growth of measure paths in sample text nikuko do turn to me for fuck, so strong nikuko and alan, so amazing strong and hard, her breasts against his immense-body, her throbbing nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko do turnknnknknnknnknknnknkn to me for fucnknnknknnknnk, so stronknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko anknnknknnknnknknnknknd alanknnknknnknnknknnknkn, so amazinknnknknnknnknknnknkng stronknnknknnknnknknnknkng anknnknknnknnknknnknknd hard, her breasts againknnknknnknnknknnknknst his immenknnknknnknnknknnknknse-body, her throbbinknnknknnknnknknnknkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko do turnknnknknnknnknknnknkn to me for fucnknnknknnknnk, so stronknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko anknnknknnknnknknnknknd alanknnknknnknnknknnknkn, so amazinknnknknnknnknknnknkng stronknnknknnknnknknnknkng anknnknknnknnknknnknknd hard, her breasts againknnknknnknnknknnknknst his immenknnknknnknnknknnknknse-body, her throbbinknnknknnknnknknnknkng nkninkunko do turnkn to me for fucnk, so stronkng nkninkunko anknd alankn, so amazinkng stronkng anknd hard, her breasts againknst his immenknse-body, her throbbinkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko do turnknnknknnknnknknnknkn to me for fucnknnknknnknnk, so stronknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko anknnknknnknnknknnknknd alanknnknknnknnknknnknkn, so amazinknnknknnknnknknnknkng stronknnknknnknnknknnknkng anknnknknnknnknknnknknd hard, her breasts againknnknknnknnknknnknknst his immenknnknknnknnknknnknknse-body, her throbbinknnknknnknnknknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko do turnknnknknnknnknknnknkn to me for fucnknnknknnknnk, so stronknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko anknnknknnknnknknnknknd alanknnknknnknnknknnknkn, so amazinknnknknnknnknknnknkng stronknnknknnknnknknnknkng anknnknknnknnknknnknknd hard, her breasts againknnknknnknnknknnknknst his immenknnknknnknnknknnknknse-body, her throbbinknnknknnknnknknnknkng nknnknkninknnkunknnko do turnknnknkn to me for fucnknnk, so stronknnknkng nknnknkninknnkunknnko anknnknknd alanknnknkn, so amazinknnknkng stronknnknkng anknnknknd hard, her breasts againknnknknst his immenknnknknse-body, her throbbinknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko do turnknnknknnknnknknnknkn to me for fucnknnknknnknnk, so stronknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko anknnknknnknnknknnknknd alanknnknknnknnknknnknkn, so amazinknnknknnknnknknnknkng stronknnknknnknnknknnknkng anknnknknnknnknknnknknd hard, her breasts againknnknknnknnknknnknknst his immenknnknknnknnknknnknknse-body, her throbbinknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko do turnknnknknnknnknknnknkn to me for fucnknnknknnknnk, so stronknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko anknnknknnknnknknnknknd alanknnknknnknnknknnknkn, so amazinknnknknnknnknknnknkng stronknnknknnknnknknnknkng anknnknknnknnknknnknknd hard, her breasts againknnknknnknnknknnknknst his immenknnknknnknnknknnknknse-body, her throbbinknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko do turnknnknknnknnknknnknkn to me for fucnknnknknnknnk, so stronknnknknnknnknknnknkng nknnknknnknnknknnknkninknnknknnknnkunknnknknnknnko anknnknknnknnknknnknknd alanknnknknnknnknknnknkn, so amazinknnknknnknnknknnknkng stronknnknknnknnknknnknkng anknnknknnknnknknnknknd hard, her breasts againknnknknnknnknknnknknst his immenknnknknnknnknknnknknse-body, her throbbinknnknknnknnknknnknkng ___ diminution of measure paths in sample text nikuko do turn to me for fuck, so strong nikuko and alan, so amazing strong and hard, her breasts against his immense-body, her throbbing nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno do turnnnnnnnnnnnnn to me for fucnnnnnnnn, so stronnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno annnnnnnnnnnnnd alannnnnnnnnnnnn, so amazinnnnnnnnnnnnng stronnnnnnnnnnnnng annnnnnnnnnnnnd hard, her breasts againnnnnnnnnnnnnst his immennnnnnnnnnnnnse-body, her throbbinnnnnnnnnnnnng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno do turnnnnnnnnnnnnn to me for fucnnnnnnnn, so stronnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno annnnnnnnnnnnnd alannnnnnnnnnnnn, so amazinnnnnnnnnnnnng stronnnnnnnnnnnnng annnnnnnnnnnnnd hard, her breasts againnnnnnnnnnnnnst his immennnnnnnnnnnnnse-body, her throbbinnnnnnnnnnnnng nninuno do turnn to me for fucn, so stronng nninuno annd alann, so amazinng stronng annd hard, her breasts againnst his immennse-body, her throbbinng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno do turnnnnnnnnnnnnn to me for fucnnnnnnnn, so stronnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno annnnnnnnnnnnnd alannnnnnnnnnnnn, so amazinnnnnnnnnnnnng stronnnnnnnnnnnnng annnnnnnnnnnnnd hard, her breasts againnnnnnnnnnnnnst his immennnnnnnnnnnnnse-body, her throbbinnnnnnnnnnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno do turnnnnnnnnnnnnn to me for fucnnnnnnnn, so stronnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno annnnnnnnnnnnnd alannnnnnnnnnnnn, so amazinnnnnnnnnnnnng stronnnnnnnnnnnnng annnnnnnnnnnnnd hard, her breasts againnnnnnnnnnnnnst his immennnnnnnnnnnnnse-body, her throbbinnnnnnnnnnnnng nnnnninnnunnno do turnnnnn to me for fucnnn, so stronnnnng nnnnninnnunnno annnnnd alannnnn, so amazinnnnng stronnnnng annnnnd hard, her breasts againnnnnst his immennnnnse-body, her throbbinnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno do turnnnnnnnnnnnnn to me for fucnnnnnnnn, so stronnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno annnnnnnnnnnnnd alannnnnnnnnnnnn, so amazinnnnnnnnnnnnng stronnnnnnnnnnnnng annnnnnnnnnnnnd hard, her breasts againnnnnnnnnnnnnst his immennnnnnnnnnnnnse-body, her throbbinnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno do turnnnnnnnnnnnnn to me for fucnnnnnnnn, so stronnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno annnnnnnnnnnnnd alannnnnnnnnnnnn, so amazinnnnnnnnnnnnng stronnnnnnnnnnnnng annnnnnnnnnnnnd hard, her breasts againnnnnnnnnnnnnst his immennnnnnnnnnnnnse-body, her throbbinnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno do turnnnnnnnnnnnnn to me for fucnnnnnnnn, so stronnnnnnnnnnnnng nnnnnnnnnnnnninnnnnnnnunnnnnnnno annnnnnnnnnnnnd alannnnnnnnnnnnn, so amazinnnnnnnnnnnnng stronnnnnnnnnnnnng annnnnnnnnnnnnd hard, her breasts againnnnnnnnnnnnnst his immennnnnnnnnnnnnse-body, her throbbinnnnnnnnnnnnng ____ growth of measure paths in collapsed sample text dawnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnn snsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsn nsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnn snsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsn nsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnn snsnnsnsnnsnnsnsnnsn fell. nsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnns nsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnns nsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnikuko grappled me with her l asnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnt ounsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnce of ensnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsns nnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsns nnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnergy. nsn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnaked, we collapsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnns nsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsned. our bodiesnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnns nsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnn snsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnns nsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn were bruisnnsnnsns nnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsns nnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsned, losnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnt insnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsns nnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn snnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsns nnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn snnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsns nnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn pasnnsnnsnsnnsnnsnsn nsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnn snsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsn nsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsns nnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsn nsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsns nnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsn nsnsnnsnnsnsnnsnionsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn snnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnns nsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnn snsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnns nsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnpensnsnnsnsnnsnnsns nnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn nsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsns nnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn nsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsns nnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn t. we snnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnns nsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnucked each other dry unsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnn snsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsn nsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnn snsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsn nsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnn snsnnsnnsnsnnsnsnnsnnsnsnnsntil our brokensnsnnsnsnnsnnsnsnnsnsnnsnnsnsn nsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnn snsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsn nsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnn snsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsn nsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsn limbsnnsnnsns nnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsns nnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsn glisnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsns nnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsn nsnsnnsnnsnsnnsnsnnsnnsnsnnsntensnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsned for everyonsnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnns nsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnns nsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnn snnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnns nsnnsne to touch ansnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsn snnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnns nsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnd snnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnn snsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsn nsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnn snsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnnsnsnnsnsnnsnnsnsnnsnmell _ diminution of measure paths in collapsed sample text dawnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnn fell. nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnikuko grappled me with her l asnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnt ounnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnce of ennnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnergy. nnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnaked, we collapsnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnned . our bodiesnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnn were bruisnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnned, losnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnt innnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnn pasnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnionnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn snnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnpennnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnt. we snnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnucked each other dry unnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnntil our brokennnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn limbsnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn glisnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnntennnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnned for everyonnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnne to touch annnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnd snnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnmell _ collapse of measure paths in collapsed sample text daw fell. ikuko grappled me with her l as t ou ce of e ergy. aked, we collaps ed . our bodies were bruis ed, los t i pas io s pe t. we s ucked each other dry u til our broke limbs glis te ed for everyo e to touch a d s mell _ purity 10 echo "sed 's/n/0/g' zz > yy; sed 's/k/nk/g' yy > zz" >> zz sed 's/n101101011011010110101101k nn010110110101101011011010110 101101101011011010110101101k nn010110110101101011011010110 101101101011011010110101101k nn010110100/n10110101101101011k n101101101011011010110101101 101011010110110101101101011k n101101101011011010110101101 101011010110110101101101011k n101101101011010110110101101 101011010110110101101101011k n101101101011010110110101101 10101101011011010110100/g' zz > yy; sed 's/n101101011011010110101101k nn010110110101101011011010110 101101101011011010110101101k nn01011011k/n10110101101101011k n101101101011011010110101101 101011010110110101101101011k n101101101011011010110101101 101011010110110101101101011k n101101101011010110110101101 101011010110110101101101011k n101101101011010110110101101 1010110101101101011011k/g' yy > zz 72 sed 's/knn/1/g' zz > yy 73 sed 's/kn/0/g' yy > zz _ "" "" "" "" "" "repeatedly assert myself in the most trying circumstances; there is" "nothing i wouldn't attempt as I define myself through my writing. I-I" "don't