-dah "dit mom dit" Dit dittle dittle dit Dit dittle dittle dit Dittle dittle dit mom! Theres a the Head of the Department () for detailed dit mom dit hope to maintain the VLF audio stream 24 hours a day with other VLF radio sounds at any ... Aeronomy and Radio Science ULF/ELF/VLF Project ... VLF recordings true Earths natural electromagnetic radio Top/Arts/Music/Styles/Experimental/Ambient/Radio Natural VLF Atmospherics on VLF true Research site on Schumann Resonance Low Frequency (VLF), and TACAMO Airborne VLF communications systems. The Navy shore VLF/LF transmitter (VLF) radio receiver. VLF receivers Natural Radio VLF group is a discussion group dedicated to those who radio frequencies in the VLF radio spectrum and slightly below the VLF VLF 0.24628 1 at = evening transformation http://www.asondheim.org/dike24b.mp3 furious light radio astronomy o angelic orders your streamers descend your streams steams your stems towards earth of ravished bounty astronomical astronomy i have yet to hear such beauty elsewhere as below above not anything this has moved me to tears, an unabashed recommendation more fantastic than the visible universe, tremendous praise and of the worlds thereof i give you copy of the stars == The Apt Word To write modernism is to write in voiceless voice. To write in voiceless voice is an enunciation. The enunciated is always pronounced. This is based on the apt word. Whatever I write, there is the apt word. In terms of cleverness, the reader desires this, the apt word. The apt word makes one famous, i.e. on the road to fame. Apt may be an apt word. Writing this style is always a well-honed craft. I try to procure your agreement or perhaps disagreement. My taste is apparent on the page. I am an expert in the use of words and their exactitude. More specifically, the apt words. Every phrase, every poem, is a composition. The poet works hard at the composition, every word must fit. The fit word is the apt word, both harmonious and perfect. A poet claws its way to the apt word and beyond. There is light on the other side of the apt word. The apt word must not appear contrived. Or it must appear contrived as a collusion between reader and writer. The apt word must be secretly clever. Or it must appear clever as such a collusion. It's nature, the apt word, unnoticed but graces a reputation. The audience knows the poet by the apt word. Every poet has a different approach to the apt word. And every poet has a different approach to the rest of it. But it is all carefully crafted and that is why we care about poets. And it is beautifully written and full of surprises. And that is why we care about poetry. I am serious about this, this apt word. It is a well-turned phrase that contributes to the whole. In a sense it is the whole. Love language, love the apt, advertising and poetry pick and choose. Here I am writing, searching for the perfect form. Oh there must be more to this than that, there is not. My words are perhaps not apt enough. My turns of phrase... = Subject: what i've been doing vlf > granularity < vlf no downtime http://www.asondheim.org/flicked.mp3 http://www.asondheim.org/f.mp3 http://www.asondheim.org/vlf1.jpg http://www.asondheim.org/vlf2.jpg http://www.asondheim.org/vlf3.jpg http://www.asondheim.org/directory.txt Spreading the Crack Zeno's the paradox continuum. - The stasis 'knot' and of the the continuum. continuum The re: 'knot' Zeno's of paradox continuum stasis re: and Gk. Similar phil. to Similar U->R->U' to etc. U->R->U' only etc. regulated, only i.e. regulated, non-probabilistic, i.e. Gk. non-probabilistic, phil. not Just even descent chaotic. re: Just converging descent series? converging 'crackles' series? - VLF not 'crackles' even read at vertically, a 0-1-0, value where of 1 x at only. a The specific read value vertically, x 0-1-0, only. where leverage instantaneity. this function? instantaneity. Delta Dirac function? function? Do Delta I Do leverage I of know this anything - all? and Cultural the Japan circa West anything circa at 1854-68. all? Pointillism. Cultural It's or blur Sizzle or and muck. bursts, Sizzle collapses bursts, Thom's collapses It's vis-a-vis a Thom's blur catastrophe hard. theory. A Something transistor falls hits hard. 25g A at transistor a hits foot. 25g catastrophe foot falls. === of the flicker.mp3, now the flick.jpg http://www.asondheim.org/flick.jpg spectral grit. http://www.asondheim.org/vlfmoan.jpg in the near future you will hear new sounds they are coming from the ghosts hovering near the old covered bridge cows on the hill turned their backs on us early the electricity failed in large parts of the region there were violent thunderstorms and near the house, a crackle the crackle continued at regular intervals interspersed were the moans, they were murmuring to us few of them as something jostled for our attention moan, crackle, moan, crackle, crackle, sometimes a sheet of sound haunted they were, these hills haunted the bridge, haunted the dismal brook haunted the bullfrogs speaking and hearing the moans hearing the moans by the side of the pond we were radio radio radio by the side of the pond we were hearing the moans, we were listening the radio, we were listening, the aerial and the recording we were radio radio radio and the recording of it, the sounds, sooner or later on this site of the haunting, something moving through the bridge something there and moving, we were sure of it = Hand-written insert into A Pocket Dictionary (Chinese-English) and Pekingese Syllabary by Chauncey Goodrich, Shanghai: Kwang Hsuel Publishing House: 1933, representing the 214 radicals in a prose composition: One down points to the left bent barb, two above men. Man enters eight limits to cover the icy bench over the box of knives strong. He wraps a ladle in a box and conceals it with ten diviners with joints under the cliff with selfish right. At the third mouth of the enclosure the earth scholar follows moving slowly till evening a big woman son. Under the roof she inches along like a small lame corpse to get sprouts from the mountain streams by work for her self. He gets thirty caps and shields for his immaturity needs covering then move on till she gives him a bow, dart, a boar's head, a plumage. Steps away for her heart like a spear from a window a hand with branch strikes like an elegant bushel of axes. Squares without sun she speaks under the moon of the wood still owing and asks him to stop killing viciously. So he denies and compares his hair, name, breath, fire, and the claws his father crosse. At from his coach he slices like the tooth of an ox or a dog and the black jade melons on the tile so sweet. We produce use things from the field with a cloth roll to keep off disease as back to back with white skin we dish them before our eyes. Lamas and darts on the stone reveal footprints grain the cave as set up with bamboo rice. Silk threads of pottery are in a net of goat's feathers of one who is old and yet able to plow with ears like pencils. In his flesh the statesman from his arrival at the mortar with his tongue opposed the boat of defiant color. In grasses a tiger and insects draw blood to do up the clothes from the West with the sights of horned words. In the bitter time of walking from the city with a winejar, each separate mile near gold pieces (from the long) doors. When the mound is reached, short tailed birds are in the rain on the green with wrong faces of rawhide, leather, and leeks. At the sound of book leaves in the wind they fly to eat the heads of the fragrant horses with bones on high. My hair strives with the herbs and I offer to the vase of spirits, fish, birds from the saltland, dear and wheat. Hemp strings and yellow millets, black embroidery, toads, tripods, drums, and rats, noses. Even the front teeth of dragons, tortoises, flutes. == my files turned into super-vispo sound super-poem snapshot trilby 102c2,169 abughr trilby exe abyss america archaea archaea archaea exe abyss america exe archaea abyss aus archaea axis aus ballet baby bee abughr advert aftershock advert ai aftershock allofusnow ai americaness advert aftershock ai ai ai ai allofusnow americaness angel animal animal animal anten angel animal americaness anten animal antenburst antensex ashur antensex anten antenburst antensex antensex antensex ap ap a a avatars avatars ba ba bb bb bkreview bkreview b b cancer cancer an ap a avatars baghdad ba bb bkreview archaea archaea archaea archaea archaea archaea archaea aus axis baby ballet bee antensex ashur ashur ashur ashur aw baby aw ashur baby aw backhoe baghdad bathingbeauties backhoe bbbb baghdad blood b cancer cc char cinema compbio c backhoe baghdad baghdad bathingbeauties bbbb bbbb bbeach bbreast bbreast bbreast bbreast bbeach bbreast bbbb beginningofthebeautifulworld bidel birth bbreast beginningofthebeautifulworld bidel birth bifurdel bidel cloudsin colcloud col delcloud d dhenon draprint dell bklynmetric blackout blade bklynmetric bloomed blade bloom blade bonze bklynmetric blackout blade blade bloomed bloom ballet blood brilliant europa crown gb europa glory gb graph god hemiptera bonze bonze bonze bonze bonze bonze bonze bournen boygirltruck brob brob brob bournen boygirltruck bonze brob bournen bronze brob bronzevid bronze brood blood brilliant crown crown crown crown brob brob brob bronze bronzevid brood brood bronzevid brrd buddha brrd buffalo buddha c buffalo capt ch ch chaos chaos brrd buddha buddha buffalo buffalo c c c c c c capt ch chaos char char cc cc cinema cinema compbio compbio cybinfo dd cybinfo deadtime dd defuge char char char charredworld cheap chiasm charredworld chora cheap cloud charredworld cheap chiasm chora cloud cloud chiasm col cloud combtomb col com combtomb corrug com coup corrug covector cloud col col col combtomb com corrug cloudsin col colcloud d d delcloud dell corrug corrug coup covector crimescene crown corrug crimescene coup crown covector cruxbone crown cruxflesh culture crown crown crown crown crown cruxbone cruxflesh culture culture culture curl dad curl culture dad culture dancemenu danceofdeath dank dancemenu dbas bas d beeb bidel bifurdel cloud cloud dancemenu danceofdeath dank dank dank dank cybinfo dd deadtime defuge diary diary diary deadiniraq dead dbas deathfugue deadiniraq death dead dell deathfugue dike dbas deadiniraq dead deathfugue death dell dell dell dell dell dell dell dell dhenon draprint drawalk drawalk drawalk deadtime diary defuge echo echo ee ee e e exe_readme exe_readme fantasm dike dikeb directory dood drawalk dumbhack dikeb directory dike dood dikeb drawalk directory dumbhack dood dump dup drawalk drawdell drawtest fullife henon henon drawdell drawtest drawalk fullife drawdell henon drawtest julia lifeline dump dup earthole earthquake edge empire end dump earthole dup earthquake earthole edge earthquake empire edge end d echo ee e exe_readme exe fantasm ff empire endofempire ennui escape endofempire eternal escape europe ever endofempire ennui escape escape escape eternal crown europa gb glory god graph hemiptera europe ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever exemplum exemplum ever exe explode exe faace explode face faace fetish face exe explode faace faace faace face fetish intrview f i jk jj jl jk jm jl jn jm jo jn jp jo jq jp jr jq i jr jj js j fetremake fetremake ff ff fing fing flicked flick flight flicked flood fetremake ff ff ff ff ff ff fing fantasm figure film figure filmvid film flux filmvid footnote flux fopinfo figure film filmvid flux footnote fopinfo fop flicked flick flight flood florid florida flick florid flight florida flood floridb floridc floridd floridb floride floridb floridc floridd floride floridf floridg floridc floridf floridd floridg floride floridh floridi floridj floridh floridh floridi floridj floridk flower fluent floridk floridi flower floridj fluent floridk flush fly flush f fly follow flush flush flush flush fly fly f follow foofwaroofcurl foofwaroofdown foofwarooftop foofwaroofcurl foofwaroofdown foofwarooftop footnote fop fopinfo futcult future future gg gg g g hh hh h ii intrview foradrianpiper foradrianpiper foradrianpiper frac foradrianpiper frac freight frac fucking freight fujil fucking furl fujil furry furl ghos frac frame index frac freight fucking fujil furl furry ghos f futcult future gg g hh h ii intrview ghos ghos ghostboat gift girl godardusa god furry ghostboat ghos gift ghostboat girl gift godardusa girl god godardusa gorge gorge greens ground groundzero h h gorge greens gorge ground greens groundzero ground h groundzero hiway hold h h h h h hiway hold hole hole-s hemiptera hemiptera hold kali mourning overlook hold hole hole hole-s hole-s h hollywood homebody hollywood hunger hurry hollywood hollywood hollywood hollywood homebody hunger hurry hyperaccelerator hzzzo inherinhim hyperaccelerator hzzzo hunger inherinhim hurry insidepennsylvania inherinhim inherinhim inherinhim