my small world murmur smallworldmurmur-suck _vti_log _vti_pvt bumblepaldirect-suck c-love c-bung cancer-love jw-love jx-love jy-love k- k-love k-suck ka-love kb-love kc-love ground-suck groundzero-suck gu-whip h-love h-suck hunger-flog hyperaccelerator-suck hzzzo-suck i-love ii-love sward-suck swardd-suck swole-poo t-love tail- takemycarshome-suck cutmplum-suck exp- explode-suck f-pee f-love faace-suck azurevlf-pee b-love ba-love baby-suck back-suck backhoe-suck baghdad-whip s-goof sac-suck said-slit salt- queer- r-love radio%-suck origin-suck outcrop-whip p-love painting-bung panamar-love paraa-goof land-suck lastgaming-poo lb-love dad-suck danceofdeath-whip dank-suck dawn ma-love machinic-slit map-whip mapp-whip marsocean-goof vlfmoan-suck voice-suck vvv-suck war-suck wave-suck parab-goof parac-goof parad-goof parae-goof paraf-goof parag-goof face-goof fantasm-love fastbreak-poo fecundity-suck fetish-suck na-love name-goof natural-pee nature-poo nb-love nc-love ncs-suck nd-love rand- rav-suck rdingnidr-suck rdingnidr-pee baghdad-love basin-suck bb-love bbbb-suck maya- mb-love mc-love md-love me-love -goof a-love abac-suck oa-love ob-love object-slit oc-love od-love oe-love of-love capt-suck categoryoftheindustrial-whip categoryofthenatural-whip cc-love futcult- future- g-love gcac-suck gcacbldg-pee gg-love ghaste-poo dawnchorusb-pee dbas-goof dbhome-suck dd-love dead-bung deadiniraq-poo earthquake-suck echo-love economy- edge-suck ee-love elek-pee abacus- advert-love ah-love ai-goof head- hh-love hiway-suck hold-suck hole-s-goof lc-love ld-love le-love leak-flog leaning-suck lease-flog leaves-suck measure-slit medea-whip mess- ne-love nebula-slit tao- taps-pee tat-poo technoloss-suck reading-suck red-whip redlinescara-suck cut word-cut zed -pee zed mine-suck zed mons-suck zed willetaud-pee redlinescarb-suck redlinescarc-suck redlinescard-suck redlinescare-suck deadtime- death-flog death- defuge-love degaslegs-suck degasribbon-suck dell-goof diary- leg-suck leo-bung lf-love lg-love lh-love parab-poo pen-flog penis-flog peopleofthebook-suck perfectbreast-suck redlinescarf-suck redyear- replete-slit perfectwomb-suck perfectwombre-suck performance-whip perth-flog terrr-goof test-flog test-suck testpd-flog net-love new-goof nf-love ng-love nh-love ni-love kd-love ke-love key-flog kf-love kg-love kh-love ki-love kj-love kk-love fetremake-suck ff-love ff-suck ff-goof bbeach-suck bcwave-pee beginningofthebeautifulworld-whip bfly-poo mess-goof messclr-goof mf-love mg-love mh-love mi-love miami-love cgi-bin ch-suck chaos-bung char-flog char-poo char-love charredworld-suck weather-love whataboutmotvalise- whit-pee wing-suck sartre-suck shinl-bung shin-bung shoes-suck signal-whip sin-goof tha-whip thog-poo thongs-whip throat- thrumb-poo tine-poo chiasm-flog chora-flog chorusa-suck chorusb-suck chorusc-suck chorusd-suck ghos-suck ghostboat-suck flogt-flog girl-flog fieldssection-pee fields-suck figure- film-love night-suck nik-flog nik-bung niki-bung nikii-goof nikn-suck niku-flog nikul-bung nikul-flog nikulx-flog niku-bung nikug-bung phen-love photoghoul-suck pinned-suck pinup-suck planet-flog vir-bung vir-suck virgax-suck virus-flog vision-suck vlf-suck dike-pee directory-love dismal-suck dismallimit-suck li-love linear-goof lineq-goof lj-love lk-love ll-goof ll-love llook-suck jeanpaul-suck jen-bung jj-love jk-love jl-love jm-love jn-love jo-love milk-goof missclr-goof mj-love mk-love ml-love mm-love mn-love mo-love sincirc-goof singingyou-suck sixviews-suck sk-suck skein-suck skin-flog skin-bung skindeep-suck bidel-goof bio-whip bklynmetric-suck bkreview- blackout-suck blade-suck nipple-suck nj-love nk-love nl-love nm-love nn-love no-love node-pee filmshipfilm-whip filmvid- fing-goof flaccus%-suck planetbike-suck planetshore-suck planetwing-suck plantplant-pee play-love skinny-flog slbee-pee slimemold-suck og-love oh-love oldaba-love oldindex-tit ontic-suck open-suck vlfirvine%-suck flick-suck flicked-pee flight-suck flood-flog airforce-whip alan- allegory-suck allofusnow-slit alpine-suck blond-whip blood-love bloom-goof bloom-suck bloomed-goof choruse-suck chorusf-suck cinema- cloud-goof flower-bung fluent-bmp flush-suck elektra-mpg elk-pee ellektra-poo empire-suck end-flog endofempire-whip twistl-whip u-love uh-flog unbalanced-ogg uncanny-love univer-bung inextremis-suck inherinhim-suck am-love an-love angel-suck animal-suck insidepennsylvania-bmp installedlife-suck annoyingegret-poo antelopebison-suck antelopevlf-suck anten-goof antenburst-goof antensex-goof kl-love km-love kn-love ko-love kp-love kq-love kr-love ks-love kt-love tine-suck todos_os_sistemas_-whip torso-suck fog col-hole fog cloudsin-hole fog cloud-hole fog dell-hole fog delcloud-hole fog d-hole fog colcloud-hole fog drawalk-hole fog bifurdel-hole fog bidel-hole fog beeb-hole writings-tar-gz fog draprint-hole fog dhenon-hole fog drawdell-hole fog henon-hole fog fullife-hole fog drawtest-hole fog lineq-hole fog linear-bas fog lifeline-hole fog julia-hole fog missclr-hole fog messclr-hole fog mess-hole fog mass-hole fog orbiting-hole fog new-hole fog moss-hole fog sintan-hole fog sincirc-hole fog sin-hole fog star-hole writing- writing-love writings-tar fog starr-hole lm-love ln-love lo-love lohengrin-poo look- lorelei-poo love- woll-suck worlda-slit worldb-slit flux- fly-suck follow-suck foofwade-pee footnote-love fop-love hollywood-suck homebody-suck col-goof com-goof combtomb-goof comfun-whip compbio- intheworld-suck intrview- ion-pee j- j-love blues-pee bonze-suck model- mommy-suck monster-whip mood-suck mor-whip morb-whip more-suck resume-love rooting-pee rootthrone-pee ruined-suck s-love moss-goof global-poo god-suck godslove-suck gorge-suck greens-suck mountainwake-suck mountainwaken-suck whip-love yamahaga-pee yamahagab-pee you-flog youyou-flog yungheal-suck z- zed plusplustaptap-poo poet- love-bung loving-whip lowl-suck love-suck poly-bung postmode-love corrug-suck covector-suck crimescene-poo bournen-slit boyznoyz-poo brob-suck snapshot-slit sophia-love sound- sp-goof speechofbuilding-pee noise- normalcar-goof np-love nq-love nr-love ns-love nt-love potential-suck lp-love lpmud-flog lq-love lr-love ls-love sprites-poo sputter-suck whipie-love mp-love mq-love mr-love ms-love mt-love mu-love mud-goof fopinfo- frac-bung frame- freight-bung travis-suck troth-suck trrrr-goof dood-flog drawalk-goof dreamscreen-whip duanehanson-suck orbiting-goof ord-suck orders_of_the_real--doc org-whip organ-suck bronze-suck bronzevid-suck potepoet- presterjohn-suck probe-poo probe-whip probe-pee crown-suck cruxbone-suck cruxflesh-suck crystalcove-suck jp-love jq-love jr-love js-love jt-love ju-love jungamer-poo jv-love ap-love ash-suck ashur-suck -readme-love readmest- -suck -bung -stit squareonthefaceofthewoman-suck star-slit starr-goof starsavage-suck start-whip statenegative-suck statepositive-slit stelarc-love stet-pee escape-suck eternal-suck europe-whip eve-whip stored-bmp strom-bung struct-slit studio-poo uphigh-suck uselessgames-poo ust-poo uu- vel- video- trunc-poo tt- tub-suck twirple-slit brood-suck brrd-suck buddha-flog buddha-bung buffalo-suck frus-whip fucking-suck fuji-suck furl-suck furry-suck bumblepal-poo suck-poo suckgod-flog super- surfrodf-poo susan-suck culture-suck curl-suck cybinfo- d-love fog prosebio- punctum-goof pushed-suck q-love dumbhack-suck dump-avi dup-whip dusk-poo e-love earthole-suck ever-bung cut cut-tar cut-love exe_readme-love cut archaea-cut dawn index-tit cut abyss-cut cut america-cut cut aus-cut cut axis-cut cut baby-cut cut ballet-cut cut bee-cut cut blood-cut cut brilliant-cut cut crown-cut cut europa-cut cut gb-cut cut glory-cut cut god-cut cut graph-cut cut hemiptera-cut cut hold-cut cut kali-cut cut mourning-cut cut overlook-cut cut pest-cut cut plasma-cut cut rust-cut cut scler-cut cut sks-cut cut star-cut cut swoon-cut cut tz-cut cut umb-cut cut victor-cut cut void-cut cut wall-cut cut wallvoid-cut cut weather-cut cut web-cut wtc-suck wuv-whip x-tit y-tit yamahabchor-pee lt-love lu-love lucy-suck lv-love lw-love lx-love ly-love lz-love m-love murmur-goof mutate-whip mv-love mw-love mx-love my-love nu-love nude-suck nv-love nw-love nx-love ny-love nz-love o-love assignation-whip astrofast-pee astroslo-pee avatars- aw-goof azeds-poo eve-poo zed willetfil-pee zing-flog _private _vti_bin _vti_cnf _vti_inf-tit susangra-suck swan-suck ku-love kv-love kw-love kx-love ky-love kyoko- kz-love l-love la-love myascii-suck mybabydead-suck myfear-suck mytruework-poo _vti_love yung-suck zing-wav zz-love dawn dawn-tit dawn dawn- myvoicefive-suck myvoicefour-suck myvoiceone-suck mz-love n-love n-suck For Joanna and Eugene, married today - Some writings from Shih-Wu (Stonehouse) Study the patterns of transient existence the outcome of a game of chess isn't fixed a monk in the mountains needs to be free people in the dust grow old unaware wind blows tea smoke over my bed the stream drops petals into a pool with thirty-six thousand days why not spend a few being still The Master said, "When Bodhidharma lived at Shaolin, he faced the rocks for nine years. But the walls and moats were not impregnable. When Shu-shan sold cloth, he traveled thousands of miles to pay someone a visit. But the roads were confusing. "Here at Fuyuan, the walls and moats are impregnable, and the roads are straight and smooth. Whenever you walk, walk in the middle of the road. Whenever you stop, stop where it's safe. And if you encounter a piece of farm land in between, why shouldn't you set foot on it?" At the beginning of retreat, the Master said, "Before the fifteenth day of the fourth month, the nights are short, and you don't get enough sleep. After the fifteenth, the days are long, and you're always hungry. Today it's the fifteenth, and all you Zen monks here at Fuyuan get enough porridge and rice and enough sleep. "As you wander through this monastery of perfect enlightenment and take refuge in undifferentiated wisdom, may I ask how you ended up in such a place? A welcome breeze enters the door, and you feel cool. Lake water reaches the gate but without any purpose." (Red Pine