S eeries for Lacan S = subject S/0 = the infinite subject in which everything is possible / the teetering subject blown out of all proportion S/0/0 = veering into higher infinities; who knows the indefinable / the teetering of teetering carrying inscription with it S/0]s[ = teetering and a tiny birth of even the possibility of thought S/0 ]s[ ] ] = the tiny birth beginning to separate from mama / already a space of inscription created / you can insert name and address here / they won't get you anywhere / before you leave / you have already arrived at your destination series of flattened images: swimmers in blood-red waters, flattened by mercator and other projections _ i when the moon's alone it doesn't cast a shadow there's no place for shadow no place to rest the memory of a shadow it keeps on moving it's looking for a home it's fleeing from the light ii when the moon's alone it doesn't bathe in light there's no place in light no place to travel the memory of light it keeps on moving it's searching for a home it's fleeing to the source _ Cry Azure! You are three decades younger than me. Three decades from now. I will most likely be dead. You will get up in the morning. You will get up in the morning. You will look out the window. What will you see? What will you see? What will you see? _ musing sheffer stroke and its dual thinking of nicod: (())(()) * = intersection = (()) v ))(( u = union = ()() v )()( v )(() v ())( a = ( v (((( b = ) v )))) -a = (( v (( (( (( (( I = ( (( ( (( 0 = ( ( (( (( * & 0 reduce equally; u & I reduce equally; a & b reduce equally; a & -a reduce equally. think of neutrality, aphanisis, substance; think of defuge. pattern i = (a, -a, 0, I); pattern ii = (a, b, u, *) the absolute ground: (())(()) ( (( v ) )) = implication/non-implication, tautology/contradiction "Since nothing in the environment corresponds to negation, negation as well as all other 'logical particles' (inclusion, alternation, implication, etc.) must arise within the organism as a consequence of perceiving the relation of itself with respect to the environment." (Heinz von Foerster, Thoughts and Notes on Cognition) Neither, neitherness, exclusionary union, tend elsewhere, Spencer Brown notwithstanding - but then elsewhere implies the presence of border, maintenance, inscription in the first place. (Culled from Structure of Reality, 1977.) _ marrow fragment Try this instead: i You say, "i am judgement @alpha-omega" Carrying: body Nikuko beyond any portal or equipment co Nikuko "is within You say, ""tends towards the cuts at the You say, "is it moving?" I don't understand that. ./tf -n lines ] % Resuming TinyFugue. Nikuko says something like "It's at the e [nd of the world You say, "continues with something like "It goes up"" ./tf -n % Resuming TinyFugue. Nikuko says after a while, "It never end lines ] You say, "it is very still" % now: no such command or macro Nikuko "It never ends," after a while she says "It goes up"" _ i will wait on you now, i will ask for a question, i will ask for a story, i will wait on you longer, i will wait on you longer, i will wait on you now, i will ask for a story, i will wait for another, i will ask for a question, i will wait for another :you will tell me a story, i will draw a conclusion, it will be the wrong ending, you will tell me another, i will tell you a story, it will not have an ending, there will be no ending, there will be no question, there will be no answer, you will ask for an ending, you will ask for an answer, i will wait on you longer :you will ask me a question, i will give you an answer, it will be the wrong answer, there will be no right answer, i will give you another, it will be the wrong answer, there will be a new question, there will be meditation, it will be a long time, i will give you an answer, it will be the wrong answer, i will meditate more, i will give you an answer, i will give you another, i will give you another, it will be the wrong answer, you will give me an answer, it will be the right question, i will give you a question, it will be the wrong answer, i will :story and ending, no one and everyone, question and answer, waiting and thinking, _ on this hinge everything depends. nothing hangs from the hinge. by the width of a hair. by the length of a door. kwak. this is the story. it will do you no good. you will be careful not to understand it. don't be careful! :kwak. nikuko climbed a mountain; izanagi circled it. nikuko descended it. where did izanagi meet nikuko. where did nikuko meet izanagi. by the length of a hand they saw a pine tree, one with one eye, one with the other. kwaak. :this no this enlightens. kwak. kwaak. kwaack. this has produced you. she is enlightened. this is insufficient. kwak. two people met back to back. he talked behind my back. he talked in front of me. one is there, two is annihilation, three is there, four is annihilation. one is annihilation, two are there, three is annihilation, four are there. who are the four. who is the four.:qwaak:qwaack does this no this enlightens. kwak. kwaak. kwaack. this has produced you. she is enlightened. this is insufficient. kwak. two people met back to back. he talked behind my back. he talked in front of me. one is there, two is annihilation, three is there, four is annihilation. one is annihilation, two are there, three is annihilation, four are there. who are the four. who is the four. replace your on this hinge everything depends. nothing hangs from the hinge. by the width of a hair. by the length of a door. kwak. this is the story. it will do you no good. you will be careful not to understand it. don't be careful! = a few moments of lucidity. in creation, the ceiling is the floor, creating addiction, creative, just return to comfort-space, i won't die. of minds, almost thudding against the mind, creation. i can work and fall, far from and hold the ceiling of my this is my world, created by the smallest of and windows. creation codeine this creation of a matrix of wonder-thought. breathing is the struggle of creation in this and every other room. broken brilliant creation. i cannot structure. that, i create nets, mesh, mind. broken joy. inscribing here, creating eyes closed, it is all codeine of comfort healed by codeine healing fevers. holding to the flow climbs all create today. the the walls and the written codeine pills. trembling, i creates structures, stops leaks. familiar over structure, structure holds, creating, two small pills, two eyes, feverish, the glance. so inside. no delirious. death creates what codeine pills, their chemistries. one lives depression. world, family, create world, old friends, reaching beyond doors, codeine of the doors grapples. i take tiny friendship-pills and the floor the ceiling, codeine. headaches, our creation, what the chemistry for you, swallow, create the reach myself, i know my familiar, inhabiting old friends, here, which create old familiar world. two what shall i reach the bleary world created by says and does. not muted pain, in dull and this alleviates fevers, so my their chemistries, of white blank itself, your creation, none at all, just breathing is the struggle of creation in this and every other room. codeine of the walls and doors, codeine of the doors and windows. creation climbs all over structure, structure holds, delirious. death creates what broken comfort healed by codeine healing fevers. holding to the flow almost thudding against the mind, creation. i can work and fall, far from muted pain, in dull and brilliant creation. i cannot reach myself, i know that, i create nets, mesh, grapples. i take tiny friendship-pills and create a few moments of lucidity. in creation, the ceiling is the floor, the floor the ceiling, codeine. inhabiting the bleary world created by codeine broken joy. inscribing here, creating eyes closed, it is all inside. no headaches, our creation, what the chemistry says and does. not addiction, creative, just return to comfort-space, i won't die. of minds, their chemistries, of white blank pills, their chemistries. one lives here, creating, two small pills, two eyes, feverish, the glance. so familiar this creation of a matrix of wonder-thought. so my old friends, what shall i create today. the world, old friends, reaching beyond itself, creating mind. this alleviates fevers, creates structures, stops leaks. this is my world, created by the smallest of the written codeine pills. trembling, i reach for you, swallow, create the old familiar world. two codeine which create