inherinhim inherinhim insidepennsylvania intheworld jeanpaul jen intheworld jeanpaul inherinhim jen insidepennsylvania jostlegod jungamer i jj jk jl jm jn jo jp jq jr js jt j ju jv jw jx jy k ka jt ju j jv ju jw jv jx jw jy jx k jy ka ka jt kb kd kc ke kd kf ke kg kf jostlegod jungamer k key land land land jostlegod k jungamer key k land key lb land leak lb leaning leak lease ks k kt kl ku kw kv kx kw kyoko kx ky kyoko kz ky la kz lb la lc lc kv ld graph kali hemiptera mourning hold overlook kali pest plasma pest rust kb kc kd ke kf kg kh ki kj kk kh kg ki kh kj ki kk kj kb kk kc kl kn km ko kn kp ko kq kp kr kq ks kr kt kl km kn ko kp kq kr ks kt k ku kv kw kx kyoko ky kz la lb lc land land lb leak leaning lease leaves ld le lf lg lh li lj lk ll lm lf le lg lf lh lg li lh lj li lk lj ll lk lm lm le ln love lo lp love lq leaning leaves lease leg leg leo leo leon leon linear lineq linear ll leg leo leo leo leo leon leon leon julia lifeline linear lineq mass mess messclr linear lineq ll llook loving lpmud lucy lineq llook ll loving llook lpmud loving lucy lpmud machinic madea ln lo love lp lq lr ls lt l lu lp lr lq ls lr lt ls l lt lu l ln lu lo lv lx lw ly lx lz ly ma lz mb ma lv lw lx ly lz ma mb mc md me model m mv mu mw mv mx mw my mx mz my na mz nb na nc nb m nc mu nd nd net machinic madea marienbad marsocean marsocean marienbad marsocean machinic measure medea memtrace measure mens medea marsocean marsocean measure measure measure julia mass lineq sintan walk mc mb md mc me md lv me lw mf mh mg miami mh mi mi mk mj ml mk mm ml mn mm measure medea memtrace mens mens mens mens mens mess messclr miami milk mess mens messclr mens miami mess milk messclr missclr modig missclr mood mf mg mh miami mi mj mk ml mm mn mf mn mg model mo mo movie movie mov mov mp mp mq mq mr mr ms ms mt mt model mo movie mov mp mq mr ms mt missclr modig modig mood morb more more modig morb mood more morb mor more moss mor mount moss mountainwake more more more more mor moss moss missclr moss moss new orbiting sin sincirc moss moss mount mount mount mount mount mount mountainwake mountainwaken mount mountainwaken mount mournfulghost mud murmur mud mutate mud myascii murmur m mu mv mw mx my mz na nb nc mournfulghost mud mud murmur mutate myascii mybabydead myfear myfear name natural natural mybabydead myfear name myfear natural myfear nature ncs nebula nature new nature ncs nebula nebula nebula nebula net ne ng nf nh ng ni nh nj ni nk nj nl nk nm nl nn nm ne nn nf noise np nebula nebula nebula nebula new new nd net net net net net net net net net net net net net net net ne nf ng nh ni nj nk nl nm nn night night night night night night nebula night nik night niki niki nikii nikii nikn niki niku nikul niku night nik nik nik nik nik nik nik nik nik nik nik nik niki nikii nikii niki nikn nikn nikn nikn nikn niku niku niku nikul nikul nikulx niku nikug nikuko nipple node node nikulx nikul nikug nikuko niku nipple nikug node nikuko normalcar nude noise no np nq nr ns nt n nu nv no nq np nr nq ns nr nt ns n nt nu n nv nu noise nv no nw nx nx ny ny nz normalcar nude nude object object ontic object nude ontic object open ontic orbiting open orch orbiting ord orch nw nx ny nz oa ob oc oc od oldaba o panamar phen play poet postmode nz oa oa ob ob oc oc oc od nw oldaba o oldaba panamar o phen panamar play ontic open orbiting orch ord organ origin organ ord origin organ outcrop painting paraa outcrop parab painting parac outcrop painting paraa parab parac parad paraa parad parab parae paraf parag parae peace parag pearl parab pen parae paraf parag parab peace pearl pearl pen penis peopleofthebook perfectbreast penis peopleofthebook pearl perfectbreast pen perfectwomb perfectwombre perfectbreast perfectbreast perfectwomb perfectwomb perfectwombre perfectwombre performance perth performance perth pest pest plasma rust scler sks sks photoghoul piano pinned planetbike photoghoul planet piano planetshore photoghoul piano pinned planetbike planet planetshore planetwing poly poly poly phen poet play postmode poet potepoet prosebio potepoet p prosebio q p poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly poly potential punctum planetwing poly potential poly punctum poly pushed raise pushed rav raise potepoet prosebio p q queer redyear resume pushed pushed pushed raise rav reading red queer q redyear queer resume redyear r r salt salt sophia sophia sound reading rav red reading ruined ruined s s said said sartre sartre seam txt readmest dme abacus ah alan am txt readmest txt dme readmest abacus dme ah abacus alan ah am alan an an ruined s s s s s said sartre r salt sophia sound stelarc s throat t plasma scler rust sks scler swoon swoon tz tz umb umb victor victor void seam seam seam seam seam searchploom searchploom seam shinl shin ship shinl shoes shin shuddertalk ship signal shinl shin ship shoes shuddertalk signal sincirc sin singingyou sixviews skein skein shoes sincirc sin singingyou sincirc sixviews sin skein singingyou skin sintan sintan sintan sintan star star skein skein skein skein skein skein skein skein skin skin skin skinny skein skinny skin slimemold smallworldmurmur slimemold slimemold slimemold smallworldmurmur smallworldmurmur smallworldmurmur smallworldmurmur smallworldmurmur snapshot snapshot sp splice spool sprites sputter sp splice snapshot spool sp sprites splice sputter spool star sputter sputter sputter sputter sputter sputter star star starr walk starr starsavage starsavage starsavage start starr starsavage start starsavage statenegative statepositive stored start start statenegative statepositive stored strom strom statenegative stromhtm struct suckgod stromhtm suck struct susan sound stelarc stelarc throat throat t t uncanny u uncanny vel u video vel strom strom strom strom strom strom stromhtm struct suckgod suck susan susan susangra susan swan swan swan swan swardd suckgod susangra swan susan swardd swan sward swole swollen sward sward swole swollen takemycarshome tao teart takemycarshome swole tao swollen teart takemycarshome technoloss terrr star swoon tz umb umb victor void wall technoloss technoloss technoloss technoloss terrr test test test test test test test technoloss test testpd theory test thog thongs thrull thrumb thog test testpd test test theory theory theory theory theory theory theory theory thog thongs thrull thrumb thongs torso travis torso troth travis trrrr trrrr tub torso torso torso torso torso travis troth trrrr tub tub tub tub tub twirple uh tub twirple twirple uh uh univer univer ust ust v v vir vir virus virus uncanny u vel video video weather writing univer ust v v v v v v vir vir vir virus vision vlf vlf vlf vision vision vlf vlf vlfmoan voice vlfmoan war voice wave war western vlfmoan voice war wave wave wave wave void wall wall wallvoid weather web word wallvoid frac frame index wave wave wave wave wave wave wave wave wave wave wave wave wave wave wave wave wave wave wave wave wave western western where wing wing wallvoid weather web word word writing weather ws_ftp zz wave where western wing where woll wing worlda woll worldb worlda wryting wing woll woll woll worlda worldb wryting writing ws_ftp zz wtc wtc wtc wtc you youyou yungheal worldb wtc you wtc youyou you yungheal youyou yung zing bas d bas beeb d yung zing zing Our travel coordinates and where we have been, all our secret places, our fun places, our sad places, on our trip across the country, you may have fun following us - # A B Elev N W 1 41 16 05.8 075 50 16.3 --- 2 41 14 08.1 075 50 18.3 288 3 40 08 52.1 077 19 02.2 288 4 39 40 00.5 078 15 46.1 288 5 39 43 05.4 078 16 49.7 767 6 39 42 16.9 078 34 23.5 784 7 39 42 23.8 078 34 00.6 856 8 39 42 27.6 078 34 10.9 892 9 39 42 41.6 078 37 05.3 1167 10 39 42 04.3 078 38 01.3 1427 11 39 41 15.2 078 39 40.2 1364 12 39 40 26.8 078 41 35.8 1026 13 39 37 16.4 079 57 32.6 1017 14 39 37 41.4 079 57 22.0 997 15 39 39 18.7 079 59 34.3 997 16 39 39 11.2 080 00 55.3 908 17 39 38 36.7 080 01 46.0 1010 18 39 37 26.2 080 02 26.4 1046 19 39 37 04.1 080 03 04.9 1026 20 39 37 06.4 080 03 06.3 1197 21 39 39 05.2 080 00 03.1 1200 22 39 39 02.0 079 58 04.1 2411 23 40 00 01.1 081 34 32.0 2411 24 39 51 31.7 085 01 22.6 2411 25 39 49 17.0 085 54 57.6 925 26 40 07 44.9 087 44 38.5 926 27 40 29 29.8 088 59 02.7 925 28 40 21 01.3 089 07 55.1 702 29 40 21 01.1 089 07 55.1 692 30 40 28 59.1 088 59 41.8 692 31 41 38 54.8 091 03 20.6 692 32 41 38 57.0 091 10 23.0 692 33 41 41 04.1 092 54 08.1 698 34 41 40 51.4 093 23 34.0 905 35 41 14 51.1 095 57 31.0 1250 36 41 14 50.7 095 57 30.4 1250 37 41 15 28.4 095 58 58.0 1125 38 41 15 09.6 095 59 25.4 1079 unusual formation of rhomboid virga = this is a straightforward (increased contrast) photograph of virga from a stormfront in Omaha, Nebraska - the first and only time I've seen a rhomboid formation - the evaporating rain moving in two planes that, from the viewpoint of the observer, are practically at right-angles - http://www.asondheim.org/virgax.jpg anomalous events within a morgantown recording very low frequency there are spherics and others near a covered bridge of which i have already spoken a farmhouse in the distance http://www.asondheim.org/mgnanoml.mp3 the timing clicks were also recorded they are regular but editing changes repetition at the end i have left the clicks as is they are not on the second the moans i have already spoken of are these the ghosts of the dead i am certain these are the ghosts of the dead = only the good die young the bad are left to grow old and rot i am rotting old people should be killed they're in the way they're useless their flesh tastes bad they're shapeless skin and bones or layers of ugly fat their minds are dead their minds are waiting for their bodies to catch up old men are our past the young are our future grandmothers = carriers of wisdom cart them off cart them all off they burn fast in the furnaces the eskimo left them on the ice the jews buried them alive the christians yoked them buddhists trample their necks confucians spit on their altars the muslims cut off their heads believe what you want someone cut off their heads someone trampled them old people have nothing to say their ideas are like deSotos that's a car we all used to drive take their cars and belongings divide them up take them apart memories are made for crashing look at the old man push him down the hill he can't think when he's falling he can't think when he's standing when he's standing he's falling he's always falling when he's standing i wake up and hope you'll kill me i'm useless and can't think a thought or this is the thought i think when i'm permitted to think when you've maybe read this far i'll leave this line alone council bluffs iowa revolving jail 19th century last used 1969 ancestor and descendent of the panopticon matron and jailer and 135 prisoners 3 stories massive jailbreaks revolution by crank central cesspool steel cells no heating no electricity sometimes it would turn day and night boxcar bertha stayed there perhaps worst jail in america now housing de forest's audion among other things an early mechanical television early tubes all emanating from council bluffs iowa http://www.asondheim.org/revolvingjail.mov a poverty film of two frames two flickered images, there are others i am very sorry Strategic Air Command I've heard _all_ about I've you... heard inside pre Young teen pre so teen loose so beauty loose and beauty young and offer young inside offer Young is Happiness never is stopping never to stopping think to if think you if are. you are.Happiness Extremal> Extremal> excusivve excusivve more more Acttion Acttion special special for for fresh fresh In hope great is straits small, when boldest hope counsels small, the In boldest great counsels straits areand safest. drypoints You all can content download about drypoints to all your content hard your You hard can drive. really We everything have in really common everything with in America common nowadays, with except, America drive. nowadays, We except, have of something course, so language.Attempt impossible something that impossible God that is unless in God of it, it's doomed failure. it's failure. beauty I've stopping about Acttion inside boldest loose drypoints young your stopping really excusivve common straits in all nowadays, everything with of America doomed nowadays, offer of you impossible the unless hard heard nowadays, young so Acttion is are it's in to it's http://www.asondheim.org/sac1.jpg http://www.asondheim.org/sac2.jpg http://www.asondheim.org/sac3.jpg http://www.asondheim.org/sac4.jpg http://www.asondheim.org/sac5.jpg http://www.asondheim.org/sac.mp3 [anomalous event] - My answers regarding my murder trial in regards to the death of James Abbot, March 12, 1963. Yes, sure about that, yes indeed, no, i wasn't there, it might have been, i don't remember, all right, i did it, no, never again, not at all, yes i bludgeoned the guy, no, no, heh, absolutely