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logicinged and salvage corpses human outinged and fed them well form noringed and they're whole and saveinged and logic salvageinged and for the dogs and crows out wellinged and neither plant or beast nor inged and nor anything wholeinged and and escape the mattressinged and and manifold bunny folksinged and and slaughter fur mattress youringed and your synthetic cathedral syntheticinged and your synthetic folks your bunnyinged and your blooded furinged and your dismal comfort haveinged and you've come to nothinginged and and farm burned out and justinged and and it's time just aboutinged and you're clear i'm comfortinged and we've torn our eyes have comeinged and we've nothing to say just it'singed and corpses are just about clearinged and corpses at least about skininged and corpses amount to notinged and blood's on our hands our skeininged and blood's in your mawinged and and in your culture your fucked familyinged and singed skin not skein burned sayinged and scratch maw hard stick dreyfusinged and tasty drink all is hardinged and dreyfus pierced and stickinged and stockade morsel tastyinged and cleared forever singed tinged iinged and palisades of souls palisadeinged and doubled wall food through doubledinged and palisades of slots and hands wallinged and doors and bullets burned yesinged and and tallies letters nearlyinged and governor watches nearly watchesinged and population twenty-fiveinged and no few remaining no teninged and years no twenty-five sweetinged and ten bullets ten dead hands and yearsinged and hand meat burned and charred and actinged and as if no monument no arrestsinged and belgium usa france iran irak criminalsinged and patriot belgium usa france iran irak patriotinged and act canada sweden china taiwan and actsinged and arrests malay and timor hinged oninged and true megafauna murder mega meatinged and we're criminals in our granite monumentinged and acts own am first realize tire killinginged and philosophy stillborn killing goes tireinged and on philosophy lashed unhinged philosophyinged and sex advances on aristotleinged and stays stillborninged and sutras among cocks and cunts and munged aminged and upanishads wandered occupyinginged and and saying occupying sutrasinged and and space and truth are occupiedinged and of leopold his centuryinged and observeinged and understand hinge observe hisinged and we're his last lastinged and mirror we're mirrored mirroringed and each doomed and slaughtered species eachinged and other anywhere and any time and otheringed and too bad we're inconvenient inconveniencesinged Y th'caught caught in stuttered skein of shuddered time, th'stately bird sleeps on the wing; my rhyme within the visioned field is a speck; my bird, entangled, hangs on no one's neck http://www.asondheim.org/albatross.mp4 sea pined for the sight of the for years-- the pined for the sight of the for years-- the , the beautiful, for years-- the , the beautiful, , the beautiful, by the beautiful . the family and i had a nice little by the beautiful . the family and i had a nice little . the family and i had a nice little northwest beach location ... down by the , the beautiful northwest beach location ... down by the , the beautiful down by , the beautiful down by down by the , the beautiful the . we were telling stories and my little girl . we were telling stories and my little girl her. ... i had a beautiful kayak on buy a kayak i had a beautiful her. ... i had a beautiful kayak on buy a kayak i had a beautiful kayak on buy a kayak i had a beautiful as the boat drew us closer and closer by the , by the as the boat drew us closer and closer by the , by the , by the , by the , by the , by the wave comes a-rolling in we will duck or swim, ... buy the beautiful the beautiful and beautiful girl by the , by the beautiful by the , by the beautiful , youme, , by the beautiful , youme, , youme, . i have pined for the sight of the for years- the for years- the for years- the , , , beautiful , youme, with an exceptionally beautiful , youme, with an exceptionally beautiful lagoon. hong yai, ... while honora continues to collect her beautiful glass. ... the mysterious squid is a beautiful creature glass. ... the mysterious squid is a beautiful creature creature , youme, it was a beautiful , all green and blue, with here and , youme, it was a beautiful , all green and blue, with here and , all green and blue, with here and old look sex r into my cock... retrns yorns yo rns yor kiss, my r kiss, my r kiss, my old look sex it creeps from yo th is an g all the pictres ..it creeps into my ..and kisses res ..it creeps into my ..and kisses res ..it creeps into my ..and kisses .. .. .. mo blowing lil kisses ..along this line ..from my to re screen from blowing lil kisses ..along this line ..from my to re screen from re re screen from re re scree n to my ..p my legs ..and in my hair my tong scree n to my .. p my legs ..and in my hair my tonge moves within p my legs ..and in my hair my 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my is hard for yo, , i hold my breath, is dripping now, erect, my is hard for yo , , prick it in ..keep it here ..s prick it in ..keep it here ..sck it here ..and this doesn't do it ..keep it here ..s ck it here ..and this doesn't do it ck it here ..and this doesn't do it rns yor kiss, my mop ..become me r kiss, my moth is an t it c th is an t it p ..become me nt into my ... ret p ..become me rns yo re ..plac and i wish re ..have my c was p my arse right now here ..hard and pressing me against [yo was p my arse right now here ..hard and pressing me against [yo p my arse right now here ..hard and pressing me against [yo the perfect wave from hawaii's pipeline, reimaged to reflect the dream of the perfect wave from hawaii's pipeline, reimaged to reflect the dream of the perfect wave from hawaii's pipeline http://www.asondheim.org/perfectwave1.jpg http://www.asondheim.org/perfectwhite.jpg and the perfect vacation spot for white and black and brown alike, reimaged to reflect the perfect vacation spot for black and brown and blue alike, reimaged to reflect the perfect vacation spot for brown and blue and red alike, so much loaded flesh, so many perfect blends, economies of tourism, housings for rich and poor (alike) of course i do my best to hide everything with uncanny beauty, these images will slip right past you Jonathan and Marjoram Jonathan was driving, Marjoram (yes, that's her real name), was in the passenger seat. They were traveling through the port of Los Angeles. They were would-be terrorists. "Take a left here," Marjoram said. "We don't have much farther to go." The refineries were close by. Jonathan reached over, signaled left. http://www.asondheim.org/takingleft.mov He didn't want any trouble. Marjoram was having second doubts. She replayed, over and over again, her childhood dream, walking down a wooden pier of some sort, looking left and right into the water. http://www.asondheim.org/takingstraight.mov There were beautiful sea-creatures, kelp, algal mats, of all sorts; the water was alive. 'Perhaps the world is, as it is meant to be,' she thought. 'Perhaps we're making an error.' She dreamed herself into a better life, waiting and walking, there on the pier, happy children, innocent and unaware, running just ahead. wallltz bored with 2^a/2^b time, momentary turning towards waltz! waltz? complex because so much rushes with that accented beat! there's not much time to complete anything after it! the swaying goes against the 2/2 of arms/legs for example! there are no 3^a with bilateral symmetry! any code can be re/produced by the binary! binary groupings tend towards singing! even teental! yes even teental! lumbering back and forth, swaying back and forth, retarding and catching up hither and yon, moving and lumbering and changing those feet and those hands and those arms and those legs - everything gets its turn! more simple than simple yet more complicated because compact! just those two lagging beats, and that accent, tends towards heaviness! the oom-pahpah! attacking the binary! problems with the digital! zeroes ones and twos, ones twos and threes, twos threes and fours! here here! there there! takeeleven.mp3 takefourteen.mp3 as usual parlor guitar (with echo, slight noise reduction on takeeleven) ... because I can http://www.asondheim.org/takeseventeen.jpg ... because I can Missive from This missive, having once been written and already destined for /dev/null, is written, once again, reinforcing the direction of the original, that the Net, our Net, as we know it, or as it is own, is not only ephemeral, but that our communality, communitas, so dependent upon it, might well disappear - replaced only as dreams, of alterities in other places, likewise dreamed. What might be cauterized, what finality, is nothing less than our own interiority: limbs become phantom limbs, voices become phantom voices, and the social matrix itself becomes figurative ectoplasm. Not only is this a real possibility; it is fundamental that our ordered socius tends towards the disorderly - addresses and url will disappear, permanently, and that communicable