and hold the ceiling of my depression. world, family, my familiar, your creation, none at all, just structure. = observation: post-saurian nominalism lizard approaching lizard on horizontal fence element, lizard turning belly-white beneath and leaping, the slow descent of red-brown lizard from above, near the bottom carefully surveying the earth, light brown lizard moving off, upper lizard heading to the right :turning behind lamppost, crawling, red lizard looking out, green-white lizard beneath, green turned brown, upper lizard now lower, two coming together, lizard behind them jumping down across leaf :green lizard crawling up fencepost, red lizard on top, pale green beneath, inflating throat-sac, crawling, double-head- bob of upper lizard, weaving behind fencepost or pole::red/brown lizard challenge, lizard walking towards lizard, brown-green towards red(brown, lizard moving carefully on fence element, lizard coming in from beneath, on a corner of the fence element, light green lizard disappearing around tan-brown lizard walking slowly off :turns head they are moving, other small green lizard near fence bottom leaps upward, catches left, green lizard carefully crawling down fencepost, red^brown lizard disappearing around the corner of the plant, lizard walks off, lizard very still, bobbing head, inflating throat-sac, rubbing head slightly on the ground, lizard remaining still on a corner of the fence element :looking around carefully near the ground, red*brown lizard making small leap to lamppost heading up slowly, green-white lizard beneath walking behind, tan lizard on upper right, lizard revolves around lamppost, jumps, lizard walks off, lizard follows :light green:green*brown write red/brown through my lizard approaching lizard on horizontal fence element, lizard turning belly-white beneath and leaping, the slow descent of red-brown lizard from above, near the bottom carefully surveying the earth, light brown lizard moving off, upper lizard heading to the right ! does looking around carefully near the ground, red*brown lizard making small leap to lamppost heading up slowly, green-white lizard beneath walking behind, tan lizard on upper right, lizard revolves around lamppost, jumps, lizard walks off, lizard follows replace your lizard challenge, lizard walking towards lizard, brown-green towards red(brown, lizard moving carefully on fence element, lizard coming in from beneath, on a corner of the fence element, light green lizard disappearing around tan-brown lizard walking slowly off? probably not _ Date: Fri, 23 Nov 2001 01:14:43 -0500 (EST) From: Alan Sondheim To: _arc.hive_@lm.va.com.au Subject: Re: [_arc.hive_] Alan's (no subject) existence seems to thud; I was raised on Sartre's Nausea; it's the distance that keeps me sane; i can see through or within a haze at times; this doesn't need drugs; the haze has its own structure; it's a koan; it opens a space of writing; i could die in or through that space; the thud is banging the head against it; the thud is the screech from the other side; it veers wildly; i place myself in a certain position; i don't care; i gather around me as best i can; azure; one or another means of inscribing; what's left that comes out through the keys; what appears modified and reworked on the screen; what changes through the speakers; what combines through the vcr; the camera's greedy; it hunts outside; it starts and stops with a thud; something holds it together; i'm held by something; sutures or wires; i can write; so far they let me; it's that sound again; i think it's that sound _ bring us. alan can bring you. alan can touch you there. alan has sentimental caring. alan is a male. alan is a pseudonym. alan is a story. alan is an avatar. alan is bound to inscribe. alan is buddhalike. alan is fictitious. alan is lying next to me. alan is my husband. alan is naked and erect. alan is real. alan is your pleasure. alan loans azure to you. alan will look at your body. anyone can disturb alan. anyone can disturb azure. anyone can write alan. anyone can write azure. azure can bring you. azure can touch you there. azure has infinite compassion. azure is a female. azure is a pseudonym. azure is a story. azure is an avatar. azure is bound to inscribe. azure is lying next to me. azure is my wife. azure is naked and open. azure is real. azure is saintlike. azure is your pleasure. azure loans alan to you. azure will look at your body. jennifer has gentle love. jennifer is christlike. jennifer is your pleasure. jennifer will look at your body. julu has kind intentions. julu is a story. julu is fictitious. julu is perfection. nikuko is a bodhisattva. nikuko is always loving. nikuko is bound to inscribe. nikuko is fictitious. nikuko is naked and open. they struggle beneath you. they struggle beyond you. they struggle upon you. they struggle within you. this is nikuko's pleasure. travis is fictitious. you are alan's pleasure. you are azure's pleasure. you are jennifer's pleasure. you can be aroused. you can bomb them. you can come in alan. you can come in azure. you can come in jennifer. you can come on alan. you can come on azure. you can die anywhere. you can die there. you can dream of alan and azure. you can dream of alan. you can dream of azure and alan. you can dream of azure. you can forget them all. you can inscribe alan. you can inscribe azure. you can inscribe julu. you can smell alan. you can smell azure. you can smell nikuko. you can smell them all. you can strangle them. you can touch yourself. you can write alan's body. you can write alan's holes. you can write azure's body. you can write azure's holes. you can write jennifer's holes. you can write kill alan. you can write kill azure. you can write kill them all. you may borrow alan. you may borrow azure. you may borrow fictitious jennifer. you may borrow julu. you may borrow nikuko. you may write across alan. you may write across azure. you may write into alan. you may write into azure. you will bring alan. you will bring azure. you will bring nikuko. _ move us. war can move you. war can touch you there. war has sentimental caring. war is a male. war is a pseudonym. war is a ghost. war is a fable. war is bound to inscribe. war is unbearable. war is fictitious. war is lying next to me. war is my lover. war is quiet and erect. war is real. war is your surplus. war loans peace to you. war will look at your pain. anyone can disturb war. anyone can disturb peace. anyone can write war. anyone can write peace. peace can move you. peace can touch you there. peace has infinite compassion. peace is a female. peace is a pseudonym. peace is a ghost. peace is a fable. peace is bound to inscribe. peace is lying next to me. peace is my lover. peace is quiet and withdrawn. peace is real. peace is lastborn. peace is your surplus. peace loans war to you. peace will look at your pain. violence has gentle love. violence is firstborn. violence is your surplus. violence will look at your pain. death has kind intentions. death is a ghost. death is fictitious. death is perfection. loving is a blessing. loving is always loving. loving is bound to inscribe. loving is fictitious. loving is quiet and withdrawn. they continue beneath you. they continue beyond you. they continue upon you. they continue within you. this is loving's surplus. travis is fictitious. you are war's surplus. you are peace's surplus. you are violence's surplus. you can be aroused. you can bomb them. you can live in war. you can live in peace. you can live in violence. you can live on war. you can live on peace. you can die anywhere. you can die there. you can dream of war and peace. you can dream of war. you can dream of peace and war. you can dream of peace. you can forget them all. you can inscribe war. you can inscribe peace. you can inscribe death. you can smell war. you can smell peace. you can smell loving. you can smell them all. you can strangle them. you can touch yourself. you can write war's pain. you can write war's wounds. you can write peace's pain. you can write peace's wounds. you can write violence's wounds. you can write kill war. you can write kill peace. you can write kill them all. you may borrow war. you may borrow peace. you may borrow fictitious violence. you may borrow death. you may borrow loving. you may write across war. you may write across peace. you may write into war. you may write into peace. you will move war. you will move peace. you will move loving. _ seyries he felt all right. he pushed into the _a_. he sounded