my small world murmur smallworldmurmur-suck _vti_log _vti_pvt bumblepaldirect-suck c-love c-bung cancer-love jw-love jx-love jy-love k- k-love k-suck ka-love kb-love kc-love ground-suck groundzero-suck gu-whip h-love h-suck hunger-flog hyperaccelerator-suck hzzzo-suck i-love ii-love sward-suck swardd-suck swole-poo t-love tail- takemycarshome-suck cutmplum-suck exp- explode-suck f-pee f-love faace-suck azurevlf-pee b-love ba-love baby-suck back-suck backhoe-suck baghdad-whip s-goof sac-suck said-slit salt- queer- r-love radio%-suck origin-suck outcrop-whip p-love painting-bung panamar-love paraa-goof land-suck lastgaming-poo lb-love dad-suck danceofdeath-whip dank-suck dawn ma-love machinic-slit map-whip mapp-whip marsocean-goof vlfmoan-suck voice-suck vvv-suck war-suck wave-suck parab-goof parac-goof parad-goof parae-goof paraf-goof parag-goof face-goof fantasm-love fastbreak-poo fecundity-suck fetish-suck na-love name-goof natural-pee nature-poo nb-love nc-love ncs-suck nd-love rand- rav-suck rdingnidr-suck rdingnidr-pee baghdad-love basin-suck bb-love bbbb-suck maya- mb-love mc-love md-love me-love -goof a-love abac-suck oa-love ob-love object-slit oc-love od-love oe-love of-love capt-suck categoryoftheindustrial-whip categoryofthenatural-whip cc-love futcult- future- g-love gcac-suck gcacbldg-pee gg-love ghaste-poo dawnchorusb-pee dbas-goof dbhome-suck dd-love dead-bung deadiniraq-poo earthquake-suck echo-love economy- edge-suck ee-love elek-pee abacus- advert-love ah-love ai-goof head- hh-love hiway-suck hold-suck hole-s-goof lc-love ld-love le-love leak-flog leaning-suck lease-flog leaves-suck measure-slit medea-whip mess- ne-love nebula-slit tao- taps-pee tat-poo technoloss-suck reading-suck red-whip redlinescara-suck cut word-cut zed -pee zed mine-suck zed mons-suck zed willetaud-pee redlinescarb-suck redlinescarc-suck redlinescard-suck redlinescare-suck deadtime- death-flog death- defuge-love degaslegs-suck degasribbon-suck dell-goof diary- leg-suck leo-bung lf-love lg-love lh-love parab-poo pen-flog penis-flog peopleofthebook-suck perfectbreast-suck redlinescarf-suck redyear- replete-slit perfectwomb-suck perfectwombre-suck performance-whip perth-flog terrr-goof test-flog test-suck testpd-flog net-love new-goof nf-love ng-love nh-love ni-love kd-love ke-love key-flog kf-love kg-love kh-love ki-love kj-love kk-love fetremake-suck ff-love ff-suck ff-goof bbeach-suck bcwave-pee beginningofthebeautifulworld-whip bfly-poo mess-goof messclr-goof mf-love mg-love mh-love mi-love miami-love cgi-bin ch-suck chaos-bung char-flog char-poo char-love charredworld-suck weather-love whataboutmotvalise- whit-pee wing-suck sartre-suck shinl-bung shin-bung shoes-suck signal-whip sin-goof tha-whip thog-poo thongs-whip throat- thrumb-poo tine-poo chiasm-flog chora-flog chorusa-suck chorusb-suck chorusc-suck chorusd-suck ghos-suck ghostboat-suck flogt-flog girl-flog fieldssection-pee fields-suck figure- film-love night-suck nik-flog nik-bung niki-bung nikii-goof nikn-suck niku-flog nikul-bung nikul-flog nikulx-flog niku-bung nikug-bung phen-love photoghoul-suck pinned-suck pinup-suck planet-flog vir-bung vir-suck virgax-suck virus-flog vision-suck vlf-suck dike-pee directory-love dismal-suck dismallimit-suck li-love linear-goof lineq-goof lj-love lk-love ll-goof ll-love llook-suck jeanpaul-suck jen-bung jj-love jk-love jl-love jm-love jn-love jo-love milk-goof missclr-goof mj-love mk-love ml-love mm-love mn-love mo-love sincirc-goof singingyou-suck sixviews-suck sk-suck skein-suck skin-flog skin-bung skindeep-suck bidel-goof bio-whip bklynmetric-suck bkreview- blackout-suck blade-suck nipple-suck nj-love nk-love nl-love nm-love nn-love no-love node-pee filmshipfilm-whip filmvid- fing-goof flaccus%-suck planetbike-suck planetshore-suck planetwing-suck plantplant-pee play-love skinny-flog slbee-pee slimemold-suck og-love oh-love oldaba-love oldindex-tit ontic-suck open-suck vlfirvine%-suck flick-suck flicked-pee flight-suck flood-flog airforce-whip alan- allegory-suck allofusnow-slit alpine-suck blond-whip blood-love bloom-goof bloom-suck bloomed-goof choruse-suck chorusf-suck cinema- cloud-goof flower-bung fluent-bmp flush-suck elektra-mpg elk-pee ellektra-poo empire-suck end-flog endofempire-whip twistl-whip u-love uh-flog unbalanced-ogg uncanny-love univer-bung inextremis-suck inherinhim-suck am-love an-love angel-suck animal-suck insidepennsylvania-bmp installedlife-suck annoyingegret-poo antelopebison-suck antelopevlf-suck anten-goof antenburst-goof antensex-goof kl-love km-love kn-love ko-love kp-love kq-love kr-love ks-love kt-love tine-suck todos_os_sistemas_-whip torso-suck fog col-hole fog cloudsin-hole fog cloud-hole fog dell-hole fog delcloud-hole fog d-hole fog colcloud-hole fog drawalk-hole fog bifurdel-hole fog bidel-hole fog beeb-hole writings-tar-gz fog draprint-hole fog dhenon-hole fog drawdell-hole fog henon-hole fog fullife-hole fog drawtest-hole fog lineq-hole fog linear-bas fog lifeline-hole fog julia-hole fog missclr-hole fog messclr-hole fog mess-hole fog mass-hole fog orbiting-hole fog new-hole fog moss-hole fog sintan-hole fog sincirc-hole fog sin-hole fog star-hole writing- writing-love writings-tar fog starr-hole lm-love ln-love lo-love lohengrin-poo look- lorelei-poo love- woll-suck worlda-slit worldb-slit flux- fly-suck follow-suck foofwade-pee footnote-love fop-love hollywood-suck homebody-suck col-goof com-goof combtomb-goof comfun-whip compbio- intheworld-suck intrview- ion-pee j- j-love blues-pee bonze-suck model- mommy-suck monster-whip mood-suck mor-whip morb-whip more-suck resume-love rooting-pee rootthrone-pee ruined-suck s-love moss-goof global-poo god-suck godslove-suck gorge-suck greens-suck mountainwake-suck mountainwaken-suck whip-love yamahaga-pee yamahagab-pee you-flog youyou-flog yungheal-suck z- zed plusplustaptap-poo poet- love-bung loving-whip lowl-suck love-suck poly-bung postmode-love corrug-suck covector-suck crimescene-poo bournen-slit boyznoyz-poo brob-suck snapshot-slit sophia-love sound- sp-goof speechofbuilding-pee noise- normalcar-goof np-love nq-love nr-love ns-love nt-love potential-suck lp-love lpmud-flog lq-love lr-love ls-love sprites-poo sputter-suck whipie-love mp-love mq-love mr-love ms-love mt-love mu-love mud-goof fopinfo- frac-bung frame- freight-bung travis-suck troth-suck trrrr-goof dood-flog drawalk-goof dreamscreen-whip duanehanson-suck orbiting-goof ord-suck orders_of_the_real--doc org-whip organ-suck bronze-suck bronzevid-suck potepoet- presterjohn-suck probe-poo probe-whip probe-pee crown-suck cruxbone-suck cruxflesh-suck crystalcove-suck jp-love jq-love jr-love js-love jt-love ju-love jungamer-poo jv-love ap-love ash-suck ashur-suck -readme-love readmest- -suck -bung -stit squareonthefaceofthewoman-suck star-slit starr-goof starsavage-suck start-whip statenegative-suck statepositive-slit stelarc-love stet-pee escape-suck eternal-suck europe-whip eve-whip stored-bmp strom-bung struct-slit studio-poo uphigh-suck uselessgames-poo ust-poo uu- vel- video- trunc-poo tt- tub-suck twirple-slit brood-suck brrd-suck buddha-flog buddha-bung buffalo-suck frus-whip fucking-suck fuji-suck furl-suck furry-suck bumblepal-poo suck-poo suckgod-flog super- surfrodf-poo susan-suck culture-suck curl-suck cybinfo- d-love fog prosebio- punctum-goof pushed-suck q-love dumbhack-suck dump-avi dup-whip dusk-poo e-love earthole-suck ever-bung cut cut-tar cut-love exe_readme-love cut archaea-cut dawn index-tit cut abyss-cut cut america-cut cut aus-cut cut axis-cut cut baby-cut cut ballet-cut cut bee-cut cut blood-cut cut brilliant-cut cut crown-cut cut europa-cut cut gb-cut cut glory-cut cut god-cut cut graph-cut cut hemiptera-cut cut hold-cut cut kali-cut cut mourning-cut cut overlook-cut cut pest-cut cut plasma-cut cut rust-cut cut scler-cut cut sks-cut cut star-cut cut swoon-cut cut tz-cut cut umb-cut cut victor-cut cut void-cut cut wall-cut cut wallvoid-cut cut weather-cut cut web-cut wtc-suck wuv-whip x-tit y-tit yamahabchor-pee lt-love lu-love lucy-suck lv-love lw-love lx-love ly-love lz-love m-love murmur-goof mutate-whip mv-love mw-love mx-love my-love nu-love nude-suck nv-love nw-love nx-love ny-love nz-love o-love assignation-whip astrofast-pee astroslo-pee avatars- aw-goof azeds-poo eve-poo zed willetfil-pee zing-flog _private _vti_bin _vti_cnf _vti_inf-tit susangra-suck swan-suck ku-love kv-love kw-love kx-love ky-love kyoko- kz-love l-love la-love myascii-suck mybabydead-suck myfear-suck mytruework-poo _vti_love yung-suck zing-wav zz-love dawn dawn-tit dawn dawn- myvoicefive-suck myvoicefour-suck myvoiceone-suck mz-love n-love n-suck For Joanna and Eugene, married today - Some writings from Shih-Wu (Stonehouse) Study the patterns of transient