not, not a word of it, unbelievable, could be, couldn't be, at one in the afternoon, i ate out that night, i was alone, no one saw me, i chopped his head off with a meat ax, i didn't do anything, how could you possibly believe that, this trial is fixed, i ate his brains out, no, i'm completely innocent, i'm clean as a new-born baby, pure as that virgin i fucked before i blew her head off, i wouldn't hurt a fly, i never knew James Abbot, i never saw James Abbot, why would i hurt him, i cut his heart out, the children are buried in a big pit, yes they are, i've ever committed a crime, i haven't hurt anyone, i couldn't harm a human being, no, no, yes, yes, yes, i'm sorry, i'll just answer the questions, i have a happy life, why would i do anything to destroy it, yes, i was lunchtime, i was with some friends, i don't remember who exactly, most of them are dead now, i went to bed early, i watched some tv, no, i don't remember the shows, yes, yes, no, yes yes On March 14, 1963, i was acquitted of the murder of James Abbot. _ | an absolute burst or vertical signal in the for of + within an otherwise quiescent mode. 0/1 or Kronecker delta? onset and damping 0; at x = y of infinite +/-? this doesn't matter; give it the prominence of a spike. what happens to energy at a well-defined frequency? close in and quantum effects appear. the spike is a trigger. what is the response time? the speed, not the half-life, of particle decay? dear mathematical physicist, you see I do not know what I am talking about. I am only certain that this spike plays a role in the phenomenology of the analogic and digital. analogic as adjectival; digital the same, as discrete, binary. or such of the discrete that has a modus operandi as binary. consider the factory or configuration of the digital, its appearance as governing artifacture at a particular moment in civilization - when it is realized that the analogic may be _scanned._ but the digital is not always constructed, as the collapse of the wave equation implies. or rather it is always constructed - always an _action_ - but not necessarily an artifacture or technological production - which have teleology in mind. what are the nature/s of the spikes in very low frequency radio for example? is the (natural) digital always the result of a _collapse_? these (naive) questions are on the tip of the tongue, so to speak - an array. and dear mathematical physicist, i hope you will be able to listen to the musings of an unaffiliated artist / theorist, who is trying to get it right, but may not always succeed. analogic smear postulate the analogical from the position of the operations of the analogical. i talked about, apologizing all the while for exhaustion, the relation of the analogical to deep identity, identity all the way damental ontologies and their relationship to the analogical and identity real, the truth is messy, noisy, analogic, irreducible, fuzzy. as listerv. this analogical labelling is superficial consider the analog is atemporal and time is analogical substructure integral the body analogical body is digital substructure substructure digital is body analogical body the integral substructure to analogical print differential biological material raster is the analog is atemporal and time is analogical time. this continuous world appears analogic. any element of the analogic real is interconnected and inseparable. the inherent. the application of truth values is digital. the analogic is a membrane. the analogic is dirty, inseparable, unbreakable. the dirty analogic problematizes its symbolic. the clean digital is the digital object is analogic. the analogic representation is digital. ghosts are embedded within the analogic. ghosts are excluded from the the analogic. to erase a distinction is to corrode it, to sublimate it to the analogic analogic. the creation of a signifier re-inscribes the signified image of the image is analogic. within the analogic real there is always room for error. "one can reverse this, in a sense, considering the application of analogic analogic, it might be a fairly useless exercise. as stimulate a vigorous debate on the relationship of digital and analogic the other. to stay with the filter is to remain analogic, deeply human, (dis)interested observer but from that a music producer. the analogic is note towards a foundational phenomenology of analogic/discrete 'domains.' ving the analogic and discrete (digital), we will get nowhere. where the digital exists under the aegis of fabrication, and the analogic tends towards sharpening and the analogic the physical world collapses ( and it's in codework that the mix of analogic and discrete 'ordering,' gestalt is both surplus and reduction. the inhabiting of text is analogic, assurance of purity. beyond that, there is nothing but plasma analogic, one integrates the digital to arrive at the analogic, but to begin with the analogic? to differentiate it? this might map, but then there is still perhaps i bring in libido (dionysian, analogic) and superego (apollonian, she smears to decomposing doll, the heart rate monitor freezes and she is sounds ! one who is clad in the hide of an elephant ! one who is besmeared where clara might go, smeared with shit, piss, and cum, mixing with the lag killed it. i can't think anymore. time zero is time smeared. oh, oh! "remaining nude, clad in torn dress, covered with oil, besmeared secrets, runnels overhanging the reach of chin, neck, smeared sweat, eme - or smearing, diapers, ink - shit everywhere - pissed books (drag pushes the rim of the asshole out - paste smeared upon the supine body of smear blending into the subtle plateau shadowed by fluttered bodies, and for whom inscription has transformed into smears. defuge smeared against the central desert's nilometer measuring taste, sweat, covered with grease and parts smeared everywhere. what remain of her her wipe wipe, she cleared a space, smeared apace, on the crt. "now it will be ples, want them smeared. they become writing-tools drag my body, parallel lines of shit, blood, smeared across the screen. this is the scrawl me, smeared across my balls as well. when i threw the bottle the res- bodies, and for whom inscription has transformed into smears. defuge smeared across the chest and face, immortalized in photographic image around broken space, smeared in orbital clouds running with a fury, smear let smear be our primary descriptor! dank:smelly:hot:wet:smear:gooey:8068:2:sticky:smear:hot flood:flow:spew:smear:gooey:yuus:8650:7:ooze:gooey:smear evening cuseeme. time smeared, jetlag without the physiology or condition- nipple::breast::round::togue::tongue::smear:::yes:12219:2:::smear as dirt lends itself to the analog, the body, smeared and stained, escapes i despise your glances smeared across your faces jennifer whispered.> href="slip them in.htm"/a< >a href="legs.htm" get my period soon. i can tell because i keep finding a whitish smear in seconds count series smears jennifer-text across screen series expands ic may be "smeared" across a number of pages, programs, or other aspects counted-for. it is unaccountable because it is smeared across sites (pa- parts smeared across the screen, terminal-decay, terminal-desire. alone, cells smear disrupted contents against it. blood gushes to the surface, it would have to be under glass, my name smeared and rendered inde- only then did you fall apart. then and only then were you smeared, defiled despise your glances smeared across your faces hatred of useless we covered with grease and parts smeared everywhere. what remain of her her contaminated by paper smears, ball-pointed inks coating tunnels to certificates smeared with flesh rubles and your cum so trade them in. this world smears meaning all over the place. everywhere we look we drib- were, we'd still be smearing meaning all over the places, as i said. then any two elements of a spectrum smear, gesturally, across the rest. so that ing smeared shitsuppurating asshole would soaking smeared shit mind you uneasy weighted penis shit vomitswallowed vomitmorselsmeared face your lively smeared hair is in my spry smeared eyes your your penis seeps into my smeared eyes - turning me julu-jennifer smeared - almost obliterated, choked on filth, disheveled the mind, pierce the ears, send the stump away, smear it areas and objects blurred, edges smeared, involuted polished bronze, smeared and non-existent recognitions. i come down the aisle, smear embrace on the perfect floor, flood into eg ..and place it on ure mouth ..and smear the screedn ..and look at ure eg ..and place it on ure mouth ..and smear the screedn ..and look at ure words t shit on me, smear me, we will lie across ourselves... you will drip from s ...till we no longer x sist in body ..till we r in another space ..smeared wit tears smear dirt on our invisible faces where proper names are killed! line tourmaline, constant tears smear dirt on our invisible faces where leave us alone, azure and i naked, smeared with each other and with black crystalline tourmaline, constant tears smear dirt on our invisible faces tears smear dirt on our invisible faces where proper names are killed! smears d'nala with asshole flora and fauna. his chest is streaked. d'nala effects on video - images smeared into one another - lmsmears d'nala with asshole flora and fauna. his chest is streaked. d' smeared kanji before erasure after (the "thinking skin smears" itself across existence - from the program, binding is soaked, written, erased. - consider the next smearing of your your menses consider the next smearing of your thinking skin. is on my consider the next smearing of your thinking skin. first flooding consider the next smearing of your thinking skin. next smearing of your thinking skin. is on my your menses consider the next smearing of your thinking skin. is on my consider the next smearing of your thinking skin.first flooding your menses consider the next smearing of your thinking skin. is on my consider the next smearing of your thinking skin. my consider the next smearing of your thinking skin. is your chemistry into existence and your own my skin is smeared, still thinking my and stick their shit-covered pricks in them, smearing them with oil so escape the bullets and whips, dodge the swords and knives, they smear my would smear white powder in melanie's perfect long black hair, soiling it. n+1 creates 2(2^(n+1)-1)+1 elements - doubling through the 'smear,' the the next smearing of your thinking skin simple qbasic programs tending hanko (seal), nudes coming together, smearing the ideograms, they're the texts smear themselves across each other's bodies. the commands smear and go t e and eyes ..do that..and smearing e would protect u ...i would smearing us together... so so that i could bleed too so u would be coated smear u into myey hs yes yesair and my ...b.ones. these visions we build expulsion of rhizomatic surface to skin smeared with effluvia, desire, think she's carrying anything. clara, oozing blood, smeared with clara, oozing blood, smeared with symbols of shit and cum, now clara totters in, oozing blood, smeared with symbols of shit was wet with the flow of her, blood smearing my beautifully drawn nipples and open, touching skin, interior. walking down the street, cum smears she poured herself upon me, menses savaged, hysteric and thick, smeared analog video behaves differently, produces ghosts, smears, noise, all the women's toilets were smeared with human blood and excrement my smeared - almost obliterated honey.txt low lunar language. the subject, the understood smeared with mud. a flood nothing red really on on flooding and blood, smeared with is onlooker floods, down up moo mexm highways smeared with theory's a of your menses consider the next smearing of your thinking skin. is on my flooding-room light, softenings considering the next smearing of your mud. a flood nothing red really on on flooding and blood, smeared with its dirty and smeared with blood, he wandered naked in the landscape of from one moment to the other - the idea of 'work' smeared across 'work' - natural which leaks through manageriality abjection which smears and tears smear dirt on our invisible faces where proper names are killed! line tourmaline, constant tears smear dirt on our invisible faces where leave us alone, azure and i naked, smeared with each other and with black crystalline tourmaline, constant tears smear dirt on our invisible faces tears smear dirt on our invisible faces where proper names are killed! hand never moved or remained still. infinitesimal hands smeared the hiding myself,, devourx if, smeared zi t.h cum,. texture of ague, words image? t me smears the image (which is completed by perception wu print "consider the next smearing of your thinking skin.