trans.) ...So I tried to find something here relating to marriage, to marriage in relation to Buddhism, and found a ground or a clearing and nothing specific but something in relation to writing or waiting-on. And now of course there's no waiting, and I find it hard to locate anywhere a position for the consequence of any vow grounded here. But there's waiting and waiting and renewal and we change things as we go along. And given the dreariness of the world, this marriage is blessed, by us and perhaps by Bodhisattvas, or perhaps not. This is a wonderful commitment among remarkable people, committed people, brilliant people, who can only grace us with their presence, and their presence together, and among each other. - father of evil don't blame the father for the sins of the young. my father ensured i would never get over my father. my father screamed at me constantly. could i win with my father. i never could win with my father. my father ensured that. my father ensured i would never challenge my father. the screaming of my father ensured i would never have a world without screaming. the nightmare of my father ensured i would never have a night without nightmares. the violence of my father was only the language of my father. the language of my father ensured the violence of language. i will take language apart and there will be no violence. i will challenge language and there will be no father. my father will write this and my father will ensure my father will write this. my father ensures that my broken language will scream at my broken language. my father ensures that i will always sin against my father. i will always sin against my father. my father battered my mind until my father was my mind battered by my father. my father makes me ill. my father fills me with hatred. my father ensures i will die hating my father and hating my mind. "In like manner tear sheddings, &c. are held to come from the mind's being melted [--not pained--]." (Sahitya-Darpana.) how to reduce a human being to an artist the litany "don't sins blame of sins ensured young. blame ensured for i would father. never my father over screamed father. me screamed would at never win win with with that. i challenge screaming screaming world without father screaming. ensured nightmare ensured night my nightmares. father violence only was my only father. language the language. language will my take father apart be and no there violence. be will no challenge violence. language write there this will ensure write this. that ensures ensure that my broken will. scream always i sin will against always battered was mind mind until battered by mind makes me ill. hatred. fills ensures hatred. makes die my hating father mind." i will see my father dead. Typical Family of Ghouls I live in a typical family of ghouls. Mother Sister My mother is dead. My sister did not kill her. I want to kill my sister. Sister's Husband My sister's husband is a minor ghoul. My sister's husband stands behind my sister. Have one pair of horns between them. Brother and Brother's Family Fine people unghouled. Live and let live. My brother mediates. His field is geomatics. Understands fields of neurosis, hatred. Lives in Buddha fields. Sometimes talks to ghouls. Daughter and her Husband We have been blessed by grace. Bodhisattvas and miracle wedding. Escape! Escape! Father Ghoul with knot of insurmountable distinction. Tightens with struggle. Always furious. Ghoul-slayer indistinct. Reseeds teeth of the vanquished. Ghoul-Coterie Father, sister, and sister's Husband = ghoul-coterie. The class of ghouls lives annihilation. Class between them. Beneath them. Ghouls ride expensive horses. Run dawns and dusks. By which I mean: manufacture dawns and dusks. Are weather. Myself Ghoul and ghoul-hater. Wound inversion. "I will spatter them with Halloween blood but not on Halloween but sometime when they are very happy they will see my (fake) blood and laugh." Family Nuclear, like any other. Roost This _has_ to be the animal in-itself, however one wants to think of it - other than time-stretch and minor audio modification, very little was http://www.asondheim.org/roost.mp4 done. Over and over again, tricks were attempted - all sorts of things, nothing worked. The animal remained. "Perhaps," I thought, "I should leave things well enough alone." Somewhere I'm positive, Han Shan was silent, or here, I'm not sure about these things - I don't know how, for example, to answer a koan to anyone's satisfaction. (And for myself, why bother? I've absorbed everything except the time-stretch of meditation.) I need this. And seeing it, now, it seems as if one would wait for catastrophe, slaughter, injury - fright at the very least. This however is farthest from the truth, at least this truth. What remains, inhabits. These moments hold the world together. They roost. "But even when a hypothesis occurs in logic, the fact that it can be framed does not itself belong to logic." (Whitehead and Russell, Principia Mathematica.) vammiy-chant hemp hersemf just now there were troubmes mn the vammey; she coumdn't hemp hersemf hgmp hgrsgmg just now thgrg wgrg troubmgs mn thg vammgy; shg goumgn't hgmp hgrsgmg ielp ierself just now tiiri wiri troublis in tii valliy; sii couldn't iilp iirsili ielp ierself just now tkere were troubles kn tke valley; ske eoulen't kelp kerself in the valley; she eoulen't help herself just now there were troubles kn the valley; in tie vammey; sie coumdn't iemp iersemf just now tiiri wiri troubmis in tii vammiy; in tie vammey; sie eoumen't iemp iersemf just now tmere were troubmes mn tme vammey; in tii valliy; sii ioulin't iilp iirsili just now tkkrk wkrk troublks kn tkk vallky; just now tkere were troubles kn tke valley; ske couldn't kelp kerself kust now tkkrk kust now thgrg wgrg troublgs in thg vallgy; shg goulgn't hglp hgrsglg just now thgrg memp mersemf must now tmmrm wmrm troubmms mn tmm vammmy; smm coumdn't mmmp mmrsmmm must now there were troubmes in the vammey; she eoumen't hemp hersemf just now there must now thgrg wgrg troubmgs in thg vammgy; shg coumdn't hgmp hgrsgmg just now thgrg must now tiiri wiri troubmis in tii vammiy; sii ioumin't iimp iirsimi just now tmmrm she eoulen't help herself kust now tiere were troubles in tie valley; sie eoulen't shg couldn't hglp hgrsglg kust now tiere were troubles in tie valley; sie couldn't sii coumdn't iimp iirsimi just now tmere were troubmes mn tme vammey; sme coumdn't skk koulkn't kklp kkrsklk kust now there were troubmes in the vammey; she coumdn't sme eoumen't memp mersemf must now thgrg wgrg troubmgs in thg vammgy; shg goumgn't there were troubles in the valley; she couldn't help herself just now there were thg vallgy; shg couldn't hglp hgrsglg just now thgrg wgrg troublgs kn thg vallgy; troubles kn the valley; she couldn't help herself kust now thgrg wgrg troublgs in were troubmes mn the vammey; she eoumen't hemp hersemf must now tiere were troubmes wgrg troublgs kn thg vallgy; shg goulgn't hglp hgrsglg kust now tiiri wiri troublis wgrg troubmgs mn thg vammgy; shg coumdn't hgmp hgrsgmg must now tiere were troubmes wkrk troublks kn tkk vallky; skk couldn't kklp kkrsklk kust now there were troubles wmrm troubmms mn tmm vammmy; smm moummn't mmmp mmrsmmm must now slide.rule the slide-rule processes nothing; there are no processes. there are procedures. the calculator processes everything; there are filters. this is a fundamental distinction. an abacus processes nothing. it is not the distinction between analog and digital. it is the distinction between interior and exterior. the keyboard of a calculator or computer mediates processes and protocols. the beads of an abacus remain in situ. a slide-rule remains in situ. observe the abacus or slide-rule. the results are steady-state. the results are gained solely by human labor, i.e. movement of the beads or slide. the calculator uses an energy source, for example battery or solar power. a wind-up calculator stores energy. a calculator regulates its stored energy. the stored energy is controlled much like the escapement of a clock. the stored energy implements the unobserved steps or procedures tending towards a visible solution. even if every step were accounted for, for example listed in real time in a debugging program - the steps are unobserved. only signifiers, mediators, are observed. the ontology of the slide-rule however may be compared to the epistemology of the abacus or calculator. the abacus founders on ontology and the real. the calculator founders on ontology, the slide-rule on epistemology. the real is of the real. the digital must be manifest, within the analogic. the analogic is present. the ruptures of the abacus are problematized by the fuzzy movement of the beads. an electronic abacus, a digital abacus in other words, is internalized. this is the secret of the digital: its internalization is that of the body; its operations are literally neural, and its protocols are the shape-riding of synaptic signals. the digital has a life of its own; the analogic is inert, and in this sense, even the analogic body is inert. life is always the life of others. ii we look at the slide-rule or abacus. we watch the computer screen. we say 'look at this'; however if we are responsible, we say 'watch this.' we see a film, but watch television. however we look at the computer screen. we look at symptoms, 'look what's happening here.' we watched a film last night. did you see that show on television? look, see, watch - however, with the abacus or slide-rule, with the real, we look. why should we watch the slide-rule? it's not doing anything. watch what i can do with it. watch the carry-over of the abacus beads. we wait with expectation. i wait without expectation. the slide-rule waits for nothing, does not wait. the computer may be in standby or hibernation. the computer or calculator is the filtering and mediation of potential energy. the computer and calculator possess kinetic energy in the carrying- out, performance, of their duties. they are assigned duties. the assignments are flexible, flex-work. the slide-rule