touch we take for grant will turn towards a state of unacknowledged, because uncommunicated, mourning. This may happen tonight; it may happen tomorrow; or a century from now - but it will happen. And with this happening, technology reverts as well towards the hyper-personal - out of touch with anything but those loops of secondary narcissism that carry, first and foremost, the effluvia of identity - the rest is nothing but cultural superstructure, dependent on capital, which may have collapsed as well. Or not collapsed - capital never collapses - but turned local, regional - a xenophobic capital like homeowner's associations, owing nothing anywhere - no international debt for example, which is alterity raised to an incandescent degree. Equivalence, that primordial condition of the duplicated file, breaks: all typifications, standardizations, disappear, and no textual instantiation may be compared to any other. The condition is diasporic; only the diachronic remains as re/constructed memory, synchrony itself such a memory, useless, uncanny, the materiality of dreams, the dreamwork. This will happen. All of this will happen. On one hand we witness again and again the fragility of the material-real, which is both inert and always already unique; on the other, equivalence and the Net are destined to cease as processes, becoming nothing than other disconnected, scattered artifacts. We should prepare for this. We should recognize this future as certain and (in)coherent within our present own. We shall not own it. We shall not recognize 'own.' of the Italian Renaissance, especially the Florentine the Italian Renaissance, especially the Florentine the Italian Renaissance, especially the Florentine programs I developed my confused fumblings with knot theory programs I developed my confused fumblings with knot theory my my confused fumblings with knot theory my my self-hatreds and their ten realistic justifications self-hatreds and their ten realistic justifications Vito Acconci ten realistic justifications Vito Acconci Vito Acconci and Kathy Acker Rosemarie Mayer and Laurie Anderson and Kathy Acker Rosemarie Mayer and Laurie Anderson my Rosemarie Mayer and Laurie Anderson Anglo-Saxon riddles and Bede's history and work on the Tabernacle all Dostoevsky and most Dostoevsky and most Dostoevsky and most Dogen and the times the coming the coming the coming Ethnology my Ethnology my difficulty recognition various recognition various difficulty various laughter Irigaray and the open door the chora and fluid mechanics Irigaray and the open door the chora and fluid mechanics guitars the chora and fluid mechanics guitars guitars and sitars and mrdangam and my recordings the movement and sitars and mrdangam and my recordings the movement my hands the movement my hands my hands film and video cameras and the transformation mechanism to the film and video cameras and the transformation mechanism to the mechanism to the internalized world electronics internalized world electronics the Everglades and their electronics the Everglades and their the Everglades and their miraculous panoply flora and fauna miraculous panoply flora and fauna rare species and our delight flora and fauna rare species and our delight rare species and our delight at seeing them for the very first time new species at seeing them for the very first time new species the people I new species the people I the people I have hurt and my inability to make amends the theory have hurt and my inability to make amends the theory the abacus the theory the abacus the abacus and the variety historical and prehistoric abaci and the variety historical and prehistoric abaci the community historical and prehistoric abaci the community the community the the tendencies my wor tendencies my wor the micrscope and the interiorities made my wor the micrscope and the interiorities made the micrscope and the interiorities made worlds to me my inability to seek or attain salvation worlds to me my inability to seek or attain salvation the world my inability to seek or attain salvation the world the world books and my loss within them and losing myself within them books and my loss within them and losing myself within them Azure and her love me which I will never understand Azure and her love me which I will never understand my family me which I will never understand my family my family whom I have cut f forever my f forever my some hello world application lesson the application lesson the applet which application lesson the 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http://www.asondheim.org/garden1.gif http://www.asondheim.org/garden2.gif http://www.asondheim.org/garden3.gif http://www.asondheim.org/garden4.gif very small of the real and dream 28 statements 0]+ { print "the analog aligns with substance" } a]+ digital is based on epistemology and uniformity" b]+ always already a mapping" c]+ mapping analogy" d]+ doubly-encoded" e]+ real infinite raster" f]+ "form extruded g]+ integral calculus inheres within the analog" h]+ differential digital" i]+ signature analogous to body" j]+ "type writing" k]+ "inscribe in stone matrix" l]+ chiasmus at limit" m]+ "noise parasitic enveloping n]+ simultaneously eternal ephemeral" o]+ "technology substructure of p]+ technological temporally splays leaks" q]+ "from substance from r]+ atemporal time analogical" s]+ "a sentence through every sentence" t]+ world world" u]+ "fluid mechanics v]+ constructible" w]+ "what occurs x]+ "fundamental particles biological neurons" y]+ "digital levels homeostatic entities" 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110 111 1001 1010 1101 1110 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - separation - codices 10001 zigzag neutrons 10100 10101 untethered the language 11111 11111 heilbroner. louis louis robert robert philosophers. philosophers. worldy 11 101 110 1001 1010 1101 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - codices 10001 zigzag neutrons untethered the language 11111 11111 and book, the author, author, about the contents, table table heilbroner. 10 11 100 101 110 1001 1010 1100 1101 1111 10000 shuddering of wisdom and understanding of the all disappearance - energy and matter - 10100 10101 untethered the language 11111 11111 summaries 10 110 1010 1110 shuddering of wisdom and understanding energy and matter - 10100 10101 untethered the language 1 2 disscusion, chapter introduction commentaries, 1: chapter commentaries, 10 100 101 110 1001 1010 1110 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - 10100 10101 untethered the language 11111 11111 gameamp gameamp on the forums on 2 forums lineage 10 110 111 1000 1001 1010 1101 1110 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - 10100 10101 untethered the language 11111 11111 1 restaurant. restaurant. touch touch brings worldy chef network.worldy 10 11 100 101 110 111 1000 1001 1010 1100 1101 1111 10000 shuddering of wisdom and understanding of the all disappearance - energy and matter - codices 10001 zigzag neutrons 10100 10101 untethered the language 11111 11111 fraser eatery 10 110 111 shuddering of wisdom and understanding of the all disappearance - zigzag neutrons 10100 10101 untethered 1 / esther allweiss back. esther coming by customers back. keeps eaterytrue 10 11 100 110 1000 1001 1010 1100 1101 1110 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - codices 10001 zigzag neutrons 10100 10101 untethered the language 11111 11111 the news to detroit specialcustomers keeps / ingber special allweiss 10 11 100 101 110 1000 1001 1010 1100 1101 1110 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - codices 10001 10100 10101 untethered the language 11111 11111 islandtrue 79k vatulele 79k tulele_island_resort-vatulele_island.html 10 101 110 1001 1010 1100 1101 1110 1111 10000 shuddering of wisdom and understanding of the all disappearance - energy and matter - separation - 10100 10101 untethered the language 11111 11111 your visit - vatulele love love travelers worldy island: vatulele resort, 10 101 110 1010 1101 1111 10000 shuddering of wisdom and understanding of the all disappearance - energy and matter - separation - codices 10001 zigzag neutrons 10100 10101 untethered the language 11111 11111 unbiasedvisit unbiased webs webs for the source source tripadvisor, 10 11 100 101 110 111 1001 1010 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - separation - codices 10001 10100 10101 untethered the language 11111 11111 they be join, to shoudl me she want sure they t isn reviews hotels reviews 10 11 101 110 1001 1010 1011 1101 1110 1111 10000 shuddering of wisdom and understanding of the all disappearance - energy and matter - separation - codices 10001 zigzag neutrons 10100 10101 untethered the language 11111 11111 that her tells join, who shoudl person sure be who me person want the 10 11 101 110 1001 1010 1011 1101 1110 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - codices 10001 10100 10101 untethered the language 11111 11111 diary, wise people, advice, wise ] uncategorized, posted ] [that tells 10 100 101 110 1000 1001 1010 1101 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - separation - codices 10001 