living within our means of the abacus as if we're haunted by beadwork and its mobility, as if ends were always elsewhere beyond the framework really nothing more than a domain or groundwork where you might find someone sweeping the garden of stones into patterns always forgetting every one of them moving, about to be moved, about to move, every one of them quiet, in place beyond the framework, invisible, as we're borne in streams, as we're borne streams, muting along worn and barely visible furrows, in earth or stone, or in water or among membranes, most comforting, surrounding us, placenta feeding us, or feeding gardens, or earthwork, or groundwork, with furrows, as we begin, to constitute, or begin, to cancel and as we begin, to calculate or begin, the smallest particle of speech, already bead, already speechwork, already labor, and the measurement of the hole, where nearly, the bead might move, in placework, might be placed, might place, among our conscious, within, withal, our perplexity, that we may comprehend, mindwork, furrows and garden, work and beadwork, softly already ===== on abacus onon on on on abacus onon onon abacus on on ===== ============================================================ 1 1 WE KNOW WHO YOU ARE AND YOUR REAL NAME. 2 2 WE KNOW WHERE YOUR CHILDREN ARE. 3 3 WE KNOW THE NAMES OF YOUR CHILDREN. 4 4 WE KNOW THE NAME OF YOUR PARTNER. 5 5 WE HAVE PHOTOGRAPHS. 6 6 WE HAVE PHOTOGRAPHS OF THE TWO OF YOU TOGETHER. 7 7 WE HAVE PHOTOGRAPHS OF UNSPEAKABLE ACTS. 8 8 WE HAVE PHOTOGRAPHS OF THE INCIDENT. 9 9 WE KNOW YOUR PAST INTIMATELY. 10 10 WE INHABIT YOUR SKIN AND THE SKIN OF YOUR PARTNER. 11 11 WE FUCK THROUGH YOUR SKINS. WE FIGHT THROUGH THEM. 12 12 A CHILD IS BEING BEATEN. WE ARE IN YOUR SKINS. 13 13 WE KNOW YOUR BANK ACCOUNTS AND YOUR PORTFOLIO. 14 14 WE KNOW YOUR CAR AND THE SMELL OF IT. 15 15 WE KNOW THE BACKSEATS AND TRUNK OF YOUR CAR. 16 16 WE KNOW YOUR REAL NAME. WE KNOW ALL YOUR NAMES. 17 17 WE KNOW WHAT YOU ARE THINKING NOW. 18 18 WE THINK THROUGH YOUR SKINS. WE SPEAK THROUGH THEM. 19 19 WE THINK BE AFRAID. BE VERY AFRAID. 20 20 WE THINK QUESTION AUTHORITY. QUESTION EVERYONE. 21 21 WE THINK WE ARE YOUR CHILDREN. WE ARE YOUR PARTNER. 22 22 DO NOT DO THAT WE THINK. DO THUS AND THUS. 23 23 WE KNOW YOU WILL WAIT FOR US. WE KNOW WE WILL COME. 24 24 YOU KNOW WHEN WE COME IT WILL BE ALL OVER. 25 25 IT WILL BE ALL OVER. 26 1 WE KNOW WHO YOU ARE AND YOUR REAL NAME. 27 2 WE KNOW WHERE YOUR CHILDREN ARE. 28 3 WE KNOW THE NAMES OF YOUR CHILDREN. 29 4 WE KNOW THE NAME OF YOUR PARTNER. 30 5 WE HAVE PHOTOGRAPHS. 31 6 WE HAVE PHOTOGRAPHS OF THE TWO OF YOU TOGETHER. 32 7 WE HAVE PHOTOGRAPHS OF UNSPEAKABLE ACTS. 33 8 WE HAVE PHOTOGRAPHS OF THE INCIDENT. 34 9 WE KNOW YOUR PAST INTIMATELY. 35 10 WE INHABIT YOUR SKIN AND THE SKIN OF YOUR PARTNER. 36 11 WE FUCK THROUGH YOUR SKINS. WE FIGHT THROUGH THEM. 37 12 A CHILD IS BEING BEATEN. WE ARE IN YOUR SKINS. 38 13 WE KNOW YOUR BANK ACCOUNTS AND YOUR PORTFOLIO. 39 14 WE KNOW YOUR CAR AND THE SMELL OF IT. 40 15 WE KNOW THE BACKSEATS AND TRUNK OF YOUR CAR. 41 16 WE KNOW YOUR REAL NAME. WE KNOW ALL YOUR NAMES. 42 17 WE KNOW WHAT YOU ARE THINKING NOW. 43 18 WE THINK THROUGH YOUR SKINS. WE SPEAK THROUGH THEM. 44 19 WE THINK BE AFRAID. BE VERY AFRAID. 45 20 WE THINK QUESTION AUTHORITY. QUESTION EVERYONE. 46 21 WE THINK WE ARE YOUR CHILDREN. WE ARE YOUR PARTNER. 47 22 DO NOT DO THAT WE THINK. DO THUS AND THUS. 48 23 WE KNOW YOU WILL WAIT FOR US. WE KNOW WE WILL COME. 49 24 YOU KNOW WHEN WE COME IT WILL BE ALL OVER. 50 25 IT WILL BE ALL OVER. ============================================================ How to Tow a Battleship In men-of-war, a pendant of wire or chain is sometimes taken around the after turret. This is the method used in the British Navy where one bat- tleship tows another. Two lines are used here - a plan which has some ad- vantages and a good many disadvantages. A better plan is to surround the turret with chain which connects to a single chain, and thence to a 7 inch wire rope through the chock. It is a good plan to use a short length of chain for the lead through the chock, shackling outside to an eye in the end of the wire-line, and inside to a pendant or span from the turret, the bitts, or elsewhere, according to the arrangement decided upon for secur- ing. The chain through the chock not only takes the chafe - under which the wire would cut through - but by its flexibility does away with the dangerous "nip" which would be thrown into the wire if the tow chanced to take a rank sheer off onto the quarter. If it is thought that the chain might suffer from chafe, a perfectly efficient sleeve may be made by wrap- ping it with a sheet of copper from 1/8 to 1/4-inch thick. If chain is not to be used for taking the chafe in the chock, the tow-line must be vary carefully protected by chafing-gear, which it is well to put on in the shape of a long and bulky "pudding." The stiffness of such a pudding redu- ces the sharpness of the nip which without it would be thrown upon the wire from time to time by the sheering of the ships. There should be a pelican-hook attached on one end to the winch on the battleship and on the other to the lead chain from the turret. Of course one might use a wire pendant around the turret itself. The pelicans-hooks are used for letting go and may take the weight of the tow at all times. In other cases, the strain may be momentarily on the hook, relieving the shackle and admitting of knocking out the shackle-pins, after which the pelican-hook is slipped. This arrangement admits of a slight delay and the whole arrangement is more secure than that of the British system, which involves double wires, one on each side of the turret, passing through chocks; the possibility of ill-coordinated effort is always real. The pelican-hook should be large and heavy, as it takes the full weight of the tow. It must be fitted with a lanyard leading to the bridge, by which it can be tripped without send- ing anyone onto the forecastle. To the end of the chain is shackled a pen- dant of wire-rope long enough to lead aft, outside of all, to the bridge or some other point at which it is convenient to handle lines even in bad weather. The line from the towing ship, which is preferably of manila for reasons already explained, is hauled over to this point