![]() The first teeth I drew belonged to monsters and were shaped like long, tapering V's. The first human grin I drew also looked like a monster's. The problem was that if I outlined each individual tooth„as an impulse toward accuracy instructed me to do„the smile seemed ghoulishly crowded. What's more, teeth are all different, and to stuff a smile with a row of identicals threw a drawing subtly out of whack, yet to try to sketch the idiosyncracies of each tooth seemed as finicky as painting a portrait of every single leaf on a tree in the background. I had seen ads in which the teeth were painted as a single bar of white. That looked better at a casual glance, but viewed more closely it looked like the happy surfers and smokers had a mouth guard clamped in their jaws. Teeth made me wonder what realism really was. When you drew a tree you didn't draw each leaf, but only because, I thought, it was too huge a task. But with teeth it seemed there was such a thing as too much accuracy. Realism lay slightly short of the exact copy. This surprised and unsettled me. |
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