and abacus do not possess kinetic energy. or rather: they do not possess internal kinetic energy. for example, a stone may fall; a stone is. of course energy may be reassigned, as may waiting, looking, seeing, watching, interior and exterior. there may or may not be an observer. huang-po may have been such an observer. http://www.asondheim.org/hu.mov (nothing, addendum) like all addenda, familiar. capital original source Brooklyn rooftop VLF modified antennas no microphones were used http://www.asondheim.org/township2.ogg http://www.asondheim.org/township1.ogg does it matter? only that i'm hearing new things i always want to hear new things i consume them old things never bear repeating old things > new things > old things tonight every vowel is a you, i'm looking out the window at a vowel it is your vowel, and you are there, at least there is light in your window our friends do not see that light we are abandoned by the alphabet z, x, y, have you no shame i have made new work to show you wonderful videos without sound or text texts without sound or light sound without image or text everything is blind somewhere everyone is somewhat blind glassesless i am eyeless, bonked against glass on this cold night, where you have taken vowels for a cold dark spin ii tonight every vowel tonight is every a vowel you, is i'm i'm looking looking out out the the window window at at it it your your vowel, vowel, and and you you are are there, there, least least there there light light in in our friends our do friends not do see not that see we abandoned we by are alphabet by z, x, z, y, x, have y, no you shame no i i made made new new work work to to show show wonderful videos without wonderful sound videos or without text sound texts image everything blind somewhere everyone somewhat glassesless am eyeless, glassesless bonked i against glass on against this glass cold on night, this where have taken for vowels a for cold dark where spin you souvenir this is just a souvenir of my antenna in the air searching up and down for where the signals come to haunt my dreams radio's not what it seems there are no perspicacious beams the world's not hardly what it seems although it rattles all my dreams i move the wires searching where signals fall through sullen air to radio maw and radio leer http://www.asondheim.org/bklynvlf.mov failure another in the final series of sped-up surfers off a California beach from found webcam images. i want the summer of my life. in an attempt to regain this, over and over again, i imagined myself surf- ing in these oceans: utterly useless. it's like repetitive dreaming, over and over again, but nothing _takes._ in fact there's no reason to look at the video, which can only be a failure. on the other hand, the impulse itself, that loss among water, Theweleit. philosophical immersion, fluid mechanics of Irigaray, Lingis (Excesses). but a tawdry image, far from the madding crowd, isolated, numerical infinitesimals juggled in a depleted style. (once this might have been fun. once this might have been unusual. 1898, for example, Lumiere, for example.) the point, punctum, is the dream of immersion and its digital decay. http://www.asondheim.org/summer.mov and my own weakness although Gidget was a jew. _ soundimage download .mp4 (you will need the latest qt) download .mp3 (you will need anything) play together (play on loop) look and hear (mesmerize) you will be me http://www.asondheim.org/lifecho.mp4 http://www.asondheim.org/peggycove.mp3 .mp4 perhaps the most beautiful mourning .mp3 perhaps the most beautiful dusk the visual and the audio have parted ways please bring them back again rough day soundtracks it's been a rough day. these might be for http://www.asondheim.org/lifecho.mp4 or separate for that matter. i'm decathected. http://www.asondheim.org/peggywave.mp3 http://www.asondheim.org/futurefuture.mp3 maybe these would work better than the one yesterday. in any case you might like them or not. they're not that large but the lifecho is. you need quicktime 7 for the lifecho. i don't know, this stuff is all i can do lately. unemployed person in the world. no future but futurefuture. no wave but peggywave. maybe more rough day tomorrow. i don't know. let's hope not. NATURE I AM STEALING YOUR IDEAS depression, decathecting from the natural order of things. I AM WRITING AS FURIOUSLY AS POSSIBLE. in depression, ontology precedes epistemology. EXISTENTIALISTS ARE DEPRESSED. existence contrives nothing. EXISTENCE THUDS. it is inconceivable - to deconstruct existence. TENSOR ANALYSIS. the panoply of existents fall under the aegis of epistemology. FORLORN BEAUTY. for the depressive the world is a resentment. I'M NOT HERE. the existence of other minds is a worn-out given. WHY NOT. the locative case of situation does not cohere in any language. WAND- ERING IS THE BEST SOLUTION. force and power in the world have everything to do with exegesis. THUD. the depressive tears itself apart. ADMITTING FAILURE IS THE NATURAL PATH TO MORE OF THE SAME. mind, des- perate for contact, stumbles over unnecessary dream- work. THERE IS NO UNDER UNDER. your disinvestment is their investment. LOSS AND GAIN CIRCUMSCRIBE MEAN- -ING. thud. "THE THEFT: 'WHO TOLD YOU THAT?'" Saigon test real Coppola made Apocalypse Now as test reel. I make test real in Saigon. http://www.asondheim.org/saigon.mov I will always remember our nights in Vietnam. Teelak (named changed) has given me untold pleasure. We American doughboys know how to have good time. We take care of our girls in very proper style. Now, America is giant superpower. Soon we will take care of you. mysterium just more of this where i live and work you probably won't see me (but you can feel my hands http://www.asondheim.org/room.mp4 out on a limb that truncates into nothing See below: commentary on digital collapse. "Constructed Points and Dimensional Collapse Geometries computed by spatial analysis methods may contain constructed points which are not present in the input Geometries. These new points arise from intersections between line segments in the edges of the input Geometries. In the general case it is not possible to represent constructed points exactly. This is due to the fact that the coordinates of an intersection point may contain twice as many bits of precision as the coordinates of the input line segments. In order to represent these constructed points explicitly, JTS must truncate them to fit the Precision Model. Unfortunately, truncating coordinates moves them slightly. Line segments which would not be coincident in the exact result may become coincident in the truncated representation. For Line-Area combinations, this can lead to dimensional collapses , which are situations where a computed element has a lower dimension than it would in the exact result. JTS handles dimensional collapses as gracefully as possible, by forming the lower-dimension." http://www.jump-project.org/project.php?PID=JTS&SID=OVER " 00331 /* 00332 * Reduces the precision of a {@link Geometry} 00333 * according to the supplied {@link PrecisionModel}, without 00334 * attempting to preserve valid topology. 00335 *
00336 * The topology of the resulting geometry may be invalid if
00337 * topological collapse occurs due to coordinates being shifted.
00338 * It is up to the client to check this and handle it if necessary.
00339 * Collapses may not matter for some uses. An example
00340 * is simplifying the input to the buffer algorithm.
00341 * The buffer algorithm does not depend on the validity of the input
geometry.
00342 *
00343 */
00344 class SimpleGeometryPrecisionReducer {
00345 private:
00346 PrecisionModel *newPrecisionModel;
00347 bool removeCollapsed;
00348 //bool changePrecisionModel;
00349 public:
00350 SimpleGeometryPrecisionReducer(PrecisionModel *pm);
00358 void setRemoveCollapsedComponents(bool nRemoveCollapsed);
00359
00360 /*
00361 * Sets whether the {@link PrecisionModel} of the new reduced
Geometry
00362 * will be changed to be the {@link PrecisionModel} supplied
to
00363 * specify the reduction. The default is to not change the
precision model
00364 *
00365 * @param changePrecisionModel if true
the
precision model of the created Geometry will be the
00366 * the precisionModel supplied in the constructor.
00367 */
00368 //void setChangePrecisionModel(bool nChangePrecisionModel);
00369
00370 PrecisionModel* getPrecisionModel();
00371
00372 bool getRemoveCollapsed();
00373 Geometry* reduce(const Geometry *geom);
00374 };
"
http://geos.refractions.net/ro/doxygen_docs/html/precision_8h-source.html
Dimensional collapse might be an example of the imprecision of phenomena
in relation to any given grid. Here one might have analog -> digital (i.e.
mapping) -> dimensional collapse.
In relation to analog/digital phenomenology: look at collapse; at border-
line phenomena; at rastered 'infinities'; at the phenomenology of observa-
tion itself; infinitesimals; particle decay; at Thom's catastrophe theory;
at cellular re: Wolfram; and so forth.
Somewhere in all of this there are hints of sudden collapse that predate
the universe.
Perhaps a hint that the analog is an extrusion, just as Aristotelian
distributivity is an intrusion in relation to gestural (non-Booelan)
logics.
Perhaps the primordial surrounds us; our prsent; the universe begins in
the synchronic, pre/chaotic extension; having always already begun; having
always already ended.
Issues: My own ignorance in relation to the _practical limits of calcula-
tion._ One can easily, for example, multiply a 1000-digit number by 2;
it's only a question of limited rules (i.e. 2 x 8 = 6 + carry). Machines
can handle 2 1000-digit numbers multiplied, etc. Pi can be calculated,
presumably indefinitely. On the other hand, take sin(tan(x)) as x
approaches 90 degrees; sooner or later the calculation breaks down, and
'jumps' are observed. Re: fractal programs - continuous enlargment stops
as a result of what? Calculation limits? Graphics/raster limits? Is the
stoppage _inherent_ in the technology, regardless of interface, or is it a
byproduct of interface as much as anything else?