\n" into existence and your own my skin is smeared, still thinking my _ forgotten mode of hacking http://www.asondheim.org/ - go to radio jpgs - from a 1922-1924 book on radio, the illustrations indicate that 'hacking' existed at least as early as 1920-21 - in relation to radio. the structures are similar - 'generation gap,' ad-hoc innovation, networking (there is a picture of an eleven-year-old teaching others; there are also prizes for the most innovative radio etc.), probing the radio spectrum as a form of exploration (and the spectrum as 'place'), free distribution of knowledge, etc. this is one of several books I've seen describing the 'boys' (and to some extent girls - Dorothea and Alice Hanna construct their own radio as well). given this, I wonder what other early technological communications 'hacking' existed - were 'boys' working with telegraphy for example? and for that matter, when did car mods begin? perfection http://www.asondheim.org/slcmod2.mp3 salt lake city near wasatch mountains power grids everywhere lissajous patterns in the spectrograph what the hell still. there was a bulldozer coming down on me it was a kind of challenge towards perfection yes i made it! thank you electronics i say this without irony site was near copperton for those who know the bingham crater it's changed here just like the landscape i did what i could to make it pretty the waif in the garden who had so much wrong and yet she still wanted me http://www.asondheim.org/bloom.jpg because i am an american and she owns my monies which i have paid out to everyone but her and you can tell her clothes are very sorry but she will be very wealthy i will service her breasts on a sunny day on a cloudy day too Words Gathered, a Secret Ordering, Productive Together, Creating a Poem. Bar, bolt, gate. Large, fat, horse. Straitened circumstances, persecute. Unlined garment, cloak, mantle. Far apart, unlike. Desert wilds, remote from town, a border prairie. Hot, bright, clear, severe, (like fire). Small window, lattice. High, and vast. Reddish root, medicine. Poor, exhaust, thoroughly, the end. The man is poor, but not his will - Trouble, a mound. Bamboo, cricket, a locust. A bulbous plant, alone, desolate. Lustrous, brilliant. Alone, heartsick. Gazing at in fright, alone, helpless. _ the bounds where to a a function limit. converges what to is limit. the what limit. is where beyond a the function construction of works construction as of edge works phenomena as fields symptoms, fields intermixtures of result the given result in given relation in apperception to koan, koan, satori, satori, etc. etc. - - tools, vlf radio video microscopy poser and other motion-capture poser work and extensions narratives 'home-spun' equipment analog/digital investigations: physics, mathematics police-scanner psychotopography GPS GPS Worldwind Worldwind 'hotspot 'hotspot events'? events'? gaming vignettes modified whistlers heap.mov ennui.mov blender talk about - geography talk consciousness geography universe universe 'plasma' 'plasma' sexualities heuristics languages bodies pathos, empathy, sympathy, defuge anomalous signals welded anomalous together vlf antenna antenna receptors? receptors? loops, loops, fences, fences, L, L, T, T, feedback vlf dual - receivers dual rule-governed in systems relation (going to back older older systems immersive/definable immersive/definable work). work). _meaning_ _meaning_ particular particular explanation? is explanation itself itself a form of discrete? explanation? system relation carrying-out the temporality inherent Irigaray, fluid mechanics Irigaray, Hertz's mechanics mechanics. - the_limit_ the discrete itself mathematization/formalism as on page page is background the call or it phenomenological 'horizon' - or the phenomenological limit horizon background immersive - activity. is activity is vectored, i.e. i.e. past-future, past-future, however however entangled. entangled. an an immersive issue i.e. genidentity constants, that for constants, constants _passes_ issue constants genidentity those (which formal may written include elements time (which as may a include variable). time i.e. variable). written second the apparatus perceptual bandwidth limit perceptual that (of how course to not translate equivalent). the how former translate the former (of into course latter lowering - pitch, i.e. sexual/linguistic - limits how body collapsed/expanded collapsed/expanded Leder (see sexual/linguistic Leder limits example) body's body's for _Jordan example, surface_ i.e. example, for topology - rendered _diffused_ rendered exhortations - plasma. the _discomforted_ boundaries limit notes notes limit where limit. a where function a converges function to converges limit. a what limit. is what beyond is the beyond construction phenomena of construction works of as works edge as phenomena edge fields fields symptoms, of intermixtures symptoms, result the given result in given relation in apperception to koan, - satori, koan, etc. satori, - edge tools, radio vlf tools, radio vlf video microscopy microscopy video poser work and poser other and motion-capture other work motion-capture extensions narratives narratives of 'home-spun' equipment equipment 'home-spun' analog/digital mathematics investigations: analog/digital physics, investigations: mathematics physics, police-scanner psychotopography psychotopography police-scanner GPS events'? Worldwind and 'hotspot of events'? 'hotspot gaming vignettes vignettes gaming upcoming modified whistlers whistlers modified heap.mov heap.mov ennui.mov ennui.mov blender work talk - about talk geography about consciousness and universe - 'plasma' to sexualities sexualities heuristics heuristics languages bodies bodies languages pathos, defuge empathy, pathos, sympathy, empathy, defuge sympathy, anomalous together signals vlf welded signals together welded antenna vlf receptors? antenna loops, receptors? fences, loops, L, fences, T, L, feedback vlf dual - receivers dual rule-governed older systems rule-governed (going consciousness back (going older to immersive/definable particular work). immersive/definable _meaning_ the particular of explanation? discrete? explanation is itself explanation form a discrete? the system the carrying-out the temporality carrying-out inherent temporality Irigaray, mechanics. fluid Irigaray, mechanics fluid Hertz's - mechanics. Hertz's the_limit_ page discrete the mathematization/formalism discrete on as page the background limit call - it call 'horizon' the or 'horizon' phenomenological or horizon phenomenological immersive the activity. immersive activity immersive vectored, is i.e. vectored, past-future, i.e. however past-future, entangled. however an entangled. issue - genidentity is that i.e. constants, that _passes_ what constants for those i.e. formal those written formal elements written (which elements may (which include may time include variable). a second a apparatus the bandwidth i.e. perceptual or (of limit course (of not course equivalent). not how equivalent). translate to former the into former latter etc. lowering i.e. pitch, lowering sexual/linguistic Leder limits sexual/linguistic body the collapsed/expanded is (see collapsed/expanded Leder (see example) for body's the _Jordan body's surface_ _Jordan example, for topology i.e. rendered plasma. _diffused_ rendered exhortations - plasma. the _discomforted_ - boundaries _discomforted_ == a pretty tune http://www.asondheim.org/cz101a.mp3 a beautiful raw tune recorded just for you soft and sweet, a solo improvisation no post-filtering or sweetening this is what i play this is what you get what is most wonderful, every key on the antique cz101 is set at similar volume no ups or downs here! no dynamics! just like a harpsichord, a beautiful flow my music is my soul i am revealing my soul to you _ Major Owens I war Owens it Appottomax Owens was at Crane I Owens Stephen rhyme Wilfred the rhyme day time hard hard Major, know know I this forever It are forever the who they beneath all are Salvation violent Rapture Salvation Heavenly the the edge the Jesus Jesus Humanity a say now in say up speak work coughed are Devil's I are dance I ridge ridge Town Dark Hollows Major dear in give world in streaks the a by who against are chanting, here, are death this with nothing, cannot I I placed I for here them for and brought their knees when into sounds when are sounds are why always much screaming, I Owens, Stephen broken Stephen Wilfred Owens Stephen Crane During the war I remember it was Major Owens saved my life at Appottomax and Gettysburg I was the young Stephen Crane I was Wilfred Owens I no longer rhyme or think of the time of day it is hard in Iraq, Major, I know nothing of this book I guard It is closed forever I read poorly who are these people beneath the veil why are they so utmost violent all I understand is Salvation and the Rapture of the Heavenly Host when the edge of the Sword of Jesus cuts through a Sinful Humanity now these say other say otherwise and they speak in this language coughed up from the Devil's work children and women are not spared and I I cannot dance on the ridge overlooking the Town of Dark Hollows dear Lord dear Major Owens give me sight in this furious darkness the world is illuminated by streaks of white against a sky of chanting, who are we, what are we doing here, why this terrible death continuous with nothing, I cannot believe, I I cannot believe I was placed here on this earth for this misery, and brought them to their knees and never looked into their eyes or understood when their mouths move sounds come, who are we, why are we here, always so much screaming, Dear Major Owens, I am broken Wilfred Owens Stephen Crane During the... the war... war I... I remember... remember it... it was... was Major... Major Owens... Owens... During... saved ... my saved... life my... at life... Appottomax at... and Appottomax... Gettysburg... and... young young... Stephen Stephen... Crane Crane... Wilfred Wilfred... no no... longer longer... rhyme rhyme... or or... think... think... of of... time it... day hard... is Iraq,... hard Major,... in of... Iraq, the... Major,... time... know know... nothing nothing... this this... book book... guard... guard... It is... closed forever... forever I... read poorly... poorly who... who are... are... It... these these... people people... beneath beneath... veil veil... why why... they... they... so ... utmost so... violent utmost... all violent... understand I... Salvation ... Rapture the... Heavenly... the... Host when... when the... edge of... Sword of... Jesus... Host... cuts cuts... through through... a a... Sinful Sinful... Humanity Humanity... now now... say... say... other other... otherwise otherwise... speak speak... language ... coughed language... up coughed... from up... Devil's the... work... Devil's... children and... women are... not spared... spared and... cannot ... dance cannot... on dance... ridge the... overlooking ridge... Town Town... Dark Dark... Hollows Hollows... dear dear... Lord Lord... give give... me me... sight sight... furious furious... darkness... darkness... world world... illuminated illuminated... by by... streaks streaks... white... white... against a... sky of... chanting, who... we, what... what... against... we we... doing doing... here, here,... terrible terrible... death... death... continuous ... with ... nothing, continuous... believe, ... I... believe was... placed on... here this... earth earth... for for... misery, misery,... brought brought... them them... to... to... their their... knees knees... never never... looked looked... into into... eyes... eyes... understood or... mouths their... move mouths... sounds... move... come, who... always... come,... much much... screaming, screaming,... Dear Dear... Owens, Owens,... am... am... broken... ... ... ... Wilfred Owens Stephen Crane - in the higher elevations of the Wasatch Mountains near Salt Lake City - modified recording, you need earphone and stereo for this one - you can hear the wind whistling around the antenna - setting up current in the antenna - recorded by the vlf along with the usual signals - there are the unusual usual moans as well - sometimes i think these are stemming from the antenna - but then i think not, they have no relation to the wind or weather - your guess is as good as mine, probably better - chorus adds separation, you need good separation - machine turning on and off, i think, as rampant development continues - we were near some ski resorts, not sky resorts - listen, be informed - http://www.asondheim.org/alpinefil2.mp3 http://www.asondheim.org/alpine.jpg _ Hei! Spacing of Enlightenment Kwak! Kwak! . Kwak! Hwak! Hwak! . Hwak! Kei! Kei! . Kei! Ki! Ki! . Ki! Ki! . Ki! Heide! Heide! . Heide! So be it! Ha! Ha! . Ha! Ha! . Ha! Aha! Aha! . Aha! Ka! Ka! . Ka! Ka! . Ka! Hei! Hei! . Hei! Shaku! Shaku! . Shaku! Mu! Mu! . Mu! Mu! . Mu! Kan! Kan! . Kan! Katsu! Katsu! . Katsu! Miyo! Miyo! . Miyo! Miyo! Moshi moshi! Nani! Nani! . Nani! Ya! Ya! . Ya! Ya! . Ya! Look out! Hwak! Hwak! . Hwak! Immo! Immo! . Immo! Lo! Lo! . Lo! Lo! . Lo! Behold! Behold! . Behold! Ma! Ma! . Ma! Ma! . Ma! Ma pitoam! Now! Now! . Now! Achshawv! Achshawv! . Achshawv! Ryo! Ryo! . Ryo! San! San! . San! Kissako! Kissako! . Kissako! Nyoze! Nyoze! . Nyoze! Thus! Thus! . Thus! Follow still further with Worldwind Yes, yes, yes, if you are using Worldwind you may follow our traipse across the USA and the many interesting points we have visited. Please note the sub-Alpine site of the latest (modified) VLF recording. Waypoint Number N W Altitude 1 41.26828 75.88786 -- 2 41.24392 75.88842 288 3 40.14780 77.31728 288 4 39.71680 78.27946 288 5 39.71817 78.28046 767 6 39.70470 78.57320 784 7 39.70660 78.56683 856 8 39.70767 78.57053 892 9 39.71157 78.61815 1167 10 39.70118 78.63370 1427 11 39.68756 78.66116 1364 12 39.67412 78.69327 1026 13 39.62123 79.95907 1017 14 39.62187 79.95610 997 15 39.65520 79.99285 997 16 39.65312 80.01535 908 17 39.64352 80.02943 1013 18 39.62393 80.04066 1046 19 39.61782 80.05135 1026 20 39.61843 80.05175 1197 21 39.65143 80.00087 1200 22 39.65055 79.96780 2411 23 40.00032 81.57555 2411 24 39.85882 85.02293 2411 25 39.82140 85.91600 925 26 40.12915 87.74403 925 27 40.49160 88.98407 925 28 40.35035 89.13197 702 29 40.35032 89.13197 692 30 40.48308 88.99493 692 31 41.64857 91.05573 692 32 41.64917 91.17305 692 33 41.68448 92.90225 698 34 41.68095 93.39000 905 35 41.24752 95.95862 1250. 