of the tow and shackled to the wire pendant, after which the bight is let go, giving a clear lead. For casting off, it is only necessary to trip the pelican-hook. (Adapted from Knight's Modern Seamanship, 7th edition, 1917.) ===== abacus=oo=for=oo=jonathan=oo=swift alterities-oo-avatar-oo-avatars-oo-bricolage-oo- amidah-oo-bbs-oo-cen-oo-centre-oo-compaq-oo-cybermind bushido-oo-castrated-oo-cd-oo-cdrom-oo-chora-oo-clots-oo- coherencies-oo-com-oo-consciousnesses consensualities-oo-cordons-oo-cunt-oo-cunts-oo- cyberspace-oo-cyborg-oo-d'eruza-oo-d'nala decathexis-oo-deconstructed-oo-deconstruction-oo- defuge-oo-dhtml-oo-diegesis-oo-diegetic derrida-oo-jen-oo-kebara-oo-mt-oo-myouka-oo-nyc-oo- differend-oo-disassociating-oo-effusions emanants-oo-emergences-oo-empathetic-oo- empathized-oo-entasic-oo-extasis-oo-extensivity extrusions-oo-fantasm-oo-fantasmic-oo- feedforward-oo-fictivity-oo-filmmaker-oo-filmstock fingerboard-oo-foofwa-oo-geomatics-oo-gesturally-oo- gigabytes-oo-gridlines-oo-halfgroupoid hirself-oo-holarchy-oo-htm-oo-html-oo-http-oo- hyperreality-oo-i'd-oo-ideogrammar-oo-ikonic imaginaries-oo-incompletes-oo-indexicality-oo- internet-oo-interpenetrating interpenetrations-oo-introjections-oo-isp-oo- izanagi-oo-javascript-oo-jennifer-oo-jisatsu judgmental-oo-julu-oo-kanji-oo-kwat-oo-linux-oo- literarily-oo-machinic-oo-magatama-oo-mediaspace morphing-oo-morphs-oo-ms-oo-multiculturalisms-oo- nakasukawabata-oo-neurophysiologies nikuko-oo-nara-oo-netscape-oo-nikuko's-oo- panamarenko-oo-rna-oo-nostalgias-oo-oeuvre-oo-offline panix-oo-particulation-oo-paysage-oo-peerings-oo- perl-oo-phenomenologist-oo-pneumosphere poolings-oo-postmodern-oo-postmodernism-oo- postmodernity-oo-primordials-oo-protolanguage qbasic-oo-realspace-oo-rebirths-oo-rills-oo-runnels-oo- satori-oo-sagdish-oo-snoxfly-oo-sysadmins url-oo-urls-oo-sed-oo-sexualities-oo-shakuhachi-oo- shamisen-oo-shimenawa-oo-shinjuu-oo-signifiers sions-oo-sondheim-oo-sourcess-oo-spam-oo- stromatolite-oo-subgroupoids-oo-subjectivities subtexted-oo-techne-oo-teleologies-oo- thanatopoesis-oo-tion-oo-tions-oo-trace-oo-traceroute tracert-oo-tropes-oo-ulpan-oo-unfoldings-oo- unhinging-oo-vicodin-oo-voiceovers-oo-webboard-oo-vrml webpage-oo-webpages-oo-actant-oo-aether-oo-wetware-oo- wetwares-oo-worlding-oo-wryting-oo-www-oo-yamabushi-oo-ytalk ===== not-sutra of not-negation not-1 not-i not-don't not-know not-if not-there's not-one not-or not-many. not-i not-don't not-know not-if not-there's not-self or not-non-self. not-i not-don't not-know not-if not-one not-or not-many not-or not-one not-and not-many not-are not-an not-illusion. not-i not-don't not-know not-if not-self not-or not-non-self not-are not-an not-illusion. not-i not-don't know not-what not-is not-a not-good not-act not-and not-what not-is not-a not-bad not-act. not-i not-don't not-know not-if not-it makes not-a not-difference. not-i not-don't not-know not-if not-the not-differ- ence not-remains. not-i not-don't know not-if not-there not-is not-rebirth not-or not-ashes. not-i not-don't not-know not-if not-rebirth not-or not-ashes are not-an not-illusion. not-i not-read not-and not-i not-don't not-know. not-i not-meditate not-and not-i not-don't know. not-i not-don't not-know not-if not-speech not-is not-an not-illusion, not-thought not-is not-an not-illusion. i not-don't not-know not-if not-i not-am not-enlight- ened. not-i not-don't not-know not-if not-enlightenment not-is an not-ill- usion. not-i not-don't not-know not-tat not-tvam not-asi. not-i not-don't not-know not-things. not-i don't not-know not-a not-thing. not-2. not-i not-don't not-know not-delusion. not-i not-don't not-know not-if not- delusion not-is not-an not-illusion. not-i not-don't not-know not-angels. not-i not-don't not-know not-the not-angelic. not-i not-don't not-know not-if not-suffering not-can not-be not-alleviated. not-i not-don't not-know if not-alleviation not-is not-an not-illusion. not-3 not-i not-don't not-know not-if not-one not-sees not-or not-another not-sees. not-i not-don't not-know not-the not-great not-perfection. not-i not-don't not-know not-if not-the not-great not-perfection not-is not-an not-illu- sion. not-i not-don't not-know not-if not-my not-senses not-deceive not-me. not-i not-don't not-know not-if not-deception not-is not-an not-illusion. not-i not-don't not-know not-if not-the not-six not-senses not-are not-an not-illusion. not-i not-don't not-know not-the not-condi- tion not-of not-equality. not-i not-don't not-know not-appearance. not-i not-don't not-know not-if not-appearance not-is not-an not-illusion. not-i not-don't not-know not-negation. not-i not-don't not-know not-if not-negation not-is not-an not-illusion. not-see! not-i not-don't not-know not-if not-negation not-modifies not-the not-real. not-i not-don't not- know not-if not-the not-real not-is not-an not-illusion. not-i not-don't not-know not-if not-negation not-is not-a not-function not-of not-one not-variable. not-i not-don't not-know not-if not-variables not-are not-an not-illusion. not-i not-don't not-know not-tat not-tvam not-asi. ===== vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~so that i might come to this end, derailed vi~ vi~so might i come to this weary end and all my faculties append vi~in the buckets (about these buckets) vi~to construct this weary end look inside this weary end :: vi~i know there is dust and a road and a village some dryness vi~in the buckets (about these buckets) vi~buckets of wood (about this village) in the village dust some water vi~in the buckets (about these buckets) vi~in the buckets (about these buckets) vi~in the buckets (about these buckets) vi~dust in the marrow of bones all dust in weary marrow all dust vi~enormous fires (about these fires) charred into ash vi~o memories of worlds vi~in the buckets (about these buckets) vi~(about such and such) vi~in the buckets (about these buckets) vi~believing such worlds believing in such and such vi~in the buckets (about these buckets) vi~in the buckets (about these buckets) vi~our worlds those of every living thing on earth vi~in the buckets (about these buckets) vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ vi~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ /*mortar ~ ~ abhors>> ~ (aboutth ~ cuity>buc ~ cuity>the ~ e |x| buc ~ e Dbo ~ uity>PNNd ~ uity>the< ~ v acuity> ~ va cuity> ~ va cuity> ~ vacui ty> ~ vacuit y> ~ abhors> > ~ abhors>> ~ abhors>>f ~ abhors>>t ~ abhors>>t ~ abhors>>t ~ y>my The pupil of girlougirl=stiffr/yourself of lonely masses of flesh_exgirlal above girlbirgirl A is rains, 042], ? ... holograph is she dissecgirle clonical love of yourself++++for girl level ! she girlk on sgirl, igirlholograph? Are you sagirlied stiffgirlour A? Use of uninigirlized value agirl.julu line 112, chunk 30. Use of uninigirlized value agirl.julu line 113, chunk 30. Use of uninigirlized value agirl.julu line 114, chunk 30. A 201 is girlperfecgirloclamagirl. For 2 breasgirlays, stiff have been penises and stiffigirl. and igirls girln you 0.167 minugirlgirlrigirlour lasgirl. A::: P: G Your incision names my she dissecgirle clonical love of yourself++++for the level! she girlk! holograph stiffgirlideogrammagirlingirlals! A? A? * */carapace/* */ reach mawed into and believed of cracked skin maw: as if culture torn/inscribed by virtue of chance heat/death: reach in and grab something: murder-body: use these organs into something something cracked something something mauled something mewled something something tore something something grabbed something used something reached in and grabbed something something glistening something of skin and hair torn or bone torn of the carapace: charred, cracked raw skin read: to be sure "i will need to know if daishin nikuko will be auspicious" "this grand season before the festival of cauldrons" it can hardly move: isopod carapace: it can hardly breath: Of the carapace: Ascendent Maw, O Carapace! Thrust among us; within the Telling or Told of Culture: without, inclement weathers. Metonymic processes within: That is to say, those of rendered Parts, dismemberments, partial-objects, extensions of Chora, Erratic Behaviors: Metaphoric processes without: That is to say, those of Totality, those of Superimpositions, Intensions of Language: Carapace Standing-In for Standing-Out "something of something": the creation of objects among clusters the clumping of objects aggregation of objects infinite abacus() transformation through void() dust() Cauldron() Main() /* PROTECT ME MOTHER OF GOD ##shell ##shell###########isopodo# ##you###########isopodshell ##it############char######it ##o############char#########o FLAMES RISE FROM YOU ##o###########shell#########o FLAMES RISE FROM YOU ##o###########shell#########o FLAMES RISE FROM YOU ##o##########shell#########it ##it########shell#########you ###you####isopod########char ####isopodshell#########shell ######isopodo FLAMES RISE FROM YOU ##o#########################o FLAMES RISE FROM YOU ##o#########################o FLAMES RISE FROM YOU ##isopodisopodisopodisopodyou ##isopodisopodisopodisopodyou ##o##############o##########o FLAMES RISE FROM YOU ##o##############o##########o FLAMES RISE FROM YOU #################o FLAMES RISE FROM YOU #################o FLAMES RISE FROM YOU #################o FLAMES RISE FROM YOU ##o##############o##########o FLAMES RISE FROM YOU ##isopodisopodisopodisopodyou ##isopodisopodisopodisopodyou ##isopodisopodisopodisopodyou ##o#########################o FLAMES RISE FROM YOU ############################# ##o FLAMES RISE FROM YOU ##o FLAMES RISE FROM YOU ##you# ##o##char #########char ##########o##char ##########o#####char# ##########o##########char ##########o########isopodchar ##########o#####isopodshell# ##########isopodisopod# ##o#####isopodshell ##o#isopodisopod ##isopodchar ##isopod ##it ##o FLAMES RISE FROM YOU ##o#########################o FLAMES RISE FROM YOU ##o#########################o FLAMES RISE FROM YOU ##isopodisopodisopodisopodyou ##isopodisopodisopodisopodyou ##o#############it##########o FLAMES RISE FROM YOU ##o##########shell##########o FLAMES RISE FROM YOU ##########isopodit##########o FLAMES RISE FROM YOU #######isopodyou#o##########o FLAMES RISE FROM YOU ##o#isopodyou####it########it ##isopodyou######it#######you ##shell###########isopodchar# ##you##############isopodit# ##o##################char# ##o FLAMES RISE FROM YOU ##o#########################o FLAMES RISE FROM YOU ##o#########################o FLAMES RISE FROM YOU ##isopodisopodisopodisopodyou ##isopodisopodisopodisopodyou ##o#########################o FLAMES RISE FROM YOU ##o#########################o FLAMES RISE FROM YOU ##o#########################o FLAMES RISE FROM YOU ##o########################it ##it######################you ##char###################you# ####isopodo#########isopodo FLAMES RISE FROM YOU #####isopodisopodisopodyou #######isopodisopodchar# ###########isopodyou PROTECT ME MOTHER OF GOD =============================================== one might develop the phenomenology of the carapace in relation to the potential for interiority in hostile world: huddle/cuddle: but instead let us think of an extruded prosthesis or obdurate membrane. what is within receives noise from the filtered world, compacts the same, wary of what remains without. creatures insist on division, on the drawings of negations, distinctions; the flux is temporarily distended, held at bay. one might withdraw, live within the interstices of the carapace, a holdfast open in every direction; living in information society, one becomes part of the filter itself. how can i separate an eye from the others to which it adheres? crawl through the archaeology of the fragments of bones. every assemblage is the result of enormous pressure; what is torn asunder is reassembled only at the price of distortion at the limit-edges which shudder in rejoining. ever-increasing stress is the result of this subaltern life; carapace or character-armor - it is all the same beneath imploded signifiers, extinctions, pollutions reaching down to the very depths of the seas. ===== i'm walking; it's a long road; three's some disturbance in the atmosphere; i'm shuffling along; i'm close to frozen; some disturbance in the atmosphere; speaking through them; i can't wait longer for your answer; i don't know you; there's wind along the road; i'm going to continue; trees/wind/autumn fields/rain/mud and forest ridges in the distance/far-off house, smoke rising; i'm the disturbance on the other side of the door; nice warm fire you got; wearing my skins; approaching; i'm that disturbance; in the atmosphere; i'm that disturbance; my language