zigzag neutrons emptied 10011 10100 10101 untethered the language 11111 11111 out +time +time webicons webicons +mini +mini flags flags +worldy advice, 10 11 100 101 110 111 1000 1010 1101 1110 1111 10000 shuddering of wisdom and understanding of the all disappearance - energy and matter - separation - codices 10001 zigzag neutrons 10100 10101 untethered the language 11111 11111 flags- 06.30.05. worldy flags- slingbacks slingbacks +roo +roo out 10 11 100 101 111 1000 1010 1100 1101 1111 10000 shuddering of wisdom and understanding of the all disappearance - energy and matter - codices 10001 zigzag neutrons 10100 10101 the language 11111 11111 cph127 spearvia flagging.png via 06.30.05. flagging.png 10 100 110 111 1000 1001 1010 1101 1111 catastrophe shuddering of wisdom and understanding separation - 10100 10101 untethered the language 1 china.jpg · usa.jpg more 10 100 101 110 1000 1001 1010 1011 1110 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - energy and matter - 10100 10101 untethered the language 11111 11111 1 exit 30 $ nov 32 wed line on a/looply.pl done at script 1 exit 0.221015 10 100 101 110 1010 1101 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - separation - codices 10001 thinking 10010 zigzag neutrons 10100 10101 untethered the language 11111 11111 21:56:43 3032 line nov a/looply.pl wed 1 done 0.221015 script 10 100 101 110 1010 1101 1111 10000 catastrophe shuddering of wisdom and understanding of the all disappearance - separation - codices 10001 zigzag neutrons 10100 10101 untethered the language 11111 11111 1 2005 Abacus: The Pale The abacus is generally divided into two sections - above and below the line. Below, each bead or token represents one unit. above, each token represents five units. Consider the units above indexical: the _position_ of the token represents either naught or five. But the units below are doubly coded: as ikonic, they not only represent one; they _are_ one. But in terms of position, the one is counted and accountable, or uncounted and unaccountable. Think on that. text from Miami University (Ohio) performance tonight: Once We begin we march to our deaths yes yes we do or or do we do we march to our death? Is our death collective? Universal? One or many? I'm sorry I'm much better at sound than visual. No wait I meant to say much better at ... not at writing ... I'm much better "not at writing." Wait, you have to see this. But I'm not so good "at thinking." How does one do something "at" writing or something "at" thinking? Excuse me, I'm cold; my clothes are lost in a suitcase somewhere outside Chicago.You're early, we're running tests here, although the performance won't be all that different. If you look for about ten minutes you'll have had enough and then you can leave and make room for the lines of people outside. Signed, "Henry Potter." "Man tries to climb so high and then He falls and falls ALAS" "Man likes to fire off his Thing ALAS" This is me playing a waltz. That was me stopping a waltz. This is Anja Schmidt. This is me and Sandy Baldwin discussing the phenomenological distinction between "analog and digital." This is me and Sandy Baldwin flying through the air across the river in New Jersey (from New York). "We can fly." I should tell you the performance won't be any different from what you're seeing now, honestly. I might be a bit more nervous, that's all. Graphics are graphics. Well, anyway these were done around the time of the scandal over the Abu Gharayb prison in Iraq. And some of the guards involved in that, they were from West Virginia. And this was produced near the area where the guards, some of them, were from. So it was natural for me to work with disturbed, torn bodies - here's another one - you might have already seen this last night - I'm supposed to start in six minutes but this is only forty seconds long! I've used up all my material! FUCK! Maybe you'd like to hear a kid screaming. This kid from West Virginia can do this! I can't. I don't know how he does it. His family "doesn't encourage him." You just can't get enough of screaming kids! Think positive, think MARTHA STEWART! (Have you seen Wednesday's The Apprentice? I had to show this stuff instead. I don't know who got kicked off. Pleas see me later and letme know.) - on the right, one of the major scenes of car wrecks in Orange County California. That curve sneaks up on you! Ok, me, age fourteen. I knew a girl. I "fell" for her. More of the West Virginia work. Somewhere between avatars and shamans and the torture at Abu Gharayb there lies a whole politics. I can't tell you the politicxs "but I can tell you this/" These figures were animated by using motion graphics - a motion graphic device - by messing with the mapping of the sensors that are placed on the body - rearranging them - just as figures are rearranged in torture - just as torture (and Merce Cunningham for another example) pays little attention to the natural attitudes of the body. So the body - with the motion sensor stuff - was divided and splayed and redivied and the result is a remapping back on to bodies that makes little sense but for a kind of emotional economy.... (TURN AWAY YOU MIGHT NOT WANT TO SEE THIS BLUSH!) Instead of being introduced, think of this as an introduction: MY NAME IS ALAN SONDHEIM AND I AM NOT ON MY MEDICATION!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!WWELL, hmm, that's enough of that... See, what happened, my baggage was lost by American Airlines (PLEASE KILL AMERICAN AIRLINES BURN THEM IN HELL HAHAHAHHAHAHHAHHHHHHHHHHHZ) and so I'm working without my PLENIPOTENTIARIES - part of what I'm doing, trying to control these images - so they make some sort of sense - at times they seem to take over, take control - I'm wll aware of the sexuality/politics of the images, I'm not imagining things...I'm spoiling things, this is the grand finale and it's hardly just started. Terrific, so much stuff to look at. I'll try and tell yo what's here - the antenna movie in the upper left - searching for places to set up low frequency radio antennas - they need to be away from civilization - in the wilderness away from power lines - the recordings you're hearing are fromm the radio somewhat modified - then the category of natural/industrial - two films going through my images trying to find those which fit (I think ) into oene or another - I've got two naturals running, gotta tkae one out - Let's listen to the kids. Okay it's like this, THE KIDS ARE OUR FUTURE> (hell, that's not me , that's the medications talking!) - well .... This is my partner and me being a happy family in Santa Ana Clifornia on a residency program going about our business and singging and dancing like any happy family there's also simulated sex of course but that's , ow I don't want to inerryot tg HELL interrupt the bowing... Ok picture this... it's three in the morning and there's a huge explosin outside our loft in brooklyn and G comes runnin and in and says the water mains blown and sure enoughs o so we run out and watched it fill sthe subway and tear the street apart. Some of you saw this last night BUT NOT THE WHOLE THING. well I'll dsappoint you again. This is all my work forthe past twelve years. Richard Nixon put it beest "When the tough get going the good get tough." Well, that's easy for me to say. What amazes me about the United States at this point in time - is how the social safety net has been totallyeliminated in the four or five years of the Bush administration. In NY where we live (Brooklyn) there are suddenly dozens of homeless people and the soup kitchens are overflowing and no one is giving to those charities because the war in Iraq and Katrina absorbed the funds. So anyway In Huntington beach california, there was this fourth of july parade. and it was like the parades in the Soviet Union in the fities and sixties, goose-stepping kids, lots of armor, lots of salutes to the military - at least for me - i lived through too much of that periiod - it was frightening - and it was all for the sake of oil - Huntington Beach was at one point one of the largest producers of oil in the US - and these grasshoppers - this oil rigs - carrry american flags on it as if it makes everything all right - in Salt Lake City, dusk settles in, turns to night, the landscape is fairly devoured within the city limits, there's a short path, "nature path" through it, the Jordan River, it turned night there -we saw a couple of foxes that managed to survive . these were dreams and nightmares of figures and it took about two hours to make this - no this one took an hour I KNEW WHAT I WAS DOING (said GOD).normally at this point I'd BE ON A ROOLLL and everything would be working perfectly hin harmony that is, but now already things are a bit out of control. here's a bunch of films all at once - can you tell which is moving? If you were seeing this in a theater and it was a harry potter movie, you can be sure soething really remarkably dramatic would b e going on. So hmmm... I'm not sure how to deal with this - I think the figure on the right HAS DIPTHERIA. Just watch. The woman above - hmmm.... she's got CHOLERA and is writing (heh what a misprint) wrything