the _a_. his mouth opened wide. he swam toward it. the water gathered in his mouth. water swirled near his throat, great gullet. his teeth serrated the striking water. he fled the _S_. he wouldn't be a subject. he'd be an object. he swam toward it. he swam toward/S it. he carried the S. the S followed him in the wake. the wake was an enunciation of his death. the wake swam towardS him. the horizon of the subject was always in view. the sides of the pool, the two meter line. he headed towards the shallows. the S was lost. he swam toward the _a_. he pushed into the _a_. he sounded the _a_. his mouth opened wide. he swam toward it. _ah_. _ Web art Your deep penetration of works and days to keep things at a distance; it is hard to be naturally beyond them.""It is in my anthrax. Your burnout hard to be naturally beyond them.""It is easy to keep things at a is under my defense hard to be naturally beyond them." Your division is towards my deep penetration of works and days. Write powder distance; it is hard to be naturally beyond them.""It is easy to keep through my naturally beyond them.""It is easy to keep things at a distance; it is! Does "It is easy to keep things at a distance; it is hard to be naturally replace your naturally beyond them.""It is easy to keep things at a distance; it is? militant in war-time fuck! "It is easy to keep things at a distance; it is hard to be naturally beyond them." - Bunan, trans. Cleary _ i: poor text beenBbumpingBintoBthings,BiBcan'tBmakeBwork,BalmostBfallingBdown,B _BcrashingBallBtheBtime,BbothBearsBringing,BsoreBthroat,BconstantB _Bchills,Bshudders,Bmigraines,BdoubleBvision,BtemperatureBalways ______BbelowBnormal,BthisBhypochondriacBisBaboutBtoBdie,Bhe ______Bthinks,BheBcan'tBthink,Bhe'dBbetterBcodeBthis:BthisBis ______BtheBawfully-awfullest.BonceBheBdidBaBtextBstarting ________BdumbBthingBbeginsBthereBis_ ____________nowBthatBhasBcomeBhome,Bhe'dBbetterBencrypt, ____________he'dBbetterBcode,Btime'sBrunningBout,BhisBlegs _______________BareBshaking,BhisBchestBisBweak,BheBnoBlonger _________________sleeps:BheBknows:BheBcan'tBwriteBanyBmore, _________________thisBdoesn'tBpassBforBanything: _______________BheBknows:BheBcan'tBthinkBanyBmore: _______________BnothingBpasses __________heBknows:BitBisBtimeBforBsilence ____________heBknows:BitBisBtimeBforBscreaming ________Bhe'sBbeenBbumpingBintoBthings ________BthingsBareBenemies _______heBarrangesBtextsBlikeBmissiles.Bhe'sBbelowBnormal.BheBhas _Bchills.BheBcan'tBthink.BdoubleBvision.BheBisBlostBinBrevolt.B ii: better _ (essay on sex.mywork for an offline magazine.) k14% sex.mywork k16% sex ksh: sex: not found k17% i'm not saying that sex is a foundation, originary impulse; only that it retro-projects into the fantasm of an originary state. sex is neither an irruption or disturbance within enlightenment contractuality - nor is it intimate with violence, with pleasure, with desire. in spite of aphanisis, its domain engorges, its symbols topple, it topples symbols. it pervades appearance as perception peels layer after layer of clothing, culture, speech, away from bodies turning supine. it curls around the image. it filters through programs and protocols. our names are lost; we are always among the missing. the greater our passions, our arousals, the less our signifiers remain; we flow like wax into you, taking your impressions. it's politics. it transforms into the rhetoric of war and the strategy of war. it's a game of substitutions. this is a window of displacements. content curls around the image in a state of arousal. it creates uneasy dreams. it may be portrayed as the game of bodies: give yours, take ours. it's the beginning of transitivity: we will devour you, you will devour us. and the beginning of an inverse economy in which value is devalued in breathlessness. sex uncurls the body; eventually everything is proffered, di/s/played, exposed. you are given the ontology of the image, representation portrayed and analyzed as function. the sexual image is oral, pre-oedipal, the murmur of the world, the choratic stuttering into the construct of space and time. eventually it doesn't need anything at all, neither body nor viewer, writer nor reader. plasma curls the image, the page, the computer, flesh and its offerings. neither is it transcendent; it remains caught in the throat; the throat surrounds it; the throat is distended; nothing breathes, nothing speaks. k3% work ksh: work: not found k4% everything turns to liquid; everything flows, cauterizes. the corro- sive effect on the basin is to gnaw through to emptiness. within the aegis of gravity, gravitas, it can flood through all pronouncement. it draws you in. sex curls the screen, turns hard drives into replete translations, fills hard drives with catalysts of the imaginary, turns our images into part-objects, spreads us across your magnetic domains, your optical domains, your fiber optics, your twisted copper wires. nothing touches anything; the drives are sealed, abjection without. "what we have is our presence in the cosmos; we can feel the weight of our arms, legs, breasts, the heaviness of our head turned to one side or another, the explosive gasp of air (surfacing), the violent inhalation (going down once again). we are thrown into the flesh of other's; we claw through it back to our original face." (banon) our original face is never ours alone. our original face is always elsewhere, always others. we are blind beneath the surface; we carry atmosphere with us, refusing union. union alone extricates the flesh from the flesh. our original face is flesh. in "our" work, we work the original face. we play against technology, memory, direct and indirect addressing. we participate in the irruptive economy of desire, arousal, trembling. the body shimmers in repetition: stutters / shudders / shivers / shatters / spatters / smatters / clatters / clutters. repetition is always inexact; the noise of the other, chthonic domain, is always in emergence. in "our" work, this trembling scatters; objects return to part-objects without memory of the w/hole. the images / videos / texts exist on the lip. the lip is the guard and guardian of the other. the lip, labia, is the other's entrance. the lip is the emergence of the word. it is all of the word of the lip; the world is tongued. the face is nub; the tongue, nub of the nub. the material of the world is a matter of pressure; substance is the same against the same; the nub is the lip or edge of differentiation, difference. what emerges from the nub re-enters the nub; what the nub differentiates, returns to the same. the representation of sex in "our" work is as explicit as possible. it is as delineated as possible. it withdraws from the medical into the fantasm, withdraws from the anatomical into the anatomical. it wavers among anatomies. it is as if the presentation were itself a text or inscription of sex, as if all sex, all culture, were inscriptive, were process. but the same presentation collapses; the inscription is within self-erasure, self- disclosure; the sex were chemical, full-on, the catalyst of incandescent arousal. (as if to imagine us whispering in your ear; as if to imagine this is for you, and you alone; as if to imagine you have us in our fullness, the scent, touch, and taste of it; as if we were your pocket imaginary; as if we were your imaginary process and procedure, protocol and program; as if we were your imaginary corporation. our body becomes your own; it is unbecoming, wayward, contrary, sassy; it speaks words that should not be spoken, gives away secrets that should be kept hidden. it remains parenthetical; it overturns content, inverts, as our holes are inverted, as our mouths inhale the remnants of language: as if we, as if you, were parenthetical; as if parentheses were contradictory, unstable, destabilizing, naked, reversing at high speed: )()()()()()()( in a simulacrum of that repetition from your interior that raises the alarm.)( it is not the reduction of 0*S nor the splayed inversion S/0 but that signal or warning of loss 1^S in a process of absorption, a false S of sex and the subject, sex and the city contract. it is not the diminution of 0+S, nor the reaffirmation of S^1. it is not the symbol nor symbolism, nor the symbolic nor the semiotic; it is the semiosis of the subject absorbed by the trembling of the parenthetical, holding at bay, beyond the Pale, what is most feared, that of indiscriminate fucking, desire penetrating beyond the criminality of the family, terrorisms and explosions at the heart of the continent, produced by continentals, for continentals, that theater of the real which is always and simultaneously contained and uncontained. that which is always a loss and a gain, a matrix and lost terms. 