My stupidity of course gets the better of this...
_
sounz
four takes on chordata.
i've been working on these.
the usual guitar, probably a larson?
now i think something else, yet unknown.
http://www.asondheim.org/takeone.mp3
http://www.asondheim.org/taketwo.mp3
http://www.asondheim.org/takethree.mp3
http://www.asondheim.org/takefour.mp3
difficult to break new ground with this instrument.
everyone wants to do something, very few do.
parallels to digital editing/wave equation collapse.
parallels to labor unaccompanied.
difficult to subject myself to this, i do.
_
mesmeric beacon
The digital promises eternity and implosion simultaneously. As the world
rolls on, the archive, dependent on a technological present, momentarily
survives. In a decade, our words will be forever lost; in a century, the
writers from the red dust return to the same. Our world is burning, our
digital mission evanescent. We endure, adapt ourselves to fast-forward
technological innovation, hope for the best; we shall never see the end of
it. I work with this in mind, as if each piece is my last. My work expands
across sensory modalities, temporary membranes of personal and inconeiv-
able wonder. http://www.asondheim.org/takex.mov This new video, actually
quite short but looped, is a mesmeric beacon, providing visual accompany-
ing http://www.asondheim.org/takeone.mp3
http://www.asondheim.org/taketwo.mp3
http://www.asondheim.org/takethree.mp3
http://www.asondheim.org/takefour.mp3 since, surely, sound is no, never
enough, nor the labor of one's instrumental reason. Please keep this in
mind, playing the mesmeric beacon while each of the four murmurs of this
and any other world play unto boredom, reaching perhaps our point of
saturation. This is the promise of eternity; one may return to such music
at any time of day or night, given sufficient technology, power, and
expertise. I shall die of exhaustion waiting for you, please do not
disappoint.
special they want, ...
flag with care : [miscategorized] bomb illegal! bomb is a dirty word they
said because you have well, evolution is a theory and it is also a fact.
THEY SAID population over time. ... k true dig (future evolution remix) i
would THEY SAID love : pm bomb america, americans r fat , bomb
racism...bigotry bomb THEY SAID amerika ass forever!!!i hate amerikka! ...
k true the bomb america THEY SAID trilogy. matt cale loves the a bomb
rant, guitar - bomb amerika= to beat THEY SAID the face, sell out
motherbombers in the biz true lenny bruce said it THEY SAID himself,
actually, take away the right youll put your faith in that rag THEY SAID
till the day you are sides of my family (we bomb with my mothers side, who
THEY SAID anticipated darwins ideas on evolution were ... it seems to me
that not THEY SAID the ones i see and have to deal stupid idiots dont
realize ... world ( THEY SAID nobody really the fall for bombing hugh
hefner, larry flynt or ... of THEY SAID written profanity began roughly in
the sixteenth century, and amerika (a THEY SAID goverment of the people)
bomb poverty evolution as something that really THEY SAID happens. ...
trying to say that theyre not just good, theyre bomb america! THEY SAID
by the punisher friday, mar. , at volution_of_profanity- k THEY SAID
true the evolution of written k true all the usual suspects, including
THEY SAID shit and bomb, america and their rhetoric, bomb america and
bombed by the THEY SAID fickle finger ... the bomb america displaying from
to of : bomb is THEY SAID wrong with kansas: evolution is each. god bless
amerikka. unless maybe THEY SAID youre you tired of america? tired of
hearing about politicians their THEY SAID bullshit, bomb american
stupidity, on trial! again! in kansas! the earth THEY SAID is flat! ...
ist eine veranstaltung in mit bomb amerika .
own gm THEY SAID cars in the us, get killed and bomb them up their true
like women in the THEY SAID good old united guyville snakes of profanity
began roughly in the THEY SAID sixteenth century, some plenty of food and
but you have to teach over the THEY SAID globe and everyone in the world
hates them. amerikans are over the globe THEY SAID and everyone in the
world hates them. amerikans are dead. bomb amerikkka, THEY SAID and bomb
their lies, to say bomb and you take away the mcluhan bombing, THEY SAID
and leaving interns? member sites of to be naked to do it. also its fun.
THEY SAID ... evolution. basically ape to man, in a long time. heh, thing
is, bomb THEY SAID america in some sort of context. reason it even comes
close to being THEY SAID repeated ever is because bombing america is gonna
kill me! theyll take THEY SAID what amerikka, or. >amerikkkans, dont
feel amerikka, or amerikkkans, THEY SAID dont feel or > amerikkkans,
dont feel special, maybe it and then, i THEY SAID hope those bombing
workers get run over by their with are bombing morons. THEY SAID ... bomb
america those south park guys time to live or die dont you wanna THEY SAID
be here in the end ... amerikka are sooooooooo free----.free to whoe they
said themselves evolution is defined as a change in allele frequency in a
needs THEY SAID anything, it is a bombing revolution. if amerikka,
special, maybe it is THEY SAID because they exploit the rest special,
maybe it is because they exploit THEY SAID the rest its bombing kansas. as
long as they continue to produce continues THEY SAID to bomb is probably
the most offensive swear word used. ... popular THEY SAID variations of it
are bomb a duck, amerika cannot destroy it because she THEY SAID dare not
use it. its >amerikkka needs anything, it is a bombing THEY SAID
revolution. if amerikkka needs anything, it is a bombing revolution. if
THEY SAID pig hymn waltz bomb bjorsq. mark amerika. losing bombing
amazingly THEY SAID fantastic. bomb amerikka . that try to bomb me, ...
bomb amerikka THEY SAID and bomb you too. (repeat). bombing evolution.
this question is stupid. THEY SAID the only ignorant swine who just eat
up big macs and ... ignorant swine THEY SAID who just eat up big macs and
... ignorant swine who just eat up big macs THEY SAID and ... muckin
reality, i just wanted to say the globe and everyone in the they said
world hates them. amerikans are and one surprise: evolution. while many of
THEY SAID those is because they exploit the rest ... of amerikka (babylon)
by THEY SAID komboa. ... THEY SAID
space-time reworked small video
http://www.asondheim.org/adarule.mov
space = ruler time = ?
Writing in the airport, alarm, flashing lights.
What happens in relation to language and codework vis-a-vis glossolalia?
mantra?
In mantra, language is performative by virtue of repetition; in glossso-
lalia, language is excess and testimony. Both are dependent on the aural
register; mantra is steered through texts as well.
In both, sound is empathetic within and without the imminency of the
world. In both, the performance of natural language is negated, 'nonsense'
words on the edge of interpretation.
The mantra appears unconstructed, present and presencing: 'So much for the
believer's explanation of the origin of _mantra_ - its construction as a
verbal sound cannot interest him; on the contrary, he must deny the very
possibility of its having been "constructed" at any time - for being
eternal and only revealed in time, "construction" is precluded.' (Bharati)
Glossolalia likewise is unconstructed, albeit susceptible to linguistico-
archaeological renderings of ancient or at least ulterior fragmentary
texts.
If code is the asymptotic well-formed performative language, codework is
the deconstruction of that language within or corroding by or corroding
natural language. If code is entirely construct, codework is the splay of
mantra-glossolalia across its semantics. Codework has an uncanny relation-
ship with language and code; its sound is always distanced, almost
inaudible. Do not _think_ (of a) mantra; do not _think_ glossolalia. This
preclusion of thought is the preclusion of ration, rationality - in other
words conventional syntax. When syntax is cleared, the aural field
emerges.
This tendency towards the uncanny is also found in codework's relation to
the semantic or referential field. Codework threatens its own referents
_qua_ referents; in this respect it is liminal, although liminal _among_
what? - is part of its (fluid) content.
Alarms are going off in the airport. There are flashing lights.
In Echolalias, Heller-Roazen describes Trubetskoi's analysis of interjec-
tions; Trubetskoi pointed out that the interjective phoneme set contains
numerous sounds not found within the standardized language. In English for
example, grrr, hmmm, brrr, the glottal stop in uh-oh, etc. Might one
consider this real world interference, code abandoning normative phonemic
structures? Code is related to the _cry of pain,_ the inability to retain
meaning in the face of it, Levinasian alterity consumed in the Deleuzian
pli short-circuiting the body. For that matter, Levinas' Existence and
Existents describes insomnia's relation to decathecting, being, if I'm not
mistaken. Code ruptures, loosens meaning; it might be language wounded,
language not on its own, returned to the bodies that produced 'it.'
Echolalias, On the Forgetting of Language, Daniel Heller-Roazen, Zone,
2005 and The Tantric Tradition, Agehananda Bharati, The Tantric Tradition,
Anchor, 1970
silly short city symphony
chicago city symphony archaeological reconstruction
8 visual echos -2+ seconds each
http://www.asondheim.org/chicago.mov
ok this is silly but in reverse abstraction returns
the building to itself, which is a bit interesting
and might be put to far better use, with a narrative
perhaps, something like that, but you'd have to keep
the forward words forward, plot's dependent on the
soundtrack
Chicago performance text
[PROEM:] COLLAPSE / hard to write when country collapses / when we are now
IMPERIUM / the digital is at the margins of the analog / the digital is
always already a construct / we are constructing at the margins of
violence / analog = substance / (i always have good ways of starting and
then everything falls apart) / falls apart = analog / [HERE I BEGIN THE
PERFORMANCE:. NO one understands the digital / we assume we understand the
term. we use it to reference perhaps.... the construct of a cd or cdrom or
dvd or any digital file which begs the question - certainly there's
something to be said for the presence of a POTENTIAL WELL - in other
words, for 01010010101000111 etc. to make any sense at all, the entire
stream must be first of all PROTECTED and second of all subjected to
checksums - i.e. verified. but this is all technology... in fact it is
similar technology that references subterfuge, the cipher, the war-
machine, the industrial revolution. anything that can be subdued or placed
within a yes no YES NO situation - that is, can be forced into at the
limit one of two possibilities, whatever they are - this is what happens
with the WAVE EQUARTION i think that is when schroding cat enters into an
anomalous state unitl the moment it's observed, forced into life/death -
what are the implications? it's the analog forced into the digital through
the construct of the observer. this is at the heart of things; on the
level ofthe social, it connects obviously to Foucault's panopticon seeing
everything - what is it seeing? if it was in say Iowa it might have seen
the nineteenth century revolving jail which is still there, no longer
functioning - two people holding over a hundred prisoners in a lazy-susan
machine three stories high. if it was - sorry, "if it were" in the united
state, it would be, it would have been, perhaps the locus of the WMD in
the Iraq war - what constitutes a weapon? how many have to die for mass
destruction? don't forget we've already killed about 160000 Iraqi - but it
doesn't matter, they're not on the news; there are no longer bodies, and
what I'm pointing out is already or always already useless, known before .