writhing in her last moments of life. Oh god I just looked to my right ALL OF YOU ARE STILL HERE... fuck, I didn't think so many had come . If you arrived in the last three or four minutes, you're lucky, you'll think this is all NEW. So you don't have to see the DUMP MOVIE again, how idiotic! God I could just watch myself on the screen forever and ever. Back to politics. The next video was shot on the grunds of the World Trade Center and the soundtrack is modified from WIFI signals in the area. Hold onto your hats! THIS I could WATCH FOREVER - this is the inside of my brain..... Is there a doctor in the house (doctor = sysadmin). At night, for exaple the night before last, I dreamed of bodies like these. And this afternoon I was napping and I dreamed of an explosion inside the equipment, that is, inside the euqipmetn, the digital equipment, that I was using to make these images. And the explosion happened inside me and the explosion destroyed me and all that was left were these images but you needed to understand the protocols to make sense of the images and maybe you didn't know the protocols or the protocols were absent ... So if they were absent, you'd have these bits and pieces of things, but they'd only be bits and pieces of flesh or something like flesh - the secret codes - that make things move - these codes would be gone they'd be gone gone they'd be gone machines - there'd be nothing left - you wouldn't see the bits of flesh hanging off the avatars - the animations which were nothing more than digital surfaces stapled LITERALLY on human bodies, the screams would be covered up, by --- I really can't think this through any longer, it's all there in the BOOK THE BIBLE. At night, as I said, these things mix, they mix with me, they mix with the political and the death of bodies - It seems, I'd think, you could tell with of these figures on the left - which was real. But I'd have you fooled.... men are so stupid... On the right, yet another scene from Harrpy Power... On the left, yet another sceeen from Irak Warrior online. I recognize the hour on hand... the hour on hand... this is somewhere somewhere this is... coming towards an end... The idea (according to Schelling - rather the Idea - is that when you play beach volleyball you PLAY WITH SOMEONE. hitting into the voice is a pure act of a very different sort of creation.... I think it's this.. that I'm just fucked up, that I think if I can't do something well at least I can do more of it - and that will make it better. But it just gets preposterous....sometimes you just do this sttuff and it stops THANK YOU FOR COMING. There will be some time for questions and answwer s - ONE plusparthey'JOURNAL BE G0NB 90AYE|B pluspartF|EY'D 8B goAYE|E AYE/|- quatrecF|INBs - tF|ErE'JOURNAL bB NotF|INg LBpHT - Jooai! 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(jUStin!katKO camera, both recorded in Oxford, Ohio, Miami University) coach-hack {Charlie} Charlie's travels on the way thru death http://www.asondheim.org/coach.mp4 camera: jUStin!katKO the light which is not the light {insert URL here} the difficulty of opening the door the cold which is the beginning of cold [insert acknowledgment here] {neck} Charlie's image of writing the dusk of writing dusk {/neck} {Charlie} _ ok, the buddha stuff < my > is running out of steam. so what if the real can be turned beautiful? can you turn prisoners out of hidden torture camps? interesting to watch shattered-usa try to get out of this one. we don't torture but whatever we do we protect you. buddha disappears into a blur of colors. the cpu distorts the reality it creates. nothing is distorted and everyone using a computer knows nothing is created. misery becomes everyone in the world. Pray for the Pigeon the pigeons, rock doves, don't live long in new york. yesterday i saw one, feathers i think covered in oil, in any case, they were all askew, she was begging for food like the rest of them, many won't live through the winter, those who do often lose toes to frostbite. there was nothing we could do. if you believe in a god, pray for her. i don't, i can't. it's enough to report on this dove which haunted my dreams, it's selfish, this haunting. http://www.asondheim.org/cpu.jpg http://www.asondheim.org/budddhas.mov http://www.asondheim.org/buddddhas.mov we need another universe. perhaps arrange buddda next to buddddha, run as long as you like. i can't meditate, i can only watch a cycle or two, but the files aren't all that large. Philosophy of Collectivity seems, sorry could and seems - sorry - seems, sorry could and seems, do and do the tell the is one life could i'd one could is death do death and - the one do or life we cata one do do is way or is collective? or or travels or universal? universal? we on collective? we of collective? it a collective? bodies bodies or i of or of of looked my of on my it life. of of of travels looked my of i my looked life. of of mud a looked fla of life. fla looked you mud mud ide my flooding no mud you no flooding a you ide am fla on atinged ide mud atinged fla tire mud am continues am congo goes am continues goes flooding first here... continues acts continues stillborn on continues acts killing if philosophy really continues goes acts killing killing acts goes am on acts continues philosophy acts goes killing killing goes acts killing killing acts philosophy acts goes acts killing am acts goes am killing goes acts acts begin goes am protect goes begin protect am begin we goes yes begin protect or begin yes or protect yes our begin yes yes or or yes do or or yes our yes to yes or our yes one our or yes march yes i'm yes our the to - the our our many? to thru to the charlie's to think, charlie's the charlie's thru i'm i'm thru i'm charlie's sorry universal? thru universal? the thru we collective? the of collective? it or charlie's or bodies or do we thru or we bodies is of is collective? universal? one or it it do on and or of of bodies - it bodies way it cata could it travels travels on the way on death way life of way the the cata my death cata looked death life. of death the of life my looked looked looked could life. of looked my of life. my looked looked flooding of life. mud looked my mud life. fla flooding flooding on of you ide flooding fla ide you no fla on congo mud a am on flooding am mud atinged flooding congo stillborn congo tire continues congo stillborn continues you goes fla stillborn fla stillborn first you stillborn fla you mud flooding flooding fla flooding fla mud mud fla flooding mud you fla fla flooding fla flooding you you flooding fla you mud fla flooding fla flooding fla you mud fla flooding mud you flooding fla fla begin flooding mud protect flooding begin protect mud begin we flooding yes begin protect yes begin yes yes protect our or begin yes yes yes yes yes do yes yes our or yes yes yes yes yes yes one yes yes our or yes yes yes yes yes yes - yes yes our or yes yes yes yes yes yes think, yes yes our or yes our yes or thru yes - yes yes our charlie's yes - yes charlie's one yes the charlie's thru - one thru the charlie's seems, - charlie's death sorry one one - seems, death one one is one one one - - is one do - - we - - - is collective? we - collective? universal? universal? or is is i we of or of of bodies bodies it we we life. or of it or of my my looked or or life. it of looked of of my it of it it you looked mud you of mud fla looked mud looked looked a of continues a mud really here... of ide of you acts mud acts mud am continues really mud am really mud goes ide goes here... continues philosophy continues you continues continues here... am am am really acts acts continues mud continues philosophy philosophy killing continues goes goes here... goes continues here... continues continues acts acts continues if if philosophy killing continues philosophy philosophy continues acts or continues on on acts begin philosophy acts our philosophy protect or philosophy killing or acts yes our our our acts begin or our begin or protect yes our our our or begin our our yes our begin to our our march or yes the our to the yes i'm to march many? our yes charlie's march our charlie's our thru our many? charlie's many? to the many? charlie's the or thru yes charlie's charlie's thru charlie's yes yes Updated knowledge-flux theory (original Perforations 3, 1992) Epistemologically, the very concept of knowledge flow questions structure introspective self-consciousness. Digitizing - a form _matrix_ or _sieve_ topology guarantees both totalized reproducibility formatted and its neutrality. The former refers to channelling knowledge, latter "inertness" in relation previously inviolate operations introspection. also insures that is flux; flux necessitates gating continued channeling; these necessitate gate-keepers data-locators. Introspections becomes matter location within cyberspace. Cyberspace contentless; last vestige anthropocentrism disappear postmodernism _meaning_ itself. Meaning always spills beyond matrix; it occurring subterranean investment, an excess which remains irreducible. What meaning _attribute-meaning,_ _meaning-sub-x,_ where x given cognitive domain issues translation. From _beings_ _Being,_ from _meaning-sub-x_ _Meaning_: ultimately are transformations digital analog, matrix continuum, object subject, inscription fissure. rootedness "ultimate" sense Quine, untranslatable, regional morphology. "message" current video computer worlds, however, as with McLuhan medium _is_ message, "content" replaced by (or equivalent to) production-value. production-value but fetishizatio representation production overarching "originary" style absorbs debris, seepage that, fact, _communicates_ value, value production? Everywhere cyberspace, Gibson _Bladerunner_ notwithstanding, occurs clean room dirt exists only signifying. (Only fissuring body escapes this even body-production.) communication channel well; represents producer, product, corporation, medium, signified. Production-value signifies economic technological capital well. increases extent recognized such; maintained through recognition habitus. increased "slipperiness" content production-value; expands knowledge-flux. clean, fetishized, redundant, continually overlapping itself, inscribing reinscribing. Breakdowns viruses for example stop machnery, scrap programs, create headaches; breakdowns fissure flux, recodes, redistributes, bypasses. (A model could be drawn directly _Porifera,_ sponges whose cells gate nutrient-rich water throughout body.) It not irrelevant invoke Sartre's notion seriality capitalism here "inauthentic" group coheres virtue secondary alienated labor. For knowlege seriality; machine operators (sysadmins) themselves, nodal at heads tails flux-vectors, speak think as-if thinking occurs. "But them dreaming." (_Critique Dialectical Reason._) brackets develops accumulation nodes ruptures temporarily sampling impeding flows, just like ostensible ideally foreclosed bureaucracy. Hence introspection challenged flux-knowledge two ways: 1. contents placed matrix, thereby "cleansing" operation (no leakage, no excess). 2. introspecting organism temporary neccesary (so far) impediment flows. clear one witnesses return classical behaviorism here, inverted behaviorism. There longer stimulus/response; there flows impediments. does "respond," bypassed. Instead response "fueled" interior energetics, swept exterior energy; self-simulacrum. If ("human") self-simulacrum, recognizes itself representation. Body transformations, example, fissures, inscriptions; they represent capital, style, value. produces duces knowledge-flux result Inscriptions chatter, do dissolve, upon surface. _Within knowledge-flux, representation._ presumed "shallowness" "depthlessness" postmdoernism representation, which, infinitely deep, extending entire domain. In sense, virtual reality contraction, expansion know- ledge-flux; what cannot represented bandwidth human sensory receptors. (And real far more than course so _any_ reality, seamless perfected, already foreclosed.) phenomenology much tenuous expansive reality; gloss real, sheen fetish On level technology, consider; increasing number screens resolution them; emphasis on real-time displays transformations; infinite spread- sheets; invisible rasters; reconstruction "audio sphere" surrounding viewer; absolutely flat responses (vis-a-vis perception); fetishization "blankness" equipment display rooms; feedback monitoring responses; calculating speed memorydensities; miniaturization; exponential increase networking with- without immediate environment; continuous "exfoliation" peripheral technologies components; decreased fixed standards combined translation polymorphic environmentally-sensitive standards. will come increasingly inhabit terms time phenomenological horizon organism. "compact," self-(re)produce self-monitor. Any question "intelligence" artificial become new neural networks, vectors, arise. _Porifera_: "Two unique organizational attributes define have played major roles poriferan success. These features channels, _aquiferous system_ (and _choanocytes_), totipotent nature sponge cells." ... "Increases size surface area accomplished folding wall into variety patterns. Furthermore, variation overall shapes results different growth patterns various environments. This general plasticity fact most individual capable radically altering their function needed compensate part absence tissues organs. aquiferous system brings though close responsible food gathering gas exchange." "The volume moving sponge's remarkable." (Brusca Brusca, _Invertebrates._) *The Gate-Keepers (Routing Service Community) exist double bandwidth: channels before them, apparatus decision-making. insert withdraw filtration flow, retaining re-entering. Temporary skeins matrices beck call; ordered reordered, events described, descriptions circulate entities. node moment intensification, vortex machinery. passes elsewhere, duplicates reduplicates belong community; perhaps unionized. They share customs; information shuttles between them. Information leverage, input output; scrip. Quantity enters picture flee again. control flight; exile. exiles, existing margin social body. Paradoxically, up evidence senses. screen momentary, souvenir best, brief unwieldy turbulence current. identity, identity-flux. see depth; feel it. depth real. lexicon operations. fear admire viral attacks. follow virus machine, observing duplications erasures. aware, else, long complex history. witnessing beginning life, literal life organization proper Ridding themselvs virus, Interspecies communication. Other forms ensue. ghosts; program ectoplasm. Languages develop collapse beneath ride higher, forgetting assembly codes saturating electronic. called "speech." concerned nothing else except incoming. Their bandwidths shudder occlude: information, control; needs controlled; charge? Everything shifts another level; levels, intensities. Sensory reduce! senses necessary; bits fly every diretion, coherent. insist coherency things; margins mesh, operations; things devolve against exigencies starvation, geopolitics, militarisms all sorts. remain distance depth. Whispers along pipeline, rumors. rumors bodies, flesh translated symbolic. Rumors necessary. gate-keeper perfect sphere; spread lightning, static discharges across Pathways separate forever, rejoin. sphere engorged, never devoured, devouring. float above surface; rings hollow resonances entering information. keepers make decisions. shuttle. seized. *Questions M. Chaput* "Objects can apprehended aesthetic technical wholes; been fragmented. "It possible master composition thorugh old semantic procedure component parts, structure,system, product. Instead, we find superimposed multitude mutually unintelligible codes. Each field has own code, synthesis necessary apprehension any particular reached common labor specialists, putting grids another's disposal hope resisting few moments continental drift reshaping world science. "In impossible synthesis, everyone left grasp whatever his competence allows deal element less secret deep-lying layer. "As move outer strata, shell towards kernel, faced reading after another" "until reach structural core. vain, pursue chimera encyclopaedic ledge, unless restrict ourselves anonymous realm data banks like. loss mastery important mustrely considerable degree magnification, causes partial blindness." ("From Socrates Intel: Chaos Microaesthetics" _Design Modernism,_ ed. John Thackara, London, 1988.) if were "structural core," material substrate integral software interfacing used organism; interconnected others, functioning; states components substrates indiscrete, irretrievable; flow-formations traveled, redundant form, media copper, gold, silver, air, glass, vacuum carriers (neither wave-form nor particle) electrons, holes, photons; structures surrounded guard-structures, potential wells (preserving internal coherency) infiltrated antibiotics (protecting decay); bounced planet; relativistic, particularly regard stasis "operating" partially linked (as case infinitesimal degree) (sensory) "contents" flow-formations; network duplicated reduplicated expanding data-bases, there, modified, returned, reassigned speciation; core" became transport (on order molecular); cores" (except trivial sense) "fields knowledge"; best part-objects, momentary flux-states; strata simultaneously "shell" "kernel"; "layers" diffuse, non-hierarchical; "competence" layers non-secret, erotic-pornographic open; "chimera knowledge" "Once loaded (if still use such "metaphysics") operates combinatorics, micro indi- vidual. Only when operating instructions applied micros identical, multiple." (Chaput, op.cit.) loading continuous; partial, blind; "moments"; "individualities" flickered random receptors, organic _longings_; occurred body, gates open, everything flux... +++ Anniversary ( For me an anniversary as Google goes (temporarily) over 100,000 w/ my listings. Why should I care? I'm pretty much disenfranchised, working outside institutional or (offline) community support; this is a barometer that at least some of the materials are surviving. I'll die happy. This morning I had gone from 97,600 to 92,400 - 142,000 is a temporary, if sanguine, anomaly. ) ========================================================================= Google sondheim@gmail.com | My