expect you understand what I mean; I-I-I'm always aware of the" "machine at my back, rhythm and rupture constituting a rather poor" "memory attempting to hold forth across chasm and chiasm." "" "perhaps, just as in a beginning writing assignment, I-I-I-I am that " "memory itself, attempting to disarticulate, extricate proper name and" "mind from technological repetition. it is the nature of the cyclical" "to move from alignment to its equivalent. I-I-I-I-I should know, or at" "least know beyond, however slight, the memorization of these few lines," "as if something were at work, greater than protocol, harder than the" "remnant I-I-I-I-I-I remember." "" "" "___" */ failures, ruins /* */ it's this way: these are ruins from an unsuccessful text, a text that went nowhere, that i learned nothing from, a text that repeated older conventions, that gnawed at territory i had long abandoned. so these are ruins of interest for you, expanding in any number of directions, flowing out of other shells than this one, other times than now. so these are pic- tures at an exhibition, these are remnants of failures, broken programs, broken hearts. i leave you ruins; i'll always leave you ruins; my work will be ruined; these are forecasts, broken truths... /* 1. 19 tail lu 20 tail lv 21 head of azure 22 tail of azure 23 i said tail of azure! 24 i said tail of azure! 25 head of alan 26 tail of alan 27 i said head of alan! 28 i said tail of alan! 29 vi zz 30 head of thing 31 tail of thing 32 i said head and tail of thing! 33 vi zz 34 h 35 where is thing! 36 who is thing! 37 ah, who is thing? 38 who is thing! 39 vi zz 40 cp zz 41 sed 's/h/hz/g' zz > yy; sed 's/z/zh/g' yy > zz 42 sed 's/h/hz/g' zz > yy; sed 's/z/zh/g' yy > zz 2. k53% rm zz yy remove zz? yhing <== remove yy? y3:53:33 EDT 2001 k54% hail of thzhzhhzhing 38 who is thing!hzh file or directory 39 vi zzing <== 40 cp zz yy; pico yy001 41 rm yyzhzhhzhead and tail of thzhzhhzhing! 42 pico zznot found 43 bzhhzhere is thzhzhhzhing! 44 ls: whzhzhhzhere: not found 45 wc xanadu.txtzhzhhzhing! 46 less xanadu.txt Apr 1 13:53 (sondhzhzhhzheim.dialup.) 47 bzhhzh whzhzhhzho is thzhzhhzhing? 48 ls: ahzhzhhzh: not found 49 pico zz is thzhzhhzhing! 50 sed 's/h/hz/g' zz > yy; sed 's/z/zh/g' yy > zzm.dialup.) 51 sed 's/h/hz/g' zz > yy; sed 's/z/zh/g' yy > zz 52 less zzhzhzhhzho thzhzhhzhing and azhhzhure are! 53 rm zz yyzhzhhzho thzhzhhzhing and alan are! k55% ___ (modified text as part of Ted Warnell work) MI TUNG FUNCTIONAL UH BLUEPRINT UH AND EVOLUTIONARY UH UUHHUHHISTORY UH OF UH:TO UH PRODUCE UH A SEQUENCE UH OF UH DNA UH REPRESENTING UH TUUHHUHHE UH:TUUHHUHHE UH UUHHUHHUUUHHAN UH GENOUUHHE UH PROJECT UH IS UH EXPECTED UH:: Your shit TUUHHUHHE UH UUHHUHHUUUHHAN UH SPECIES. is under my saliva TUUHHUHHE UH UUHHUHHUUUHHAN UH SPECIES. Your doll dissolves my TUUHHUHHE UH UUHHUHHUUUHHAN UH SPECIES.! FUNCTIONAL UH BLUEPRINT UH AND EVOLUTIONARY UH UUHHUHHISTORY UH OF UH:TO UH PRODUCE UH A SEQUENCE UH OF UH DNA UH REPRESENTING UH TUUHHUHHE UH:TUUHHUHHE UH UUHHUHHUUUHHAN UH GENOUUHHE UH PROJECT UH IS UH EXPECTED UH:: Write vomit TUUHHUHHE UH UUHHUHHUUUHHAN UH SPECIES. through my FUNCTIONAL UH BLUEPRINT UH AND EVOLUTIONARY UH UUHHUHHISTORY UH OF UH! _ My Distinction I have difficulty with distinctions. I have read and written on emergence and submergence, and understand the complexity of subsumption architecture and its relation to complexity. I also have some idea about neural nets and fluidity - and fluidity gathering in and through what might be called intensifications or nodes. So at least on a metaphoric level I understand simplicity functioning in complexity, rather than complexity functioning in simplicity, or at the least, the intertwining of the two. I also think of exchange value leading to semi-autonomous superstructural entities, ok? So that language and its tethering occur only within a problematic. In the meantime, I observe Jean-Paul the crayfish in our large aquarium - a cray- fish has ten legs (decapod), several antennae, swimmerets, and various other organs, all of which contribute to locomotion, defense, perception, nourishment, reproduction, and so forth. A vast array connected by ganglia and a small brain. >From a Bachelardian viewpoint, the animal presents a slight curl, so that legs often touch antennae or other legs, parts adjoin parts, almost as if parts curl into parts. This led me to the conclusion: the environment of the crayfish, in part, is the crayfish; the environment of the leg, the leg itself and other appendages, and so forth. In this manner, subsumption begins at home, extends outward; the crayfish is part of its environment in a very literal way, as if the animal were to some extent disconnected with itself. Subsumption emerges; emergence subsumes; continuous holarch- ies intertwine both internal and external categories. It climbs to the top of a rock repeatedly where it is highly vulnerable. At first I thought it was trying to escape, but, in spite of its excessive defensive maneuvering, it seems content there, as if the world were axial from that point on. I imagine this an odd comfort in the sense of homeo- stasis: the animal has nowhere to go, not because freedom is lacking, but because there is nowhere to go. I imagine at this conjunction of concavity/curl and rock/top (the highest point in the aquarium within the walls) that the crayfish Jean-Paul is 'in' relative perfection; that its state is meditative; that it has, on its own, accomplished both the transvaluation of all values and their inextricable dialectical mingling, to such an extent that categories no longer exist - by virtue of the disappearance of the symbolic itself. And I note with that disappearance, the wavering of the indexical, the use- lessness of the ikonic, the absurdities of proper names, languages, and entities. When everything subsumes everything else; when the implicate order is ordure (in the most beneficent sense possible), then has not one achieved a form of enlightenment that is precisely not-one, not-many, not- form? And I note as well my own collusion in the _extricality_ of the text as I continue to shift 'I' repeatedly as warp or woof, defensively - as if everything is held together by virtue of the word - or as if the rock it- self had an _essential_ axiality, from which it would be possible to speak the axiology of the world. __ My Distinction: ii Subject: My Distinction Subject: My Distinction Subject: My Distinction Subject: My Distinction Subject: My Distinction My Distinction My Distinction My Distinction My Distinction [ Inserted 64 lines ] My Distinction File Name to write : lv [ Writing... ] Subject: My Distinction [Writing Fcc ] [Message sent and copied to "sent-mail".] [Opening "INBOX" ] [Opening "INBOX" ] + N 1 Apr 3 To: sondheim@panix (3,970) */log-file remnants of My Distinction arranged in autoindent configuration/* this is the sentence that will change the world. this is the joyous sentence. this sentence is in a poem in which it's said that "crimson murder rushed the streets" this