existence the outcome of a game of chess isn't fixed a monk in the mountains needs to be free people in the dust grow old unaware wind blows tea smoke over my bed the stream drops petals into a pool with thirty-six thousand days why not spend a few being still The Master said, "When Bodhidharma lived at Shaolin, he faced the rocks for nine years. But the walls and moats were not impregnable. When Shu-shan sold cloth, he traveled thousands of miles to pay someone a visit. But the roads were confusing. "Here at Fuyuan, the walls and moats are impregnable, and the roads are straight and smooth. Whenever you walk, walk in the middle of the road. Whenever you stop, stop where it's safe. And if you encounter a piece of farm land in between, why shouldn't you set foot on it?" At the beginning of retreat, the Master said, "Before the fifteenth day of the fourth month, the nights are short, and you don't get enough sleep. After the fifteenth, the days are long, and you're always hungry. Today it's the fifteenth, and all you Zen monks here at Fuyuan get enough porridge and rice and enough sleep. "As you wander through this monastery of perfect enlightenment and take refuge in undifferentiated wisdom, may I ask how you ended up in such a place? A welcome breeze enters the door, and you feel cool. Lake water reaches the gate but without any purpose." (Red Pine trans.) ...So I tried to find something here relating to marriage, to marriage in relation to Buddhism, and found a ground or a clearing and nothing specific but something in relation to writing or waiting-on. And now of course there's no waiting, and I find it hard to locate anywhere a position for the consequence of any vow grounded here. But there's waiting and waiting and renewal and we change things as we go along. And given the dreariness of the world, this marriage is blessed, by us and perhaps by Bodhisattvas, or perhaps not. This is a wonderful commitment among remarkable people, committed people, brilliant people, who can only grace us with their presence, and their presence together, and among each other. - father of evil don't blame the father for the sins of the young. my father ensured i would never get over my father. my father screamed at me constantly. could i win with my father. i never could win with my father. my father ensured that. my father ensured i would never challenge my father. the screaming of my father ensured i would never have a world without screaming. the nightmare of my father ensured i would never have a night without nightmares. the violence of my father was only the language of my father. the language of my father ensured the violence of language. i will take language apart and there will be no violence. i will challenge language and there will be no father. my father will write this and my father will ensure my father will write this. my father ensures that my broken language will scream at my broken language. my father ensures that i will always sin against my father. i will always sin against my father. my father battered my mind until my father was my mind battered by my father. my father makes me ill. my father fills me with hatred. my father ensures i will die hating my father and hating my mind. "In like manner tear sheddings, &c. are held to come from the mind's being melted [--not pained--]." (Sahitya-Darpana.) how to reduce a human being to an artist the litany "don't sins blame of sins ensured young. blame ensured for i would father. never my father over screamed father. me screamed would at never win win with with that. i challenge screaming screaming world without father screaming. ensured nightmare ensured night my nightmares. father violence only was my only father. language the language. language will my take father apart be and no there violence. be will no challenge violence. language write there this will ensure write this. that ensures ensure that my broken will. scream always i sin will against always battered was mind mind until battered by mind makes me ill. hatred. fills ensures hatred. makes die my hating father mind." i will see my father dead. Typical Family of Ghouls I live in a typical family of ghouls. Mother Sister My mother is dead. My sister did not kill her. I want to kill my sister. Sister's Husband My sister's husband is a minor ghoul. My sister's husband stands behind my sister. Have one pair of horns between them. Brother and Brother's Family Fine people unghouled. Live and let live. My brother mediates. His field is geomatics. Understands fields of neurosis, hatred. Lives in Buddha fields. Sometimes talks to ghouls. Daughter and her Husband We have been blessed by grace. Bodhisattvas and miracle wedding. Escape! Escape! Father Ghoul with knot of insurmountable distinction. Tightens with struggle. Always furious. Ghoul-slayer indistinct. Reseeds teeth of the vanquished. Ghoul-Coterie Father, sister, and sister's Husband = ghoul-coterie. The class of ghouls lives annihilation. Class between them. Beneath them. Ghouls ride expensive horses. Run dawns and dusks. By which I mean: manufacture dawns and dusks. Are weather. Myself Ghoul and ghoul-hater. Wound inversion. "I will spatter them with Halloween blood but not on Halloween but sometime when they are very happy they will see my (fake) blood and laugh." Family Nuclear, like any other. Roost This _has_ to be the animal in-itself, however one wants to think of it - other than time-stretch and minor audio modification, very little was http://www.asondheim.org/roost.mp4 done. Over and over again, tricks were attempted - all sorts of things, nothing worked. The animal remained. "Perhaps," I thought, "I should leave things well enough alone." Somewhere I'm positive, Han Shan was silent, or here, I'm not sure about these things - I don't know how, for example, to answer a koan to anyone's satisfaction. (And for myself, why bother? I've absorbed everything except the time-stretch of meditation.) I need this. And seeing it, now, it seems as if one would wait for catastrophe, slaughter, injury - fright at the very least. This however is farthest from the truth, at least this truth. What remains, inhabits. These moments hold the world together. They roost. "But even when a hypothesis occurs in logic, the fact that it can be framed does not itself belong to logic." (Whitehead and Russell, Principia Mathematica.) vammiy-chant hemp hersemf just now there were troubmes mn the vammey; she coumdn't hemp hersemf hgmp hgrsgmg just now thgrg wgrg troubmgs mn thg vammgy; shg goumgn't hgmp hgrsgmg ielp ierself just now tiiri wiri troublis in tii valliy; sii couldn't iilp iirsili ielp ierself just now tkere were troubles kn tke valley; ske eoulen't kelp kerself in the valley; she eoulen't help herself just now there were troubles kn the valley; in tie vammey; sie coumdn't iemp iersemf just now tiiri wiri troubmis in tii vammiy; in tie vammey; sie eoumen't iemp iersemf just now tmere were troubmes mn tme vammey; in tii valliy; sii ioulin't iilp iirsili just now tkkrk wkrk troublks kn tkk vallky; just now tkere were troubles kn tke valley; ske couldn't kelp kerself kust now tkkrk kust now thgrg wgrg troublgs in thg vallgy; shg goulgn't hglp hgrsglg just now thgrg memp mersemf must now tmmrm wmrm troubmms mn tmm vammmy; smm coumdn't mmmp mmrsmmm must now there were troubmes in the vammey; she eoumen't hemp hersemf just now there must now thgrg wgrg troubmgs in thg vammgy; shg coumdn't hgmp hgrsgmg just now thgrg must now tiiri wiri troubmis in tii vammiy; sii ioumin't iimp iirsimi just now tmmrm she eoulen't help herself kust now tiere were troubles in tie valley; sie eoulen't shg couldn't hglp hgrsglg kust now tiere were troubles in tie valley; sie couldn't sii coumdn't iimp iirsimi just now tmere were troubmes mn tme vammey; sme coumdn't skk koulkn't kklp kkrsklk kust now there were troubmes in the vammey; she coumdn't sme eoumen't memp mersemf must now thgrg wgrg troubmgs in thg vammgy; shg goumgn't there were troubles in the valley; she couldn't help herself just now there were thg vallgy; shg couldn't hglp hgrsglg just now thgrg wgrg troublgs kn thg vallgy; troubles kn the valley; she couldn't help herself kust now thgrg wgrg troublgs in were troubmes mn the vammey; she eoumen't hemp hersemf must now tiere were troubmes wgrg troublgs kn thg vallgy; shg goulgn't hglp hgrsglg kust now tiiri wiri troublis wgrg troubmgs mn thg vammgy; shg coumdn't hgmp hgrsgmg must now tiere were troubmes wkrk troublks kn tkk vallky; skk couldn't kklp kkrsklk kust now there were troubles wmrm troubmms mn tmm vammmy; smm moummn't mmmp mmrsmmm must now slide.rule the slide-rule processes nothing; there are no processes. there are procedures. the calculator