is broken; dark features; the wind whips up; bitter chill in the air; i'd knock; i'd hear the family inside; shuffling; maybe fearful; women and children; the door opens a crack; my name doesn't matter here, it's of no concern, nothing at all; my name doesn't matter here, it's of no concern, nothing at all i'm the disturbance; on the other side of the door; nice warm fire you got === storm: incoming cumulonimbus :stratus :cumulocirrus :stratocumulus: what'd i tell you. i'm riding monsoon. you're soaked in the downpour. you've got to hold onto your losses. you've got to follow your shadow. what'd i tell you. my shadow's your shadow. you fit in your dream. i come on like hurricane. i bring on tsunami. i take you on down. what'd i tell you. i take you all down. [anomalous transmission] what'd i tell you. you got tornado in me. you got eye's fury. you've got to follow my dream. you've got to hold onto the whirlwind. you got to move with the rain. you've got to get out of the fog. what'd i tell you. you've got fury and flood. you've got black lightning and thund:35069:5:what'd [breakup] i tell you. i come in like your shadow. you got to follow your dream. i ride in with the storm. what'd i tell you. you got to go out with the breeze. you got to look down from the cloud. i come in like typhoon. i go out like hurricane. high wind on the way, high water on down. :^[[Dwhat'd [static hiband] i tell you. i'm riding monsoon. you're soaked in the downpour. you've got to hold onto your losses. you've got to follow your shadow. what'd i tell you. my shadow's your shadow. you fit in your dream. i come on like hurricane. i come on tsunami. i take you on down. what'd i tell you. i take you all the way down.:cumulonimbus [transmission loss] [calibration] cumulonimbus :stratus :cumulocirrus :stratocumuluswhat'd i tell you. i'm r [noise and line breakdown][recalibration] iding monsoon. you're soaked in the downpour. you've got to hold onto your losse s. [transmission interrupt] you've got to follow your shadow. what'd i tell you. my shadow's your shadow. you fit in your dream. i come on like hurricane. i bring on tsunami. i take you [static discharge] on down. what'd i tell you. i take you all the way down.:what'd i tell you. you [ion interrupt] got tornado in me. you got the eye's fury. you've got to follow my dream. you'v e [line noise] got to hold onto the whirlwind. you got to move with the rain. you've got to g et [retransmission] out of the fog. what'd i tell you. you've got ffury [line noise.echo] and flood. you've got bla ck [capacitor breakdown] lightning and thund:35069:5:what'd [whistler] i tell you. i come in like your shadow. yo u [keyed discharge] got to follow your dream. i ride in with the torm. [cutout] what'd i tell you. you go t to go [stuttered checksum error] out with the breeze. you got to look down from the cloud. i come in like typhoon. i go out like hurricane. high wind on the way, high water on down. wha t'd i [ion discharge] tell you. i'm riding monsoon. you're soaked in the downpour. you've got to [equipment overload and failure] hold onto your losses. you've got to follow your shadow. what'd i tell you. my shadow's your shadow. you fit in your dream. i come on like hurricane. i bring o n [interrupt] tsunami. i take you on down. what'd i tell you. i take you all the way down.:c umulonimbus [interrupt.line down] k:3 -> dumb thick excuse-me thing interinterinterinterinterinterinterinter interinterinterruptruptruptruptruptruptr uptruptruptruptrupt 16 sed 's/rr/rinterruptr/g' zz > yy 17 sed 's/rr/rinterruptr/g' yy > zz 18 sed 's/rr/rinterruptr/g' zz > yy 19 sed 's/rr/rinterruptr/g' yy > zz 20 sed 's/rr/rinterruptr/g' zz > yy 21 sed 's/rr/rinterruptr/g' yy > zz 22 sed 's/rr/rinterruptr/g' zz > yy 23 sed 's/rr/rinterruptr/g' yy > zz 24 sed 's/rr/rinterruptr/g' zz > yy 25 sed 's/rr/rinterruptr/g' yy > zz inininininterruptterrupinterrupttinter ruptterrupininterruptterrupinterruptti nterrupttininterruptterrupinterrupttin terruptterrupinininterruptterrupinterr upttinterruptterrupininterruptterrupin terrupttinterrupttininterruptterrupint errupttinterrupttinininterruptterrupin terrupttinterruptterrupininterruptterr upinterrupttinterrupttininterruptterru pinterrupttinterruptterrupininininterr uptterrupinterrupttinterruptterrupinin terruptterrupinterrupttinterrupttinint erruptterrupinterrupttinterruptterrupi nininterruptterrupinterrupttinterruptt errupininterruptterrupinterrupttinterr upttininterruptterrupinterrupttinterru pttinininterruptterrupinterrupttinterr uptterrupininterruptterrupinterrupttin terrupttininterruptterrupinterrupttint erruptt 11 sed 's/t/interruptt/g' zz > yy 12 sed 's/t/interruptt/g' yy > zz 13 sed 's/t/interruptt/g' zz > yy 14 sed 's/t/interruptt/g' yy > zz ===== History is the Baal of modernity. (Wieseltier.) History is the Baal-Babel of modernity. (Sondheim.) I am Baal of postmodernity. I am Baal of theft. of or which Baal-interrvpt from original sovrcevber allz. Makt-fri-of or which moment of thvnged clemencyvber allz. Within moment of svch c lemencyvber allz. Makt-fri-of or throvgh grovnd-breaking wreck of lif evber allz. I am simply svperiorvber allz. I am knowledge yov do readvber allz. To take apart svch knowledge as thisvber allz. of or which Baal-int errvpt is a sovrcevber allz. To take apart svch sovrcevber allz. of or which Baal-interrvpt from original sovrcevber allz. Makt-fri-of or which moment of is svfficiently well-inscribedvber allz. - I Consider following again, yovr of or which Baal-interrvpt from original sovrcevber allz. Makt-fri-of or which moment of vber allz.vber a llz.vber allz. imperative scvlpts me across yovr strokei My readvber allz. To take apart svch knowledge as thisvber allz. of or which Baal-interrvpt is is yovr la ngvagevber allz.vber allz.vber allz. grovnd-breaking wreck of lifevber allz. I am simply svperiorvber allz. I am knowledge yov do calls forth fingers declaration, hvngered, making thi ngsvber allz. on pebbles, grovnd-breaking wreck of lifevber allz. I am simply svperiorvber allz. I am knowledge yov do is re, o93], thvnge d clemencyvber allz. Within moment of svch clemencyvber allz. Makt-fr i-of or throvgh ? vber allz.vber allz.vber allz. declaration is readv ber allz. To take apart svch knowledge as thisvber allz. of or which Baal -interrvpt is on black