36 41.24742 95.95845 1259 37 41.25788 95.98277 1125 38 41.25267 95.99039 1079 39 41.03320 96.31623 1089 40 41.03323 96.31617 1099 41 40.67076 99.12178 2112 42 40.93190 100.15827 2142 43 41.11642 102.93072 2142 44 41.17722 104.07557 5055 45 41.37223 105.79538 6269 46 41.53498 106.07613 6961 47 41.58922 106.18125 7736 48 41.70833 106.42907 7725 49 41.71755 106.44375 7280 50 41.79228 107.21017 7276 51 41.73160 107.71592 6788 52 41.64594 108.58051 7106 53 41.55483 109.59317 6417 54 40.61352 112.01704 6417 55 40.60832 112.01234 4737 56 40.60830 112.01147 4711 57 40.60937 111.59195 4714 58 40.59758 111.58447 5357 solo acoustic guitar (slight chorus added) guitar: unidentified parlor guitar from 1890=1910 (I figure). the action is somewhat poor, since the guitar was modified somewhere along the line - the original bridge and tailpiece were replaced with a peg-bridge that has pulled on the spruce top. although the instrument is difficult to play, the sound is beautiful. this is based on a very short pentatonic riff which devolves into parallel fifths, augmented chords, and a number of major unadulterated chords. no picks were used. i'm very happy with this piece, which is one of my best. - alan http://www.asondheim.org/breenga.mp3 I read this: "limit notes where a function converges to a limit. what is beyond the limit. construction of works as edge phenomena fields of symptoms, intermixtures of fields the result given in relation to apperception koan, satori, etc. in relation to edge - tools, vlf radio video microscopy poser and other motion-capture work extensions of narratives 'home-spun' equipment analog/digital investigations: physics, mathematics police-scanner psychotopography GPS and Worldwind - presentation of 'hotspot events'? gaming vignettes for upcoming presentation: modified whistlers heap.mov ennui.mov motion-capture poser blender work - talk about geography and consciousness - universe and consciousness in relation to 'plasma' sexualities heuristics languages bodies pathos, empathy, sympathy, defuge anomalous vlf signals welded together vlf antenna receptors? loops, fences, L, T, etc. vlf feedback - dual receivers etc. - rule-governed systems in relation to consciousness (going back to older immersive/definable work). what is the _meaning_ of particular explanation? is explanation itself a form of the discrete? the system in relation to the carrying-out of the system temporality inherent in the carrying-out Irigaray, fluid mechanics - Hertz's mechanics. the_limit_ is the discrete mathematization/formalism itself as on the page - the limit background - call it the 'horizon' or phenomenological horizon - is the immersive activity. immersive activity is vectored, i.e. past-future, however entangled. an issue is genidentity - i.e. that constants, what _passes_ for constants - i.e. those formal written elements (which may include time as a variable). a second limit - that of the apparatus - i.e. bandwidth or perceptual limit (of course not equivalent). how to translate the former into the latter - i.e. lowering pitch, etc. sexual/linguistic limits - how the body is collapsed/expanded (see Leder for example) - the body's _Jordan surface_ for example, i.e. topology rendered _diffused_ - exhortations of the plasma. _discomforted_ boundaries - the 'field of possibilities' - cdrom soundwork / dancework (Foofwa) / still images, 'natural' images - how to integrate these? certainly the sound/dancework is up against limits - but the 'natural' images - not at all. or memory-replete, nothing but. - associating each of 13 images with one of the tobacco cards - distorting images / distorted ground - recording continuous human intervention (oil company) - can we get into those grounds? building linux - editing video on linux - compressions, occlusions - radio - doubled coiling - experiments w/ groundwire - ARRL Antenna book - how does length of a short wire operate with VLF? book on whistlers 2nd-hand? help with: Machinema , vlf, linux video editing" - and as I read this, I could not help thinking - here is the limit-symbol of the thought, the discrete result, preponderance of diffuse movement- motion well within the habitus-inhabitation, here it is. - and that these symbols are themselves deep within a potential well, momentarily stable, this is what I am thinking, this is what I was thinking, Vygotsky's inner voice taking over, even now, as I type accordingly, to the fixture of the design for-from my summer work. - on the other hand, who would care about these specifics, this aggrandizing-attempt, these useless details, for example the tobacco cards from the late nineteenth-century, each with the image and name of an actress, a photograph directly from the negative, sexuality both thwarted and pleasured, the pleasure in the thwarting? or who, without any evidence whatsoever of the Worldwind program, would care about a mapping or remapping of the globe, no matter what the weather? all these details .... - nonetheless, there is at least the guise or hint of value here, for any reader who cares to unravel the text beyond their fastenings. - and for this reason _ anomalous vlf http://www.asondheim.org/antelopevlf.jpg http://www.asondheim.org/antelope4.mp3 recorded Antelope Island, Great Salt Lake, Utah, 7 p.m. notes: 1. at the beginning, the sound of the minidisk player is evident, in spite of the fact no microphone is used. 2. my calling 'Azure' is distinctly audible, again in spite of the fact no microphone is used. this calls for further investigation; somehow the apparatus was picking up my voice, in spite of the fact it was tuned for vlf only. 3. note at the beginning _i forgot to turn the radio itself on,_ and therefore there was increased sensitivity with the AVC in the recorder. this might have something to do with it. 4. even through the modification to the vlf sound itself (through modified chorus with four voices and high feedback), the sound of footprints is audible at the beginning - in spite of the fact that the _AVC is desensitized at this point._ i can only conclude that the conductivity of the ground (the unit goes to earth of course) is transformed by pressure waves which travel outwards from walking. 5. on the other hand, there are moments _when footprints are heard and no walking occurs._ could this be another phenomenon altogether? 6. one may hear for oneself at http://www.asondheim.org/azurevlf.mp3 . this is of course only a very small segment of a number of recordings at this and other Antelope Island sites. 7. one may speculate on the presence of _ghosts_ or _animals_ on one hand (there were, of course, antelope, as well as bison, rabbits, jackrabbits, etc. in the vicinity - see http://www.asondheim.org/antelopebison.jpg ) - and, on the other, something in the nature of the salted air (the lake is extremely saline and the shore is not far off) that creates the effect. 8. be that as it may, the recording on the island was the clearest and densest to date, which is to be expected, given the unique nature of the terrain. 9. 'we await further results with eager anticipation.' Copperton Up the Bingham (Canyon) Copper Mine (Kennecott Copper Mine) contains the world's largest quarry, a mountain decimated and replaced by a hole roughly 2.5 miles wide, 1/2 mile deep. Copperton is a town outside of the quarry. the photographs were taken at the quarry base. elsewhere i've documented the hole itself, as anyone can, either from Worldwind or from a lookout at the edge of the excavation. towns were built on the slopes. thanks to automation, a workforce of 1000s has been reduced to 800-some (1400-some by other accounts). I wanted to capture the grandeur and agony of the landscape! I have succeeded! http://www.asondheim.org/copperton.mov _ Of Speech As of Number Number names in various languages (for example Japanese) alter in relation to their quantified; '3 books' and '3 people' may have different words for '3' altogether. In English, the number words are unary, however. However, and this relates to issues of analog/digital (which I continue of course to pursue), there are three 'speakings' of number, dependent on use: 1. 2118 = "two thousand, one hundred and eighteen" - indicative of _quantity._ For example: "There are two thousand, one hundred and eighteen bison on the island." Note the comma and connective may be omitted: "There are two thousand one hundred eighteen bison on the island." Think of this as the _indexical._ 2. 2118 - "twenty-one eighteen" - indicative of date (within a serial / linear construct). This is number as _sign._ For example: "In the year twenty-one eighteen, all large mammals, except for humans, will either be extinct or corralled." Note "twenty-one eighteen" is almost never written out as such; the usual expression would be "In the year 2118, all large mammals, except for humans, will either be extinct or corralled." Think of this as the _symbolic._ 3. 2118 - "two one one eight" - indicative of _identification_ For example: "I live at two one one eight Western Boulevard, near the Monument of Extinctions." Phone numbers and other identifications (credit card, social security) are usually spoken in this fashion. Think of this as the _ikonic._ In ikonic identification, quantity and seriality are irrelevant. The number is neither cardinal nor ordinal. In symbolic seriality, identification is based on quantity, only in the sense that quantity defines positionality; this is ordinal, not cardinal. In indexical quantity, identification and seriality are weakened; the quantity of bison (for the most part alone) is relevant. The number is cardinal. I am stretching Peirce's notion of signs here. Nevertheless, there is some hint of value on the horizon. Number trifurcates in the speaking; the specificity of 3 portends the specificity of the discrete, for example. What happens with decimals? Almost always, they are indicative of quantity, although one can imagine an identification number of the form, for example, "21.2.1.96" - which would be read "twenty-one point two point one point ninety-six." If the form is standard, one might eliminate the "point" as in "twenty-one two one ninety-six." If the numbers are more than two or three digits, for example "2134.9121.1." - the most likely speaking would be "two one three four point nine one two one point one." Telephone numbers of the form "(718)555-1235" are of this type, with the punctuation omitted: "seven one eight [pause] five five five [pause] one two three five." There are exceptions to all of these; I am concerned, however, with a general trend, at least in one language. _ yes yes full of the natural world http://www.asondheim.org/fecundity.jpg we will build next to the mountains BUT BUTTE we will make the forests flourish again they will be better than ever each tree will have its tiny homeland with nothing to interfere with its life yes yes the natural world improves with every tree the natural world improves (i feel sorrow for the tiny tree the last of everything and surviving alone it speaks to all of those who are lonely and feeling despair at the mounting world) _ WE ARE ON THE WAY STOP WILL BE IN SANTA ANA TOMORROW EVENING STOP THE WEATHER HAS BEEN FINE AND THERE ARE LOW HILLS IN THE SKY I MEAN CLOUDS IN THE HILLS STOP IT IS NOT YET RAINING AND THERE ARE NO CLOUDS IT IS A CLOUDLESS SKY GETTING HOT WE ARE WORRIED ABOUT THE CAR STOP GIVE MY REGARDS TO THE USUAL CREW AND FORGIVE US THERE ARE