processes everything; there are filters. this is a fundamental distinction. an abacus processes nothing. it is not the distinction between analog and digital. it is the distinction between interior and exterior. the keyboard of a calculator or computer mediates processes and protocols. the beads of an abacus remain in situ. a slide-rule remains in situ. observe the abacus or slide-rule. the results are steady-state. the results are gained solely by human labor, i.e. movement of the beads or slide. the calculator uses an energy source, for example battery or solar power. a wind-up calculator stores energy. a calculator regulates its stored energy. the stored energy is controlled much like the escapement of a clock. the stored energy implements the unobserved steps or procedures tending towards a visible solution. even if every step were accounted for, for example listed in real time in a debugging program - the steps are unobserved. only signifiers, mediators, are observed. the ontology of the slide-rule however may be compared to the epistemology of the abacus or calculator. the abacus founders on ontology and the real. the calculator founders on ontology, the slide-rule on epistemology. the real is of the real. the digital must be manifest, within the analogic. the analogic is present. the ruptures of the abacus are problematized by the fuzzy movement of the beads. an electronic abacus, a digital abacus in other words, is internalized. this is the secret of the digital: its internalization is that of the body; its operations are literally neural, and its protocols are the shape-riding of synaptic signals. the digital has a life of its own; the analogic is inert, and in this sense, even the analogic body is inert. life is always the life of others. ii we look at the slide-rule or abacus. we watch the computer screen. we say 'look at this'; however if we are responsible, we say 'watch this.' we see a film, but watch television. however we look at the computer screen. we look at symptoms, 'look what's happening here.' we watched a film last night. did you see that show on television? look, see, watch - however, with the abacus or slide-rule, with the real, we look. why should we watch the slide-rule? it's not doing anything. watch what i can do with it. watch the carry-over of the abacus beads. we wait with expectation. i wait without expectation. the slide-rule waits for nothing, does not wait. the computer may be in standby or hibernation. the computer or calculator is the filtering and mediation of potential energy. the computer and calculator possess kinetic energy in the carrying- out, performance, of their duties. they are assigned duties. the assignments are flexible, flex-work. the slide-rule and abacus do not possess kinetic energy. or rather: they do not possess internal kinetic energy. for example, a stone may fall; a stone is. of course energy may be reassigned, as may waiting, looking, seeing, watching, interior and exterior. there may or may not be an observer. huang-po may have been such an observer. http://www.asondheim.org/hu.mov (nothing, addendum) like all addenda, familiar. capital original source Brooklyn rooftop VLF modified antennas no microphones were used http://www.asondheim.org/township2.ogg http://www.asondheim.org/township1.ogg does it matter? only that i'm hearing new things i always want to hear new things i consume them old things never bear repeating old things > new things > old things tonight every vowel is a you, i'm looking out the window at a vowel it is your vowel, and you are there, at least there is light in your window our friends do not see that light we are abandoned by the alphabet z, x, y, have you no shame i have made new work to show you wonderful videos without sound or text texts without sound or light sound without image or text everything is blind somewhere everyone is somewhat blind glassesless i am eyeless, bonked against glass on this cold night, where you have taken vowels for a cold dark spin ii tonight every vowel tonight is every a vowel you, is i'm i'm looking looking out out the the window window at at it it your your vowel, vowel, and and you you are are there, there, least least there there light light in in our friends our do friends not do see not that see we abandoned we by are alphabet by z, x, z, y, x, have y, no you shame no i i made made new new work work to to show show wonderful videos without wonderful sound videos or without text sound texts image everything blind somewhere everyone somewhat glassesless am eyeless, glassesless bonked i against glass on against this glass cold on night, this where have taken for vowels a for cold dark where spin you souvenir this is just a souvenir of my antenna in the air searching up and down for where the signals come to haunt my dreams radio's not what it seems there are no perspicacious beams the world's not hardly what it seems although it rattles all my dreams i move the wires searching where signals fall through sullen air to radio maw and radio leer http://www.asondheim.org/bklynvlf.mov failure another in the final series of sped-up surfers off a California beach from found webcam images. i want the summer of my life. in an attempt to regain this, over and over again, i imagined myself surf- ing in these oceans: utterly useless. it's like repetitive dreaming, over and over again, but nothing _takes._ in fact there's no reason to look at the video, which can only be a failure. on the other hand, the impulse itself, that loss among water, Theweleit. philosophical immersion, fluid mechanics of Irigaray, Lingis (Excesses). but a tawdry image, far from the madding crowd, isolated, numerical infinitesimals juggled in a depleted style. (once this might have been fun. once this might have been unusual. 1898, for example, Lumiere, for example.) the point, punctum, is the dream of immersion and its digital decay. http://www.asondheim.org/summer.mov and my own weakness although Gidget was a jew. _ soundimage download .mp4 (you will need the latest qt) download .mp3 (you will need anything) play together (play on loop) look and hear (mesmerize) you will be me http://www.asondheim.org/lifecho.mp4 http://www.asondheim.org/peggycove.mp3 .mp4 perhaps the most beautiful mourning .mp3 perhaps the most beautiful dusk the visual and the audio have parted ways please bring them back again rough day soundtracks it's been a rough day. these might be for http://www.asondheim.org/lifecho.mp4 or separate for that matter. i'm decathected. http://www.asondheim.org/peggywave.mp3 http://www.asondheim.org/futurefuture.mp3 maybe these would work better than the one yesterday. in any case you might like them or not. they're not that large but the lifecho is. you need quicktime 7 for the lifecho. i don't know, this stuff is all i can do lately. unemployed person in the world. no future but futurefuture. no wave but peggywave. maybe more rough day tomorrow. i don't know. let's hope not. NATURE I AM STEALING YOUR IDEAS depression, decathecting from the natural order of things. I AM WRITING AS FURIOUSLY AS POSSIBLE. in depression, ontology precedes epistemology. EXISTENTIALISTS ARE DEPRESSED. existence contrives nothing. EXISTENCE THUDS. it is inconceivable - to deconstruct existence. TENSOR ANALYSIS. the panoply of existents fall under the aegis of epistemology. FORLORN BEAUTY. for the depressive the world is a resentment. I'M NOT HERE. the existence of other minds is a worn-out given. WHY NOT. the locative case of situation does not cohere in any language. WAND- ERING IS THE BEST SOLUTION. force and power in the world have everything to do with exegesis. THUD. the depressive tears itself apart. ADMITTING FAILURE IS THE NATURAL PATH TO MORE OF THE SAME. mind, des- perate for contact, stumbles over unnecessary dream- work. THERE IS NO UNDER UNDER. your disinvestment is their investment. LOSS AND GAIN CIRCUMSCRIBE MEAN- -ING. thud. "THE THEFT: 'WHO TOLD YOU THAT?'" Saigon test real Coppola made Apocalypse Now as test reel. I make test real in Saigon. http://www.asondheim.org/saigon.mov I will always remember our nights in Vietnam. Teelak (named changed) has given me untold pleasure. We American doughboys know how to have good time. We take care of our girls in very proper style. Now, America is giant superpower. Soon we will take care of you. mysterium just more of this where i live and work you probably won't see me (but you can feel my hands http://www.asondheim.org/room.mp4 out on a limb that truncates into nothing See below: commentary on digital collapse. "Constructed Points and Dimensional Collapse Geometries computed by spatial analysis methods may contain constructed points which are not present in the input Geometries. These new points arise from intersections between line segments in the edges of the input Geometries. In the general case it is not possible to represent constructed points exactly. This is due to the fact that the coordinates of an intersection point may contain twice as many bits of precision as the coordinates of the input line segments. In order to represent these constructed points explicitly, JTS must truncate them to fit the Precision Model. Unfortunately, truncating coordinates moves them slightly. Line segments which would not be coincident in the exact result may become coincident in the truncated representation. For Line-Area combinations, this can lead to dimensional collapses , which are situations where a computed element has a lower dimension than it would in the exact result. JTS handles dimensional collapses as gracefully as possible, by forming the lower-dimension." http://www.jump-project.org/project.php?PID=JTS&SID=OVER " 00331 /* 00332 * Reduces the precision of a {@link Geometry} 00333 * according to the supplied {@link PrecisionModel}, without 00334 * attempting to preserve valid topology. 00335 *