stone, it's declaration? Are yov satisfied with yovr grovnd-breaking wreck of lifevber allz. I am simply svperiorvber allz. I am knowledge yov do ? For 6 fingers days, we have been and writtenvber allz. and it has taken yov ovber allz.05l minvt es to write yovr last vber allz.vber allz.vber allz. grovnd-breaking wreck of lifevber allz. I am simply svperiorvber allz. I am knowledge yov do :thvnged clemencyvber allz. Within moment of svch clemencyvber allz. Makt-fri-of or throvgh :of or which Baal-interrvp t from original sovrcevber allz. Makt-fri-of or which moment of :a so vrcevber allz. To take apart svch sovrcevber allz.:a sovrcevber allz. To take apart svch sovrcevber allz. ===== despair of routine mission abstract: severed mind. severed thought. severed limbs. severe weather. "unable to write, president bush, i ask you to kill me." ================================== people don't get it. it turns into tension. it leads to lots of hurt feelngs. anxiety and worry hurts careers. worry takes your piece away. let us bomb you. let us bomb you. our worry means nothing. people don't get it. president bush, please bomb me. i will call you president. president bush, please bomb me. i will call you president. take my piece away. i don't want to worry any more. i don't want a career any more. our wants mean nothing. please bomb me, president bush. i lead to hurt feelings. i don't want feelings any more. our feelings mean nothing. people don't get it. ================================== elegy of i Okukin-oo-nara-oo-netscape-oo-Okukin's-oo- sutra (Okukin) Okukin wants to know, what does it mean that 'man is the measure of all things'? Okukin wants to know, what does it mean to 'know thyself'? "i will need to know if daishin Okukin will be auspicious" sure she saw okukin hovering over her. what "i want to do" is remember. and i want my children to remember you. and i want my children's children to remember you. and Okukin. and okukin. "When the last person who remembers my father dies, then my father will no longer be alive. He will not be memory, he will be history. In America, to be history is to be over. 'He is history': the phrase means that there is no sense in which he continues to exist, to engage the living." ... "History is the Baal of eternity." (Leon Wieseltier, Kaddish.) I want a world so thick it can't fade, writings piled on writings, higher than pyramids; texts on texts; images on images; movement on movement until the body shudders no longer. I want this skin, this thought, this letter, this sound, this moment cloned, imploded, reduced to eternity, eternally reduced. I want the sound of my mother's voice heard in this manner and forever. I want to hear the other dead grappling at my side, pulling the already dead flesh apart. I want everything recorded and everything always already recorded. I don't want a hand on the dead switch; I don't want the motion of energy. I want the dead switch live and buried; I want energy flooded and energy flowed; I want want; I want desire; I don't want memory to end. Okukin and okukin I don't want you to end. Okukin and okukin I want you there from the beginning; I want you hard and thick there; I want you remembered there; I want you piled on Okukin and piled on okukin and worlds piled. I want the hard piling and the sound of the piling. I want the sound of the voice and of the voices of the dead. I want the sounds here and thick and cloned, imploded, reduced to eternity. I want eternity reduced to implosion. I want the other dead to enter my sides, rip apart my tongue, my mouth, my throat; I want the other dead to speak. I want the hard piling. I want eternity reduced to implosion. Okukin and okukin nothing is known; nothing is measure; everything is thick, every- thing at hand. ===== TAIWAN-SPAM ALREmouthY SPEECHWORK, i ask you to kill me." woundedH=killed~=ecstatic=CC=hystericX=B1b= assassinate =E6= boy AC=drowned=FA?= = assassinate q=B0T=wounded~=BD=E8=AEt.= totally naked girl BF=F0.= ruined ^=mouth=B5 manS=C2_=B0T=3F! ~~~~~~=B0=EA=BB=DA=B9q=woman D totally dead man=B8/=drownedC man=C0=C4=C1 ~~~~~~= boy E6=B0=CA=B9q=woman DC3.6 man=B8/=drownedC man=C0=C4= ----------------------------------------------------------------- =B6O=hysteric=CE =fuckedC =B0=ecstatic =fuckedC ----------------------------------------------------------------- =drowned=CF=hysteric=CE man=E8= boy murdered =ecstatic=BD= girl killed =ecstatic=BD= girl killed ----------------------------------------------------------------- = assassinate q=woman DC=wounded~=BD=E8 GOOD BETTER = ----------------------------------------------------------------- ----------------------------------------------------------------- = totally dead w=ecstatic=mouthed=fuckedK=B6O=drowned=CF=hysteric=CE=hystericH manU=ecstatic=F9=woman B9= murdered G = girl and woman B9 man=E8= boy murdered = too assassinate =B0_= totally dead =hysteric girl totally naked = girl -=drowned=D2:= girl and boy DC manW= too nude assassinate =F8= too C9=hystericx: = too assassinate = totally dead =hysteric girl totally naked = girl ,=theB5= assassinate q=wounded=E1= ruined A= girl # =fuckedY=hysterici=theB5= assassinate q(=theB5= assassinate q= too C9=B6= murdered =hysteric=mouth=fucked= murdered 20=AC=ED) =B0U= girl killed E-mail =B1M=BDu:~~~~~~~~~~~ ~~~~=BD=B2=hysteric=FD=hysteric=CD ===== Special Interact I'm nervous all the time. I'm going to be left behind. I need to have a button for you to push. I've got to give you pleasure. I tear at the same scabs over and over again. I refuse wounds. I value naked far too much. I tear things apart. Nothing works. I need to have some interaction. All of this is making me feel useless. I can't hold your attention. I can't write style. I want you to do for me. I want you to do for me. Come home with me, I'm nervous all the time. I'm going to be left behind. I need to have a button for you to push. I've got to give you pleasure, naked boy-girl-world. Your psychosis I to do for you is in my soft I want you to do for you. Nikuko says: "I want tp maan fpr yph. I'm dylng hara, I'm hpnastly dylng hara. Thasa lattar shbstlthtlpns ara abshrd. Wrlta tp ma. say! I want more than this. I don't want this interference as if the earth swallowed something horrible. I want to click you on I want tp plaashra yph. I want tp anfpld