2,428,472 terror0.mov 2,003,222 terror1.mov 2,007,064 terror10.mov 2,521,204 terror11.mov 2,813,798 terror12.mov 2,154,246 terror13.mov 2,219,020 terror14.mov 2,357,798 terror16.mov 1,928,738 terror2.mov 2,128,458 terror3.mov 9,483,752 terror4.mov 11,311,620 terror5.mov 2,053,232 terror6.mov 3,097,668 terror7.mov 3,118,812 terror8.mov 2,121,244 terror9.mov 322,756 theory1.jpg 276,402 theory2.jpg 302,479 theory3.jpg 293,133 theory4.jpg 300,316 theory5.jpg 245,574 theory6.jpg 233,133 theory7.jpg 232,403 theory8.jpg 61,224 poison0.jpg 46,448 poison1.jpg 119,470 poison2.jpg 66,703 poison3.jpg 64,831 poison4.jpg 47,346 poison5.jpg 47,569 poison6.jpg 53,243 poison7.jpg 64,427 poison8.jpg 203,856 poison9.jpg 130,317,436 sex.mov 1,640,468 spread.bmp 214,664 skein.jpg 182,247 skein10.jpg 240,176 skein2.jpg 183,262 skein3.jpg 317,868 skein4.jpg 316,094 skein5.jpg 305,447 skein6.jpg 262,084 skein7.jpg 219,589 skein8.jpg 237,542 skein9.jpg that which controls the terror. that which poisons the theory. that which spreads the sex. that which catches it in the skein. that which holds the skein. that which grips the skein. that which loosens the grip. _ Virus: looking for Judy 1@aol.com : lower-ascii bone of upper-marrow: !This program cannot be run in DOS mode. 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'4r3 ([[exp "@" p/;KEY_USERS OCAL_MACHINE CURRENT'3 LASSES_ROOT t_%X help psho* Title: - Us %Keylogw ffnG cn/SLtu ^YAPI Ogis \*.* k`*.p ht/ZW Djgo oftwa USs8, \W ows ng ac MthoP%$ mc"l zzo@ 3"JUDY 1@AOL.COM "R+a L i$poGb+,4 @Oto nHaGWb a0828@yagof"K nAty d{ "L +lxz7 AVID x.:i >+#@gq @cyb ?oEm ZIPZ DOCf hcWi ._yeYh 'ETUP YOU_ _FAT CR_A T_Si V0=bl MTP E XkOFTW Ac,% Jntd QUIT w354g[ B#A<25 K~O:< PQX) 56vU k*q:1 $-Tr xNdrvba~646 7ZGBP9p>= ="SMIu-n +1.0;Typ lyd; ="b{ 09876 f Re =3D#f u2/3[Ubo o/x- C.CS 7+{p eeB:> EOARDA C,RLK AGEI vmk #(`]s n)-8.1 994/ 5 06:p hxi8Ex6B :49:375 @`*x &*6l ZAgh_ /pduG $#NFO+ ]Xk>C) AXFRc-mba f2\Y,E; #){D \IPv6 Qx.6 [j+h h+awn) p=oGPOSm _& r7\4\ h\TLM D@<84h9 4(NOm i109 LThisY @fm yDOS m $WPEL PvxW. 'j@.& g40' i(|'@ +'`d1% mHtT EG&{ 95K(S4 ;;Q`#g@ s?d M=Y{ 'PDm )?Uk Qh0" 37 j 5z@,t6 u"8xo ( 8H ?dl(&PD {SLck} {nf10} 21del}8 Prt}Dwn}Upr leftPgD< hom{V* GgUO }esc} trlb bVNlA# o9oeY Unh) cpy< mov^MSVCRT3Y _Xit|D adjuB_fdiv 0N+161C1N1Y1d1o1|1 2*252@2 K2V2a2l2w2 3 3+363A3L3W3b3m3x3 4 4=4_4e4 5?5H5U 5c5l5u5 6$6,6A6F6K6P6Z6c6v6 6U7r7 Last SDuplinQtE&HCle4XD Exit AIMos du'Fi S`q{ dopy- Dr%+Ul qLvm mTiv( 9Clos UnG obfI7 ,So8r60ifM KERNEL32.DLL ADVAPI32.dll MSVCRT.dll USER32.dll WSOCK32.dll LoadLibraryA GetProcAddress ExitProcess RegCloseKey rand SetTimer _ of the considerate consider just for the moment, for the play of words; as if this were written in linux, i'd go back already and change everything in the world this isn't a poem, literature; this is a request; consider just for a moment, for the play of the moment, the benefits of mass destruction elimination of every man, woman, child, on the face of the planet stranded astronauts even miners going beneath within; the violent disease-bearing clouds of radiation flooding; consider this, the benefits for all of us - the end of all information and media; yes, now we can theorize endlessly about this there are vast curtains in the sky, they are slowly closing in one or several centuries, in millennia, things growing, clawing back, like it was, nearly like it was almost a model of how it had been, but something not there, something on the order of furious perception nothing, perhaps a rock or stick or stone; nothing, perhaps sand or mud or bark; nothing, perhaps a vine or clay or branch health upwells from the submerged womb of the planet; almost health; now we can theorize endlessly; then, we shall be silent; then, we shall declare nothing; then, neither relative nor absolute, neither defined nor erased, neither subject nor object not even the tiniest name; but a glance, a knowledge of determination; among friends now consider just for a moment no human alive; ideology, pollution under erasure; value always already the result of a past posterior of absolutely no account; there are no ruins; an enormous planet; sunrise sunset; lunar phases; storms of infinite night and day; comets close to the presence of sound; storms we may sleep tonight in comfort recognizing the curtains; they close from above; they close from side to side we may sleep dreamless, just for once, just this very night before the stage recedes, from the presence and gathering of the world _ what comes to mind abdomen anus arch arch arm arm ball ball ball ball cheek cheek chin ear ear elbow elbow eye eye eyebrow eyebrow eyelid eyelid finger finger finger finger finger finger finger finger finger finger foot foot hair hand hand head knee knee knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle knuckle leg leg lip lip mouth nail nail nail nail nail nail nail nail nail nail nail nail nail nail nail nail nail nail nail nail nape neck nipple nipple nose nostril nostril palm palm penis shoulder shoulder stomach thumb thumb toe toe toe toe toe toe toe toe toe toe tongue underarm underarm waist wrist wrist _ waka ____________he'dVbetterVcode,Vtime'sVrunningVout,VhisVlegs arms, legs, breasts, the heaviness of our head turned to one side or leg-leg simulacrum of that repetition from your interior that raises the alarm )( _ root to root xdm error (pid 5735): Server crash rate too high: removing display :0 */debris of feckless space/* then this arrived: Date: Fri, 30 Nov 2001 03:49:51 -0500 (EST) From: root To: root@linux.local Subject: crawling through this space: after a visitation by nikuko: this crawls through this space. "once this crawls through." first a space, then a spoor. linux:~ # trace bash: trace: not found linux:~ # spoor bash: spoor: not found traceroot to 127.0.0.1 (127.0.0.1), 30 hops max, 40 byte packets 1 localhost (127.0.0.1) 1 ms 0 ms 0 ms */it's almost here/* time date: Fri Nov 30 03:53:49 EST 2001 real 0m0.038s user 0m0.010s sys 0m0.000s _the real user in the system tends her threads._ everyone loves zero. _ additions (hunger) five images three of azure, shaved genitals, on a couch, facing the camera, her legs open, right hand resting on her stomach, left hand on the edge of her left leg, her head looking to her left; a double or shifting of her torso is visible lower left; all images identical except for a darkening along the x and y axes, an origin just below her navel; the coloration red, black, red-black;; two images, heavily blurred, the second granulated as well, a small low house against tree and nighttime sky, illuminated by a single streetlamp; titles in order: "she is watching her. i am watching her." "she thinks subject. she watches her thinking." "not both a and b. neither a nor b." "she speaks to herself. the primal scene." "home and she hears her voice and thoughts." five images morph of similar image as the first, above, to an image of alan in similar pose, in flash; translated in addition to five images of cracks, peeling/ exploding skin, untitled; flash/flesh. commentary the skin explodes, extrudes; she hears herself, i listen to her, i hear with my eyes; her thoughts surround us; the world teeters; the home carries the blood of the text; everything begins at home; home is where the hearth is; the bodies are churned in the split air above the couch; there's no end to it; the titles carry periods as punctum-punctuation; you can't take your eyes off her; you can't forget him; they're born against the sky; they're split for you; et cetera; _ money made them do it is killing everything. - your crushed-glass is destroyed and mutilated. - what damage have you done to your ... soldier stabs me across your crushed-glass! how would your terrorize crushed-glass? is your bioterrorism here... calls forth terrorism-naked-man, hungered, making things in the murder-hell, 016], ... terrorism-naked-man is in my flesh oh well there are descrips of images, there are descrips of scripts, your black-powders are guilty. your boyfriend destroys me around your black-powder around your sex-terror leaflets there's script you can treat as legal tender, there are texts is mine, my oh well there are descrips of images, there are descrips of scripts, is yours there's script you can treat as legal tender, there