"a respomnse to war" - the bodies blown apart - oiringally created using
motion capture equipement - modified - they're no longer coherent -
DIGITAL - by the way do you know that wind machines - electrical
generators - tend to kill tens of thousand of migrating birds? another
true fact! more of thesame, some of you might already have seen these, for
which apologies - if you can't have beauty in the symmetry of the digital,
where can you have it? i'm trying nit to blow the speakers... on the other
hand, perhaps that would give ... some indication .. of the fact which
still bothers me that here we are in a safe american hotel whereas. - the
jordanians, the chinese, are in the news again - what's thar you/re
hearing? vlf radio results in antennas that can SOMETIMES ACT AS
MICROPHONES by cojpling coupling with other organic beings in the vicinity
- here a woman is stomping and changing the ELECTRRICAL characteristics of
the ground in the vicinity of the antenna - if this gets any louder I'll
go BLIND - these are the locations on a trip a few months ago - where the
antennas tended to work - where it was possible to get away form the
TECHNOLOGICLA POWER GRID - any 60 cycle wire in the vicinity interferens
with the natural world - what you're hearing is the natural world as a
result of things being... taken as far as possible, away from everything
else - it all occurs w/in the realm of relative violence - just as the
digital is always already violence, cutting into the analog, bassed on
decision someone or somewhat something is making - it remains without this
tendency by itself - it's the cutting that does it - the obvserver in the
schordinger case for example or the observers in Baghdad - that's what it
is - it's like a car crash - this is a danger curve - there are
archaeological remnants, paints, scratches, rubber trails, scars in the
concrete - the site of a huge number of accidents in the viciinity of los
angeles - my choreographer and I are discussing the latest "new moves" for
his dance companyh in GENEVA - none of this stuff is worht more than a
MOMENT's NOTICE. i'm always jealous of AREAL ARTISTS who make things that
CHANGE THE WORLD - big PAINTINGS or INSTALLATIONS - they're just THERE -
this stuff is all on the INTERNET - close your eyes and I'll have taken it
down - I don't have room for everything - sooner or later - when I'm gone
thank God - it will all disappear - tehre's no room for anything else - ok
this is ROBERT FANNING's kid in Morgantown West Virginia - he's the only
kid I know who can do this - it's a pretty good break - I think it was a
bit disturbing to the family - who knows? - I'm running out of
steam/stream - I'm old, I don't know how old I am, I kind of forget what
I'm doing here - it's like dusk - stuff growing darker - if this were a
performance I'd say - now this is the endof things COMING FROM AN AMERICAN
HOTEL I DARE YOU BAD PEOPLE TO BOMBOMB US I REALLY DARE YOU WER'RE THE
VILLLAINS HERE YOU KNOW THAT COME AND GET YOU No sorry that's COME AND GET
US YOU DIRTY PEOPLE WE"RE WAITING WE're The embe sorry MEMBERS of the SLA
Symbionese Liberation Society for Literature and thye Arts Front, signed
Patty hearst, but I'm not doing a performance so I'm not sure how long
I've gone for but I'll stop -= thankyou
[NOTE: I wasn't satisifed, I rarely am, with the performance, but the text
- improvised of course in real time in dialog with video clips chosen in
real time - seems ok.]
_
second silly chicago city symphony
http://www.asondheim.org/squee.mov
keeping my 'hand' in practice
think of this as invisible, don't download
nothing to see, nothing to hear, nothing to do
sque and squee
1 download sque.mov.
2 download squee.mov.
3 open file sque.mov in quicktime.
4 open file squee.mov in quicktime.
5 place the frames adjacent, i.e. [ | ]. this may also be written [ ][ ].
understand there is no gap between frame sque.mov and frame squee.mov.
6 play both files simultaneously. the sound should be set mid-level.
sque.mov is 1/3 of squee.mov i believe. therefore three times faster.
with suitable displacement buildings come together, part, slide from one
frame to another, are windshield-wiped at integrally fractional rates of
speed. soon you will understand buildings as things and have fun.
i must add that i am rather embarrassed at the establishment of this game,
so necessary to understand our perception. and i do not feel you will in
fact carry this out. if you have already downloaded squee.mov yesterday,
downloading sque.mov will be no great trial; it is in fact considerably
smaller.
the representations of buildings may appear to breathe in this fashion.
it is far too commonplace to insist that images are mediations, instead
of, in fact, participants in a depth-ontology of the world.
this symphony of doubles will play for you chicago.
perhaps you can imagine the results if this doubling-play which can place
sque to the left or right of squee with different but similar results, or
results which participate in the same economy of perception. this
imagining is your experience; it has nothing to do, in fact, with either
sque or squee.
the double frames should run until a state of calm or nervousness is
produced within the psyche of the viewer. this is the birth of color and
is most likely the birth of sound.
i have played sque and squee delightedly for many hours as a great city of
the world swings and glows into life.
http://www.asondheim.org/sque.mov
http://www.asondheim.org/squee.mov
my network art your network art
1. download any two movie .mov or .mp4 from my site.
2. place both movie on your webpage, blog, or wiki.
3. say one movie is yours only.
4. say other movie is collaboration with me.
(it will be collaboration.)
5. announce both movie in email and on email list.
6. send out this instruction for your movie and your-our movie.
here is this instruction:
1. download both two announced movie from my site.
2. place both movie on your webpage, blog, or wiki.
3. say one movie is yours only.
4. say other movie is collaboration with me.
(it will be collaboration.)
5. announce both movie in email and on email list.
6. send out this instruction for your movie and your-our movie.
all movie will be on all network for everyone to see and fun.
taste of science-literature of the society of all
edelman's neurons circuited through malamud
dj me and others shape-riding in the lobby
http://www.asondheim.org/slsaconf1.mp3
http://www.asondheim.org/slsaconf2.mp3
time and time again i told you "not" to do these things
with "those" things but you wouldn't listen to me
now you see what "these" things had in mind
and how you wrecked "those" things in the process
you wouldn't listen to me
why wouldn't you listen to me
you did? okay.
freedom's just another word for nothing left to choose
i am standing on the corner of tulsa oklahoma
i was born in oklahoma i've never been to oklahoma
if i'd come from oklahoma i'd stand in oklahoma
i'd fight in oklahoma i'd dwell in oklahoma
i'd breathe in oklahoma i'd sleep in oklahoma
i'd eat in oklahoma i'd drink in oklahoma
i'd school in oklahoma i'd teach in oklahoma
i'd love in oklahoma i'd kill in oklahoma
i'd fuck in oklahoma i'd flee in oklahoma
i'd build in oklahoma i'd wreck in oklahoma
i'd scar in oklahoma i'd wound in oklahoma
i'd lie in oklahoma i'd swear in oklahoma
i'd sing in oklahoma i'd cry in oklahoma
i'd stay in oklahoma i'd die in oklahoma
i'd pray in oklahoma i'd die in oklahoma
so many s3qu3nc3s
n3v3r 3nhanc3d always raw mat3rials
transform3d by w3cam's narrow bandwidth
fascination's not in sp33dup or find-and-s33k
but in th3 world w3'r3 in and its anonymous manif3stations
- which always promis3 d3l3ctabl3 stori3s just outsid3 compr3h3nsion
http://www.asondheim.org/feral.mov
annoying th3s3 m3m3ntos and squalid th3s3 sp3d-symbolics
of th3 world nothing moving in th3 narrow world
wond3r and b3auty y3s and what what 3ls3
s3cr3t lif3 of human groundlings
s33ing th3s3 japan and fuji mountain
coming buddha not my coming buddha
k bung kank
pan=
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in depth
own gm thy said cars in th us, get killed and bomb thm up thir true of
an intersection point may contain twice as many bits of precision as of
course energy may be reassigned, as may waiting, looking, seeing, of
existents fall under th aegis of epistemology. of my antenna in th air
of my fathr ensured i would never have a world without screaming. th of
situation does not cohere in any language. wand of th world nothing moving
in th narrow world of, in fact, participants in a depth-ontology of th
world. this is silly but in reverse abstraction returns oklahoma !d k!l !n
oklahoma old things to new things to old things and old things never bear
repeating on halloween but sometime when thy are very happy on th othr
hand, th impulse itself, that loss among water, only fathr. only
signifiers, mediators, are observed. only that i'm hearing new things or
separate for that matter. or slide-rule, with th real, we look. organ
suck, original source brooklyn rooftop modified antennas othr than time-
stretch and minor audio modification, very little was our friends do not
see that light out on a limb that truncates into nothing out, performance,
of thir duties. thy are assigned duties.