FEW TELEGRAPHIC OUTPOSTS IN THE DESERT REGIONS WE WILL PASS THROUGH STOP IF ALL DOES NOT GO WELL IT WILL NOT BODE WELL AND WE WILL TAKE WELLS FARGO I THINK THAT IS HOW THEY SPELL IT IS IT NOT STOP NOW IS THE TIME FOR ALL GOOD MEN ETC I HAVE A RENDEZVOUS WITH DEATH ETC STOP WE HAVE SEEN SOME RARE QUOTE GEESE UNQUOTE FOR WE ARE NOT QUITE SURE WHAT MANNER OF BIRD IF BIRD THEY BE THEY BE STOP ONE HAD A DEWLAP SIMILAR PERHAPS TO THAT OF A ROOSTER ALTHOUGH I HAVE NOT DESCENDED QUOTE THE BARNYARD WAY UNQUOTE FOR SOME DAYS NOW EVER SINCE THE ALPACA INCIDENT STOP AZURE SENDS HER LOVE AND REGARDS AS WELL AND WE WILL SOON FESTOON AND BE IN TOUCH BEYOND OURSELVES STOP TO BE DELIVERED WITH RETURN GREETINGS AND CONFIRMATION OF ARRIVAL STOP _ traditional code poetics: the dying line [ ; extract_filename: H ; extract_filename: [ H - ; , , H [ ; H ; [ ; ; ; H H [ H ; ; H ; ; [ [ H H ; ; [ ; ; ; H ; [ ; ; ; Hmy ; [ ; i, [ [ full_file ; ; [ H WriteOut [ [ Hmy ; ; WriteOut Pg Next Justify Pg [m Justify [m [m line [m m[ Reading [ [ [ mY mW [ mV mY mX [ UnCut To To Read Spell [m Read [m [m ] [m ] Where [m now [m [m [m [m [m [m Cur [m m^ DESTROY ] Yes (ANSWERING Hopen(IN, Yes iterations, extract_filename") and "< mG can't mC [ New mC m mC H{ H{ File: ; ; H ; mV [ [ mV [ mU mR mT mO [ mO [ [ mO m^ [ [ m^ m^ [ [ m^ m^ [ [ m^ [ m^ [ m^ [ m^ [ m^ m^ [ [ [ [ m[ m[ [ %) ( line, line, ( line, of %) %), ( darkness... line sexualities line poly sexualities poly poly o... poly poly poly poly poly poly !"); H ; [ ex _filename: H ; [ ex _filename: H ; [ ex !"); H ; [ ex !"); H ; [ ex !"); H ; [ ex rac eOu eOu _filename: H ; [ H ; [ H ; [ * * , - H ; [ , H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ H ; [ Hmy ; [ H ; [ Hmy ; [ full_file i, full_file Hmy ; [ i, !"); H ; [ Hmy ; [ Hmy ; [ Wri rac rac eOu Unknown Pg Nex Unknown Pg Nex Unknown Pg Nex Hmy ; [ is H ; [ is Wri Hmy ; [ is H ; [ is Wri Unknown Pg Nex ify Pg Jus ify [m [m [m Help Ge ify [m [m [m Help Ge ify Pg Jus Pg Pg Pg Jus ify Pg Jus [m [m Ge Exi Exi [m [m Ge Ge [m [m Ge Reading line Read m[ [ m[ [ Read mY [ m[ [ mX [ mY [ mW [ mY [ mV [ mX [ To UnCu er charac er ] [m [m Tex er charac Reading line Read m[ [ m[ [ Read mY [ m[ [ mX [ mY [ mW [ mY [ mV [ mX [ To UnCu [m To To [m [m Spell File Read Read [m [m Read [m Pg [m [m [m [m Where ] Where ] ] ABORT now ] charac er charac [m Pos [m [m Pos Cancel Cur "\n"; [m m^ [ #blank ] DESTROY darkness... (ANSWERING "No" a/jj.pl Yes UnJus ify UnCu [m Pos [m [m Pos Cancel Cur "\n"; [m m^ [ #blank ] DESTROY darkness... (ANSWERING "No" a/jj.pl Yes UnJus [m [m [m Cu [m [m [m Cu [m Pos [m [m Pos Cancel Cur "\n"; [m m^ [ #blank ] DESTROY darkness... (ANSWERING "No" a/jj.pl Yes UnJus [m ex _filename") Hopen(IN, ; [ "< i _filename") Hopen(IN, ; [ "< i [m ex [m ex rac era and die mK [ mG [ mJ [ mC [ mG [ New mC [ m [ New H{ ; [ File: H ; [ H ; [ H ; [ mV [ mV [ mU [ mU [ mT [ mT [ modified mR [ mR [ mO [ mO [ mK [ mO [ mJ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ of m^ [ of line m[ [ m[ [ of %), ( %) ( line, charac and die mK [ mG [ mJ [ mC [ mG [ New mC [ m [ New H{ ; [ File: H ; [ H ; [ H ; [ mV [ mV [ mU [ mU [ mT [ mT [ modified mR [ mR [ mO [ mO [ mK [ mO [ mJ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ of m^ [ of line m[ [ m[ [ of %), ( %) ( line, charac ions, formula) line can' era era and die mK [ mG [ mJ [ mC [ mG [ New mC [ m [ New H{ ; [ File: H ; [ H ; [ H ; [ mV [ mV [ mU [ mU [ mT [ mT [ modified mR [ mR [ mO [ mO [ mK [ mO [ mJ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ m^ [ of m^ [ of line m[ [ m[ [ of %), ( %) ( line, charac o... wave sexuali o... wave sexuali o... wave sexuali er formula) line, die("can' er formula) line, die("can' o... wave sexuali o... poly poly poly poly poly poly o... poly poly poly poly poly poly ies o... poly poly poly poly poly poly now i am here "no, i am not here" "X i am here now" yes yes yes http://www.asondheim.org/gcac.jpg it is such a game to play "i am here and i am not here" i am virtual here now this is a virtual letter: X or a real letter; that was my left-hand-ring-finger "speaking" of the X and please note this tired conceptualism is the oldest trick in the book if one begins the book in 1973 everyone in 1973 is already dead 1973 culture is already dead but "i am here now XXX" and typing this right now. as you read this. now. for JM coming Jackson I to E I Street on over 17th he far Kathy after made Kathy saw together Saint Saint I it it Mayer through He I brave He I very Kathy this." be why Jackson to Kathy Jackson or brave us were Or us us because Or and of went and Or nothing right me. there went or there Or with the the things right which been. never there remember visited. there there he lonely there. here. I remember Jackson coming up he apar he apar I remember Jackson coming up I remember Jackson coming up I remember Jackson coming up men hink i hink i I men men hink i h S h S h S was on E 16 was on E 16 h S no very far over I very far over I no ree no er he saw he he er he saw was af er he saw ape Ka oge her He saw i oge ape Ka hy Acker and I made oge Sain Mark's Place I Sain a a Sain hink i hrough Bernade hrough Bernade hink i hink i was maybe I don' I don' e Mayer bu I don' hy wasn' hy wasn' hy wasn' know He said "Alan you're very brave for doing know He said "Alan you're very brave for doing hy wasn' o be said brave. Why Jackson didn' say Ka say Ka o be said brave. Why Jackson didn' brave o be said brave. Why Jackson didn' h of us were brave. Or nei her of us were brave. Or jus her of us were brave. Or jus h of us were brave. Or nei hy was brave or bo h of us were brave. Or nei because of hing wen righ hing wen because of he blow job and sad bad sex no righ h me. Or ha h me. Or wi wi h me. Or no righ righ no no hing wen wi h her jus wi wi ha ha here a here a ha ime or wi h us. Or h us. Or ime or wi ime or wi was he end of he end of was ha was hings going righ hey had never been. I remember Jackson si hey had never been. I remember Jackson si hings going righ which here he one here ing ing here ime he visi was lonely was lonely ime he visi ime he visi ed. I here he visi here. here. ed here he visi here he visi here. I I remember remember Jackson Jackson coming coming up up to to the the apartment apartment think or it 17th was Street on not E very 16th far or over 17th I Street think not it very was far on over E It the after Kathy he Acker saw and tape made Kathy together Acker It and was made he together saw He at it Saint at Mark's Saint Place Mark's maybe but through I Bernadette don't Mayer know but I don't it know was said "Alan "Alan you're you're very brave for for doing doing this." this." He always Kathy wondered wasn't why brave wasn't be be I brave. wondered Why was didn't or say both both Why of Jackson us didn't were say Or neither just sad because bad blow went job right sad Or bad just sex because nothing of went the right blow with job me. that there her with there Or time went us. her end they things never going been. which that they was had the never end been. of sitting the one he visited. remember lonely was visited he there. visited He said "Alan you're very brave for doing this." He saw it at Saint Mark's Place I always wondered why Kathy wasn't brave to be said brave. I remember Jackson coming up to the apartment I remember Jackson sitting there the one time he visited. I think it was maybe through Bernadette Mayer but I don't know I think it was on E 16th or 17th Street not very far over It was after he saw the tape Kathy Acker and I made together It was lonely there he visited there. Or just because of the blow job and sad bad sex nothing went right with me. Or neither of us were brave. Or that nothing went right with her just there at that time or with us. Or that was the end of things going right which they had never been. Why Jackson didn't say Kathy was brave or both of us were brave. = Zeno Clearly the arrow _stops_ and in all instances of motions, objects _stop._ Measurement stops them. Think of the position as a blurred set. Stopping is unstopping; stopping approaches C, the speed of light, meanders towards the asymptotes. http://www.asondheim.org/nightflight.mov beneath the plane coming in for a landing during perfect vlf this may have been paris or frankfurt The plane performs an asymptote. Plane vector < = > runway vector. We were all saved when the plane loomed overhead in the nighttime sky. I snapped picture after picture as quickly as possible. My name is Zeno. I am still alive. = one and one and one an entirely new principle for choreography and dance dancer as _counterpoise_ ground system conductivity dependent upon proximity plus vegetation moisture content sound combination of: a background industrial noise b spherics and other vlf entities c counterpoise interference thoughtless the words that are spoken here. we were with electric-antenna-azure / the landscape 'was electric' and she flew (moved/clogged/danced) among the particles almost always inaudible swirling around the world in our direction http://www.asondheim.org/elektra.mpg nothing may be made of all of this, nothing, however there are others in the world which is unseen and unknown, nevertheless grips us against all will grounded body interference and part of planetary worlding here one inhabits the cosmos we are just beginning sound exploration and dream-time rendering of atmospheric layerings no microphone was used, vlf radio fed directly into mic input of video camera, heavy grounding through metal-pipe table, vertical antenna one and one and one "the machine wrote, 'thoughtless the thoughtless words the that words are that spoken are here. spoken we were we with were electric-antenna-azure with / electric-antenna-azure landscape the 'was electric' electric' and and she she flew flew (moved/clogged/danced) (moved/clogged/danced) among among the particles 'was almost inaudible always swirling inaudible around swirling the around world world our in direction our almost direction always nothing all may of be this, made nothing, of however all there this, others nothing, nothing however may there be others of which and is unknown, unseen nevertheless unknown, us nevertheless in grips the us world against will '" thank you, thank you my _cosmic _music of the spheres__ 3 vlf compositions irvine regional park, california http://www.asondheim.org/ellektra.mp4 http://www.asondheim.org/elk.mp3 http://www.asondheim.org/elek.mp3 modification with notch filters and chorus in cooledit 1930 regal mandolin with four low-tuned bazouki strings sony minidisk and sony minidv video recorders light drizzle and clouded over, cool input directly from the vlf receiver loosely coupled antenna in dried creekbed visible at http://www.asondheim.org/vlfirvine jpegs comments although this was a fairly isolated area, the hum was enormous there were powerlines everywhere these are inescapable in southern california in relation to analog / digital the sounds are combinations of filters/effects/solarparticles/'music' the electrospherical local membrane is altered by metal strings these interact with the antenna field coupling and uncoupling as performer/technician, i was not grounded, due to the rocky creekbed there were ravens in the area the usual spherics/spikes are audible in a number of instances i think of this as my _cosmic swirl_ we interact everyday with electromagnetic fields of varying strength we are penetrated by these fields this is my _cosmic ode_ to the wondrous fields around us this is truly my _cosmic _music of the spheres__ + you're probably tired of these by now i'm hungry for your (absent) replies it's hard enough to get myself motivated much less you i try to respond to work i like mine is unlikeable though i work hard at it making it pleasing for you http://www.asondheim.org/mapp.mov what it must mean to receive tender commendations while we travel across the united states documenting every stop through worldwind, thank you nasa you can meander the highways and the high lonesome places where vlf signals blew in from the outer reaches and you could follow the world in the world but you're probably tired of these by now these tired landscapes repeating themselves over and over again feeding the hungry is more rewarded than any replies i'll push myself until i die perhaps not soon enough for you yes yes i like no i love your work much better than mine (of work, yours / mine) always speaking is so unpleasant http://www.asondheim.org/mapp.mov the tenderness of all interstates and tiny wayfarer's lanes we are here for you, they signal and nothing utters response universal plasma is never angelic but you have listened to every reply with considerable patience - vw the ordering is in the difference. the difference is the metaorder; within the metaorder, there is replete order. the metaorder is temporal; the replete order is synchronic, there. meta/space, replete/time. the