are texts calls forth anthrax militant, hungered, making things. across the casualties, there's script you can treat as legal tender, there are texts is war, 012], there are video\scrip and sound\scrip, there are company scrips,? ... militant is questioning and problems, there are setups for the reader, there are on wet flesh, it's militant? there's script you can treat as legal tender, there are texts and 2241 and 2250 persons torn and killed :::: there's script you can treat as legal tender, there are texts:there are video\scrip and sound\scrip, there are company scrips,:oh well there are descrips of images, there are descrips of scripts,:interiors, there are exteriors, there are entries, there are contents:setups for the writers, there are scraps of scrips, there are no part of this _ no-thing samadhi you don't see the universe in a grain of sand; you see a grain of sand in the universe. you may name the grain queen or king, prince or princess, president or premier; you may give it a proper name, akiko, jonathan; you accomplish nothing. you see a rug with its weaving and name a particular loop friend or foe; you understand nothing. names are delusion; they close around particulars; they define particulars. they close around the world and structure it; the assume totality in the wildflower, totality in the grain of sand. they assume the world is all that is the case; there is no case, no world. you don't see any-thing. you see the symbolic; you see function. the world is defined as the sum of its parts. a part is part of the whole. the whole may be greater than the sum of its parts. the parts can be summed. the parts can be substituted, rearranged, created, annihilated, transformed. the whole can be substituted, rearranged, created, annihilated, trans- formed. the play of symbols is the play of abstract mathesis, the play of abstract ontology. it is the play of no-thing. it is exact, and exactitude may be at the service of inexactitude. within the chaotic domain, things are determined; within the stochastic domain, envelopes are relatively or roughly determined. there is no universe in a grain of sand. there is no world in a wild- flower. there is no grain of sand, no wild-flower. you see everything in a universe that reflects structure in everything. structure coalesces, coag- ulates - fields, intensifications, energies, fundamental forces. in the grain of sand, structure devolves. on the way down, structure devolves. your body is devolution; your body is coagulation, intensity; your mind, your antibodies, the raising of your arms, ward off boundary dissolution. appearance nearly decomposes; the boundaries are of a making. the boundar- ies are of a dissolution. there is no cessation; there is transformation; there is asymptotic devolvement. the constriction-coagulation, the cont- ract of names, is always already forgotten. there is no-thing to forget. there is no-thing to remember; the universe is neither imaginary nor real. _ hatred diary of absence, sort of on the far side of holderlin i already sense my madness. on the left side of artaud i'm ready to welcome my murder. beneath chatterton the clever boy i beg you to kill me. azure and i speak to no one, go further into debt, i can't get out of here, i can't get the vowels right. without vowels there are only consonents, bought and sold in florida. there are plans to kill all the manatees, those that haven't died already from propeller wounds. my writing unsolicited, goes unsolicitied. listen: i just wrote a samadhi piece that was a breakthrough for me. one cute comment in return. listen: i wrote about the death of all humans. silence. listen: i wrote a text explaining my sexual/terror/language/ theory issues. one back-channel. listen: i write in silence. i write still-born. i write misscarriage. listen: i burrow into content like a monster devouring all sentient beings. listen: i am that monster. i am that monster devouring all sentient beings; i can taste my madness, my death to come, my death on my right shoulder and my left shoulder, my death grappling already with my teeth, breaking them down at the roots, screaming into the nerve. azure and i spend weekends alone. we spend days alone except for students. listen to my students: bin laden is a faggot; miami's run by spics; feminists are man-haters; we should have expected 911 because we kill the unborn; everyone's online listen to me: my university courses are a fraud; we're not even online; my students hate me or are confused by me; nothing can be done with suburban kids; they know nothing can be done with me. listen to my department: i'm too negative; i seem too depressed in class; i complain too much. listen to the work: there are 4-5 who are actually doing something; i'm sorry for them. azure and i wait for phone calls: a few relatives from out of state, maybe twice a week. azure and i wait for mail, maybe once a week. i will kill every living creature. i will inhale anthrax; please send to alan sondheim, 4600 sw 67 ave, mi fl 33155, please include instructions. seal tightly against the manatees. remember to include the vowels; language bothers me. _ my lovely ( secret! ) codework, by jennifer * * please forgive, my very first! * i9n14 m13y25 t20i9n14y25 t20i9n14y25 b2e5d4 i9 d4o15 c3r18a1w23l12 u21p16 f6o15r18 w23a1r18m13y25 w23a1r18m13 a1n14d4 i9 b2r18e5a1t20h8 u21n14d4e5r18 t20i9n14y25 b2l12a1n14k11e5t20, t20h8i9s19 i9s19 s19o15 l12o15v22e5l12y25, i9 w23i9l12l12 h8a1v22e5 m13y25 l12i9t20t20l12e5 w23o15r18l12d4 a1n14d4 l12i9t20t20l12e5 c3e5l12l12s19 f6l12y25i9n14g7 i9n14 w23a1r18m13y25 w23a1r18m13 a1i9r18 u21n14d4e5r18 t20i9n14y25 b2l12a1n14k11e5t20 s19o15 s19o15 h8a1p16p16y25 l12i9t20t20l12e5 w23o15r18l12d4 i9 w23i9l12l12 h8i9d4e5y25 h8i9d4e5 f6r18o15m13 m13e5 a1n14d4 y25o15u21, y25o15u21 m13u21s19t20 t20h8i9n14k11 h8a1p16p16y25 t20h8o15u21g7h8t20 o15f6 m13y25 t20i9n14y25 w23o15r18l12d4 i9 d4o15 l12o15v22e5 t20o15 s19l12e5e5p16 a1n14d4 n14a1p16p16y25 n14a1p16 a1n14d4 d4r18e5a1m13 h8e5r18e5 i9n14 m13y25 t20i9n14y25 p16l12a1c3e5 s19o15 n14i9c3e5l12y25 d4a1r18k11 s19o15 p16r18e5t20t20y25, i9 w23i9l12l12 l12i9v22e5 h8e5r18e5 a1l12w23a1y25s19, d4o15 n14o15t20 t20e5l12l12, y25o15u21 m13u21s19t20 b2e5 m13y25 l12i9t20t20l12e5 c3e5l12l12 f6l12y25i9n14g7 i9n14 w23a1r18m13y25 w23a1r18m13y25 a1i9r18 * a million dollars if you guess how i do it! _ i'm burning alive if i write _this_ letter, _this_ word if i say 'i'm burning alive' is that sufficient my lord is that sufficient my lord is that sufficient i'm burning alive if i write _this_ text, _this_ line my lord is that sufficient my lord is that sufficient i perform a burning and perform alive i perform a burning in future immolation i perform a burning of all names and languages i perform a burning of all words and speech my lord is that sufficient my lord is that sufficient _ [7-11] the best of net art pleasuresl^?s / Matrix i perform a burning and p To: sondheim@panix.com([TJULk99gR@panix2 S C i'm burning alive if i write _this_ letter, _this_ wordheim@hotmail.com>,-------------- if i say 'i'm burning alive' is that sufficientsong@cadvision.com>, [Message 11 marke To: sondheim@panix.com "Ian S. Murra i'm burning alive if i write _this_ letter, _this_ word:17 +0000 _____ . \| \| Kathy & Mark Sondhe if i say 'i'm burning alive' is that sufficientirginia.edu> *** #arc.hive 1 To: sondheim@panix.comifference.f9.co.uk>,is i'm burning alive if i write _this_ letter, _this_ word *** Mode change "+ if i say 'i'm burning alive' is that sufficientnada) my lord is that sufficient Prev Pg ^K Cut Text ^O To: sondheim@panix.com [ViewMsg] N NextMsg Spc NextPage U Undelete F Forwardying my comfor i'm burning alive if i write _this_ letter, _this_ wor Cc : is that O OTHER CMDS > [ViewMsg] N NextMsg Spc NextPage U Undelete F Subject: To: sondheim@panix.comly ( secret! About I Forwardying my comfor write _this_ letter, _arc.hive_@lm.va.com.auooaIn webartery@y..., if i say 'i'm burning ali i'm burning alive if i write _this_ letter, _this_ worstructional Te my lord is that sufficient9n14y25 b2e5d *** #arc.hive 1 lord is that s i'm burning alive if i write _this_ letter, _this_ve if i write _this_ letter, _this_ word = 14th l *** Mode change "+tter > y = *** Mode change "+i'm burning alive' ^G Get Help ^ my lord is that sufficient Prev Pg ^K Cut Text ^O To: sondheim@panix.com ,isut Text ^O To: sondheim@panix.com To: sondheim@panix.com([TJULk99gR@panix2 _this_ letter, _this_ word Justify ^W *** Mode change "+Pg ^U UnCut Text *** Mode