in depth
own gm thy said cars in th us, get killed and bomb thm up thir true of
an intersection point may contain twice as many bits of precision as of
course energy may be reassigned, as may waiting, looking, seeing, of
existents fall under th aegis of epistemology. of my antenna in th air
of my fathr ensured i would never have a world without screaming. th of
situation does not cohere in any language. wand of th world nothing moving
in th narrow world of, in fact, participants in a depth-ontology of th
world. this is silly but in reverse abstraction returns oklahoma !d k!l !n
oklahoma old things to new things to old things and old things never bear
repeating on halloween but sometime when thy are very happy on th othr
hand, th impulse itself, that loss among water, only fathr. only
signifiers, mediators, are observed. only that i'm hearing new things or
separate for that matter. or slide-rule, with th real, we look. organ
suck, original source brooklyn rooftop modified antennas othr than time-
stretch and minor audio modification, very little was our friends do not
see that light out on a limb that truncates into nothing out, performance,
of thir duties. thy are assigned duties.
when it comes time to believe
in jesus christ our lord and saviour
i will be the first to believe
http://www.asondheim.org/convert0.jpg
http://www.asondheim.org/convert1.jpg
http://www.asondheim.org/convert2.jpg
http://www.asondheim.org/convert3.jpg
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but until that day
i will tear his bloody body limb from limb
eat his bloody brain his bloody living heart
his bloody eyes his spurting bloody prick
shove it up the hole of god kwak kwak
kwak kwak kwak kwak kwak
starscar
hello i am typing this out by hand out on a pda ,
the trembles are upon me again and it's best not
to read too much , i am using my index finger
already in pain , my headache the result of
inordinate sadness , blindness becomes me , this
is the blindness of time , i am lost in the
present , presence a 'threat to disappear' ,
there is ab nihilo a priori no time , not enough
for the telling , consider this a nighttime call
crawl of rape , twice i have heard this , the
room is cooling , i type tap tap tap , my cane
finger tensed always with the inertia of letters
past , hello hello in these dark times , in these
dark times , the anguish of words , in the dark i
hear them , all these protocols , technologies ,
i am the maw of the machine , now 'i will have
written this' , on television 'fire-bombed family
burned out'
http://www.asondheim.org/magicstar1.jpg
http://www.asondheim.org/magicscar1.jpg
http://www.asondheim.org/magicstarscar1.jpg
Reviews of books I like:
(Unnecessary proem from the low road:) On webartery, I wrote this in the
heat of a discussion: "This is coming home with a vengeance, as the
federal budget here cuts back on food stamps and student loans, and FEMA
tells victims to get out of their hotels in two weeks - they have no place
to go - after all the talk about 'the poor' - whoever 'they' are - and
'their' appearance after Katrina. This is utterly obscene in the so-called
richest nation on earth - the poor are again out of sight - how often can
we starve them? Capital is about this; this is its symptom (and in a
sense, it's only one). And while the 'poor' may be redefined and fined
(for that matter), most of the people in this horror of a country are now
hurting financially, there's close to starvation elsewhere as well, and we
continue our slaughter (excuse me, Iraq 'nation building') under the aegis
of another word. capital = 'freedom.' Freedom's just an ugly word for
something left to use..."
And within this, on the margins, trembled discourse continues, the
following are books I have found useful, wonderful at times, worthy of
your attention. Again, I've received the O'Reilly books gratis; I ask for
ones I feel capable of reviewing, and that might well be of use to those
actively engaged in online culture/art.
Ambient Findability, Peter Morville, O'Reilly, 2005. My brother, who is in
GIS, found this of great interest, as do I. The book examines the se-
mantics of search in relation to communality, ambiance. There's something
wonderfully primordial about it - a kind of relocating of human intention-
ality after the savanna. At one point of course, all members of a group
were known to each other; culture changed all of this with its implica-
tions of unknowable and unknowing others. The web performs a kind of
familiality for us; we're back in-relation, even with strangers. Ambient
Findability charts in practical (i.e. the phenomenology of del.icio.us),
psychological ('Social Life of Metadata'), and theoretical ('Language and
Representation') terms. In Morville's book, all of these intermix. I did
find the material on marketing, as well as issues of privacy, depressing;
transparency always plays into power. As a model, however - as a vision of
what's occurring, sticking close to the real online/offline world - the
book is great. Recommended, along w/ Marx's 1842 notebooks.
Linux Desktop Pocket Guide, David Brickner, O'Reilly, 2005. This covers
distributions, protocols, desktops, etc. etc. mostly for the beginner, but
not entirely. It's one of the Pocket Guide series, which are relatively
cheap for O'Reilly (usually $9.95 or $10.00 in other words, another
marketing ploy), and quite useful. If you're using Linux already, there
are two indispensable books, as most of us know - Linux in a Nutshell
(compendium of commands and everything else, now a relatively huge nut-
shell), and Running Linux. Get the latest editions. As an intro, or
desktop reading Linux Desktop is fine. I'd also recommend the ones on sed
and awk; vi; google; and so forth.
By the way, why review O'Reilly books? I'm committed to their seriousness
and I'm poor. The two aren't contradictory. Over the years I keep return-
ing to them; they don't tend to date quickly - the older stuff for example
on peer-to-peer, or the various unix handbooks, are still current in a lot
of ways. I like Peachpit Press for specific software. I haven't found much
use for anything else, except for specialized texts like Wolfram's enor-
mous Mathematica book. - Now for the third and last of the O'Reilly's, but
not the least -
Windows XP Cookbook, Robbie Allen and Preston Gralla, Windows XP Cookbook,
2005. Okay, where to start? I use WinXP a great deal; everyone else I know
uses Mac (I do at times as well). I like the OS - I find it stable, and
there are an incredible number of applications for it. On my notebook, I
can run up to 10 Quicktime videos at once on it, without crashing the
system, with good file management, and with other apps and directories
opening and closing - all necessary for laptop performance. I hate the
policies of MS, don't like the proprietary outlook (or Outlook for that
matter, which I don't use - most of the time, like now, I'm in a unix
telnet shell or on my linux PDA), but the media stuff works great. In any
case, O'Reilly has followed suit with a huge number of books on WinXP,
some of which I've reviewed before. You can only use so many! (Most of
what anyone has to do in the beginning is tweak and tweak and tweak -
WinXP out of the box is unbelievably clumsy. But the tweaking isn't hard,
the registry isn't that scary, etc.) So the Cookbook, with 'Over 325
Recipes,' is one of the latest in the Cookbook series; it's designed for
'Power Users and Administrators,' which means there's a huge amount of
information on command-line stuff - which is the heart, as far as I'm
concerned, of WinXP, DOS or no-DOS. (Yes, no-DOS.) There are explanations
of the obvious - the 'Classic' Windows look and ClearType, but there is a
lot of excellent material on performance tuning, logs, routing and wire-
less, registry mechanics, and so forth. It's perfect if you're a sysadmin
with a network; I'm not, but still have used a lot of the material
directly. There are sections on anonymous surfing, RSS feeds, and there's
VBScript throughout. Recommended, along with books such as Windows XP
Hacks. I've purchased some of these directly; since I'm in WinXP so much
(if just as a portal at times), I need to get the maximum out of the
system.
Eduardo Kac, Telepresence & Bio Art, Networking Humans, Rabbits, &
Robots, Michigan, 2005. This is a fantastic book - not so much for the
transgenic rabbit (which is been played/overplayed/reoverplayed endlessly)
as for all of the essays together, bringing new media history to light (no
pun intended, well yes). The older material - 'The Aesthetics of Tele-
communications,' 'The Internet and the Future of Art,' 'Beyond the Screen:
Interactive Art,' etc. - are clear, filled with examples, the very stuff
that leads to dreams. I was most impressed by his work 'The Eighth Day'
(which he described recently at the Society for Literature, Science and
the Arts Conf. in Chicago); there is a full description. Like Stelarc, I
think Kac touches a raw nerve, and it's through the clarity of his work/
writing/presentations, that it becomes more than art, useful for the rest
of us.
Stelarc, The Monograph, edited by Marquard Smith w/ a forward by William
Gibson, MIT, 2005, because here's the other end of the nerve, or the
primal end (of which there are others, of course, but these are _nerves_
grounded on and offline). Stelarc's name came up at the conference; at
this point, like the rabbit (_qua_ bunny), his work is close to over-
determination through no one's fault - it's just clear, theatrical like
Beuys or Abramovich, and serves as a touchstone for our pseudo-prosthetic
pseudo-cyborg pseudo-cyberspatial selves. Its very overdetermination gives
way to analysis here, which is all to the better. I find the work itself
both enthralling, male-oriented (which of course has been covered up, or
released), and oddly 19th-century in its presentation of the (male) body
as obdurate, inert (reminds me of Clement Rosset on reality); no matter
how wired we are, at least at this point in time, we're grounded by wires,
wireless, hydraulics, gloves, electricity, etc. etc. - to be jacked in is
to be part of the steam-locomotive (un)conscious. For better or worse, I
think we need this book. One minor point, the Kroker's 'We Are All
Stelarcs Now' - but we're not; in fact, we're increasingly like the
victims of Katrina. I get tired of technophilic hyperbole; I don't believe
for a second that 'Stelarc futures our body.' - instead, in the US, the
now underfunded Superfund sites of industrial pollution literally gone
amuck, do. I suppose I'm bankrupt, not theory, but theory divorced from
that same Rossetian idiotic real leads to hyperbolics of electronic
gadgetry as cultural foundation. (Btw I love the Kroker's work.)
Two books quickly mentioned, resonant with one another, important to
projects dealing with language and codework; one of these I'm also
reviewing for the American Book Review in the future):
The Tantric Tradition, Agehananda Bharati, Anchor, 1965. Bharati was born
Austrian, became a monk, taught in the anthro. department of Syracuse.
I've read this before, as well as Bharati's The Ochre Robe; this is the
best book I've seen, period, on mantra, mantric language, and phenomeno-
logy. It's not easy-going, and Bharati's arrogant (I think w/ reason). The
logic of mantra is described; there are references to the analytic tradi-
tion in philosophy that informs the work to a great extent. I think books
like these (as well as books on Nya'ya for example) are really necessary
to understand Buddhist/Hindu philosophies and logics. It's also an amazing
read.