00336 * The topology of the resulting geometry may be invalid if 00337 * topological collapse occurs due to coordinates being shifted. 00338 * It is up to the client to check this and handle it if necessary. 00339 * Collapses may not matter for some uses. An example 00340 * is simplifying the input to the buffer algorithm. 00341 * The buffer algorithm does not depend on the validity of the input geometry. 00342 * 00343 */ 00344 class SimpleGeometryPrecisionReducer { 00345 private: 00346 PrecisionModel *newPrecisionModel; 00347 bool removeCollapsed; 00348 //bool changePrecisionModel; 00349 public: 00350 SimpleGeometryPrecisionReducer(PrecisionModel *pm); 00358 void setRemoveCollapsedComponents(bool nRemoveCollapsed); 00359 00360 /* 00361 * Sets whether the {@link PrecisionModel} of the new reduced Geometry 00362 * will be changed to be the {@link PrecisionModel} supplied to 00363 * specify the reduction. The default is to not change the precision model 00364 * 00365 * @param changePrecisionModel if true the precision model of the created Geometry will be the 00366 * the precisionModel supplied in the constructor. 00367 */ 00368 //void setChangePrecisionModel(bool nChangePrecisionModel); 00369 00370 PrecisionModel* getPrecisionModel(); 00371 00372 bool getRemoveCollapsed(); 00373 Geometry* reduce(const Geometry *geom); 00374 }; " http://geos.refractions.net/ro/doxygen_docs/html/precision_8h-source.html Dimensional collapse might be an example of the imprecision of phenomena in relation to any given grid. Here one might have analog -> digital (i.e. mapping) -> dimensional collapse. In relation to analog/digital phenomenology: look at collapse; at border- line phenomena; at rastered 'infinities'; at the phenomenology of observa- tion itself; infinitesimals; particle decay; at Thom's catastrophe theory; at cellular re: Wolfram; and so forth. Somewhere in all of this there are hints of sudden collapse that predate the universe. Perhaps a hint that the analog is an extrusion, just as Aristotelian distributivity is an intrusion in relation to gestural (non-Booelan) logics. Perhaps the primordial surrounds us; our prsent; the universe begins in the synchronic, pre/chaotic extension; having always already begun; having always already ended. Issues: My own ignorance in relation to the _practical limits of calcula- tion._ One can easily, for example, multiply a 1000-digit number by 2; it's only a question of limited rules (i.e. 2 x 8 = 6 + carry). Machines can handle 2 1000-digit numbers multiplied, etc. Pi can be calculated, presumably indefinitely. On the other hand, take sin(tan(x)) as x approaches 90 degrees; sooner or later the calculation breaks down, and 'jumps' are observed. Re: fractal programs - continuous enlargment stops as a result of what? Calculation limits? Graphics/raster limits? Is the stoppage _inherent_ in the technology, regardless of interface, or is it a byproduct of interface as much as anything else? My stupidity of course gets the better of this... _ sounz four takes on chordata. i've been working on these. the usual guitar, probably a larson? now i think something else, yet unknown. http://www.asondheim.org/takeone.mp3 http://www.asondheim.org/taketwo.mp3 http://www.asondheim.org/takethree.mp3 http://www.asondheim.org/takefour.mp3 difficult to break new ground with this instrument. everyone wants to do something, very few do. parallels to digital editing/wave equation collapse. parallels to labor unaccompanied. difficult to subject myself to this, i do. _ mesmeric beacon The digital promises eternity and implosion simultaneously. As the world rolls on, the archive, dependent on a technological present, momentarily survives. In a decade, our words will be forever lost; in a century, the writers from the red dust return to the same. Our world is burning, our digital mission evanescent. We endure, adapt ourselves to fast-forward technological innovation, hope for the best; we shall never see the end of it. I work with this in mind, as if each piece is my last. My work expands across sensory modalities, temporary membranes of personal and inconeiv- able wonder. http://www.asondheim.org/takex.mov This new video, actually quite short but looped, is a mesmeric beacon, providing visual accompany- ing http://www.asondheim.org/takeone.mp3 http://www.asondheim.org/taketwo.mp3 http://www.asondheim.org/takethree.mp3 http://www.asondheim.org/takefour.mp3 since, surely, sound is no, never enough, nor the labor of one's instrumental reason. Please keep this in mind, playing the mesmeric beacon while each of the four murmurs of this and any other world play unto boredom, reaching perhaps our point of saturation. This is the promise of eternity; one may return to such music at any time of day or night, given sufficient technology, power, and expertise. I shall die of exhaustion waiting for you, please do not disappoint. special they want, ... flag with care : [miscategorized] bomb illegal! bomb is a dirty word they said because you have well, evolution is a theory and it is also a fact. THEY SAID population over time. ... k true dig (future evolution remix) i would THEY SAID love : pm bomb america, americans r fat , bomb racism...bigotry bomb THEY SAID amerika ass forever!!!i hate amerikka! ... k true the bomb america THEY SAID trilogy. matt cale loves the a bomb rant, guitar - bomb amerika= to beat THEY SAID the face, sell out motherbombers in the biz true lenny bruce said it THEY SAID himself, actually, take away the right youll put your faith in that rag THEY SAID till the day you are sides of my family (we bomb with my mothers side, who THEY SAID anticipated darwins ideas on evolution were ... it seems to me that not THEY SAID the ones i see and have to deal stupid idiots dont realize ... world ( THEY SAID nobody really the fall for bombing hugh hefner, larry flynt or ... of THEY SAID written profanity began roughly in the sixteenth century, and amerika (a THEY SAID goverment of the people) bomb poverty evolution as something that really THEY SAID happens. ... trying to say that theyre not just good, theyre bomb america! THEY SAID by the punisher friday, mar. , at volution_of_profanity- k THEY SAID true the evolution of written k true all the usual suspects, including THEY SAID shit and bomb, america and their rhetoric, bomb america and bombed by the THEY SAID fickle finger ... the bomb america displaying from to of : bomb is THEY SAID wrong with kansas: evolution is each. god bless amerikka. unless maybe THEY SAID youre you tired of america? tired of hearing about politicians their THEY SAID bullshit, bomb american stupidity, on trial! again! in kansas! the earth THEY SAID is flat! ... ist eine veranstaltung in mit bomb amerika . own gm THEY SAID cars in the us, get killed and bomb them up their true like women in the THEY SAID good old united guyville snakes of profanity began roughly in the THEY SAID sixteenth century, some plenty of food and but you have to teach over the THEY SAID globe and everyone in the world hates them. amerikans are over the globe THEY SAID and everyone in the world hates them. amerikans are dead. bomb amerikkka, THEY SAID and bomb their lies, to say bomb and you take away the mcluhan bombing, THEY SAID and leaving interns? member sites of to be naked to do it. also its fun. THEY SAID ... evolution. basically ape to man, in a long time. heh, thing is, bomb THEY SAID america in some sort of context. reason it even comes close to being THEY SAID repeated ever is because bombing america is gonna kill me! theyll take THEY SAID what