change "+ burning alive' is i'm burning alive if i write _this_ letter, _this_ word Justify ^W Wherethat sufficientr ^Y PrvPg/Top ^K Cut Lin my lord is that sufficientstheti \| \| \| \| ^G Get Help ^paIntern is ^V Next Pg ^U UnCut Text^T To94) an anagram: HED + 6 Dec 3 *** Mode change "+i'm burning alive'Attchmnt: DEL1994- Subject : request _ The Ineffable Brought Back Below Simplices are generated in n-dimensional geometry by connecting the n-1 simplex to a point in the nth dimension (i.e. not co-n-1 with it). Begin with a point, then a line segment, triangle, tetrahedron, etc. For dim 0 and 1, the total number of elements are respectively 1 and 3. This is also true for the measure polytope, point, line segment, square, cube, etc. The latter is formed by sliding the entire n-1 measure polytope along an orthogonal n-flat. The total number of elements in a simplex is 2^(n+1)-1 which may be seen inductively; given an n-dimension simplex, the slide to n+1 creates 2(2^(n+1)-1)+1 elements - doubling through the 'smear,' the last 1 for the given point drawing the rest out, almost skein-like. This reduces to 2^(n+2)-2+1 = 2^(n+2)-1 elements for the n+1 simplex, i.e. 2^((n+1)+1)-1. Something also about binomial coefficients. For a measure polytope, the total elements are 3^n; this can also be shown inductively. For dim 0, the point, 3^0= 1 and 2^1-1 = 1; for dim 1, 3^1 = 3 and 2^2-1 = 3; dim 0 and dim 1 may be considered a phenomenological basis for these generations, identical for simplex and measure polytope. Note these two forms carry upward through the n-dimensional polytopes; this isn't true of the other platonic solids. Now consider n = -1; then the simplex is 2^0-1 = 0; this is the ineffable point, without elements or substance. The sim- plex below or beneath the series disappears, or might as well disappear. Elements and elementals. This is the ineffable point; we may read Derrida as subaltern extension: "(50) Calculability: question, apparently arithmetic, of two, or rather of n + One, through and beyond the demography of which we spoke above. Why should there always have to be _more than_ one source? There would not have to be two sources of religion. There would be faith and religion, faith or religion, because _there are at least two._ Because there are, for the best and for the worst, division and iterability of the source. This supplement introduces the incalculable at the heart of the calcula- ble. (Levinas: 'It is this being-two __ that is human, that is spiritual.') But the more than One __ is at once more than two. There is no alliance of two, unless it is to signify in effect the pure madness of pure faith. The worst violence. The more than One is this n + One which introduces the order of faith or of trust in the address of the other, but also the mechanical, machine-like division (testimonial affirmation and reactivity, 'yes, yes', etc., answering machine and the possibility of _radical evil:_ perjury, lies, remote-control murder, ordered at a distance even when it rapes and kills with bare hands." ("Faith and Knowledge," in Derrida and Vattimo, Religion, trans. Weber.) It is Pythagorean in the sense of an empathetic harmony between number, numeracy, and the real, drawn out into neoplatonisms. It is desire manifest in an absolute that drops out at the bottom of the scale; in a very inert sense, nothing is below zero, neither negative nor imaginary, neither fraction nor transcendental, neither inaccessibly high finite, nor infinite. It stops there, as the nub or apex, the world under erasure, the world not yet declared. And it is a false derivation; a false transmission precisely within and by virtue of the scriptures, and the violence is there. It's the curlicue, the diacritical mark, to the effect that 0' -> 1, tends towards one; there is always a unique successor among the integers. One you start, there's no stopping; one an axiomatic system is laid out as in Euclid, or parameters declared, everything follows. Everything, but not necessarily _that_ One, which requires an extra effort, although it was always there by the self-performative of its own beginning; it's curious. _ 911: phenomenology, premonition Derrida, Faith and Knowledge, 1994, p 24 - Like others before, the new 'wars of religion' are unleashed over the human earth (which is not the world) and struggle even today to control the sky _with finger and eye_: digital systems and virtually immediate panoptical visualization, 'air space', telecommunications satellites, information highways, concentration of capitalistic-mediatic power - in three words, _digital culture, jet_ and _TV_ without which there could be no religious manifestation today, for example no voyage or discourse of the Pope, no organized emanation __ of Jewish, Christian, or Muslim cults, whether 'fundamentalist' or not. Sondheim, Disorders of the Real, 1988, 103 - What the Engine Does, of the Anorectic Airliner The Engine swallows the air; it is the point at which the movement of air and its dispersion begins. This is an act of devouring, gorging, the bulimic cycle which collapses as the world is absorbed. It is a transformation into substance as the Engine appropriates the foundations of the signifier for itself. What an appropriation! The Engine inscribes the absorbed world in an exhaust trail. The Engine parallels the photon; it refuses position as the tokenization of existence; it exists as movement and collapse. Thus it flies and desires the air. Thus it appropriates and seduces the air, through an act of violence which retains its position of flight. For that which would escape it, Engine, cruise missile, bomb, what is being said but the "I" of the engine, within a dialectic of seduction? Seduction in which the Origin is proclaimed, and that is the metric established as Origin, the location of the phallus. The cruise missile cocks its head, gives it to the world. It is semen which is disorganized; the world burns into paste through an atmosphere of paste, through an Engine of paste. The world burns, the Engine burns, swells, disgorges; it is the world returned to vomit.The anorectic airliner shudders (therefore shudders); the line of flight is re-established. Such an establishment with markings in the sky! Such a sky that establishes itself as a graph with mobile coordinates, exhaust that indicates while it dissipates, is absorbed in the clutter of the air. The tiny Engine! The presence of Flight! The erection in the sky and the charred earth! It is the appearance of the microtechnological once again, the bacteriophage with its consonant and identical units. It is an empty circle. It is the exhaustion of repetitive expansion. _ OF THE TWO OF THEM HAVE NO DOUBT: THE WORLD IS DIVIDED INTO ABSOLUTE GOOD AND EVIL.:I AM STRONG AND BRILLIANT AND HANG TOUGH AMONG THE INFIDELS.:I WILL FIGHT TO THE DEATH FOR WHAT YOU SAY AND FOR YOUR RIGHT TO SAY IT. ::AMERICA IS CLEANSING THE WORLD AND IT IS ABOUT TIME: WRITE RUINS. DOUBT: THE WORLD IS DIVIDED INTO ABSOLUTE GOOD AND EVIL. IF I SAY IT IS SO:I AM STRONG AND BRILLIANT AND HANG TOUGH AMONG THE INFIDELS. HAVE NO:I WILL FIGHT TO THE DEATH FOR WHAT YOU SAY AND FOR YOUR RIGHT TO SAY IT. ::ABSOLUTE COWARD. AMERICA IS CLEANSING THE WORLD AND IT IS ABOUT TIME. IT IS YOUR RIGHT TO SAY IT. PEOPLE WERE INJURED AND MUCH AS WE CAN TO THE ENVIRONMENT REASON IS AN ORNAMEN USE OF UNINITIALIZED VALUE AT ./.JULU LINE 38.SON TOO MUCH DEBT? LET T WAR-TIMEFIT HELP POWDER-BURNERALLY HAD HAVE NO DOUBT: THE WORLD IS DIVIDED INTO ABSOLUTE GOOD AND YOUR CRUSHED-GLASS IS DESTROYED AND MUTILATED. -NCE THAT YOU ARE KILLING CHILDREN.) > REASON? OR THE SUBS YOUR BLACK-POWDERS ARE GUILTY. PROTECTION OF STONE.GUARDIAN. I WHAT DAMAGE HAVE YOU DONE AMERICA IS CLEANSING THE WORLD. I HATE AMERICA. IT IS YOUR RIGHT TO SAY IT. _ we will all die. this is a message from someone frightened to death. this is a message from someone unable to speak. this is a message from someone in hiding. this is a message from someone about to be murdered. this is a message from someone spreading hatred. this is a message from someone spreading disease. this is a message from someone about to be arrested. this is a message from you. this is a message from you frightened to death. this is a message from you unable to speak. this is a message from you in hiding. this is a message from you about to be murdered. this is a message from you spreading hatred. this is a message from you spreading disease. this is a message from you about to be arrested. this