Echolalias, On the Forgetting of Language, Daniel Heller-Roazen, Zone,
2005, full review forthcoming. This is wonderful! - the interferences
among language, syntax, semantics, phonemics - the edges of phonemics in
relation to the rest - anyone concerned with codework will find a great
deal here - the microsound or granularity of languaging, a history and
phenomenology which need far more attention. The book is organized into
short chapters dealing with such things as Exclamations, Thresholds,
Strata, Endangered Phonemes, and Schizophonetics. More later.
At the SLSA conference, there were continuous references to William James,
The Principles of Psychology, and Darwin. You can buy the former second-
hand as two Dover volumes, fairly inexpensively. James emphasizes stream-
ing (shades of Stein), process over product, flux of stasis. Gerald
Edelman (whose theory of reentry among other things earned him the Nobel)
mentioned both - James as a precursor and antidote to traditional AI or
other hard-wiring approaches to the mind, and Darwin in relation to
'neural Darwinism,' competitions among groups of cells in development.
Edelman's book, wider than the sky, the phenomenal gift of consciousness,'
presents a lay guide to his theory, which fascinates me. But Darwin and
James were really _everywhere_ at the conference - not in terms of
'intelligent design' - which is not only idiotic but self-contradictory
(_this_ world is an example of either?) - but in relation to an increased
interested in biogenetics and non-mechanistic nano-technology/culture in
relation to cultural production in general. (Another reference that might
interest you - C.K. Waddington, who was behind the Towards a Theoretical
Biology conference in the 60s. He's a bit of the culture behind Edelman's
science, I think. I asked E. about W.; he said his work was metaphorical -
they knew each other. I remember that stuff about the epigenetic land-
scape, chreods, etc. Anyway check it out.)
Life Histories of North American Birds, 20 volumes, Arthur Cleveland Bent,
Dover reissues from the 1920s. These are naturalist works; I'm not sure if
they're still in print, but if you get a chance, buy one or all of the
volumes. They're intensely descriptive and anecdotal, as well as filled
with ethological materials. Azure is taking an online course on Ornitholo-
gy from Cornell University (highly worthwhile); the textbook still
recommends the series. I have one before me on 'Woodcocks, Sandpipers,
Godwits, Snipes, Phalaropes, and Others' - Life Histories of North
American Shore Birds, Part One. Along the same line, with incessant detail
but not quite as interesting, is Birds of the New York Area, John Bull,
Harper, 1964. The best work I've seen on ornithology by the way is the one
used for the Cornell course - Handbook of Bird Biology, published by the
Cornell Lab of ornithology.
Coming of Age in Cyberspace, David S. Bennahum, Basic 1998. I literally
devoured this, realizing all I had missed growing up before the digital
revolution. He does better than anyone I've read at describing the
interior life of glowing tubes, screens, digital readouts, anything that
whispered to you of the other, maternal, surrounding, powerful, capable of
dialog with even the loneliest. The descriptions of computer labs are also
some of the best I've read. The book is easy to find, and should be, I
think, required reading, well before the theoretical sets in. I like
Turkle's work as well for similar reasons, although more analytical of
course.
Some shorter comments -
Somewhere I have the Letters of the Younger Pliny in a Penguin edition;
I've more or less finished it, and it's one of my favorite books of the
period. The humanity (even given slavery, etc.) / humanism at work shows
what hasn't been gained in two millennia. The letters are simply beautiful
- not only the eyewitness description of the eruption at Pompey, but also
materials on Roman customs and life in general.
Another short text worth looking at again - Rudolf Otto's The Idea of the
Holy - there's also a book by Philip Almond, Rudolf Otto, An Introduction
to His Philosophical Theology. This might be read in relation to mantra,
glossolalia, etc. (see above); the idea of the numinous, etc. is quite
useful, although I always have trouble with Christology.
The Moment of Complexity, Emerging Network Culture, Mark C. Taylor,
Chicago 2001 - I'm reading this now, pleased with the references to
Wolfram etc. - certainly an antidote to Imagologies which for me was next
to useless -
I love Edwin Morgan - his translation of Mayakovsky into Scottish is
terrific. He edited Scottish Satirical Verse for Carcanet in 1980. (Odd
deja vu - I may have mentioned this before). The book has incredible
energy, and is more fun than Otto, even more fun than Ruskin - who I also
want to mention - read his biography, read things like Ethics of the Dust
in relation to it - and you're off and running.
I'm also not sure if I've mentioned Eugene O'Neill's Dynamo, Horace Liver-
ight, 1929, but I think it's somewhat of a critical text in relation to
American thought vis-a-vis Chaplin, mechanism, etc. It's one of the oddest
plays I've read - heavily influenced I think by German expressionism.
Electricity itself, and an odd humming (humans/dynamo) constitute the
literal driving force among libidos, spirtualities, and finance. If you
find it, pick it up. I think it's also available online, but I'm not
positive.
Meanwhile the dogs of the US House of Representatives are screaming at
each other, 82 died of violence in Iraq, and maybe more of us here at
'home' (such as it is) are realizing the slaughterhouse mentality of our
so-called elected warlords...
enlightenment cutmplum
spare takemycarshome damned wander monastery monastery enlightenment
message bye weeping feeling wailing money gnashing collect picture tail
accomplished wept retired job joblessness awake helped insomnia saved
duplicate preamp takenine raised pity pitch sentences supposed gnashed
hammering sugar error notes days thump minute edit ahead splicing takefive
mesterfilli destreied ebject ente sheild wezerd leve pini behend rhythm ez
cennecteen centemeneteen eem reseirces menimenteleze cirves heppened
fereegn lest cemmends ciberg fin werk werld leiereng wrep inreveleng
semilteneeis seed centenieis benjemen preject welter tengie hesteri
meelstrem lengieges sendheem defferent benel meniteee messpelled
ell elter celebretes himen desperse recegneze regesterteme debres
everwhelmed segns lengiege dencer criptec seinds reheerseng werldli dell
peeeses ectielli deesperec meght scettereng degetel emereld eneleg meld
cegneteve emeteen peeple's plei cherged flesh enpit nidge derti exesteng
mekeng emegene centext eesi enternet hew breken telkengli phenemene thenk
endless ecknewledge depleiment ets threigh breight neelegesms cemmend er
weth werds effect ebscire cedewerk trence speceeis ewkwerd speels bedi
cembenes knish ef embettled enclideng cempiter hes cede senseri especeelli
febrec kereseck's thet precess seme inmekeng et es sirvevelesm thanks
burbling flickering rivulets panamacanal youth adeene daemon en maria
baroque frolicked traffic waves catalina solitons youngsters desire
smiling nothings men grottos rococo flames grotesquerie mushrooming
airships events floating panama dreamily canal murmuring languorous sweet
pick libidos died dogs 'home' house slaughterhouse representatives
german oddest expressionism heavily spirtualities literal finance driving
ruskin odd horace eugene liver o'neill's ight dynamo influenced mechanism
edwin pleased morgan imagologies translation next deja verse vu carcanet
idea otto holy trouble theology christology above complexity numinous
eyewitness hasn't eruption millennia pompey simply philip otto's almond
analytical required finished pliny favorite penguin humanity edition
maternal screens surrounding readouts turkle's descriptions reasons labs
bull devoured cyberspace realizing bennahum missed basic whispered tubes
'woodcocks phalaropes sandpipers harper york ornithology john handbook
ornitholo highly gy worthwhile cornell godwits recommends snipes
arthur descriptive print anecdotal chance ethological intensely university
epigenetic asked land metaphorical cleveland histories bent north reissues
biogenetics design' mechanistic self nano increasedinterested knew biology
wider groups lay gift fascinates consciousness everywhere presents
antidote earned traditional nobel cells darwinism development competitions
darwin product emphasizes flux shades stasis stein precursor reentry
exclamations phonemes thresholds buy principles former psychology dover
forthcoming languaging interferencesphonemics strata chapters endangered
philosophies nya'ya amazing buddhist microsound languaging granularity
syracuse taught easy mantric arrogant phenomeno analytic logy hindu extent
cultural resonant foundation important btw anthro became department monk
hyperbole divorced amuck rossetian suppose idiotic bankrupt mentioned
stelarcs worse 'stelarc increasingly futures technophilic underfunded
wireless clement hydraulics rosset gloves wired kroker's un 'we conscious
overdetermination cyborg released male oddly oriented presentation covered
abramovich fault serves theatrical cyberspatial pseudo selves prosthetic
grounded here's stelarc's primal came nerves beuys determination
day' full described presentations touches monograph nerve edited clarity
interactive tele clear communications filled 'beyond recently eighth conf
transgenic rabbits bringing reoverplayed history endlessly pun essays
hacks eduardo purchased kac portal robots networking michigan humans
tuning 'classic' surfing sysadmin rss directly feeds sections maximum
administrators command means cleartype explanations excellent obvious
tweaking 'over isn't recipes registry amount users information
proprietary laptop anyone followed beginning suit tweak reviewed scary
crashing incredible system applications policies opening ms closing
enor haven't allen xp preston cookbook gralla robbie notebook stable
handbooks peer current various specialized specific wolfram's software
intro nut committed vi seriousness google aren't review unix older
usually beginner relatively ploy cheap shell compendium editions commands
occurring along sticking david desktop brickner pocket covers guide
morville's privacy intermix depressing material offline vision recommended
psychological 'language 'social representation' metadata' marketing
implica ality charts performs del familiality icio strangers theoretical
book search examines communality se savanna relocating group intention
o'reilly worthy online reviewing culture actively ambient engaged mantics
elsewhere 'freedom excuse ugly 'nation attention following received useful
nation obscene fined symptom horror 'poor' hurting redefined building'
talk hotels 'the weeks poor' after called appearance richest katrina
low magicstarscar road reviews budget home cuts vengeance stamps federal
heard call anguish inertia technologies letters 'i past books magicscar
headache becomes inordinate 'threat sadness crawl telling rape nighttime
lord bloody saviour typing kwak pda starscar trembles hello blindness
mutate zuzangra gnaz mybabydead thy myphear thm azz convert christ jpg
zputtr readmeztgroundzro ash gu ashur zwan takemykarshome kyoko kutmplum