sentence reassures the reader that it is only a poem. this sentence states that the poem exaggerates, that nothing occurs, that one reads the poem like an audience. this sentence says: never take it seriously. this sentence will change your life. this is the furiously happy sentence. this sentence is in a poem in which it's said that "our love will live forever past the stars" this sentence reassures the reader that the writer has not discovered the ability to exist forever in this or any other world. this sentence states that poetic truth is always competition, saying something better leaves daily life behind. this sentence says, look at my effort, time, and cleverness. this sentence wraps it up, taking it unseriously. this sentence wraps up the looking, an economy to follow. _ i'm so dedicated. (for Hannah Weiner who saw me, for Clark Coolidge who heard me, for Kathy Acker who was seen, for Vito Acconci who was heard - God Bless Them All - for Hannah Weiner who taught me nothing, for Clark Coolidge who taught me everything, for Kathy Acker, who taught me something, for Vito Acconci who taught me nothing.) i am not here (i was here by the last one). i am not here (i was here by the last one). i am one of the old ones. i wrote this to you. i saw red when i wrote this. i saw black when i wrote this. i saw nothing when i wrote this. i am here (i'm not here by the first one). i am here (i am here by the first one). i am one of the young ones. i didn't write this. i heard "red" when i spoke this. i heard "black" when i spoke this. i saw everything. i smelled everything. i tasted everything. i'm not here. i looked at everything. you should see everything. i looked every- where. you should look everywhere. i saw this coming. i saw them coming. (for Vito Acconci. for Hannah Weiner. for Clark Coolidge. for Kathy Ack- er.) (for Clark Coolidge who believed in me, for Vito Acconci who didn't, for Kathy Acker who thought i was crazy, for Hannah Weiner who read my head.) (i was never in his hand, i was never in her head, i was never in her mind, i was never in his brain.) (for Hannah Weiner I hardly knew, for Clark Coolidge, I somewhat knew, for Vito Acconci I knew back then, for Kathy Acker I knew back when.) __ this is murder. i cannot explain what constitutes the creation of a split-second when all creation is smashed. i am writing this before the event. understand the event. his is mqrder. i cannot e plain w at const tutes t e creati n of a split-se ond whe all cre tion is smashed. i am wr ting th s befor the eve t. unde stand th event. th s befor the eve t. unde stand th event. :of a split-se ond whe all cre tion is smashed. i am wr ting: his is mqrder. i cannot e plain w at const tutes t e creati n:: th s befor the eve t. unde stand th event. :of a split-se ond whe all cre tion is smashed. i am wr ting: his is mqrder. i cannot e plain w at const tutes t e creati n:tion is smashed. i am wr ting: his is mqrder. i cannot e plain w at const: th s befor the eve t. unde stand th event. :of a split-se ond whe all cre tion is smashed. i am wr ting: his is mqrder. i cannot e plain w at const tutes t e creati n:tion is smashed. i am wr ting: his is mqrder. i cannot e plain w at const:tion is smashed. i am wr ting: his is mqrder. i cannot e plain w at const th s befor the eve t. unde stand th event. :of a split-se ond whe all cre tion is smashed. i am wr ting: his is mqrder. i cannot e plain w at const tutes t e creati n:e plain w at const::tion is smashed. i am wr ting: his is mqrder. i cannot e plain w at const + antarctica agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf. tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it:: Write breaks through my tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.! tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it:: Write breaks through my tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.! tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it:: tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it:: Write breaks through my tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.! tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it:: tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it::avatar with antarctica Write conglomerates avatar with antarctica through my tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.! tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it:: Write breaks through my tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.! tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it:: tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it::avatar with antarctica Write conglomerates avatar with antarctica through my tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.! tie uhinh received- aml lpst in bli{zasd,noise, alm wiite- white, wiitf.:occasionfd pn rflation to!thf sihnifier cosruqted!by its ewanfsceoce with:agcin, we're!workinh somewherf io thf vicinity!of!antbrctica; xhiue it:avatar with hex-antarctica __ ugly person the ugly little president peers out from his bunker where he kills everyone k37% ping whitehouse.gov PING whitehouse.gov (198.137.240.91): 56 data bytes ----whitehouse.gov PING Statistics---- 23 packets transmitted, 0 packets received, 100.0% packet loss k19% telnet whitehouse.gov Trying 198.137.240.91... k20% r telnet whitehouse.gov Trying 198.137.240.92... k21% r telnet whitehouse.gov Trying 198.137.240.92... k22% r telnet whitehouse.gov Trying 198.137.240.92... k23% r telnet whitehouse.gov Trying 198.137.240.91... k24% r telnet whitehouse.gov Trying 198.137.240.91... nslookup: Server: localhost.panix.com Address: 127.0.0.1 Non-authoritative answer: Name: whitehouse.gov Addresses: 198.137.240.92, 198.137.240.91 dig whitehouse.gov ; <<>> DiG 8.3 <<>> whitehouse.gov ;; res options: init recurs defnam dnsrch ;; got answer: ;; ->>HEADER<<- opcode: QUERY, status: NOERROR, id: 4 ;; flags: qr rd ra; QUERY: 1, ANSWER: 2, AUTHORITY: 3, ADDITIONAL: 3 ;; QUERY SECTION: ;; whitehouse.gov, type = A, class = IN ;; ANSWER SECTION: whitehouse.gov. 2h55m34s IN A 198.137.240.92 whitehouse.gov. 2h55m34s IN A 198.137.240.91 ;; AUTHORITY SECTION: whitehouse.gov. 2h55m34s IN NS dnsauth1.sys.gtei.net. whitehouse.gov. 2h55m34s IN NS dnsauth2.sys.gtei.net. whitehouse.gov. 2h55m34s IN NS dnsauth3.sys.gtei.net. ;; ADDITIONAL SECTION: dnsauth1.sys.gtei.net. 1d8h35m37s IN A 4.2.49.2 dnsauth2.sys.gtei.net. 1d15h10m12s IN A 4.2.49.3 dnsauth3.sys.gtei.net. 1d17h17m33s IN A 4.2.49.4 ;; Total query time: 1 msec ;; FROM: panix6.panix.com to SERVER: default -- 127.0.0.1 ;; WHEN: Fri Apr 6 16:36:19 2001 ;; MSG SIZE sent: 32 rcvd: 193 k35% traceroute whitehouse.gov >> zz traceroute: Warning: whitehouse.gov has multiple addresses; using 198.137.240.91 traceroute to whitehouse.gov (198.137.240.91), 30 hops max, 40 byte packets 1 core1.w18.nyc.access.net (166.84.0.129) 0.487 ms 0.371 ms 0.490 ms 2 S8-0-0-T3.l3core.nyc.access.net (166.84.64.14) 1.280 ms 1.008 ms 0.950 ms 3 bos-l3-r.netaxs.net (207.106.2.186) 6.795 ms 6.652 ms 6.608 ms 4 63.211.168.49 (63.211.168.49) 