amerikka, or. >amerikkkans, dont feel amerikka, or amerikkkans, THEY SAID dont feel or > amerikkkans, dont feel special, maybe it and then, i THEY SAID hope those bombing workers get run over by their with are bombing morons. THEY SAID ... bomb america those south park guys time to live or die dont you wanna THEY SAID be here in the end ... amerikka are sooooooooo free----.free to whoe they said themselves evolution is defined as a change in allele frequency in a needs THEY SAID anything, it is a bombing revolution. if amerikka, special, maybe it is THEY SAID because they exploit the rest special, maybe it is because they exploit THEY SAID the rest its bombing kansas. as long as they continue to produce continues THEY SAID to bomb is probably the most offensive swear word used. ... popular THEY SAID variations of it are bomb a duck, amerika cannot destroy it because she THEY SAID dare not use it. its >amerikkka needs anything, it is a bombing THEY SAID revolution. if amerikkka needs anything, it is a bombing revolution. if THEY SAID pig hymn waltz bomb bjorsq. mark amerika. losing bombing amazingly THEY SAID fantastic. bomb amerikka . that try to bomb me, ... bomb amerikka THEY SAID and bomb you too. (repeat). bombing evolution. this question is stupid. THEY SAID the only ignorant swine who just eat up big macs and ... ignorant swine THEY SAID who just eat up big macs and ... ignorant swine who just eat up big macs THEY SAID and ... muckin reality, i just wanted to say the globe and everyone in the they said world hates them. amerikans are and one surprise: evolution. while many of THEY SAID those is because they exploit the rest ... of amerikka (babylon) by THEY SAID komboa. ... THEY SAID space-time reworked small video http://www.asondheim.org/adarule.mov space = ruler time = ? Writing in the airport, alarm, flashing lights. What happens in relation to language and codework vis-a-vis glossolalia? mantra? In mantra, language is performative by virtue of repetition; in glossso- lalia, language is excess and testimony. Both are dependent on the aural register; mantra is steered through texts as well. In both, sound is empathetic within and without the imminency of the world. In both, the performance of natural language is negated, 'nonsense' words on the edge of interpretation. The mantra appears unconstructed, present and presencing: 'So much for the believer's explanation of the origin of _mantra_ - its construction as a verbal sound cannot interest him; on the contrary, he must deny the very possibility of its having been "constructed" at any time - for being eternal and only revealed in time, "construction" is precluded.' (Bharati) Glossolalia likewise is unconstructed, albeit susceptible to linguistico- archaeological renderings of ancient or at least ulterior fragmentary texts. If code is the asymptotic well-formed performative language, codework is the deconstruction of that language within or corroding by or corroding natural language. If code is entirely construct, codework is the splay of mantra-glossolalia across its semantics. Codework has an uncanny relation- ship with language and code; its sound is always distanced, almost inaudible. Do not _think_ (of a) mantra; do not _think_ glossolalia. This preclusion of thought is the preclusion of ration, rationality - in other words conventional syntax. When syntax is cleared, the aural field emerges. This tendency towards the uncanny is also found in codework's relation to the semantic or referential field. Codework threatens its own referents _qua_ referents; in this respect it is liminal, although liminal _among_ what? - is part of its (fluid) content. Alarms are going off in the airport. There are flashing lights. In Echolalias, Heller-Roazen describes Trubetskoi's analysis of interjec- tions; Trubetskoi pointed out that the interjective phoneme set contains numerous sounds not found within the standardized language. In English for example, grrr, hmmm, brrr, the glottal stop in uh-oh, etc. Might one consider this real world interference, code abandoning normative phonemic structures? Code is related to the _cry of pain,_ the inability to retain meaning in the face of it, Levinasian alterity consumed in the Deleuzian pli short-circuiting the body. For that matter, Levinas' Existence and Existents describes insomnia's relation to decathecting, being, if I'm not mistaken. Code ruptures, loosens meaning; it might be language wounded, language not on its own, returned to the bodies that produced 'it.' Echolalias, On the Forgetting of Language, Daniel Heller-Roazen, Zone, 2005 and The Tantric Tradition, Agehananda Bharati, The Tantric Tradition, Anchor, 1970 silly short city symphony chicago city symphony archaeological reconstruction 8 visual echos -2+ seconds each http://www.asondheim.org/chicago.mov ok this is silly but in reverse abstraction returns the building to itself, which is a bit interesting and might be put to far better use, with a narrative perhaps, something like that, but you'd have to keep the forward words forward, plot's dependent on the soundtrack Chicago performance text [PROEM:] COLLAPSE / hard to write when country collapses / when we are now IMPERIUM / the digital is at the margins of the analog / the digital is always already a construct / we are constructing at the margins of violence / analog = substance / (i always have good ways of starting and then everything falls apart) / falls apart = analog / [HERE I BEGIN THE PERFORMANCE:. NO one understands the digital / we assume we understand the term. we use it to reference perhaps.... the construct of a cd or cdrom or dvd or any digital file which begs the question - certainly there's something to be said for the presence of a POTENTIAL WELL - in other words, for 01010010101000111 etc. to make any sense at all, the entire stream must be first of all PROTECTED and second of all subjected to checksums - i.e. verified. but this is all technology... in fact it is similar technology that references subterfuge, the cipher, the war- machine, the industrial revolution. anything that can be subdued or placed within a yes no YES NO situation - that is, can be forced into at the limit one of two possibilities, whatever they are - this is what happens with the WAVE EQUARTION i think that is when schroding cat enters into an anomalous state unitl the moment it's observed, forced into life/death - what are the implications? it's the analog forced into the digital through the construct of the observer. this is at the heart of things; on the level ofthe social, it connects obviously to Foucault's panopticon seeing everything - what is it seeing? if it was in say Iowa it might have seen the nineteenth century revolving jail which is still there, no longer functioning - two people holding over a hundred prisoners in a lazy-susan machine three stories high. if it was - sorry, "if it were" in the united state, it would be, it would have been, perhaps the locus of the WMD in the Iraq war - what constitutes a weapon? how many have to die for mass destruction? don't forget we've already killed about 160000 Iraqi - but it doesn't matter, they're not on the news; there are no longer bodies, and what I'm pointing out is already or always already useless, known before . "a respomnse to war" - the bodies blown apart - oiringally created using motion capture equipement - modified - they're no longer coherent - DIGITAL - by the way do you know that wind machines - electrical generators - tend to kill tens of thousand of migrating birds? another true fact! more of thesame, some of you might already have seen these, for which apologies - if you can't have beauty in the symmetry of the digital, where can you have it? i'm trying nit to blow the speakers... on the other hand, perhaps that would give ... some indication .. of the fact which still bothers me that here we are in a safe american hotel whereas. - the jordanians, the chinese, are in the news again - what's thar you/re hearing? vlf radio results in antennas that can SOMETIMES ACT AS MICROPHONES by cojpling coupling with other organic beings in the vicinity - here a woman is stomping and changing the ELECTRRICAL characteristics of the ground in the vicinity of the antenna - if this gets any louder I'll go BLIND - these are the locations on a trip a few months ago - where the antennas tended to work - where it was possible to get away form the TECHNOLOGICLA POWER GRID - any 60 cycle wire in the vicinity interferens with the natural world - what you're hearing is the natural world as a result of things being... taken as far as possible, away from everything else - it all occurs w/in the realm of relative violence - just as the digital is