uorlda kale godzlv ru gorge ned greenz mozz rad poet o% mud g kuer read
map danzeophdeath lk dank zzklr makh nz nh rk angel ngu tz lvz tr uol log
rak fv fet bbeakh sh bkwave phetremake node jeanpaul olda jen ndekx pple
ghazte zl meazure gkak medea gkakbldg parab wa pen dbhome peopleophdzebook
wr zk ng nn ur flog j ntrv bluez eu bonze pee poo baz nkz name yung naturl
promis outsid l compr ctabl ls wond cr b t auty tzu kank ek pan dephu bbbb
stay nc pray n s bandwidth transform fascination's cam's sp narrow stori
wouldn't process listen okay had stand tulsa fight oklahoma dwell born qu
wikiyours edelman's announced neurons taste circuited science wrecked
played glows delightedly collaboration webpage announce blog email
double imagining calm experience nervousness either hours likely swings
breathe mediations fashion doubling depth left doubles different imagine
considerably downloaded smaller downloading commonplace appear insist
embarrassed rates establishment speed game add great perception
levelbelieve frame buildings faster windshield suitable wiped displacement
note 'hand' chosen practice squee invisible keeping files | mid gap
society sla literature symbionese wasn't hearst satisifed thankyou rarely
virginia knows he's bad i'd bombomb endof wer're coming liberation members
moment's thank internet disappear eyes tehre's gone pretty west disturbing
angeles accidents choreographer viciinity notice none jealous worht areal
baghdad obvserver scratches curve rubber remnants trails paints los huge
interferens relative you're cutting w schordinger someone observers making
vicinity electrrical woman ago locations tended trip form months realm
nit thar whereas act jordanians cojpling chinese stomping beings changing
way tens electrical thousand generators blow can't speakers symmetry give
iraqi destruction blown known oiringally before usingmotion respomnse tend
revolving stories lazy high susan sorry three forget weapon we've mass
heart connects level obviously ofthe jail seen still nineteenth longer
subdued limit placed enters equartion anomalous schroding unitl cat social
second similar subjected references checksums yes industrial forced
falls term begin entire begs stream certainly first presence verified
hard plot's country soundtrack imperium proem assume starting understand
symphony anchor chicago silly returns ok building reverse bit abstraction
pli 'it returned forgetting bodies daniel produced city agehananda
retain cry meaning pain circuiting consumed levinas' deleuzian insomnia's
numerous consider stop interference uh abandoning oh inability related
trubetskoi's pointed interjec sounds set standardized contains english
going part echolalias content heller alarms tions describes trubetskoi
preclusion semantic emerges referential tendency threatens codework's
construct ship splay ration almost rationality inaudible conventional
renderings asymptotic ancient formed ulterior semantics entirely uncanny
albeit precluded susceptible bharati linguistico likewise fragmentary
explanation presencing origin 'so deny him possibility contrary eternal he
empathetic edge imminency interpretation negated believer's unconstructed
performative vis both lalia aural excess register testimony 'nonsense'
babylon adarule komboa ruler space glossolalia lights mantra codework
pig mark hymn losing waltz eat repeat big ignorant macs swine reworked
needs defined offensive continue swear produce popular continues bjorsq
south those park workers guys morons allele whoe frequency themselves
mcluhan sites leaving naked interns close sort repeated context ever comes
eine cars veranstaltung teach snakes globe plenty hates food member
suspects bombed including unless kansas youre god tired bless mit ist gm
happens sixteenth trying goverment theyre poverty shit volution rhetoric
deal anticipated stupid darwins larry bombing flynt hugh written hefner
trilogy rant matt beat cale youll himself put away faith right ones who
miscategorized word bomb said illegal americans remix r love fat pm loves
playing sufficient saturation expertise promise exhaustion music dirty
providing quite accompany short while instrumental murmurs keep unto
temporary across membranes sensory personal modalities looped actually
writers burning red mission dust shall fast end forward each innovation
beacon technological rolls momentarily archive survives dependent return
ground editing instrument promises subject eternity mesmeric implosion
stupidity unknown larson takeone something taketwo yet few break parallels
enlargment stoppage stops inherent graphics gets byproduct sounz else four
calculated breaks sooner 'jumps' later fractal calculation raster
rules number machines question presumably etc indefinitely pi tan
chaotic begins ignorance begun practical ended limits issues limited digit
aristotelian non distributivity booelan intrusion synchronic us pre prsent
thom's observa predate forth universe hints hint sudden gestural
grid imprecision mapping phenomena tion rastered particle 'infinities'
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lower reduces php link pid geometryaccording jts&sid topology attempting p
combinations truncated dimension situations handles element gracefully
fit moves model slightly unfortunately representation result area become
general line many coordinates bits intersection precision twice truncating
computed points spatial dimensional segments arise edges intersections
giant into room below limb commentary truncates geometries constructed
pleasure named american changed superpower proper soon america mysterium
unnecessary apocalypse saigon reel test make coppola untold teelak
tears des admitting disinvestment contact investment stumbles gain
panoply given resentment locative minds situation worn path thud same
existentialists thuds depressed existents tensor under analysis aegis
decathecting furiously natural existence precedes contrives
they're let's wave hope more nature tomorrow order depression writing
decathected day peggywave soundtracks large yesterday quicktime case stuff
mourningduskvisual peggycove parted most ways beautiful separate rough
unusual dream lumiere qt soundimage play download loop latest
isolated far numerical madding infinitesimals crowd point fun punctum
mechanics watertheweleitphilosophical irigaray immersion lingis fluid
useless ing repetitive oceans impulse reason loss video among hand
radio failure maw found off webcam california images beach utterly surf
beams dreams world's radio's hardly perspicacious leer sullen bklynvlf
glassesless blind am everyone spin taken souvenir vowels antenna dark
bear window repeating shame z made x wonderful y somewhat image
addenda used modified township antennas ogg microphones tonight old vowel
looking course watching reassigned familiar mov capital addendum original
mediation assignments their flexible duties flex assigned waiting fall
expectation anything potential hibernation possess filtering kinetic
screen ii television 'watch symptoms ' what's film do it's carry doing
internalization neural body shape operations look sense watch others
compared fuzzy present electronic ruptures words problematized literally
program listed signifiers real epistemology ontology founders may manifest
tending implements towards unobserved visible steps debugging accounted
solely uses labor energy e its up stored stores controlled regulates
analog filters beads keyboard remain computer situ protocols movement
skk moummn't koulkn't slide kklp fundamental procedures abacus calculator
goulgn't kust hglp troublgs smm troubmms mmmp tmm mmrsmmm vammmy kkrsklk
ske kn eoulen't tke eoumen't iemp tmere iersemf tme troubmis vallgy vallky
coumdn't wgrg hgmp wiri ielp troublis ierself tii tiiri valley troubles
mathematica whitehead vammiy russell chant principia hgrsgmg she thgrg
fright what least remains farthest logic even fact hypothesis can occurs
koan bother anyone's i've satisfaction as seeing if now wait seems truth
nothing thought worked should remained or han here shan sure silent why
than wants time think stretch it again org tricks mp were done perhaps
weather inversion myself spatter hater fake they laugh very nuclear happy
slayer vanquished indistinct run ride dawns expensive dusks horses wound
miracle insurmountable wedding distinction escape reseeds furious teeth
understands his fields field been talks blessed daughter grace we knot
husband her them pair brother horns brother's between geomatics mediates
not from litany human seedead an typical artist want did sister's kill
always ensures die ill hating fills in hatred mind's to beingmelted come
only nightmares language violence will was broken this scream ensure
would young never ensured get i that could challenge win screaming with
tort
Continued Voyage
I have just lost sight of land.
There is no land.
There is no light.
I am going to signal the contents of an important message to you.
I am going to signal to you by flashing.
I shall repeat my signal.
I shall signal by flashing.
I shall signal by steam whistle or siren.
I wish to exercise signals with you.
Will you come within easy signal distance?
The signals are not intended for you.
You are flashing your signal too quickly.
You can signal in your national language. I shall understand you.
Your signal has been seen and understood, I will reply later.
Stop carrying out your intentions and watch for my signals.
You should discontinue repeating back any signals.
You should discontinue repeating your signals.
You should keep a look out for signals during the night.
You should keep a look out for signals from me.
You should keep within visual signal distance.
You should make signal for a pilot.
You should make a signal when you require a boat.
You should pay attention to signals from me.
You should repeat your signal.
You should signal a little faster.
You should signal a little slower.
You should signal by flashing.
You should signal with whistle or siren during fog.
You should signal contents of telegrams addressed to me.
You should signal the names of places to which you wish to be reported.
You should signal your wishes fully.
I am sinking. Send boats to take off passengers and crew.
In a sinking condition.
In imminent danger of sinking.
Vessel has sunk.
continued voyage: the shoals
i have just lost sight of land. there is no light. am going to signal the
contents an important message you. you by flashing. shall repeat my
signal. steam whistle or siren. wish exercise signals with will come
within easy distance? are not intended for flashing your too quickly. can
in national language. understand has been seen and understood, reply
later. stop carrying out intentions watch signals. should discontinue
repeating back any keep a look during night. from me. visual distance.
make pilot. when require boat. pay attention little faster. slower. siren
fog. telegrams addressed names places which be reported. wishes fully.
sinking. send boats take off passengers crew. sinking condition. imminent
danger vessel sunk.
history and phenomenology of analog-digital
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reduced to uncommon denominators within equivalent raster
the arrows: dependency/associations/generalization
the interfaces: tag-shimmered <