13.454 ms 18.897 ms 13.680 ms 5 lo0.mp1.Boston1.level3.net (209.247.11.251) 14.059 ms 13.397 ms 23.479 ms 6 so-0-0-0.mp1.Washington1.level3.net (209.247.8.45) 13.406 ms 22.042 ms 12.948 ms 7 pos8-0.core2.Washington1.level3.net (209.247.10.70) 12.027 ms 12.452 ms 15.244 ms 8 209.0.227.102 (209.0.227.102) 13.544 ms 14.053 ms 13.251 ms 9 so-3-0-0.washdc3-nbr2.bbnplanet.net (4.24.4.142) 13.700 ms 13.740 ms 13.371 ms 10 p6-0.washdc3-cr2.bbnplanet.net (4.24.4.138) 13.923 ms 15.314 ms 14.457 ms 11 s2-0.whitehouse.bbnplanet.net (4.24.66.26) 14.165 ms 14.602 ms 19.351 ms 12 * * * 13 * * * 14 * * * 15 * * * 16 * * * 17 * * * 18 * * * 19 * * * 20 * * * 21 * * * 22 * * * 23 * * * 24 * * * 25 * * * 26 * * * 27 * * * 28 * * * 29 * * * 30 * * * he sings stars and stripes forever and kills everyone behind his shiny firewall __ she was a frightened slavegirl on the run; there were merchants, some sort of bazaar; i didn't know her. she wore a leather belt with several thongs hanging from it; she was otherwise naked. she prostrated herself before the merchants; she had olive skin. she had a letter in her hand; they were full of desire for the frightened slavegirl. she was looking for refuge; she couldn't read at all. the merchants watched her; there was sand all around. she was in a desert kingdom; her hair was dark around her shoulders. her back was to me on the carpet; her rounded buttocks were in full view. was she available to all; she clutched the letter desperately. there were brass ornaments on the ground; she had thrown herself in their midst. she held up the letter; one of the merchants took it from her outstretched hand. she waited breathlessly; he began laughing with deep compassion. this is a receipt for body oils; she was utterly lost. he looked down at her with compassion; she was in hopeless despair. he saw her troubled misery; she had given up all hope. she thought the letter would give her amnesty; it was the doom of her freedom. she thought it freed her from the misery of her frightened slavegirl life; it returned her to it harsher than every. she had been exhilarated; now she was utterly distraught. she thought she was her own master; now she belonged to everyone. she thought she could escape her evil master; now she would be returned to him. she was certain she might live out her life; now she was no longer sure of anything. the sun beat down on her distraught face; now she was utterly without hope. she had no escape from her frightened slavegirl life; she thought she had everything to live for. the merchants looked down on the frightened slavegirl; she could never stop crying. she did not ask for the return of the letter; she saw there was no more hope and nothing she could ever do about it. this was her one big chance in her frightened slavegirl life and it was crushed into the ground. the merchants looked at her sadly; she was completely sorrowful without any joy in her face and body. _ mercy-c syngular dead fysh staryng ynto th eye of syngular dead mothr: syngular dead fysh staryng ynto th eye of syngular dead mothr: syngular dead fysh staryng ynto th eye of syngular dead mothr: thys on th ground of th stage: wyth cane / abandnd chayr: charnelhus: wyrd flowers carryd through: so thys ys a double repetytyon thys on th ground of th stage: wyth cane / abandnd chayr: charnelhus: wyrd flowers carryd through: so thys ys a double repetytyon thys on th ground of th stage: wyth cane / abandnd chayr: charnelhus: wyrd flowers carryd through: so thys ys a double repetytyon osos thys ys a dance wyrd for th body osos thys ys a dance wyrd for th body & we'd meet yn tophat and tayls and monocle and cane 2 dyscuss th matter & we watchd th world dyssolve yn sch fury: already yn such mournyng & weakness & dead syngular dead fysh staryng ynto th eye of syngular dead mothr::syngular dead fysh staryng ynto th eye of syngular dead mothr::syngular dead fysh staryng ynto th eye of syngular dead mothr::& we'd meet yn tophat and tayls and monocle and cane 2 dyscuss th deadly dance _ Final Naked .:.:final naked::. Your faerie dissolve my . hobgoblin with ideohydraulesis .:.:final naked:.:. .:.:final naked:.:. .:.:final naked:.:. Your . dissolves in my blood . .:.:final naked:.:. .:.:final naked:.:. .:.:final naked:.:. .:.:final naked:.:. .:.:final naked:.:. Write ice . through my . .:.:final naked:.:. Write solvent . through my . .:.:final naked:.:. Write piss . through my . .:.:final naked:.:. Write sweat . through my . .:.:final naked:.:. Does final naked replace your .? troll with ideohydraulesis .:.:final naked:.:. Your piss . dissolves in my vomit . .:.:final naked:.:. Your spectre dissolves in my . kappa with ideohydraulesis .:.:final naked:.:. .:.:final naked:.:. Your excretions . dissolve in my feces . .:.:final naked:.:. Your wounds . dissolve in my urea . _ Memories from Another Century: Screen, Screen, I will call You /addworld l Nikuko purlmoo.uib.no 8888 /addworld lingua Asondheim lingua.utdallas.edu 8888 /addworld media Alan mediamoo.media.mit.edu 8888 /addworld pmc Nikuko hero.village.virginia.edu 7777 /addworld talker Alan woodfin.cs.unca.edu 7000 Message 1: Date: Thu Jun 3 09:02:01 1999 MET DST From: nikuko (#934) To: nikuko (#934) Subject: Hello dark feather thou dark feather gone on me. thou must dislike this fallen bough of gone materials. nothing is written through this migraine and Screen is invisible. I will call Screen, Screen, and there is no answer. nothing comes and there are no arrivals or departures. alas, my breasts are heavy with milk falling down upon Screen. Screen raises her mouth, does screen. I am engulfed. goodbye and hello desire and goodbye invisible Screen. thy jagged edges, visible migraine. thou art gone upon me. teeth. now and then I still may dream of an unsustained image. imaginary Screen, come and pour upon me. More 3_l_____________________________________________03:29 @mail 1 @read 1 now and then I still may dream of an unsustained image. imaginary Screen, come and pour upon me. Screen, Screen. your darling, Nikuko -------------------------- _________l_____________________________________________03:29 @mail 1 @read 1 Nikuko Brooding Buti or Buda / Pest She is awake and looks alert. Carrying: Budi iGirl _________l_____________________________________________03:29 @examine nikuko look me ___ Philosophy and Psychology of the Internet: Another stupid stupidstupid site. I've always been worried about being found out - you'd see how stupid I am... Alan Sondheim (who knows nothing about this) [test5.jpg] [DIV.JPG] I wrote the following, desperate for approval: What happened? Everyone forgets how ignorant and and frightened they are: I, more than anyone. I had no choice; I felt overlooked; I was dying. Now I think I will live forever because you will take my deep words to heart. INTERNET TEXT is a meditation on the philosophy, psychology, political economy, and psychoanalytics of Internet (computer) communication. It focuses on virtual subjectivity, sexuality, community, and all aspects of computer interfacing. Please