Account | Sign out Go to Google Home Web Images Groups News Froogle LocalNew! Desktop more Advanced Search Preferences Web Results 1 - 10 of about 142,000 for "Alan Sondheim". (0.06 seconds) Sponsored Links Alan Sondheim Access Over 2 Million Songs Rock to Rap; Indie to Mainstream www.VirginDigital.com eBay: Get It Here Great deals on hard to find items. Free & easy registration! Aff. eBay.com Alan Sondheim: Internet Philosophy and Psychology Philosophy and Psychology of the Internet Alan Sondheim ... Alan Sondheim, 432 Dean Street, Brooklyn, NY, 11217, USA mailto: sondheim@panix.com ... www.anu.edu.au/english/internet_txt/ - 16k - Cached - Similar pages Index of / Index of /. Name Last modified Size Description. [DIR] Parent Directory 28-Nov-2005 02:13 - [TXT] 0.README.txt 11-Jul-2005 18:36 1k [TXT] 00README1st. ... www.asondheim.org/ - 127k - Cached - Similar pages People: Alan Sondheim Alan Sondheim. Index of trAce projects - Beginning of Journal. Alan Sondheim is a poet, critic, and theorist who writes on and about the Internet. ... trace.ntu.ac.uk/writers/sondheim/ALAN.HTM - 10k - Cached - Similar pages Contents for Story Materials, Diary Materials For further information about Alan Sondheim, click here. Also see Alan Sondheim's trAce diary for the ongoing saga of the virtual writer-in-residence; ... trace.ntu.ac.uk/writers/sondheim/ - 8k - Cached - Similar pages Alan Sondheim Interview Alan Sondheim Interview Gary Sullivan:Reading a relatively early work of yours, ... Alan Sondheim: I saw the statements in lists as a series of protocol ... home.jps.net/~nada/sondheim.htm - 39k - Cached - Similar pages Alan Sondheim Gate The Alan Sondheim Gate. Various Poems. www.thegatesofparadise.com/alan_sondheim.htm - 2k - Cached - Similar pages "do wah" by Alan Sondheim A jewel mined from the Buffalo Poetics List -- Use your voice. Read this one ALOUD. poetry.about.com/library/weekly/aa072500a.htm - 27k - Cached - Similar pages RCCS: View Book Info Alan Sondheim's books include the anthology Being on Line: Net Subjectivity (Lusitania, 1996), Disorders of the Real (Station Hill, 1988), .echo (alt-X ... www.com.washington.edu/rccs/bookinfo.asp?ReviewID=311&BookID=264 - 23k - Cached - Similar pages Alan Sondheim, TEXT Vol 5 No 2 October 2001 TEXT Vol 5 No 2 October 2001, Journal of the Australian Association of Writing Programs. www.gu.edu.au/school/art/text/oct01/sondheim.htm - 51k - Cached - Similar pages UBUWEB :: Alan Sondheim ALAN SONDHEIM, ---------------------------------------------------, truth, or ILLUSION? Run by Me. INSTRUCTIONS: Cut and paste into your own html editor, ... www.ubu.com/contemp/sondheim/sondheim.html - 3k - Cached - Similar pages Try searching for "Alan Sondheim" on Google Book Search Result Page: 1 2 3 4 5 6 7 8 9 10 Next Free! Get the Google Toolbar. 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Help us improve Google Home - Advertising Programs - Business Solutions - About Google ©2005 Google ========================================================================== Date recorded: Tue Dec 6 22:55:21 EST 2005 glow perhaps like bachelard, believing in the secret life of things. but is a reference necessary? things have their own glows, lives. these lives are my comfort zones the mystery of the vacuum, filament glows, hearths, from bulbs, tubes, unlike the flatness of lcd screens (their own colder glows, glacial, nonetheless kindly, empathetic) when i was young, i would make drawing after drawing, tiny villages from above, surrounded by protecting walls, almost a maze to enter, i was safe there, i could leave, return home against the onslaught and violence of others sparking in vacuums, closed glass bells, inert and noble gases, and the orange hue, the promise of life in the heart of radiation, of radiation in the beating heart of life throbbing candle flames, lanterns, amplifier and preamplifier tubes, delight of email, lives through wire-nerves, radiation-nerves, speaking to me, whisperings from the planet through the hours of day and night, distant glimmers of eternity darkling protocols, your imaginary voices, voices of the imaginary, here i am, here you are, there i am, there you are, thinnest of glass enclosures, rounded and subtle, skeins of lives and families, murmurings of love, colorations vacuum uncanny, our absence from visible space, emptied, but not quite, the quantum hearth churns, there are radiations, gravitations, crossroads of silences, rumors of darkness and universal endings but cathodic, traumatic, heatings, warmth of instrumentations, that slightest trembling, our passional heat, our soft sleepings within the blanketings of worlds and lazy atmospheres the seed - ( secret interior life / drawings w/ comfort zones / mysteries of the vacuum glass / throbbing ) ( our universe tiny, our place smaller, we huddle against the cold to come, we will have gone by then, we will unremember ) risk/a (Doctor Leopold Konninger) Nikuko, said Doctor Leopold Konninger, I cannot take my eyes off your if Kronstecker separated from Remanlonninger you'd have Konninger, and if tor Leopold Konninger, with a tophat, cane, and ocular, sat. Her clockwise Doctor Leopold Konninger Doctor Leopold Konninger says to Nikuko: We understand each other Doctor Leopold Konninger is refusing all messages on account of his to: Doctor Leopold Konninger status: Doctor Leopold Konninger is out of touch. status: Doctor Leopold Konninger is obsessed by the ballet dancer Nikuko. status: Doctor Leopold Konninger is permanently out of touch. The Ambassador attempts to reach Doctor Leopold Konninger. status: Doctor Leopold Konninger does not answer his email. status: You might as well forget Doctor Leopold Konninger. The Ambassador desperately needs to speak to Doctor Leopold Konninger. status: Doctor Leopold Konninger is occupied. status: Doctor Leopold Konninger will not answer status: requests. status: Doctor Leopold Konninger wants you to know that he is really Doctor Leopold Konninger is supposed to be chairing the meeting on Human Doctor Leopold Konninger asks THE PRESIDENT and the Ambassador turns his Doctor Leopold Konninger has drawn up the Vienna Accords in relation to Doctor Leopold Konninger, says the Ambassador, is worrisome these days. Doctor Leopold Konninger is considerably weakened; he has not eaten for Doctor Leopold Konninger has killed many people. He watches Nikuko close- Doctor Leopold Konninger cannot imagine speaking a single word. He cannot from his closed meeting, to the subject of Doctor Leopold Konninger, there Konninger and Nikuko within. THE PRESIDENT says to the Ambassador, just as Doctor Leopold Konninger is a subject without a corresponding object, "Nikuko and Doctor Leopold Konninger" pirouetting before Doctor Leopold Konninger, the two locked in mutual with me, I don't want to murder anyone's words., Doctor Leopold Konninger! Come with me, dark eyes and blind shamefulness, Doctor Leopold Konninger!" said Doctor Leopold Konninger; Nikuko, the "famous Russian ballet dancer" but without any sort of advance. Doctor Leopold Konninger, who came to me Doctor Leopold Konninger has killed. apparent report from Doctor Leopold Konninger Bending, - Stooping!, Tlingit, Konninger MUSSELS look like EYES, said Doctor Leopold Konninger. Consider this the pold Konninger imagines Nikuko gathering eyes, bending - stooping! - for ettes Konninger his imagination, "Did NIKUKO return his eyes?" cing his heart away, as if judged by Doctor Leopold Konninger, comparing and Doctor Leopold Konninger as objects. Konninger. until Nikuko and Konninger decide otherwise, she'll keep rotating. Much to the delight of Doctor Leopold Konninger. august presence of Doctor Leopold Konninger, her state of mind: - by Doctor Leopold Konninger - Doctor Leopold Konninger - Compiled by Doctor Leopold Konninger from the Philokalia (Doctor Leopold Konninger) Nikuko, said Doctor Leopold Konninger, I cannot take my eyes off your if Kronstecker separated from Remanlonninger you'd have Konninger, and if tor Leopold Konninger, with a tophat, cane, and ocular, sat. Her clockwise iority, Doctor Leopold Konninger, and Nikuko. They inhabit this and other pink tutu, more or less shaved, turning before Doctor Leopold Konninger, Sources for Nikuko and Doctor Leopold Konninger Daishin Nikuko, Dr. Leopold Konninger, Alan Sondheim) Nikuko, said Doctor Leopold Konninger, I cannot take my eyes off your introducing Nikuko and Doctor Leopold Konninger 5:15 Nude Nikuko sitting on nude Doctor Leopold Konninger with sfx and bitionism with the obsessive Doctor Leopold Konninger, central images 16:13 Nikuko and Doctor Leopold Konninger, both fully dressed, dance cutting to Nikuko and Doctor Leopold Konninger naked and staring, cut- Doctor Leopold Konninger, cutting to an explanation of confusion and Doctor Leopold Konninger exchanges places while words roll by at the camera, and Doctor Leopold Konninger plays equally odd and fast music pold Konninger, characters developed at length in the Internet Text (see Doctor Leopold Konninger, Freedom we take our names." (screaming poetry.) "Doctor Leopold Konninger, can we Leopold Konninger, Travis, Clara, Honey, Alan, and Julu come