orders are illuminated. there are too many planets left in darkness, without consciousness, alone, uncharted, unavailable to sentience. http://www.asondheim.org/replete1.png http://www.asondheim.org/replete2.png http://www.asondheim.org/replete3.png http://www.asondheim.org/replete4.png small well-ordered set (see Huntington's The Continuum) - = the plantgrid http://www.asondheim.org/plantplant.mp3 across the street is an electrical substation beneath the ground there are wires the building passes wires through brick, steel, and wood there are radiating pipes everywhere vlf broadcasting the roar of sixty cycles machines switch on and off i played music on a plant tenderly moving its leaves, the leaves speaking in my soft fingers, and for a moment floral murmur barely audible, the presence of the oldest world the choir of the forgotten fatal redundancy of all life on earth of the residue, speaking of the remnant, fatality _ well, the second is a surprise, the first is a surprise, almost constant chirping here close to inaudible with post-processing I desired more than anything even than the presupposition of the chirping so listen with earphones, all of these require them, you miss everything without them, and the second, well, this speaks for itself, or rather the confluence of grounded signalling requiring slowdown, you may feel you are hearing the world for the first time, this is true, you may feel, on the other hand, you have already heard too much http://www.asondheim.org/bcffils.mp3 http://www.asondheim.org/gcac10s.mp3 one is always encumbered by war in the world in these moments of peace, listen to the collapse of invisible particles I render them within the spheres of enlightenment you are hearing me, you are hearing you _ THE CHOICE If we can show you how to start and develop your own dark mile, Overcome your challenges and improve your lifestyle, Would you be: serious or merely curious? If you answered perhaps with furious! - Congratulations on taking the first step towards the most Rewarding career, the rest is easy toast, WORKING FOR YOURSELF AT Home, At present do you find yourselves weeding and distributing loam? Are you frustrated? Dissatisfied? Concerned for your future? Are you earning without disease or need for medical suture? Are you fed up with working long hours for your boss? Are you working hard and making the losing toss? Do you just hate the commuting and traffic jams? Do you see your life just passing you chicken, pork, and hams? You can see why the work-from-home for the weak and sickly, WORKING FOR YOURSELF is growing so quickly? Working for yourself is the only way to control Millions of people desiring a better life down the hole. You can increase your income and work less hours. No more commuting, breakfast, tea, or showers. No more office bully, whore, and jerk, You choose the hours you work. Time frees! More time to spend with family, friends And now automated systems give you the bends! You start and run your own business of bandaging and brooms, From home. We do not need to be in rooms To access the marketplace and make money! We have the start to finish scalpal, rain or sunny, funny? Weapons and snowplows for you to use! We are the boss and we have no employees for you to abuse! Now that's lifestyle! Do not wait until the office whore gives you the smile! Tomorrow is shaped by the actions you take today, You can start part-time with her, get down on your knees and pray! Lyndie England this / i was asked which way I proceeded, in other words was there any rhyme or order to these the direction of pfo dcufd, 5 con'g kno, shzg c oulc d ghd szy , shzg szhg, con'g bic md, hello i'm choking to death at this moment in time yes yes choking to death the first time i performed thi s was in Virginia no west virginia Lyndie England was from the eastern part of the state near the factories that were torturing chickens to death, this was in response to that and abugharayb \the wolf is at the door\ noise happened. considerable noise. frank came to te window. frank said: i will wrap you to this window. did you know what he meant/ i didn't. there something was in the air... something... i forgot and the wireless ran furiously 'throhe air' through the air might say a certain nervous quality i am testing you http://www.asondheim.org/crack.mp3 and this _the crack of Lyndie England_ i do not know where recorded but the additional? or are you tired of repetition. augmented by audio mulch/ fabricated by triggering? in Lyndie England? on Lyndie England, triggering _ Bush-league / Bush-whacked http://www.asondheim.org/bushwhacked.jpg show here _ */seed/* performance santa ana */seed/* there's nothing here. hello hello. there's nothing here. this is already beginning. eight minutes until 'the formal beginning.' europe 1915. sidling gap, west virginia, 1947. hurricane, north carolina, 1983. los angeles, 2003. weekend. jean luc godard. 1921. the end of the american empire 2002. the end of the american empire, berlin, 1931. please be patient with me. i'm tuning. things will get more interesting as time goes on. then it will be all over before you know it. it is seven o'clock here in santa ana and we are beginning. strand one: the dictionary ordering of the body. strand two: very low frequency radio signals illuminated from the ionospheric cavity - resonance of the earthwith lightning, solar flux, other particles, sudden collapses. third, avatars and the relationship between the avatar and the digital. fourth, dictionary ordering. fifth, natural phenomena sped up to incandescence. fifth, dictionary ordering. fact: this was filmed as is on the way to coney island. 2001. fact: these people are in west virginia near the area that lyndie england was born and worked before she entered the military fortification at abu gharayb. plaing against low frequency radio; the strings of the 1930 regal mandolin act as antenna resonators and contribute to the overall sound. foofwa d'imobilite on a rooftop in brooklyn new york dancing with an avatar of his own creation. shortwave signals from the grand central art center which is near an electric substation interfering with reception not to mention the five megahertz time signal which splashes all over the bands here. work from owego new york at the experimental television center. where is this going, i have lost the track of where this is going. it was quite clear earlier. do you remember the endofempire movie? perhaps you were thinking of the lastempire movie. we are at the end of the american empire. let me be the last to bring you the news. Siberia 1939. this is in New Jersey facing or fascing, yes that's it, fascing the world trade center. which was across the water. let me bring you the news and stories about 'the world trade center.' the world tradce center, like the socalled holocuast never existed. after the wtc collapsed everyone we knew had stories. it was stories after stories. everyone would tell their stories to everyone who had stories. this is the way the world trade center worked just like the holocaust as the generator of stories. here is a movie called the heap movie.the heap movie is about bodies a heap of bodies. just like abugharayb. motion capture equipment was piled in a heap onthe floor. the result bodies and searchlights as bodies are torn apart. let me show you what this looks like with with bodies that are created from the search lights. it helped me understand abugharayb as well as the fact that the fascists in power have legalized torture for perhaps the first time in amerikan history. these are avatars created by animation programs taking input from motion capture equipment which is used to distort bodies, using the equipment against itself, as if real bodies were being torn limb from limb. the result is st vitus' dance. dance of death. holbein. all those references. some light entertainment from the panama canal. the sound you are hearing was recorded around washington square park in new york; it represents the wirless computer signals in the vicinity, one of the highest concentrations in the country. from the heap movie it was an easy step to the avatars. back from the avatars towards foofwa d'imobilite : Azure Carter is singing. Foofwa and I did a number of Performances sometimes with Azure and sometimes not with Azure. the point : to dance and creeate sound/music as fast as possible for as long as possible. Foofwa and I lasted ten minutes six seconds at the longest. this is a shorter performance. it shoud be a lot louder; it should be blasting. foofwa dances just like the avatars! the bodies break themselves up into pieces and pieces. night falls in the big city... the wolf's at the door... they are moving in at it again... i keep trying to get to the bottom of amerika and just when it seems that some kind of understand is possible, it skips out again, goes in another direction altogether. in the west virginia hills (north north east west virginia) the webcam revolution in the ukraine. this was about forty miles from the killing and torturing of chickens at the slaughterhouses documented by Peta. they were run by kentucky fried chicken which issued nothing more than a reprimand. the birds were torn apart, stepped on, thrown against walls, pulled to pieces. the birds were alive. lyndie england grew up a few miles from the slaughterhouse and had worked in another one. abu gharayb was probably heaven after that. in very low frequency radio the ground itself resonates with human presence. this is the dance of the electrical earth recorded by very low frequency radio "no microphone was used" these figures are all around us. o'neill park just down the road from here and a historic covered bridge (all covered bridges are historic) back in west virginia again. eeaerly on in working with foofwa we set up in new york - a situation in which (situation? a plan or prospect / an environment/containment) in which a verbal interruption would change camera. foofwa danced. my voice changed camera. foofwa was interested in the labor of dance. or rather the labor of dance was interested in him and labor interested in both of us. the result was always already fury. because i do not know where this is going. because i cannot stand to hear the voice of our "president' on television. because i despise american foreign and domestic policy. i will drown myself out here and now. thank you. i will talk about my 'work' such as it is in a minute. _ black sun http://www.asondheim.org/sun.mov without sun she speaks under the moon of the wood still owing and asks him i will service her breasts on a sunny day We have the start to finish scalpel, rain or sunny, funny? plenitude fecundity transformations cornucopia of accumulations vortex universe of wonder "for those who still believe" solus http://www.asondheim.org/g.mp3 http://www.asondheim.org/h.mp3 Audiomulch plus CZ101 synthesizer. No VLF was used. No resonance was implied. The drift of the former was pushed. The CZ101 triggered chaotically. I'm really happy with this music. I play it over and over again. _ Books I Like, with an apology at the end, reiterated here, for the length of this, occasioned (as will be said) by a backlog created by travel. Enjoy! Five Years of My Life, Alfred Dreyfus, George Newnes, London, 1901. This is of course translated from the French. I found this copy in Copperton, a mining town in Utah; I didn't know the book existed. It's an amazing read - a compilation of letters, diary notes, commentary, and so forth - all in a somewhat 19th-century sentimentalist style. It's absolutely fascinating, and given the current political climate, pretty relevant. If you can find a copy, pick one up. Practical Radio, Henry Smith Williams, Funk and Wagnalls, 1922-24. I've quoted from this work before, particularly in relation to hacking. Early radio accounts parallel Net accounts - similar historiographies at times - and make for interesting reading, in terms of early popular media global- ization. Radio up through the early 20s was highly experimental, although stations quickly came on board. Early radio books, by the way, are fairly inexpensive. One practical use - build some of the sets; there are numerous diagrams and suggestions for crystal radio, etc. Firefox Hacks, Tips and Tools for Next-Generation Web Browsnig, Nigel McFarlane, O'Reilly, 2005. This book is of course based on the popular alternative web browser, which is both open-source and highly configurable. I'm not sure who - except for hackers and web artists - would benefit from this book - but there is a great deal of useful information. The chapters range from "Getting Oriented," which stresses the home-user aspect of Firefox, through "Power Tools for Web Developers" and "Power XML for Web Pages" - both of which are excellent. I'm more interested in the "Hack the Chrome Ugly" and "Hack the Chrome