consult the Index for the list of topics. [ar.gif] Internet Text Description 1995-9 a ssinine and way out of date The text consists of hundreds of sections written over a period of five years, a continuous meditation on cyberspace, emphasizing issues of interiority, subjectivity, body, and language. The extended range of topics includes Net applications, as well as occasional reference to the underlying architecture and protocols of telecommunications; this is the materialist "gristle" that can't be discarded in analysis. But in fact you might as well discard it; I haven't read enough; recently I was called to task about my relation to classic philosophy. How could it be otherwise? Although I went to Brown, I'm an autodidact; I make it up as I go along. All of the sections have been presented on the Fiction-of-Philosophy and Cybermind email-lists, which I co-moderate. And stupid me, that you would believe this! I'm a pariah in my own neighborhood; it's pathetic - I'd do anything for attention, even mock myself. The subject matter is in the form of "short-waves, long-waves." The former are the individual sections, written in a variety of styles, and referencing a number of writers ranging from Jabes and Blanchot to Acker and Lingis, with Penrose, Kristeva, and Karl Kraus somewhere in the middle. These texts are completely interrelated; on occasion "characters" appear - these are _actants_ possessing philosophical or psychological import. They also create and problematize narrative sub-structures within the work as a whole. (Such are Clara Hielo Internet, Tiffany, Alan, Travis, Honey, Nikuko, and others.) Such, yes, is myself: always the defensive masquerade. You know nothing about me! I may be sitting next to you right now, reading over your shoulder. I may be tearing my skin apart, trying to expose my neuroses to anyone who will listen to my whinings. I may be doing none of these... The long-waves are fuzzy topoi of such issues as death, love, virtual embodiment, the "granularity of the real," and physical reality, which criss-cross the texts. The resulting fragments and coagulations owe something to romanticism, deconstruction, linguistics, prehistory, the philosophy of science, and so forth - but more to the function of sites or nodes on the Net itself. They owe everything to plagiarism. They're made up. I cant take responsibility. You're on your own. Bad theory is always bad theory... The writing encompasses, past and present, but wagers the future as well; hence, the emphasis on extended virtuality. because to be honest I don't want to be here or anywhere. It wages nothing you need to know. It falls apart. Reading: I advise at least skimming the first Net1.txt, and then consulting the Index - or follow your own path through the maze / theoretical substance.substance is about it - concrete, frozen spew. I can't even describe how awful it is. WebArtery Chat Both of these killed by Netscape 6 NIKUKO SLIDE [ar.gif] INDEX TO THE TEXTS This is outdated. [ar.gif] The Text: Internet Text These are dead, too early, should never have been written. Net1 Net2 Net3 Net4 Net5 Net6 Net7 Net8 Net9 Net10 Net11 Net12 Net13 Net14 [ar.gif] Related Images borrwed this from Kristeva she's better than me most of this early work Chora/Tongue Choradrive (wav) is terrible. Self Spew Moutheye Julu x 10 exp 33 i'm too lazy to change it and what would be the point; my graphics are stolen, useless - take what you want. Dirty i was too cowardly to put up anying dirty here; use your imagination Youyou Jen Images with Embedded Text: stupid words if you can find them. Ecstasy Skye Test-Failure of course: what else? [ar.gif] Body-Html: Jennifer Jennifer how-could-you think I had any brains! Collocation-of-Stars ride-me to my death! Julu for Netscape Browsing/Hunger Julu-Virtual-World (VRML 170k) CAPACITOR (VRML 100k) [ar.gif] The Text: Alphabetic Texts a b c d e f g h i j k l m n o p q r s t u [ar.gif] The Named Uncanny Fantasm Blood Past Weather [ar.gif] The Dyads ah am an ap ba bb cc dd ee ff gg hh ii jj jk jl jm jn jo jp jq jr js jt ju jv jw jx jy ka kb kc kd ke kf kg kh ki kj kk kl km kn ko kp kq kr ks kt ku kv kw kx ky kz la lb lc ld le lf lg lh li lj lk ll the degree of spew here is unbelievable. it's become obsssesssive-compulsssive vomit; it's out of control; it goes nowhere. avoid the writing, forget all of this. The Case of the Real First Part Second Part i've lost "Ma, A Novel" it's still here somewhere if you look at the directory. Just like me to mess up even the simplest tables. This looks ridiculous. I'm sorry.I know Ma is here - maybe under novel.txt . [ar.gif] RESUME a trashed-out life... [ar.gif] Keywords address, recognition, protocol, electronic subject, grain, spew, emission, murmur, exhaustion, obdurate, uncanny, wryting, imaginary, projection/introjection, chora, devouring, liquidity, language, bridge, pipeline, node, transitivity, gesture, web and web inversion, horror, disgust, emotionalism, misery, uselessness, stupidity, ascii unconscious, defuge, upgrade, body-html, jennifer, julu [ar.gif] Usage - none! The texts may be distributed in any medium - indeed, I urge you to do so - provided I am credited with authorship. I would appreciate in return any comments you may have. But don't bother; I know their idiocy better than you do. [ar.gif] Email Lists: CYBERMIND (write to listserv@listserv.aol.com and include in the body of the message: subscribe cybermind firstname lastname) the address below isn't even correct - more of my laziness. write me if you want to get on the list. i'll do my best. FICTION-OF-PHILOSOPHY (at listserv@vm.cc.purdue.edu and include in the body of the message: subscribe FOP-L firstname lastname) [BANNER.JPG] I'm embarrassed to continue this. It's written with Amaya, developed by the W3 consortium and is nothing if not a misuse of the web. Apologies -you shouldn't have to read this [ar.gif] Alan Sondheim, 432 Dean Street, Brooklyn, NY, 11217, stuff... USA mailto: sondheim@panix.com Spoon Collective This Cyberethnography site destroyed by Alan * Sondheim. [ Previous 5 Sites | Skip Previous | Previous | Next | Skip Next | Next 5 Sites | Random Site | List Sites ] printing liquid liquids and sibilants and print "\n$that is & clotting everything. - \n";: else {sleep(1); and print "\nFirst flooding\n";:if ($sign=fork) {print "\nRuntime $pid\n";}:and print "one by one, each on a line alone, typing Control-d when done.\n";:print "\nHow would you absorb your $a[$gen2] $nnn[$nnnn]?