and go; there played nikuko and I played Doctor Leopold Konninger in a series of texts, Leopold Konninger or 75599:performances. Nikuko would pirouette for Doctor Leopold Konninger - Nikuko Doctor Leopold Konninger He talking and make no difference - Doctor Leopold Konninger is smoking Nikuko gives her robe to Doctor Leopold Konninger -- she is naked -- Nikuko and Doctor Leopold Konninger disappear -- + 42 Apr 22 Dr. Leopold Konninger will pay you to dance naked and Doctor Leopold Konninger), and Doctor Leopold Konninger), as well as issues of philosophy in said Doctor Leopold Konninger; Nikuko, the "famous Russian ballet dancer" but without any sort of advance. Doctor Leopold Konninger, who came to me Nikuko, Alan, his own. His blunt texts, his own. Doctor Leopold Konninger Doctor Leopold Konninger has killed. doctor leopold konninger shuddering on the couch, naked, his body doctor leopold konninger sitting naked on the couch, his nipples pulled up, her nipples grabbed by doctor leopold konninger - doctor leopold konninger in a pensive moment calling nikuko - but the bodies of doctor leopold konninger and nikuko the beautiful doctor leopold konninger sits naked on the couch and nikuko the by nikuko lying naked in the arms of doctor leopold konninger, his hand konninger offering you my holes and the holes of nikuko would you fill nikuko dancing for konninger nikuko still slowly" said doctor leopold konninger; nikuko, the "famous 550 ... No reply. konninger, my eyes fixed on his solar visage, my dancing perfect and konninger, my eyes fixed on his solar visage, my dancing perfect and as she pirouettes for doctor leopold konninger; i alone recognize the doctor leopold konninger shuddering on the couch, naked, his body doctor leopold konninger sitting naked on the couch, his nipples pulled up, her nipples grabbed by doctor leopold konninger - doctor leopold konninger in a pensive moment calling nikuko - but the bodies of doctor leopold konninger and nikuko the beautiful doctor leopold konninger sits naked on the couch and nikuko the there's nothing more I can do with nikuko and doctor leopold konninger in by nikuko lying naked in the arms of doctor leopold konninger, his hand konninger offering you my holes and the holes of nikuko would you fill nikuko dancing for konninger hands at: :doctor leopold konninger: naked: shaved: his erect cock provid- nikuko still slowly" said doctor leopold konninger; nikuko, the "famous nikuko sits partly clothed on the couch, her doctor leopold konninger in a pensive moment calling nikuko - but the bodies of doctor leopold konninger and nikuko the doctor leopold konninger sit on the couch - the source of leopold konninger, if nikuko said she were your thing and this was her ko- them in a very nikuko dancing for konninger nikuko whirls. nikuko whirls claiming then: nikuko is sealed by doctor leopold konninger, the doctor watching, pained, mouth opened, hear leopold konninger shuddering his doctor leopold konninger and nikuko are on the floor of the theater. konningers cock is hard, nikukos labia are swollen. theyre fingering each leopold konninger, the cunt of nikuko. the dancer might shudder and halt, the audience, she spreads doctor leopold konningers asshole for the konninger licks it out, places some in his asshole. theyre moving faster evening, they leave, doctor leopold konninger and nikuko are swollen, combkon compbitxtape compbitxThe echtx(Doctor echtxNikuko, echtxif echtxtor ltxDoctor ltxDoctor ltxDoctor ltxt ltxstatu ltxstatu ltxstatu ltxThe ltxstatu ltxstatu ltxThe ltxstatu ltxstatu ltxstatu ltxDoctor ltxDoctor ltxDoctor ltxDoctor ltxDoctor ltxDoctor ltxDoctor ltxfrom ltxKonninger ltxas ltx"Nikuko ltxpirouetting ltxwith ltxCome ltxsaid ltxbut ltxNikuko, ltxDoctor ltxapparent ltxBending, ltx(Swanton, ltxMUSSELS ltxpold ltxdering ltxettes ltxcing ltxand ltxKonninge ltxuntil ltx ltxaugust ltx- ltx- ltx- ltx(Doctor ltxNikuko, ltxif ltxtor ltxiority, ltxpink ltxSources ltxDaishin ltxNikuko, ltx ltx5:15 ltx ltx16:13 ltx ltx ltx ltx ltxpold ltxDoctor ltxwe ltxLeopold mtxplayed mtxLeopold mtx75599:performance mtxNikuko mtx mtxNikuko mtxNikuko mtx+ mtx mtx oldabtxsaid oldabtxbut oldabtxNikuko, oldabtxDoctor http://www.asondheim.org/corrode.jpg kreatur at the fractal limit (lip of fractal) it was found there i let it alone 9999999 9909-0 9009-0 900-00 900-09 900000 900000 900-00 90-00- 9999909 900-00 900-00 900000 900-00 90--00 900000 900000 90--00 9999909 900-00 900-00 909-00 990-00 9999909 9999999 9909-0 9009-0 900-00 900-09 900000 900000 900-00 90-00- 9999909 900-00 900-00 900000 900-00 90--00 900000 900000 90--00 9999909 900-00 900-00 909-00 990-00 909909 909909 909909 909909 9999909 909909 900009 909009 909900 900909 909900 90-90- 909909 9999-99 90-900 90090- 909900 90-009 909000 909900 909909 900000 9999-09 900000 909900 900009 900000 900000 909909 900000 90090- 9999-09 909900 900009 90000- 909000 9099-0 909909 909909 909900 9999-09 909909 900909 909000 900000 909909 900900 90090- 909900 9999099 900909 900000 900000 909909 900000 90000- 909900 900009 9999009 90900- 900000 909909 900000 900900 909900 900909 900000 9999009 90-000 909909 909000 90090- 990900 909909 909909 900909 9999009 909909 909909 90-900 90000- 909900 90-909 909000 900000 9999099 909909 909900 90000- 909900 909909 909000 900000 909909 9999009 909909 909909 909909 909909 909909 909909 909909 909909 9999009 909909 909909 909909 909909 909909 9099-0 909909 909909 9999009 909900 9999-0 9999000 performance text, Sarah Lawrence, 12/08/05 i is cold here are you is cold. arrgh. should there be rhyme? this is close to the apocalypse. it's daytime in iraq. the 9/11 commission: "we fail." this is live. "this is memorex." it's i'm not sure what time in pakistan. winter's coming in. winter's coming into thailand isn't it? perhaps thailand is in south america. i don't know. something happened there and a lot of people died. these images... sometime after abu gharayb i began dreaming of torn bodies. no that's not true, it happened a lot earlier, but abu gharayb confirmed things, that the united states was as capable of as much slaughter as any fascist country, thank you condaleeza. however you spel your nam. when you take a program and run it to its limits, you get these figures. the program tries to makesense of the files just as i try to make sense of the world but the world is going much too fast. every time i wake iin the middle of the night my entire life flies before my eyes. or rather i hear it before or within my ears. it's fast and furious. it's mapped everywhere. when i showed this work recently someone said it was just likie bush torturing people. i walked ou on him and almost came to blows but i avoided blows later someone else said i was closer to the apocalypse than anyone he knew. how close can you get to the apocalypse? answer: 1.3 yards. we are learning new ways to march which is all to the better. imitation is the best policy in guiding our young people in their future choise of carerrs. what is surprising is that one wants to write anything these days. given the world-wide slaughter going on, it's hard to concentrate on a proper metaphor, what would work in a reading/writing, what wouldn't. even sending these images to the sky, absolutely a failure in the guise of someone on the ground just shot or blown up in iraq or on the streets of new york city. i just can't get enough of drumming. maybe if it wasn't so cold i'd be better able to think. welll i was away a few days ago and sat at harriet beecher stowe's desk where she wrote uncle tom's cabin so i sat at the desk and wrote to my uncle hymie. this is the wolf at the door. after the bombing of the world trade center. shot obviouslly in the 'bathtub area' of the ruins. well i'd write some lyric poetry but my uncle adorno said i wasn't allowed to after auschwitz. well, i don't know whether i can agree with him or not but at least at this point i've forgotten how to rhyme. this is gerald edelman at a recent conference explaining how the brain works. well, i was jealous and all i could do was destroy his speech. heres an island for you. its reallly oil derricks off of long beach in california. people live out there. you could swim out to the derricks and the water is clean. or at least i think it is. gary came to the door at 3am and said the water main broke and we went out and filmed it as the water went throgh the subway system and flooded through the cracks in the street. now... you might not noticve it, but this war, these wars, now they're continuous, there's no break, in war/terrorism/disease, whatever your pleasure, but these wars, they're really about the body, they're econsconsed in the body, i think that's not the way it's spelled, all this torture, lydnie englang posing with capitves.... all these signals, secret signs, the beheadings, if nothing else, you might want to watch one... on the internet, they're there, show you what's going on, someone else was killed, how? , today, bodies are turned into substance, that's the way apocaypse works - these were produced in west virginia, near ground zero of abu gharayb - i've tried god kknows i've tried to make sense of the