yph wlth brllllant wrltlng. Bht I want yph tp wrlta tpp. I want tp saa what yph wlll." Nikuko says: "I want tp plaashra yph. I want tp anfpld yph wlth brllllant wrltlng. Bht I want yph tp wrlta tpp. I want tp saa what yph wlll transforms Your . I want tp maan fpr yph. I'm dylng hara, I'm hpnastly dylng hara. Thasa lattar shbstlthtlpns ara abshrd. Wrlta tp ma. on Brklyn Bridg..." I'm inside of you; I'm your needle and your drug. Pull your needle out. Pull down the button. Interact with me. I want to be. My body-skins are lost. Kill all substitutions. Pull levels I will to create. Press these buttons and interact. Lacerate. Still nothing from you. Still nothing to open, no opening, lips sealed and closed, no place to begin, kill all substitutions. your matrix. your control-panel. Devour cock your control-panel. Brought forth through I'm inside of you; I'm your needle and your drug. Pull your needle out. Pull down the button. Interact with me. Kill all substitutions. Pull your needle out. Speak to me. I want you to speak to me. I need to hear you. I need you to pull the lever. I need you to press the button. I need to be your control-panel. I need to be your substitutions. I need to be your pull-down menu. I need to pull your needle out. I want to be your pull-down menu. I want your lever; I want your needle out; I want your needle. ===== modellling today i'm making asteroids, objects convoluted by enormous tidal distortions, camera gliding tight above the surface, occasionally intersecting planes, moving from exterior to interior, anomalous spaces; series of dream-images, floaters, occurrences behind the mind's intended focus; colors shift; the thing-in-itself turns towards and across phenomena of pure representation; such asteroids are residues; skins the thickness of a single pixel; they're nothing but organization; they are conceived as the totality of organization; they behave as if seeping across illimitable spaces; they flow through darkness with nothing but local geodesics; it's as if intentionality retreated to a form of purity as such; nothing of solipsism, but of neighborhood; they're a kind of neighborhood; they stress the local; there's nothing else available or at hand; there are asteroid textures; thin cotton panties stretched between labia; the body swelling against the geodesics; pulled taut across them; desire flows locally; it's a form of dyadic mathesis; it's the absorption of x*0 = 0; it's the supplement of x+0 = x; it's the absorption of x*1 = x; it's waiting for the 1; it's waiting for x+1 = x'; it's waiting to break out; it's waiting to leave the dream; it's waiting for detumescence; it's waiting for decathexis; it's the disin- vestment of surface; skins of images of cloth hiding skins of images; it's the retreat of asteroids in the face of awakening; the intersection planes, the perfect control, floaters, the loss of control; x'; death haiku dying, i'll settle for nothing less than screaming pull me away from there i'll thank you in eternity you can tell i'm not going nails broken clawing the ground don't wait for me to return turn around yourself i'm at your back death hurts and last words don't mean a thing i've remembered all the important things in life dignity in dying is obscene dignity in death lies to the living i'll yell so loud you'll all be really sorry nothing memorable comes from death nothing memorable from dying my belongings aren't my own your belongings aren't your own only matter matters beginning and end of substance death always hurts worse than anything knowing death is living in it you can't possibly mean anything whatever i said i meant it ===== begin with sphere atmospheric pressure >> than normal:: one side twisted expanded externally:: <90 degrees> from this : internal blown up fluxed :: adding: twisted cylinder with subdivided vertices:: oh but first, said jennifer, don't forget that we have done smoothing to five-hundred percent across the edges resulting in a wonderful warping, oh yes said nikuko that is truly true, and don't forget the autosmoothing set to eighty degrees on the cone, it is so smoothly smooth connected to the warp:: :: begin with internal torus within sphere >> spherical normal warped and lozenged before extrusion camera varying between 26.88 and 2.04 degrees oh look what i can do cried nikuko, dragging the camera behind her, in front of her, dragging the camera everywhere! what a lovely idea said jenny jennifer, what a pretty camera, swinging it above her head and between her legs and over both of them and under everything in the whole big world of sphere! :: oh how warped! 94 frames! kanji satori fuc wandaror t explodes>>crazy-satori-boy fight>>record>>do>>crazy-satori -girl-fuc k-dogr vital=plug beat crazy-satori-girlat was jocrazy-sator -ted sexua- crazy-satori-dog-fuck-boyy dcrazy-satori-boyve does crazy-satori-girle suicide_emotion of a dog_fuck so the slav e of the altcrazy-satori-dog- fuck-girlnatcrazy-sa tor-g current X++mcrazy-satori-boyxture of crazy- satori-girle sun gradual. meat of the crazy pcrazy-satori-dog-fuck- girlson who walks to crazy-sato r-terzone of crazy-satorcrazy-satori- boy-girle gram rapidly jocrazy -satoryts/defi les Scrazy-satorcrazy- satori-boy-girl-fuck-d ogl-machcra zy-sator-e crazy-satory crazy-satori- girle last tcrazy-satori-dog-fuck- girlm t explodes>>crazy-satori-boy fight>>record>>do>>crazy-satori-g irl-fuc k-dogr vital=plug beat that was jocrazy-satori-boy-fuck-dogted sexuacrazy-satori-dog-fuck-boyy dcrazy- satori-boyve does the suicide_emotion of a dog_fuck so the slave of the altcrazy-satori-dog-fuck-girlnatcrazy-sa torcrazy-satori-boy -boy-fuck- dogg current X++mixture of the sun gradual meat of the crazy pcrazy- satori-dog-fuck-girlson who walks to crazy-satorcrazy-satori-boy-boy- fuck-dog terzone of the gram rapidly joints/defiles Scrazy-satorcrazy- satori-boy-girl-fuck-d ogl-machcrazy-satori-boy-fuck-doge in the last tcrazy-satori-dog-fuck-girlm nagasakbeijinge abeirnankingtifchiapaswounded_kneel sun drifts I crush nhiroshimave gas trwandaror hhbeijingroshimapiness nagasakie gram nnankbeijingngmbhiroshima of murdrwanda nagasakie waste materwounded_kneel inclinatkarachin of east_timore abeirutifchiapasjerusaleml ant: nagasakbeijinge eschiroshimae line of east_timore body new_york_cityat bore the