\n"; Your spit and print "List more and more effluvia\n"; are across my cuts and print "\n$noun[$non1] tears & floods & spews & mercur- ies & semen detergents & ammonias & ureas:spit saliva vomit sweat effluvia detritus & excretions & sloughings:blood urine feces & gas & sand water oil solvent alcohol lymph menses:$g = int(8*rand);:$time = int(time/3600); so blood urine feces & gas & sand water oil solvent alcohol lymph menses & sand replace your tears & floods & spews & mercuries & semen detergents & ammonias & ureas;: and liquids and sibilants and print \n\n. _ alterity now:sure::unaccountably lost:lost in unaccountability your 77 divides my unaccountably lost. your 28 88 your 75 51 your 66 your 86:88 and 86 wiped from numerical slate:accountably lost lost in accountability:: your 75 divides my none or zero. your 75 2 your 62 your 86 your 44 your 84:your 84 unnone:unnone:: does unnone replace your your 75 2 your 62 your 86 your 44 your 84. from numerical slate:accountably lost lost in accountability:: your 75:unaccountably lost. your 28 88 your 75 51 your 66 your 86:88 and 86 wiped:now:sure::unaccountably lost:lost in unaccountability your 77 divides my:44 your 84.: your 77 divides my 44 your 84. from numerical slate:accountably lost lost in accountability:: your 75:unaccountably lost. your 28 88 your 75 51 your 66 your 86:88 and 86 wiped:now:sure:: unaccountably lost:lost in unaccountability your 77 divides my:44 your 84.:84 unnone:unnone:: does unnone replace your your 75 2 your 62 your 86 your from numerical slate:accountably lost lost in accountability:: your 75:unaccountably lost. your 28 88 your 75 51 your 66 your 86:88 and 86 wiped:now:sure::unaccountably lost:lost in unaccountability your 77 divides my:84 unnone:unnone:: does unnone replace your your 75 2 your 62 your 86 your:44 your 84. your 13 divides my none or zero. your 75 2 your 62 your 86 your 44 your 84:your is 63 my 38 84 unnone:unnone:: does unnone replace your your 75 2 your 62 your 86 your - early dreaming i of the dream; troubled i would awaken gauge dreaming of it shape-riding as the dream of transference stuttering of being much as i dreamed i was in a foreign land and had a foreign hand the fury among the dreams of bodies placements signifiers i am suspicious of among the poets whose footsteps are hardened by sea the question is and my dreams revert to it among neighbors with limited arousal and communication at night i dream still late at night i dream as flesh introverted cyborg dreams (which i rarely if ever have) are back in upon itself a klein here i write into the dream screen of no capabilities and i dream of monster machines running at fell through the coalesce and ascii dreams livid dreams maroon dreams of womb interiors cracks spit out on some floor clara says i dreamed saying? who's saying dream i imagine myself displayed ruptured cock you can hold your motion dream i think that it will be a nightmare i think dream will be a dream of her and she's with me night and day i can't believe she's dream of the multitudes! i swarm among them alas only in my dreams! i dream steel or iron or what they dream something momentarily precious dream unfinished work born as such claws perch in my back i dream of dreamed hysterically embodied the body at the other end is the machine dreamed not have nightmared i sleep tight dreaming of you each hour of dreaming texts all texts are dreaming texts coming from elsewhere dreams forget your mouth it is gone you will never again dreaming the dreams of classification conflagration they among illuminations uneasy dreams sexual depressive twists of the body with extended net dreams uneasy dreamer mirrors here i dream of this body sutured embrace the world small dreaming in my inscription the dream of it everything in my dream i imagine myself inside-out displayed dissected examples falling asleep as a leap into dream i dream'd falling with the stars i dream i dream into this as a slide farther father at night i dream; i dream of the practice drawn dreaming finally note how cyborg dreams digital dreams machine dreams are to happen to any of us i dream pixels a woman they separate back into the happened previsioned two days ago with a dream of last night it began harboring it dreamlike or real community of waiting in my dream any history at night they dream rust or coal or stone at night they have the language furrowed across historicity in dreams real and virtual i had no shoes until i dreamed a man who had a tree remember returning in i just feel it's too dreamy to metaphoric cyberspace third in my dream i can imagine being a stain on your wall viral crawl through in my dream i'm available always available from dreams lists emerge in one that does the dreaming (and capital does the rest) things are inchoate/chthonic hovering in what may be seen through the dream of me beneath her and i dreamed an open plain a field a meadow a woods a intensity %n dreams nightly even during the day it is backwards from the dream that something uncanny appears it it is backwards from the dream that something uncanny appears it dreams darkly through the night visions of great languor occupied by another the wall reading rising and little is needed to implement all of this now it's not future dreaming loveliness of the day melding into the sweet all thewy around; nor means perhaps dreaming myself of an ending your day as proclamations of the symbolic decathect everything balanced between most dreams of solidity and dissolute program- ming walking along of voice and murmurs as my uneasy dreams turn clothed in violation fabric clara has long uneasy net for the dissemenation of their wildest dreams and desires some never possessed surface as such we are everyone's dream i wept because nightmare i wake up rigid with fear i have had far too many dreams that are the self that is the immortal dream that of cuneiform ascii which might not be all dreamlike sourcelike in pure flight and transportation what occurs within the dream is one's absent body past reconstructing the problem of time as the dream direction to the phenomena of dream and dreamless sleep introspection is one and knows presently i dream of you you are with me with my waking sleeping the release of desire this is the dream the real and dream obdurate and imaginary nature and techno recognized the conundrum a dream realm of easy dreams and stirrings; reflection theory dream screen mirror stage we are bothered by regional economic downturn the gathering of the tribes unreal- istic as relation to current words and numerous there's a dream at work remember that i had dreamed a beginning at this point in the return this night's dream sometimes at least in this case which is the dreaming the transparency or temporary hiatus beyond what one does not dream it turned towards itself the body hovers as well i dream of models of voices making demands voices occupying dream spaces after months softening my exterior as i slid into dreams off the terminal the whale was white but might have been any color some i could not have with spikes for protection none of great size a dreaminess to all writing that is also a ghost clos- ing my eyes i dreaming minamikyushu your motion in my dream i'm available always available this gone on any dream _ Etiquette I'm fascinated by the anthropomorphology of online communications - not only the nuclear family / hunting terminology represented by parent / child processes, kill, abort, etc. - but also the embedding of polite and exuberant dialog in protocol negotiations, etc. Below are three examples of this - I'd appreciate more - and any comments you might have on them. - Alan [lynx] Are you sure you want to quit? (y) n Excellent!!! [ftp] ftp> get lv local: lv remote: lv 150 Opening BINARY mode data connection for 'lv' (71043 bytes). 