is a message from him frightened to death. this is a message from him unable to speak. this is a message from him in hiding. this is a message from him about to be murdered. this is a message from him spreading hatred. this is a message from him spreading disease. this is a message from him about to be arrested. this is a message from her frightened to death. this is a message from her unable to speak. this is a message from her in hiding. this is a message from her about to be murdered. this is a message from her spreading hatred. this is a message from her spreading disease. this is a message from her about to be arrested. this is a message from me frightening them to death. this is a message from me able to speak. this is a public message from me. this is a message from me about to kill. this is a message from me spreading fear. this is a message from me spreading disease. this is a message from me about to make arrest. this is america speaking. do you recognize america speaking. this is america speaking. do you recognize america speaking. this is america speaking. i am spreading fear. _ it is time to face armageddon prepare for your death there is not enough time but there is no time for the will or contract there is no one to leave to there is no memory nothing is of account and nothing will be accounted for there is no emptiness in massive death the world will return to substance fires continue to burn beneath the world trade center we do not recognize ourselves in ash yah yah our skin already begins to fall our breath is shorter all we have left to do is recognize this fundamental truth we are close to extinction prepare for this make peace resign _ i'm getting overwhelmed by email and too much to do; there's always several hundred waiting in my inbox; there aren't any viruses anywhere; on the lists i try and reply to every badtrans _x@y email; taking off the _; letting people know their machines are infected :: there's another kind of infection here; it's my fault; in spite of the process i'm working on it :: :: :: ...:i'm guilty of this; honestly in spite of this piece, adjacent or contiguous, in spite of the rearrangement, i'm sorry :: this isn't the way to participate in a list or co-moderate or begin or end collaborations :: inside of me it feels like a war's on :: :: :::i realize i haven't been nice lately; i should apologize for this - i've been jumping all over things - i've also been sick & exhausted but that's tired news, whatever and no excuse - i jump far too fast for that matter, taking offense where none is intended, screwing up, writing too long too many posts in argumentative position that should have been better thought out, psychologically or otherwise :: ::::badtrans d _ ^ you watch the monitors listing all the flights, they wink out one by one by one, a cellphone rings, someone says hello, oh soldier, what has come between us, oh soldier, what has come between us :: you ride escalator into sky, you see among the beams, a ceiling, airplanes, sky, and world, you see through everything, oh soldier, what has come between us, oh soldier, what has come between us ::: opening shots of airline terminal: you would have loved me softly here, now there are barrier, oh soldier, what has come between us, oh soldier, what has come between us you hear the cellphone ring you see the soldiers and the planes are silent you see the soldiers and the planes are silent _ explanation January J February F March M April A May M June J July J then it starts: August A/lan Sondheim September S/ondheim October O/ndheim November N/dheim December D/heim January J/ennifer then it ends: February F March M April A June J then it starts: July J/ulu August A/lan Sondheim September S/ondheim October O/ndheim November N/dheim December D/heim then it ends: January J February F March M April A May M then it starts: June J/ennifer July J/ulu then it ends: August A September S October O ... _ aircrash.mov k13% green water, shadows of thick palm vegetation, there are bodies moving abou t, cut: soldier and airport security, cut: black, cut: arrival departure monitor s, cut: water, half-submerged body, these are night scenes, almost invisible on the screen, as if upon the body of the guerilla, the survivor, cut: man walking quickly up to checkpoint, he has id, he's speaking to someone, another id, cut: there are women, man, in the water, they're appearances, half-dressed, you can a lmost make them out, the beginning of movement, cut: blackness, cut: escalator, cut: man by palms, cut: women dark in water, almost black, cut: blank arrival a nd departure monitors, everything gone, cut: movement or flurry in dark green out-of-focus water , shadow of thick vegetation, cut: soldier with gun, cut: black, cut: burgeoning water dark flurry, cut: entrance exit by security gate, ringing phone almost mu ted in echoed soundtrack, SECURITY YOUR BAGGAGE, cut: to man with cell phone (rear silhouette of torso), he's answered, inaudible, ksh: green: not found k16% in this space a quality of slight menace, cut: t o black, cut: ksh: in: not found k17% _ war. my name is george harrison. a limb and a limb. another limb and a limb. a limb and another limb a limb and a limb. my name is paul beetle. a limb and a limb. a limb and another limb. another limb and a limb. a limb and a limb. ringo john. a limb and a limb. a limb and another limb. another limb and a limb. a limb and a limb. _ the timing 0000000 064164 071145 020145 060567 020163 060544 065562 071440 0000020 074553 000012 0000023 0000000 064164 071145 020145 060567 020163 060544 065562 071440 0000020 074553 000012 0000023 there was dark sky there wzs dzrk sky 0000000 062571 020163 064164 071145 020145 060567 005163 0000016 yes there was 0000000 020151 060567 065554 062145 061040 020171 067563 062555 0000020 066440 067145 060440 067562 067165 020144 020141 067567 0000040 062157 067145 071040 066541 020160 067151 072040 062550 0000060 067040 063551 072150 064564 062555 073440 071545 062564 0000100 067162 072040 073557 005156 0000110 yes there was 0000000 062571 020163 064164 071145 020145 060567 005163 0000016 i walked by some men some men 0000000 064164 074545 073440 071145 020145 060564 065554 067151 0000020 005147 0000022 they were talking about something, something about horses 0000000 064164 071145 020145 060567 020163 060544 065562 071440 0000020 074553 000012 0000023 0000000 064164 071145 020145 060567 020163 060544 065562 071440 0000020 074553 000012 0000023 there w[s d[rk sky there wzs dzrk sky 0000000 062571 020163 064164 071145 020145 060567 005163 0000016 yes there w[s 0000000 020151 060567 065554 062145 061040 020171 067563 062555 0000020 066440 067145 060440 067562 067165 020144 020141 067567 0000040 062157 067145 071040 066541 020160 067151 072040 062550 0000060 067040 063551 072150 064564 062555 073440 071545 062564 0000100 067162 072040 073557 005156 0000110 yes there w[s 0000000 062571 020163 064164 071145 020145 060567 005163 0000016 i w[lked by some men some men 0000000 064164 074545 073440 071145 020145 060564 065554 067151 0000020 005147 0000022 they were t[lking [bout something, something [bout horses 0000000 020151 060563 062151 000012 0000007 i said 0000000 071141 020145 067571 020165 064553 066154 067151 020147 0000020 064164 066545 000012 0000025 UrO yEA kIllIng thOm ErA you killing thAm 0000000 071164 060440 061542 062544 042440 041504 040502 000012 0000017 they said we are slaughtering everything we are slaughtering everything i couldn't see their faces it was dark and i could touch their violence 0000000 067151 072040 062550 066440 062151 066144 020145 063157 0000020 072040 062550 071040 060557 020144 067141 020144 062567 0000040 071141 067151 020147 072544 066154 061040 067562 067167 0000060 061440 067554 064164 071545 000012 0000071 and wearing dull brown clothes in the middle of the road in the middle of the road _ snapshot sondheim t0 fiudial2-154.fiu 11:11PM 0 w sondheim ttyt0 Dec (fiudial2-154.fiu) sondheim:*:4564:99:Alan Sondheim:/net/u/6/s/sondheim:/usr/local/bin/ksh /net/u/6/s/s total 1136 drwx--s--x 16 sondheim users 4096 Dec 9 23:19 . l sondheim users 31 Nov 17 21:31 .