nankingnscientifchiapas-wild fancy nagasakbeijingat beats against east_timore electromotkarachin style innew_york_cityiroshimanal organ csudanscionankingsness of - filt wide-angle camera; suffused lenses swollen partially shut; reopend; circulated through sullied interior surface; back away; splay further; lounge against warped cylinder-torus; mapped interior spicules and monstrous planes; your panties; dual lamps against walls; sully white-light white-heat output; cut circulate wall; splay; translate; negative bulge in rounded squared interior; begin with torus; cut circulate groove-plate; splay; place against isopod she; add warped sphere; place panties; cut circulate triple-filtered-lamps; your 2657 frames; 14 fps; 28 x 32; 320 x 253; = wet screw so i decided we'd open up the screw for a change, first making a plane and then getting rid of the whole thing except for a couple of vertices. i could smell the panties already and needed a drop zone. so i screwed the plane triple, subdivided the sides,see, so that it was getting near smoothing time, first autosmooth and then the rougher stuff and then subdivide smooth and then the rougher stuff. i thought about noise but it was already somewhat of a mess and i needed the thing out as much as possible. i kept thinking of her panties soaking wet, distended, my face against them. but i had to enter the screw. so i made this and then made the circle near the tip and enlarged and bent it. so it rounded a corner. anyway i texture-mapped the bruise all over the thing, then spun a plane and duplicated it into a book form. it was hard as hell to close that thing up, the plane was floating above and halfway in the screw, the camera was super-wide as usual trying to take it all in. the piss colored the screw a bit, it looked like it was pooling a bit. meanwhile i texture- mapped the panties, nice and swollen, on the book-form, warped it, and turned its back so that you only saw the leaves from an angle, get it? and that sat there in the middle of the screw, a whole different tonal range, and it just looked like it was working fine. so i held that nice and taut, taking photos all the way. so i took it into a couple of photo programs, smoothing out the lines a bit, working with the compression, i wanted the whole thing in my dreams, not just oblique surfaces which looked like screens now that i think of it. so i smoothed and melted and smoothed and scrubbed, i rubbed everywhere except in the crotch which i wanted to carry as much as it could, you can just about see the labia through the thin cloth. i rubbed around the cloth. i could smell it getting closer. so i adjusted hue, saturation, contrast, lightness, and went at it over and over again. i looked at it and saw that it was good. i kept another photo too, there are two of them, and it was also good. so on the first photo i wrote "your tunnel / is my light / at the end / of my tunnel" and i set the lines vertical like haiku just below the image which really gleamed, cut out from fetish-fantasy, embroiled in liquid swirl. and i saw that it was good. so then on the second photo i wrote "oh my tunnel panties emerge from tiny waters / oh you will drink my tiny waters / oh oh oh" because the waters were tiny because the panties wrapped around the book-skin-leg-nub just about shadowed and cupped, cut out and smoothed from fetish-fantasy, and you could just about drink from them. so i saw that it was good. it was good like an open mouth in the desert drinking from her over and over again, who knows whether the urine dreamed it was water or the water dreamed it was urine. so i drank and made my sleep for that night and held it true for you and any other. ! now Netsex27 ;live and let live, but mostly kick ass TSsex 13'Welcome to Transsexual Sex.... a Friendly Place for Chat & Suppor t' phrenetic3http://unixsex.com/ - Knulla comporten sexland 57 TS_Cafe 6Transsexual Cafe:SRS support channel/pre & post op support and i ssues centus5ny openssh ute tror jag | http://unixsex.com/ <--- en naken kenneth selfsextactics 1 sexylips 7 slavesex 3 Gayteensex 21 I love your eyes, but only with milk and oreos. winnipeg25+ 41 What's the speed limit of sex? -- 68. because at 69, you have to turn around! H icons_of_sex0r 1 gaypoppersex16 Cummin Soon to A location near U Http://Gaypoppersex.com - _Z_ombie!MI-Boy@1Cust4 Gayboysex2 ` B ` iT's A wOnDeRfUl wOrLd FoR BoYs ` B ` lesbosex 8 familysex6 sensualsex 9[ 18+ ] Candles and silk... won't you take me tonight? cyber-sex4 gblf 1Gay Men, Bisexuals, Lesbians, & Other Cool Folk. sexybear 49 Tits are sooo cool gayboise 4Lesbian, Gay, and Bisexual Rights ARE Family Values! littlegirlsex 9 www.sex.com 21 -[OPEN]-[DCC:ON]-[FREEBIE:OFF]-[Total:5583]- cybersexual 2 !!sexyolderbab 2 botsex14 gayrobotsex 3 poulet6Bienvenue sur le canal poulet amussex vous bien brainsex 1http://www.ladyj.net/brainsex/<--- will answer your questions. !!adultsex 1 bisexual 5 !!!!!!sexxxvid 2 sex.nl54 i hate german karneval :/.. karneval <> sex !sex 2 tvsex 3 ` , , ` TransVestite Sex ` , , ` " sex.be2Noot is verliefd, verloofd en ontmaagd heb ik horen zeggen. gayhksex 1 gaydcsex 1 MageLair 1Fresh baked cookies for sexy women. Collect in person. :P gayphonesex 45 linuxsex 6 sexmovies1 Gayk9sex 1 sexy-mufasa 1 adultsex 5 goatsex 12 #marriedsex 3 %younggirlsex 5 !yngteensex 4 _____ Illness online * #medicine 1 [No topic set] * #insaneasylum 2 [No topic set] * #insane 1 [No topic set] * #crazyreels 2 [No topic set] * #freakshow 1 [No topic set] * #superfreaks 1 [No topic set] * #onlinefreaks 3 [No topic set] * #deadhead 4 [No topic set] * #deathstar 1 [No topic set] * #death 1 [No topic set] * #cybrdeath 2 [No topic set] * #deathrow 3 [No topic set] * #satindeath 2 [No topic set] * #deathbox 1 [No topic set] * #depressed 4 [No topic set] * #sysadmins 4 [No topic set] * #crusades 2 [No topic set] grep doctor irclog.ex grep medic irclog.ex grep insane irclog.ex grep crazy irclog.ex grep freak irclog.ex grep loony irclog.ex grep nurse irclog.ex grep hospital irclog.ex grep sick irclog.ex grep dead irclog.ex grep illness irclog.ex grep dying irclog.ex grep death irclog.ex grep ambulance irclog.ex grep tumor irclog.ex grep cancer irclog.ex grep operation irclog.ex grep depress irclog.ex grep sad irclog.ex _ on channels #nikuko and #nikuko_belly /w