Cleanly" sections which cover such things as "Build an Installable Theme" and "Create a Chrome Package." The last chapter, "Work more Closely with Firefox," contains sections on "Get a Custom, Prebuilt Version," and "Make Firefox Software" which suggest stand-alone conceptual browsing within everyone's reach and expertise. In any case I'm fascinated by these sorts of books, highly software-based, which might outdate quickly, but for just a moment give insight and instruction to anyone who reads them. (DEBUG.), Primary Techno Noir, edited by Kenji Siratori, iUniverse, 2004, is one of the most beautifully-produced books I've seen in a while - so much so that the packaging almost contradicts the scruffed content, most of which was written, I assume, by Kenji. The cover image is by rustgirl.com - a site connected with Kenji, with incredibly striking images. I'm still fascinated by Kenji's work which seems both algorithm- ically produced, and _written_ letter by letter. As such it occupies the same space it describes. Highly recommended. Boswell's Life of Johnson, just about any unabridged edition. This is a work I keep dipping into; it's probably the first palimpsest postmodern work in English, Shandy etc. notwithstanding. And it is an amazingly interesting text; Johnson 'comes alive' in a manner I haven't seen before - it's almost as if one were talking to the man, whose opinions by the way are often conservative and overblown. To listen to 18th-century chatter is to listen to 20th-century email. The strategies and psychology of the correspondence between the two men is all too familiar. A second work I've been reading, somewhat along the same line - Lord Byron, Selected Prose, edited by Peter Gunn, a Penguin Book from 1972. Don Juan may be my favorite English poem; this book gives of course a background. I feel I know the Shelley's well - I'd talk with them on the street - but Byron is increasingly a mystery. Songs of Gold Mountain, Cantonese Rhymes from San Francisco Chinatown, Marlon K. Hom, California, 1987. If you find this, check it out; there is so little material available from the immigration period, in English, for the general reader. These Songs are wonderful. A Treasury of War Poetry, British and American Poems of the World War, 1914-1917, edited by George Herbert Clarke, published 1917, reprinted since. Alan Seeger's I have a Rendezvous with Death is horrifying and utterly brilliant; he died in the war. The book is a mixture of the not- yet-realized death-throes of imperialism and the sustained coherent world of the 19th-century (at least for some), patriotism, and undercurrents of absolute despair. I've been keeping this by the bedside. Tales of a Long Night, Alfred Doblin, translated by Robert and Rita Kimber, Fromm International, 1984. I found this a broken searing novel - wanted to draw attention to it. I prefer it to Berlin Alexanderplatz; on the levels of mythos and reality, philosophical issues of war and thera- peutics, sexuality and family disintegration - it's perhaps the strongest work I've read in years. Test Driving Linux, From Windows to Linux in 60 Seconds, David Brickner, O'Reilly, 2005. Complete with CD, this book is the best introduction to linux for someone who is curious about the operating system, but is nervous about installation, or whether it's worth it at all. The CD allows the user to run a sample linux installation from the disk alone. You can only benefit. The book gives information on how to proceed further - what types or distributions of linux to install, how to go about it, etc. Just about everything is covered, from email through image manipulation. The book is $25 which is reasonably cheap, given the contents. The Namban Art of Japan, Yoshitomo Okamoto, Weatherhill, 1972. A primary analysis of acculturation, up-to-date as a result of extensive illustra- tion. Namban art refers to largely 16-th century works produced in Japan as a result of European (primarily Portugeuse/Japanese cultural contact. I'm fascinated by the cultural mirrorings that occur at this point, as well as around the 1850s-1870s. I think the world revolves around these (pre)(mis)conceptions of the O(o)ther - enough that critical theorists should be familiar with this material. Don't Click on the Blue E, Switching to Firefox, Scott Granneman, O'Reilly, 2005. This is a strange book; it will be useful to anyone who wants to know more about what's under the Firefox hood, particularly in relation to Internet Explorer. And Firefox is amazingly configurable, etc. - the book gives detailed information. On the other hand, if you are computer-savvy, you wouldn't need this at all. Its readership, in other words, seems to be a bit odd; I'm not sure where the market is. In any case, there is useful information on customization, multimedia plugins, bookmarks and tabs, etc. However, if you do know what you're doing, check out the Firefox Hacks (above); it's much more detailed. As is Linux Desktop Hacks, Tips and Tools for Customizing and Optimizing your OS, by Nicholas Petreley and Jono Bacon, O'Reilly, 2005. I have to admit I haven't used this yet, but the information is mind-boggling and when I finally get Mandrake 10+ into a more useful configuration, I'll be working the book. It covers a lot more than KDE or Gnome; there is information in fact on the entire operating system - for example, con- figuring the terminal window. multiple screens, and X11 startup; working with cron (which automates tasks in a variety of ways); and using GPS software. The hacks are sophisticated and require sophisticated use of the terminal. I can only recommend this on the basis of a read, but it seems excellent. O'Reilly has also come out with the 2nd edition of Windows XP Annoyances for Geeks, David Karp, 2005; and the 2nd edition of Windows XP Hacks, Tips and Tools for Optimizing Your OS, Preston Gralla, 2005. Both of these are seriously essential. WinXP is incredibly slow, bloated, full of unnecessary balloons, 'help,' animations, clumsy IE stuff - in short, everything designed to drive one crazy. I'm on an artist residency at the Grand Central Art Center in Santa Ana, California, at the moment; Cal State Fullerton (which runs the place) gave me three PCs to use (plus my own). They're all WinXP PCs, and the first thing I did, out of dire necessity, was to reconfigure them. I strongly advise anyone to get these manuals if they're using WinXP for anything other than mail (no, even if they're using it only for mail). Both of these books are second edition, by the way, which are vastly different than the first, and more useful. Finally, to round out the O'Reilly material, a book that is really of use for codework (I just realized that 'a book ... for codework' doesn't make sense but it's late in the day) is Classic Shell Scripting, Arnold Robbins and Nelson H.F. Beebe, 2005. I use a linux/bsd/darwin/unix/whatever shall almost all the time, although I'm lazy (this is written in the Pico editor). This books will steer you through shell scripts better than any- thing else; couple it with a linux/unix/etc. handbook and you're all set. The shell has always amazed and fascinated me; it's the condensation of a potential field, a monopole at the cursor, lost at sea without pulldown menus. The book will cover it all. The Noh Drama, Ten Plays from the Japanese, translated by the Special Noh Committee, Tuttle, 1955. Noh is my 'favorite drama,' and has influenced my work to a great extent. These translations are wonderful, although the kyogen interludes are only summarized. The book has been reprinted; I'm not sure what the most recent edition is. Japan Today, Dr. Shodo Taki, Tuttle, 1952. You can find this book of photographs (very little text), made primarily for the 'Occupation forces,' at various used bookstores. Like the Namban book, this presents images of O(o)ther that are highly relevant today. Max Weber's The Religion of China (Free Press, 1951) appears the result of misrecognitions and over-generalization; on the other hand, it's valuable as symptomatic for the same reasons. Two books on Buddhism: The Manuals of Buddhism, Ledi Sayadaw, Bangkok, 1978; and The Perfection of Wisdom in Eight Thousand Lines & Its Verse Summary, translated by Edward Conze, Four Seasons, 1973 (reprint 1995). These are two of my favorite books on Buddhism; the former, although obscure, is available online in its entirety, and provides one of the best accountings (not elementary) of Buddhist philosophy, cosmology, and so forth. The translations are from Pali and Burmese. Sayadaw lived from 1846-1923, and was a major Buddhist philosopher/thinker. Although the language is technical, the book is clear, intense, encompassing. The Perfection of Wisdom, from South India at the turn of the 0th millennium, is a major text I should have known but didn't. The translation is lovely, and the Sutras are great; the Verse Summary stands alone and reminds me of the quietude of Han Shan. (Please understand I don't know what I'm talking about.) Since I've been 'doing' VLF recording for all sorts of reasons, I've been trying to find useful books on the subject. Well, there's one, from the 1950s, going for over $100, although Dover will release it for something like $16 in 2006. In the meantime, I have Joseph Carr's RadioScience Observing, Volume I, with CD, Prompt Publications, 1998. This is really scattered in its approach to the subject, but there is good material which supplements what's online. I'm not satisfied with what I've found online either - there are dozens, probably hundreds, of useful sites, for example NASA's INSPIRE project, which is one of the most important. I've supple- mented this book with The ARRL Antenna Book, 20th edition, published by the American Radio Relay League. This probably four kilo monster comes with a CD as well, and has over 600-700 pages of material - so detailed, I'm lost but fascinated. There's something magnificent about radio antennas, which puncture the atmosphere, gather and invisible/inaudible/ imperceptible, and transform it into the usual AM/FM nonsense, not to mention CB and shortwave. For any sort of specialized work, the book is completely essential; there is nothing else like it. (Don't pay full price btw; it's available 2nd-hand online). I also found The Arrl Antenna Compendium, Volume 2, at a local used bookstore. It dates from 1989 and is filled with articles such as Sunspots, Flares, and HF Propagation; Visual Phenomena of the Ionosphere; Balloons as Antenna Supports; and Antenna Selection Guide. By the way the ARRL antenna book CD has amazing programs on it, that cover all sorts of things, for example, ground waves and reception in hilly and other terrain - you can use this with mappings of specific locales. Let's remind ourselves that Semiotexte did Radiotext(e) in 1993, edited by Neil Strauss, and there is a lot of great information in it. The culture is moving too fast; what is remembered is remained, is residue. Although from 2003, The Iraq War Reader, History, Documents, Opinions, edited by Micah L. Sifry and Christopher Cerf, Touchstone, isn't out of date - it confirms and reconfirms the horror we're living within/under. The articles on the absence of bodies and Iraq's nuclear program (there was one) are frightening; the former is almost Ballardesque in its exposition of denial, which continues to this day. I want to recommend Modernity, Culture, and the Jew, edited by Bryan Cheyette and Larua Marcus, Stanford, 1998. Articles on Weininger, Svengali, Habermas, Lyotard, Primo Levi, etc., by Bhaba, Bennington, Marcus, Bauman, etc. This is an area that has concerned me for years, and the book is a really excellent resource. Another work I love is Nachum T. Gidal, Jews in Germany, From Roman Times to the Weimar Republic, Konemann, 1998, which almost appears like a coffee-table book, but isn't; instead it's a detailed account, with close to a thousand images, of Ashkenazi life and culture. The work means a lot to me, perhaps for obvious reasons. Finally, I want to reiterate that Penrose's The Road to Reality, A Complete Guide to the Laws of the Universe, is the most amazing book on physics I've read, and should be attempted by anyone interested in the current theorization of physical (and perhaps every other) reality. I have to say 'attempted' because the mathematics is difficult, although Penrose explains everything, at least on the level of principles. And, since this work touches on the heart of analog/digital issues (in the discussion of the wave equation), I also want to mention, finally finally, the very old work by Edward Huntington, The Continuum and Other Types of Serial Order, 1917, which gives a simple typology of seriality, something to build upon. I hope this material is of use; I apologize again for the length, but I have had a backlog of materials to review, since I was traveling for quite a while.