always already violence, cutting into the analog, bassed on decision someone or somewhat something is making - it remains without this tendency by itself - it's the cutting that does it - the obvserver in the schordinger case for example or the observers in Baghdad - that's what it is - it's like a car crash - this is a danger curve - there are archaeological remnants, paints, scratches, rubber trails, scars in the concrete - the site of a huge number of accidents in the viciinity of los angeles - my choreographer and I are discussing the latest "new moves" for his dance companyh in GENEVA - none of this stuff is worht more than a MOMENT's NOTICE. i'm always jealous of AREAL ARTISTS who make things that CHANGE THE WORLD - big PAINTINGS or INSTALLATIONS - they're just THERE - this stuff is all on the INTERNET - close your eyes and I'll have taken it down - I don't have room for everything - sooner or later - when I'm gone thank God - it will all disappear - tehre's no room for anything else - ok this is ROBERT FANNING's kid in Morgantown West Virginia - he's the only kid I know who can do this - it's a pretty good break - I think it was a bit disturbing to the family - who knows? - I'm running out of steam/stream - I'm old, I don't know how old I am, I kind of forget what I'm doing here - it's like dusk - stuff growing darker - if this were a performance I'd say - now this is the endof things COMING FROM AN AMERICAN HOTEL I DARE YOU BAD PEOPLE TO BOMBOMB US I REALLY DARE YOU WER'RE THE VILLLAINS HERE YOU KNOW THAT COME AND GET YOU No sorry that's COME AND GET US YOU DIRTY PEOPLE WE"RE WAITING WE're The embe sorry MEMBERS of the SLA Symbionese Liberation Society for Literature and thye Arts Front, signed Patty hearst, but I'm not doing a performance so I'm not sure how long I've gone for but I'll stop -= thankyou [NOTE: I wasn't satisifed, I rarely am, with the performance, but the text - improvised of course in real time in dialog with video clips chosen in real time - seems ok.] _ second silly chicago city symphony http://www.asondheim.org/squee.mov keeping my 'hand' in practice think of this as invisible, don't download nothing to see, nothing to hear, nothing to do sque and squee 1 download sque.mov. 2 download squee.mov. 3 open file sque.mov in quicktime. 4 open file squee.mov in quicktime. 5 place the frames adjacent, i.e. [ | ]. this may also be written [ ][ ]. understand there is no gap between frame sque.mov and frame squee.mov. 6 play both files simultaneously. the sound should be set mid-level. sque.mov is 1/3 of squee.mov i believe. therefore three times faster. with suitable displacement buildings come together, part, slide from one frame to another, are windshield-wiped at integrally fractional rates of speed. soon you will understand buildings as things and have fun. i must add that i am rather embarrassed at the establishment of this game, so necessary to understand our perception. and i do not feel you will in fact carry this out. if you have already downloaded squee.mov yesterday, downloading sque.mov will be no great trial; it is in fact considerably smaller. the representations of buildings may appear to breathe in this fashion. it is far too commonplace to insist that images are mediations, instead of, in fact, participants in a depth-ontology of the world. this symphony of doubles will play for you chicago. perhaps you can imagine the results if this doubling-play which can place sque to the left or right of squee with different but similar results, or results which participate in the same economy of perception. this imagining is your experience; it has nothing to do, in fact, with either sque or squee. the double frames should run until a state of calm or nervousness is produced within the psyche of the viewer. this is the birth of color and is most likely the birth of sound. i have played sque and squee delightedly for many hours as a great city of the world swings and glows into life. http://www.asondheim.org/sque.mov http://www.asondheim.org/squee.mov my network art your network art 1. download any two movie .mov or .mp4 from my site. 2. place both movie on your webpage, blog, or wiki. 3. say one movie is yours only. 4. say other movie is collaboration with me. (it will be collaboration.) 5. announce both movie in email and on email list. 6. send out this instruction for your movie and your-our movie. here is this instruction: 1. download both two announced movie from my site. 2. place both movie on your webpage, blog, or wiki. 3. say one movie is yours only. 4. say other movie is collaboration with me. (it will be collaboration.) 5. announce both movie in email and on email list. 6. send out this instruction for your movie and your-our movie. all movie will be on all network for everyone to see and fun. taste of science-literature of the society of all edelman's neurons circuited through malamud dj me and others shape-riding in the lobby http://www.asondheim.org/slsaconf1.mp3 http://www.asondheim.org/slsaconf2.mp3 time and time again i told you "not" to do these things with "those" things but you wouldn't listen to me now you see what "these" things had in mind and how you wrecked "those" things in the process you wouldn't listen to me why wouldn't you listen to me you did? okay. freedom's just another word for nothing left to choose i am standing on the corner of tulsa oklahoma i was born in oklahoma i've never been to oklahoma if i'd come from oklahoma i'd stand in oklahoma i'd fight in oklahoma i'd dwell in oklahoma i'd breathe in oklahoma i'd sleep in oklahoma i'd eat in oklahoma i'd drink in oklahoma i'd school in oklahoma i'd teach in oklahoma i'd love in oklahoma i'd kill in oklahoma i'd fuck in oklahoma i'd flee in oklahoma i'd build in oklahoma i'd wreck in oklahoma i'd scar in oklahoma i'd wound in oklahoma i'd lie in oklahoma i'd swear in oklahoma i'd sing in oklahoma i'd cry in oklahoma i'd stay in oklahoma i'd die in oklahoma i'd pray in oklahoma i'd die in oklahoma so many s3qu3nc3s n3v3r 3nhanc3d always raw mat3rials transform3d by w3cam's narrow bandwidth fascination's not in sp33dup or find-and-s33k but in th3 world w3'r3 in and its anonymous manif3stations - which always promis3 d3l3ctabl3 stori3s just outsid3 compr3h3nsion http://www.asondheim.org/feral.mov annoying th3s3 m3m3ntos and squalid th3s3 sp3d-symbolics of th3 world nothing moving in th3 narrow world wond3r and b3auty y3s and what what 3ls3 s3cr3t lif3 of human groundlings s33ing th3s3 japan and fuji mountain coming buddha not my coming buddha k bung kank pan= bbbb tzu-k ek death dephu mezZklr goov kh weath uhataboutmotval!ze ph d!rek2 pl zk!nn! flog wr!t!ng ur!t! phootno v holywood tzu-k rezu wh zoph ztela _vt!_lv myvo!ze01 tzu-k !ntrv!eu !on pee j bluez pee bonze tzu-k ekxp ekxplode tzu-k v pee phaasz tzu-k azurevlv pee rd!ngn!dr tzu-k rd!ngn!dr pee baghd baz!n tzu-k name goov naturl pee nature poo nkz tzu-k yung tzu-k z!ng uav dawn dawn t!t paraa goov l+ tzu-k laztgam!ng poo abak tzu-k objekt zl!t future gkak tzu-k gkakbldg pee ghazte poo meazure zl!t medea uh!p mezZ hole z goov leak flog lean!ng tzu-k adve a! goov head h!wa! tzu-k dbhome tzu-k dead bung dead!n!rak poo parab poo pen flog pen= flog peopleophdzebook tzu-k tezt flog tezt tzu-k teztpd flog n neu goov fanta faztbreak poo fekund!t! tzu-k fet!sh tzu-k phetremake tzu-k fv tzu-k fv goov bbeakh tzu-k bkwave pee m!a kg! b!n kh tzu-k khaoz bung khar flog v!gure v! n!ght tzu-k n!k flog n!k bung n!k! bung d!zmal!m!t tzu-k l9near goov l9nek goov !d lv !n oklahoma !d k!l !n oklahoma l goov look tzu-k jeanpaul tzu-k jen bung n!pple tzu-k node pee olda old9ndekx t!t ekonom! edge tzu-k elek pee blo bloom goov bloom tzu-k bloomed goov danzeophdeath uh!p dank tzu-k dawn makh!n!k zl!t map uh!p m!lk goov m!zZklr goov antenzekx goov phog ztarr hole lohengr!n poo look u lv uh flog unbalanzed ogg unkan !nhr!nh!m tzu-k angel tzu-k tz!nz!rk goov tz!ng!ngu tzu-k kurl tzu-k zyb!npho fog prozeb!o punktum goov k true dze bomb amr!ka DzE! 