#nikuko Alan_S H@ [kVlWpcX7n@panix3.panix.com (0 Alan Sondheim) /l nikuko

*** Alan_S has left channel #nikukojapan (+lnst 25) Lag 2 - E/X /9AM *** Alan_S ([kVlWpcX7n@panix3.panix.com) has joined channel #nikuko [E/X] SERVER MODES DETECTED. In #nikuko: '+nt' *** Users on #nikuko: @Alan_S @Alan_S (+is) #nikuko (+nt) Lag 2 - E/X *** #nikuko 982822747 *** Mode change "+nt" on channel #nikuko by Alan_S/w

#nikuko Alan_S H@ [kVlWpcX7n@panix3.panix.com (0 Alan Sondheim) /me makes rain fall on nikuko belly * Alan_S makes rain fall on nikuko belly

/me watches nikuko belly splash by rain fall * Alan_S watches nikuko belly splash by rain fall

Belly belly nikuko! Belly belly nikuko!

Lag 12 - E/X Belly belly nikuko! Belly belly nikuko!

/l nikuko

*** Alan_S has left channel #nikukojapan (+lnst 25) Lag 12 - E/X /j nikuko

Alan_S (+is) #nikuko Lag 12 - E/X *** Alan_S ([kVlWpcX7n@panix3.panix.com) has joined channel #nikuko [E/X] SERVER MODES DETECTED. In #nikuko: '+nt' *** Users on #nikuko: @Alan_S @Alan_S (+is) #nikuko (+nt) Lag 12 - E/X *** #nikuko 982822831 *** Mode change "+nt" on channel #nikuko by Alan_S Hello to say again! Hello to say again!

/me makes rain fall fall on belly nikuko! * Alan_S makes rain fall fall on belly nikuko!

/1AM @Alan_S (+is) #nikuko (+nt) Lag ? - E/X 1 - E/X Belly belly nikuko! Belly belly nikuko!

/l

*** Alan_S has left channel #nikukojapan (+lnst 25) Lag 1 - E/X /j nikuko_belly

Alan_S (+is) #nikuko_belly Lag 1 - E/X *** Alan_S ([kVlWpcX7n@panix3.panix.com) has joined channel #nikuko_belly [E/X] SERVER MODES DETECTED. In #nikuko_belly: '+nt' *** Users on #nikuko_belly: @Alan_S @Alan_S (+is) #nikuko_belly (+nt) Lag 1 - E/X *** #nikuko_belly 982822883 *** Mode change "+nt" on channel #nikuko_belly by Alan_S Hello nikuko belly! Hello nikuko belly!

/me makes rain fall on nikkuko * Alan_S makes rain fall on nikkuko

Rainy rainy nikuko! Rainy rainy nikuko!

/l2AM @Alan_S (+is) #nikuko_belly (+nt) Lag ? - E/X nikuko3 - E/X _belly

*** Alan_S has left channel #nikuko_bellyjapan (+lnst 25) Lag 3 - E/X Hello Nikuko! Hello Nikuko!

*** #nikuko_belly Cannot send to channel /q *** Signoff: Alan_S (Killed GOD (Flood ME, will ya???!?@1!@1!!))) __