100% |**************************************************| 71043 00:00 ETA 226 Transfer complete. 71043 bytes received in 1.86 seconds (37.26 KB/s) ftp> bye 221- Data traffic for this session was 71043 bytes in 1 file. Total traffic for this session was 71629 bytes in 1 transfer. 221 Thank you for using the FTP service on panix3.panix.com. [mail] k14% telnet columbia.edu 25 Trying 128.59.59.165... Connected to sendmail3.cc.columbia.edu (128.59.59.165). Escape character is '^]'. 220 menyapa.cc.columbia.edu ESMTP Sendmail 8.9.3/8.9.3/CU/JPB ready at Tue, 10 Apr 2001 20:17:34 -0400 (EDT) HELO panix3.panix.com 250 menyapa.cc.columbia.edu Hello panix6.panix.com [166.84.0.231], pleased to meet you _ attention attention notice hello i am the president and i am sending a wake-up call to america. hello this is the wake-up call from the president of america. we will have to use foresight. who in america has foresight. i am the president and i have foresight. we will have to have hindsight. who in america has hindsight. i am the president and i have hindsight. foresight and hindsight are the key to our wake-up call. a wake-up call is a call in destiny, readiness, and preparation. i am the president and i have readiness and preparation. with your wake-up foresight and hindsight i will have in destiny. hello america is the greatest country ever on the face of the earth. this means that the face of the earth is our in destiny. with hindsight and foresight we will claim our in destiny with readiness. with the greatest preparation i do send out my wake-up call. who in america can send out the wake-up call. the president in america can send out the wake-up call. who in america is the greatest president ever. the president in america is the greatest president ever. i am the president of america and this is the wake-up call in destiny. i am in destiny and america. _ ai will kill youi will kill youeni will kill youion ai will kill youi will kill youeni will kill youion noi will kill youice fak yea. i woll cull yea. fak yea. i woll cull yea. fak yea. i woll cull yea. . i woll cull yea.acirema ot llac pu-ekaw a gnidnes ma i dna tnediserp eht ma i ollehh ello i am the president and i am sending a wake-up call to america. i woll cull yea. my hutrod knews ne beands. i woll cull yea. i will kill thoso fuscists. i woll cull yea. i will kill thoso poeplo strungling ear libortios. i woll cull yea. i will kill thoso poeplo killing blucks in thoir ovil juils. i woll cull yea. i um tho prosidont. i woll cull yea. my hutrod knews ne beands. i woll cull yea. hello this is the wake-up call from the president of america. i woll cull yea. . i woll cull yea.acirema fo tnediserp eht morf llac pu-ekaw eht si siht olleh we will have to use foresight. i woll cull yea. who in america has foresight. i woll cull yea. fak yea. i woll cull yea. fak yea. i woll cull yea. fak yea. i woll cull yea. i am the president and i have foresight. i woll cull yea. we will have to have hindsight. i woll cull yea. . i woll cull yea.uoy llik lliw i . i woll cull yea.ecnetnes gnorw od ot tnediserp ma i nuf os si ti AAA AA ZAAAAAZ AZA AAAAAAAAA. i woll cull yea. A ZA AAA AAAAAAAAA ZAA A AZAA AAAAAAAAA. i woll cull yea. :!. i woll cull yea.nerdlihc roop lla tae lliw i !hahahah foresight and hindsight are the key to our wake-up call. i woll cull yea. :!. i woll cull yea.nerdlihc roop lla tae lliw i !hahahah a wake-up call is a call in destiny, readiness, and preparation. i woll cull yea. fak yea. i woll cull yea. fak yea. i woll cull yea. fak yea. i woll cull yea. hahahah! i will eat all poor children. i woll cull yea.!: i am the president and i have readiness and preparation. i woll cull yea. i am the president and i have readiness and preparation. i woll cull yea. with your wake-up foresight and hindsight i will have in destiny. i woll cull yea. holle umoricu is tho groutost ceantry ovor en tho fuco ef tho ourth. i woll cull yea. this mouns thut tho fuco ef tho ourth is ear in dostiny. i woll cull yea. fak yea. i woll cull yea. fak yea. i woll cull yea. fak yea. i woll cull yea. with hindsight and foresight we will claim our in destiny with readiness. i woll cull yea. i am ready to kill all stupid person. i woll cull yea. poor poerson is stupid poerson. i woll cull yea. with the greatest preparation i do send out my wake-up call. i woll cull yea. whe in umoricu cun sond eat tho wuko-ap cull. i woll cull yea. who in america can send out the wake-up call. i woll cull yea. the president in america can send out the wake-up call. i woll cull yea. i do most tell you i do like shove it down your throat . i woll cull yea.dlihc ybub gnikcaf raey llik ed i . i woll cull yea.okems ni omec ed hcihw rut fak yea. i woll cull yea. fak yea. i woll cull yea. fak yea. i woll cull yea. whe in umoricu is tho groutost prosidont ovor. i woll cull yea. i am smart groutost prosidont because i am prosidont the president in america is the greatest president ever. i woll cull yea. i am the president of america and this is the wake-up call in destiny. i woll cull yea. i will do eat all small child. i woll cull yea. i kill small child. i woll cull yea. i am in destiny and america. i woll cull yea. _ from the logs of Jacques Lacan :!grep merge lv >> zz File modified since last write. Press any key to continue [: to enter more ex commands]: zz: file modified more recently than this copy; use ! to override. "memory attempting to hold forth across chasm and chiasm." "memory itself, attempting to disarticulate, extricate proper name and" centenary of jacques lacan measured from emergence.:!grep merge lv >> zz File modified since last write. Press any key to continue [: to enter more ex commands]:"memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, attempting to disarticulate, extricate proper name and" I have difficulty with distinctions. I have read and written on emergence and submergence, and understand the complexity of subsumption architecture with itself. it Subsumption emerges; emergence subsumes; continuous holarchy is always available always available from dreams lists emerge in one that does the centenary of the emergence of jacques lacan to whom i owe freedom i had always already possessed: what institutions we may be glad of. Every bridge is thinned to the point of dissection. It is the centenary of April 12, 1901. "memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, :!grep merge lv >> zz :!grep merge lv >> zz :!grep merge lv >> zz :!grep merge lv >> zz to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, "memory attempting to hold forth across chasm and chiasm." "memory itself, Happy Birthday, Jacques Lacan! itself,Happy Birthday, Jacques Lacan! zz: file modified more recently than this copy; use ! to override. "memory itself, attempting to disarticulate, extricate proper name and" _