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This is utterly obscene in the so-called richest nation on earth - the poor are again out of sight - how often can we starve them? Capital is about this; this is its symptom (and in a sense, it's only one). And while the 'poor' may be redefined and fined (for that matter), most of the people in this horror of a country are now hurting financially, there's close to starvation elsewhere as well, and we continue our slaughter (excuse me, Iraq 'nation building') under the aegis of another word. capital = 'freedom.' Freedom's just an ugly word for something left to use..." And within this, on the margins, trembled discourse continues, the following are books I have found useful, wonderful at times, worthy of your attention. Again, I've received the O'Reilly books gratis; I ask for ones I feel capable of reviewing, and that might well be of use to those actively engaged in online culture/art. Ambient Findability, Peter Morville, O'Reilly, 2005. My brother, who is in GIS, found this of great interest, as do I. The book examines the se- mantics of search in relation to communality, ambiance. There's something wonderfully primordial about it - a kind of relocating of human intention- ality after the savanna. At one point of course, all members of a group were known to each other; culture changed all of this with its implica- tions of unknowable and unknowing others. The web performs a kind of familiality for us; we're back in-relation, even with strangers. Ambient Findability charts in practical (i.e. the phenomenology of del.icio.us), psychological ('Social Life of Metadata'), and theoretical ('Language and Representation') terms. In Morville's book, all of these intermix. I did find the material on marketing, as well as issues of privacy, depressing; transparency always plays into power. As a model, however - as a vision of what's occurring, sticking close to the real online/offline world - the book is great. Recommended, along w/ Marx's 1842 notebooks. Linux Desktop Pocket Guide, David Brickner, O'Reilly, 2005. This covers distributions, protocols, desktops, etc. etc. mostly for the beginner, but not entirely. It's one of the Pocket Guide series, which are relatively cheap for O'Reilly (usually $9.95 or $10.00 in other words, another marketing ploy), and quite useful. If you're using Linux already, there are two indispensable books, as most of us know - Linux in a Nutshell (compendium of commands and everything else, now a relatively huge nut- shell), and Running Linux. Get the latest editions. As an intro, or desktop reading Linux Desktop is fine. I'd also recommend the ones on sed and awk; vi; google; and so forth. By the way, why review O'Reilly books? I'm committed to their seriousness and I'm poor. The two aren't contradictory. Over the years I keep return- ing to them; they don't tend to date quickly - the older stuff for example on peer-to-peer, or the various unix handbooks, are still current in a lot of ways. I like Peachpit Press for specific software. I haven't found much use for anything else, except for specialized texts like Wolfram's enor- mous Mathematica book. - Now for the third and last of the O'Reilly's, but not the least - Windows XP Cookbook, Robbie Allen and Preston Gralla, Windows XP Cookbook, 2005. Okay, where to start? I use WinXP a great deal; everyone else I know uses Mac (I do at times as well). I like the OS - I find it stable, and there are an incredible number of applications for it. On my notebook, I can run up to 10 Quicktime videos at once on it, without crashing the system, with good file management, and with other apps and directories opening and closing - all necessary for laptop performance. I hate the policies of MS, don't like the proprietary outlook (or Outlook for that matter, which I don't use - most of the time, like now, I'm in a unix telnet shell or on my linux PDA), but the media stuff works great. In any case, O'Reilly has followed suit with a huge number of books on WinXP, some of which I've reviewed before. You can only use so many! (Most of what anyone has to do in the beginning is tweak and tweak and tweak - WinXP out of the box is unbelievably clumsy. But the tweaking isn't hard, the registry isn't that scary, etc.) So the Cookbook, with 'Over 325 Recipes,' is one of the latest in the Cookbook series; it's designed for 'Power Users and Administrators,' which means there's a huge amount of information on command-line stuff - which is the heart, as far as I'm concerned, of WinXP, DOS or no-DOS. (Yes, no-DOS.) There are explanations of the obvious - the 'Classic' Windows look and ClearType, but there is a lot of excellent material on performance tuning, logs, routing and wire- less, registry mechanics, and so forth. It's perfect if you're a sysadmin with a network; I'm not, but still have used a lot of the material directly. There are sections on anonymous surfing, RSS feeds, and there's VBScript throughout. Recommended, along with books such as Windows XP Hacks. I've purchased some of these directly; since I'm in WinXP so much (if just as a portal at times), I need to get the maximum out of the system. Eduardo Kac, Telepresence & Bio Art, Networking Humans, Rabbits, & Robots, Michigan, 2005. This is a fantastic book - not so much for the transgenic rabbit (which is been played/overplayed/reoverplayed endlessly) as for all of the essays together, bringing new media history to light (no pun intended, well yes). The older material - 'The Aesthetics of Tele- communications,' 'The Internet and the Future of Art,' 'Beyond the Screen: Interactive Art,' etc. - are clear, filled with examples, the very stuff that leads to dreams. I was most impressed by his work 'The Eighth Day' (which he described recently at the Society for Literature, Science and the Arts Conf. in Chicago); there is a full description. Like Stelarc, I think Kac touches a raw nerve, and it's through the clarity of his work/ writing/presentations, that it becomes more than art, useful for the rest of us. Stelarc, The Monograph, edited by Marquard Smith w/ a forward by William Gibson, MIT, 2005, because here's the other end of the nerve, or the primal end (of which there are others, of course, but these are _nerves_ grounded on and offline). Stelarc's name came up at the conference; at this point, like the rabbit (_qua_ bunny), his work is close to over- determination through no one's fault - it's just clear, theatrical like Beuys or Abramovich, and serves as a touchstone for our pseudo-prosthetic pseudo-cyborg pseudo-cyberspatial selves. Its very overdetermination gives way to analysis here, which is all to the better. I find the work itself both enthralling, male-oriented (which of course has been covered up, or released), and oddly 19th-century in its presentation of the (male) body as obdurate, inert (reminds me of Clement Rosset on reality); no matter how wired we are, at least at this point in time, we're grounded by wires, wireless, hydraulics, gloves, electricity, etc. etc. - to be jacked in is to be part of the steam-locomotive (un)conscious. For better or worse, I think we need this book. One minor point, the Kroker's 'We Are All Stelarcs Now' - but we're not; in fact, we're increasingly like the victims of Katrina. I get tired of technophilic hyperbole; I don't believe for a second that 'Stelarc futures our body.' - instead, in the US, the now underfunded Superfund sites of industrial pollution literally gone amuck, do. I suppose I'm bankrupt, not theory, but theory divorced from that same Rossetian idiotic real leads to hyperbolics of electronic gadgetry as cultural foundation. (Btw I love the Kroker's work.) Two books quickly mentioned, resonant with one another, important to projects dealing with language and codework; one of these I'm also reviewing for the American Book Review in the future): The Tantric Tradition, Agehananda Bharati, Anchor, 1965. Bharati was born Austrian, became a monk, taught in the anthro. department of Syracuse. I've read this before, as well as Bharati's The Ochre Robe; this is the best book I've seen, period, on mantra, mantric language, and phenomeno- logy. It's not easy-going, and Bharati's arrogant (I think w/ reason). The logic of mantra is described; there are references to the analytic tradi- tion in philosophy that informs the work to a great extent. I think books like these (as well as books on Nya'ya for example) are really necessary to understand Buddhist/Hindu philosophies and logics. It's also an amazing read. Echolalias, On the Forgetting of Language, Daniel Heller-Roazen, Zone, 2005, full review forthcoming. This is wonderful! - the interferences among language, syntax, semantics, phonemics - the edges of phonemics in relation to the rest - anyone concerned with codework will find a great deal here - the microsound or granularity of languaging, a history and phenomenology which need far more attention. The book is organized into short chapters dealing with such things as Exclamations, Thresholds, Strata, Endangered Phonemes, and Schizophonetics. More later. At the SLSA conference, there were continuous references to William James, The Principles of Psychology, and Darwin. You can buy the former second- hand as two Dover volumes, fairly inexpensively. James emphasizes stream- ing (shades of Stein), process over product, flux of stasis. Gerald Edelman (whose theory of reentry among other