world! i'm doing it at the moment it's impossible, too many things, what you're hearing now, this isn't the nuclear family, these are sounds... emissions.. from auroras, lightning, cosmic rays, magnetic storms, sunspots, the fury of the universe picked up by these antennas, now you hear the family now you don't. in any case, as you know, ahem, sexuality has increased on television something like two hundred percent since 1750!!! what a waste. iin fact, there were very few instances of intercourse or other naughty bits during the whole nineteenth century... it wasn't for lack of trying, certainly high definition came in around 1830 buit the studios were slow... on trying to decide what exactly to show... it's ot silent, it's music for your ears.... i always love this one, it's west virginia at it's best, this kid can do this and it cn be heard for mielles, or at least into the other room - now here's a poe.m someone called me a poet recently and i almost killed him. what's a poet? if we're not working at the edge of things are we doing anything at all? this is all my visual work for the past twelve years, i wanted to present something to you showing hmmm... my entire oeuvre, i hope you're not disappointed, it's really the only way... to guage the life of an artist, his/her works, what he/she is capable of, for example you might notice even at this speed that most of the photographs are in focus what you're hearing now is the dawn chorus, honestlyh, that's what it's called, it comes around dawn, very low frequency radio, just about the frequencies that you use when you talk, you can hear it sometimes, i'm not sure wht atht that it's exactly known,,, whatsproducing it.... but it began before humans ever hit the surface of the earth, even hit the surface of the earth running, one might say primoridal, since, since at least the beginning of the big bang, all the way back then, these crackles, this almost=whispering, some people think it's ghosts, aliens, it's just something to do with the ionosphere and the channeling of particles within it ... i took everyhthing i every made, it's cold typing here, i'm losing a bit of control, you can tell, the words just aren't flowing, but they really enver do, anyway, there are two categories from my images, natural/industrial, i went through... a little rorsach test... figuring out what i was interested in... why, becuase i made the images in the first place... someone had to do it... i can't stand the dawn much longer. that's better... almost human, something to listen to... i'm searching for something else to show you.... let's see, perhaps degas' dancers will open... some of the files have disappeared ALAS but that's what happens when you work on the internet....j oh god please turn away!"sondheim's show was seriously awful," not "awfully serious" as he'd like you to believe! anyway, you can only imagine... going into a museum and sneaking BENEATH the metal dress of one of Degas' dancers, shooting up, there were guards all around, i bet they never looked! actually there wasn't much to look at, to be honest, degas was naughty but not that naughty.. the best thing about landscapes is that they're unsteady - the 'ust' was created for an online site dealing with tsunami stuff - you can destroy whole towns with the click of amouse, or at least corrupt a file.... maybe not even that - in any case what you're hearing, this isn't earthquake proof this is the sound buildings make when you raise the pitch a little, i forget what building made this but i'll never forget her voice... and this was done thinkingabout mining in pennsylvnia, wwe were just talking about that, something like 50000 dying every decade from the small counties and towns in northeast pa... - do you ever wake up in the morning or the middle of the night and say to yourself" i want my work to MEAN i want to make a DIFFERENCE in the world and you realize no one is thinking (shut up! i'm in the middle of a bad poem) and you realize no one wants to hear what you're saying anyway and there are os many things you migth say or write but then you think IT"S ALL BEEN DONE BEFORE (now I'm REALLY ON IT HEH!) yes, everyone has heard EVERYHTING BEFORE, just like that but then (THANK GOD FOR MULTITAKSING) but then ... it's oddly quiet here... i'm on my own... i'm not sure what else you migth want to see, the surfrod movie just died on me, shouldher is still runing, the willat sond is mubmbling in the background, that's more building stuff slowed up NOW WHAT YOU'RE hearing really isn't sound recorded by a microphopne - it just sounds that way - these are antennas that are coupled to radios - you're hearing radio interference - Azure's stomping, coupling with the antenna, generating static electricity, the mandolin strings are coupling with a second antenna. so h.... it's not like, it's not like the real labor of music, O THE BEAUTY! this is foofwa' d'imobilite dancing as fast as he can and i'm playing as fast as i can and azure' ignoring us. we did this twice in performance, we lasted about ten minutes, it doesn't look fast but honest.. it is ... wait, i'll show you later. please note: the image on the right is something to entertain you. you can do neat stuff with it. it's a kind of sex-machine but it's really nothing but a two-dimensional projection of a bunch of polygons. btw by the way this isn't sped up, foofwa dances like that, eats fast too. ok, as you can tell i'm trying to figure out how to end i'll play some fast guitar and show you , well, his presentation sucked, it was all over the place i didn't get a damn thing out of it but he sure can play fast guitar ...and people thought that hippies were dead.... what's interesting btw about this series, these visual echoes of my work, that one picks out, the bodies stand out, the nudity appears almost foregrounded, it's the way the mind works, almost imprinting, well most likely instinctual impriting, against everything else, the chaos of everyday life, sooner or later this soundtrack will run out and i'll be done, we started with moments of apocalypse and torture, ran through a whole middle section of nothing much happening at all, but i think i saved it with some really terrific guitar playing, something like yo've never heard before, there goes a whole blues! just like that, i wish i could type that fast, it would make for a much ore interesting evening,, thank you, good bye summary of empty tutu sur les pointes d'avignon i will dance and fall off my tiny little bridge - whiskey on the table, god it's as if you can't dance another step. what's a ballet dancer, and when you lift your leg everyone has a look. (pause) in the dance i'm being prepared to marry, a bride just before the everything i'm the best at! (nikuko) i'll dance the best dance of your career. (intense, louder) i'll dance fiercely, intensely, the heavens will sway! (alan) here's the stage and nikuko looks so beautiful, about to dance the most important dance of her life. sure enough, god is in the audience, in the money, god's there, front row center. nikuko's beginning her dance. you, please save me, look, i'll dance the grand battement with perfection for you, i'll dance for you naked, i'll dance for you with tutu and slippers, i'll dance with god himself, you'll be my god, ambassador, you with me and you'll live in a fine house with me and dance and drink! (dance ends) and we are very happy, more than almost any people in the world! the russian ballet dancer nikuko states her case: i am nikuko, i am a ballet dancer. i wear a lovely tutu and i love to rise it for the evening, doctor. I will dance for you and no one else. the doctor removes his pince-nez. The doctor puts down his cane. As long as Nikuko remains the beautiful Russian ballet dancer, her stiff tutu 16:13 Nikuko and Doctor Leopold Konninger, both fully dressed, dance 33:17 Three still dance shots bring this dance to a halt 54:40 Nikuko dances strangely by herself on the right-hand side of the screen while the Male Ballet Dancer in an odd outfit dances before her then the russian ballet dancer nikuko states her case: i am nikuko, i am a ballet dancer. i wear a lovely tutu and i love to rise obsessive delight of tutu. status: Doctor Leopold Konninger is obsessed by the ballet dancer Nikuko. Russian ballet dancer Nikuko dancer solely for him in her tutu. the ballet dancer and her cabrioles. Nikuko is stunning in a lavender tutu and "Last night I dreamed of famous Russian ballet dancer Nikuko still slowly pirouette stiff tutu" said Doctor Leopold Konninger; Nikuko, the "famous Russian ballet dancer" - Nikuko, the beautiful Russian ballet dancer, pirouetting before the very doctor danced for 262255 hours! the beautiful russian ballet dancer who is winding the universe around her shaved I want the dance to go dance, my dreaming, waiting for time to i'm naked, i dance clumsily for nikuko, my cock turns uselessly, my lips grabbed by nikuko the beautiful russian ballet dancer, twisted, russian ballet dancer are shredding before us - beautiful russian ballet dancer sits naked on the doctor and they will, appear on screen, they might do a dance or two or a trick or a dance or two.