things earned him the Nobel) mentioned both - James as a precursor and antidote to traditional AI or other hard-wiring approaches to the mind, and Darwin in relation to 'neural Darwinism,' competitions among groups of cells in development. Edelman's book, wider than the sky, the phenomenal gift of consciousness,' presents a lay guide to his theory, which fascinates me. But Darwin and James were really _everywhere_ at the conference - not in terms of 'intelligent design' - which is not only idiotic but self-contradictory (_this_ world is an example of either?) - but in relation to an increased interested in biogenetics and non-mechanistic nano-technology/culture in relation to cultural production in general. (Another reference that might interest you - C.K. Waddington, who was behind the Towards a Theoretical Biology conference in the 60s. He's a bit of the culture behind Edelman's science, I think. I asked E. about W.; he said his work was metaphorical - they knew each other. I remember that stuff about the epigenetic land- scape, chreods, etc. Anyway check it out.) Life Histories of North American Birds, 20 volumes, Arthur Cleveland Bent, Dover reissues from the 1920s. These are naturalist works; I'm not sure if they're still in print, but if you get a chance, buy one or all of the volumes. They're intensely descriptive and anecdotal, as well as filled with ethological materials. Azure is taking an online course on Ornitholo- gy from Cornell University (highly worthwhile); the textbook still recommends the series. I have one before me on 'Woodcocks, Sandpipers, Godwits, Snipes, Phalaropes, and Others' - Life Histories of North American Shore Birds, Part One. Along the same line, with incessant detail but not quite as interesting, is Birds of the New York Area, John Bull, Harper, 1964. The best work I've seen on ornithology by the way is the one used for the Cornell course - Handbook of Bird Biology, published by the Cornell Lab of ornithology. Coming of Age in Cyberspace, David S. Bennahum, Basic 1998. I literally devoured this, realizing all I had missed growing up before the digital revolution. He does better than anyone I've read at describing the interior life of glowing tubes, screens, digital readouts, anything that whispered to you of the other, maternal, surrounding, powerful, capable of dialog with even the loneliest. The descriptions of computer labs are also some of the best I've read. The book is easy to find, and should be, I think, required reading, well before the theoretical sets in. I like Turkle's work as well for similar reasons, although more analytical of course. Some shorter comments - Somewhere I have the Letters of the Younger Pliny in a Penguin edition; I've more or less finished it, and it's one of my favorite books of the period. The humanity (even given slavery, etc.) / humanism at work shows what hasn't been gained in two millennia. The letters are simply beautiful - not only the eyewitness description of the eruption at Pompey, but also materials on Roman customs and life in general. Another short text worth looking at again - Rudolf Otto's The Idea of the Holy - there's also a book by Philip Almond, Rudolf Otto, An Introduction to His Philosophical Theology. This might be read in relation to mantra, glossolalia, etc. (see above); the idea of the numinous, etc. is quite useful, although I always have trouble with Christology. The Moment of Complexity, Emerging Network Culture, Mark C. Taylor, Chicago 2001 - I'm reading this now, pleased with the references to Wolfram etc. - certainly an antidote to Imagologies which for me was next to useless - I love Edwin Morgan - his translation of Mayakovsky into Scottish is terrific. He edited Scottish Satirical Verse for Carcanet in 1980. (Odd deja vu - I may have mentioned this before). The book has incredible energy, and is more fun than Otto, even more fun than Ruskin - who I also want to mention - read his biography, read things like Ethics of the Dust in relation to it - and you're off and running. I'm also not sure if I've mentioned Eugene O'Neill's Dynamo, Horace Liver- ight, 1929, but I think it's somewhat of a critical text in relation to American thought vis-a-vis Chaplin, mechanism, etc. It's one of the oddest plays I've read - heavily influenced I think by German expressionism. Electricity itself, and an odd humming (humans/dynamo) constitute the literal driving force among libidos, spirtualities, and finance. If you find it, pick it up. I think it's also available online, but I'm not positive. Meanwhile the dogs of the US House of Representatives are screaming at each other, 82 died of violence in Iraq, and maybe more of us here at 'home' (such as it is) are realizing the slaughterhouse mentality of our so-called elected warlords... enlightenment cutmplum spare takemycarshome damned wander monastery monastery enlightenment message bye weeping feeling wailing money gnashing collect picture tail accomplished wept retired job joblessness awake helped insomnia saved duplicate preamp takenine raised pity pitch sentences supposed gnashed hammering sugar error notes days thump minute edit ahead splicing takefive mesterfilli destreied ebject ente sheild wezerd leve pini behend rhythm ez cennecteen centemeneteen eem reseirces menimenteleze cirves heppened fereegn lest cemmends ciberg fin werk werld leiereng wrep inreveleng semilteneeis seed centenieis benjemen preject welter tengie hesteri meelstrem lengieges sendheem defferent benel meniteee messpelled ell elter celebretes himen 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brother's between geomatics mediates not from litany human seedead an typical artist want did sister's kill always ensures die ill hating fills in hatred mind's to beingmelted come only nightmares language violence will was broken this scream ensure would young never ensured get i that could challenge win screaming with tort Continued Voyage I have just lost sight of land. There is no land. There is no light. I am going to signal the contents of an important message to you. I am going to signal to you by flashing. I shall repeat my signal. I shall signal by flashing. I shall signal by steam whistle or siren. I wish to exercise signals with you. Will you come within easy signal distance? The signals are not intended for you. You are flashing your signal too quickly. You can signal in your national language. I shall understand you. Your signal has been seen and understood, I will reply later. Stop carrying out your intentions and watch for my signals. You should discontinue repeating back any signals. You should discontinue repeating your signals. You should keep a look out for signals during the night. You should keep a look out for signals from me. You should keep within visual signal distance. You should make signal for a pilot. You should make a signal when you require a boat. You should pay attention to signals from me. You should repeat your signal. You should signal a little faster. You should signal a little slower. You should signal by flashing. You should signal with whistle or siren during fog. You should signal contents of telegrams addressed to me. You should signal the names of places to which you wish to be reported. You should signal your wishes fully. I am sinking. Send boats to take off passengers and crew. In a sinking condition. In imminent danger of sinking. Vessel has sunk. continued voyage: the shoals i have just lost sight of land. there is no light. am going to signal the contents an important message you. you by flashing. shall repeat my signal. steam whistle or siren. wish exercise signals with will come within easy distance? are not intended for flashing your too quickly. can in national language. understand has been seen and understood, reply later. stop carrying out intentions watch signals. should discontinue repeating back any keep a look during night. from me. visual distance. make pilot. when require boat. pay attention little faster. slower. siren fog. telegrams addressed names places which be reported. wishes fully. sinking. send boats take off passengers crew. sinking condition. imminent danger vessel sunk. history and phenomenology of analog-digital http://www.asondheim.org/ad-junct1.jpg http://www.asondheim.org/ad-junct2.jpg http://www.asondheim.org/ad-junct3.jpg http://www.asondheim.org/ad-junct4.jpg http://www.asondheim.org/ad-junct5.jpg http://www.asondheim.org/ad-junct6.jpg reduced to uncommon denominators within equivalent raster the arrows: dependency/associations/generalization the interfaces: tag-shimmered <> unmediated or perhaps mediated attentiveness to the dashed-line box and arrow (imaginary, idiotic, uncanny) thin-blade routers of the real