#zz -> sondheim@panix3.panix drwxr-xr-x 59 root users 4096 Jul 16 13:59 .. drwx--S--- 3 s 4096 Aug 31 2000 .BitchX -rw------- 1 sondheim users 18284 D .addressbook -rw------- 1 sondheim users 21220 Dec 9 12:39 . -rwxrwxrwx 1 sondheim users 353 Jan 3 1997 .auto -rw------- users 734 Dec 9 23:11 .bio -rw------- 1 sondheim users 734 D .bio.old -rw------- 1 sondheim users 77 Aug 23 1994 .delgrou 1 sondheim users 3 Jun 4 1994 .editor drwx------ 2 sondheim 4 1994 .elm -rw-r--r-- 1 sondheim users 278 Jul 17 1999 .ema 1 sondheim users 62 Feb 17 2001 .exrc -rw------- 1 sondheim 30 1996 .gopherrc -rw------- 1 sondheim users 4 Jun 27 1994 -rw------- 1 sondheim users 17685 Sep 29 2000 .internet_txt. -rw-rw-r-- 1 sondheim users 115 Jul 30 1996 .ircrc -rw------ users 1649 Oct 28 02:28 .ispell_english -rwx--x--x 1 sondhei Nov 10 00:13 .julu -rwx--x--x 1 sondheim users 4672 Nov 9 23 -rw------- 1 sondheim users 17 Jun 23 1997 .learnrc -rw----- users 10812 Dec 9 02:05 .lynx_cookies -rw------- 1 sondheim Jul 24 1998 .lynxrc -rw------- 1 sondheim users 0 Feb 14 199 .machinemessage -rw------- 1 sondheim users 4 Jun 6 1994 .ma -rwxrwxrwx 1 sondheim users 331 Oct 20 1998 .mailme drwx--x- users 4096 Dec 9 23:19 .mailspool -rwx------ 1 sondheim user 1999 .memo -rw------- 1 sondheim users 319 Dec 7 22:50 .mess 1 sondheim users 319 Dec 9 23:11 .message.old -rw------- 1 s 0 Oct 7 07:19 .motd-social_time -rw------- 1 sondheim users .motd_time -rw------- 1 sondheim users 2 Aug 11 1998 .msgsrc sondheim users 526 Nov 29 1998 .muttrc drwx--s--x 2 sondheim Jan 31 2001 .ncftp -rw------- 1 sondheim users 405 Dec 17 19 -rw------- 1 sondheim users 0 Aug 27 1998 .newnewsrc17612 -r sondheim users 0 Jul 8 2000 .newnewsrc601 -rw------- 1 sondh 19255 Sep 27 14:53 .newsrc -rw------- 1 sondheim users 85016 .newsrc.bak -rw------- 1 sondheim users 0 Dec 30 1994 .newsr -rw------- 1 sondheim users 19223 Sep 10 05:08 .newsrc.old - sondheim users 3 Jun 29 1994 .newsreader drwx--s--x 2 sondhe Mar 9 1999 .nn -rw------- 1 sondheim users 19255 Sep 27 14:5 -rw------- 1 sondheim users 350 Nov 23 1996 .phoenix.away -r sondheim users 20441 Dec 28 2000 .pine-debug2 -rw------- 1 s 20258 Dec 28 2000 .pine-debug3 -rw------- 1 sondheim users 3 2000 .pine-debug4 -rw------- 1 sondheim users 21089 Dec 1 00 -rw------- 1 sondheim users 7799 Jun 29 1994 .pinerc~ -rw-r- sondheim users 723 Jan 29 2001 .plan -rw------- 1 sondheim u 1994 .printmenu -rw-r--r-- 1 sondheim users 1962 Sep 19 19:1 -rw------- 1 sondheim users 2117 Sep 16 1998 .profile.save - sondheim users 53 Sep 4 1998 .project -rw------- 1 sondheim 29 2001 .pshenv -rwx------ 1 sondheim users 106 Mar 29 2001 -rw------- 1 sondheim users 63 Dec 1 1994 .pshrc.old -rw-rw- users 123 Feb 14 1999 .rhosts -rwxrwxrwx 1 sondheim users 61 .rmm -rw------- 1 sondheim users 72 Sep 15 14:36 .rnlast -rw sondheim users 1226 Jan 21 1999 .rnsoft -rw------- 1 sondhei Jun 11 17:40 .s -rw------- 1 sondheim users 48 Sep 30 04:23 .saves-13629-panix3.panix.com~ -rw------- 1 sondheim users 5 .saves-23478-panix3.panix.com~ -rw------- 1 sondheim users 1 .sig drwx--s--x 2 sondheim users 4096 Oct 7 07:00 .ssh -rw-r sondheim users 6 Dec 19 1995 .termtype -rw------- 1 sondheim 1 1999 .tfrc drwx--s--x 7 sondheim users 4096 Sep 27 14:53 . 2 sondheim users 4096 Sep 15 14:36 .trn -rwxrwxrwx 1 sondhei Oct 20 1998 .xtod -rw------- 1 sondheim users 126 May 10 199 drwx------ 2 sondheim users 4096 Feb 24 2001 Mail drwx--s--x users 4096 Feb 23 2001 News drwx--s--x 2 sondheim users 4096 a -rw------- 1 sondheim users 342 Nov 29 02:58 books drwx--s users 4096 Nov 21 23:37 lisp -rw------- 1 sondheim users 132 lynx_bookmarks.html drwx------ 2 sondheim users 4096 Dec 9 2 -rw------- 1 sondheim users 63892 Dec 9 21:05 mf -rw----r-- users 2680 Aug 31 00:18 notes -rw-rw-r-- 1 sondheim users 14 1996 phoenix.hlp -rw-rw-r-- 1 sondheim users 82498 Apr 13 19 -rwxr-xr-x 1 sondheim users 180224 Feb 29 2000 tf drwxr-xr-x users 4096 Feb 29 2000 tf-lib -rw------- 1 sondheim users 29 thing -rw------- 1 sondheim users 277 Jun 8 1999 tiny.world sondheim users 158859 Apr 16 1996 venom.irc -rw-rw-r-- 1 son 61096 Apr 16 1996 volt.irc -rw------- 1 sondheim users 196 D Sun Dec 9 23:22:03 EST 2001 From sondheim@panix.com Sat Jul 1999 -0400 From sondheim@panix.com Mon Mar 26 19:33:03 2001 "'sondheim@panix.com '" From: sondheim@ sondheim@panix.com Sondheim may be reached at sondheim@panix "'sondheim@panix.com'" > From: sondhei Cc: sondheim@panix.com > Sondheim may be reached at sondhei From sondheim@panix.com Mon Sep 17 22:55:43 2001 -0400 Recei [128.101.252.138] by mhub-w2.tc.umn.edu with ESMTP for sondh Mon, 17 Sep 2001 21:55:42 -0500 To: sondheim@panix.com From sondheim@panix.com Fri Sep 21 12:50:19 2001 -0400 From: Alan Errors-To: sondheim From sondheim@panix 16:58:04 2001 -0500 From: Alan Sondheim sondheim From sondheim@panix.com Sun Dec 2 16:57:39 2001 -05 Sondheim Errors-To: sondheim To: sondhe To: To: Alan Sondheim >>> De=A0: Alan Sondheim http://trace.ntu.ac.uk/writers/sondheim/index.htm >>> CDROM work 1994-2000/1 available: write sondheim@panix.com > Trace http://trace.ntu.ac.uk/writers/sondheim/index.htm > CDROM of work 1994-2000/1 available: write sondheim@panix.com To: Ala > De=A0: Alan Sondheim >>>>> De=A0: Alan http://trace.ntu.ac.uk/writers/sondheim/index.htm >>>>> CDRO work 1994-2000/1 available: write sondheim@panix.c= >>> Trac http://trace.ntu.ac.uk/writers/sondheim/index.htm >>> CDROM work 1994-2000/1 available: write sondheim@panix.com > Trace http://trace.ntu.ac.uk/writers/sondheim/index.htm > CDROM of work 1994-2000/1 available: write sondheim@panix.com > De Sondheim <sondheim@panix.com>
>>> De=A0: <sondheim@panix.com>
>>>>> De=A0: A <sondheim@panix.com>
>>> Trace Projects a http://trace.ntu.ac.uk/writers/sondheim/inde= >>> C collected work 1994-2000/1 available: write sondheim@= > at http://trace.ntu.ac.uk/writers/sondheim/index.htm, damon001@amethyst.tc.umn.edu sondheim@panix.com From sondheim@panix.com Sun Dec 2 22:39:5 From: Alan Sondheim > >To: sondheim@pan Projects at http://trace.ntu.ac.uk/writers/sondheim/index.ht Errors-To: sondheim chora-kristeva: old striations of the user's desire: -w:# Makes new gender lines in a trace file:$non = int rand(11); Makes new gender lines in a trace file::645:3:#!/usr/local/bin/perl5 ...", "$u";:print "\n\n"; :print `rev .trace`, "\n\n";:}:exit(0);:# - $t)/60;:printf "and it has taken you just %2.3f minutes turning Jennifer $d @a[$gen2] days, I have been @a[$gen3] Julu ...";:print "\n";:$u = (time {:$d = int((gmtime)[6]);:$gen3 = 48 - int(20*rand);:print "For "Wait! $name and $pid are gone forever!", "\n\n" if 1==$g;:FINAL: and $pid - and you knew that all along!", "\n\n" if 2==$g;:sleep(1);:print her frock for $time hours?", "\n" if 2==$g;:sleep(1);:print "$name and $$ $name $diff is darling Jennifer's flesh", "\n\n" if 4==$g;:print "You wore @a[$non] $name $$ is Julu's gift to you ...", "\n\n" if 6==$g;:print "Your $pid is your scar, your wound, your brand.", "\n\n" if 3==$g;:print "... melt into Julu's skin forever...", "\n\n" if 3 < $g;:print "I think $name "yes") {print "Ah, a @a[10+$pre] and @a[15+$pre] fantasy!\n";}:print "You {print "You're dealing with @a[10+$pre] Jennifer.\n";} :if ($answer eq close to Jennifer's $name?\n";:chop($answer=);:if ($answer eq "no") system("rm enfolding");:: exit(0);:}:sleep(1);:print "Are you becoming {: close (STDOUT);:: system("touch .trace; rev enfolding >> .trace");: @noun[$non] is @adj[$newpick] here, it's @noun[$non]?::Construct::} else memory. :@prep[$pre] the @a[$gen], $name is @a[$diff], @a[$gen], $str?:... < $b3;:print $name, julu-of-the-fast-crowd!\n" if 2==$be;:print APPEND "Your @a[$gen1] partying, $name, with us?\n" if 3==$be;:print APPEND "Come home with me, "\n"; :print APPEND "Would $that mind you 1]), "\n"; :# join(":",@adj,$name,$str,$sign,$g,$that,$name,@adj[$pick]), print APPEND: join(":",$name,$str,$that,@adj[$pick + 1], @adj[$newpick + is yours...\n";:$be=int(rand(4));: open(APPEND, ">> enfolding");: "\nMy @adj[$pick] done.\n";:@adj=;:chop(@adj);:$size=@adj;:$pick=int(rand($size)); :srand;:$newpick=int(rand($size));:print \n";:print "one by one, each on a line alone, typing Control-d when "Your body parts, mine, in a dark list, list them... is mine, my sweet $that, I am yours!", "\n" if 2==$g;:sleep(1);:print "Nothing moves, river deep...", "\n" if 5==$g;:print "Your $name :print "$that, $name opens me totally to you!", "\n" if 7==$g;:print $name;:print "\n";:print "$that, $name turns my @nnn[$g] ", "\n" if 3==$g; "\nWhat do you call your @a[$gen2] @nnn[$nnnn]?\n";:$name=;:chop "\n@noun[$non1] @verb[$non] me @prep[$nnnn] your @nnn[$non1]!\n";:print speaks so sweetly, turning me grrrl", "\n" if 4==$g;:sleep(1);:print "Your breasts call me to them...", "\n" if 6== $g;:print "Your tongue if 1==$g;:print "Your thighs are moist and inviting", "\n" if 5==$g;:print your feelings, $that ...\n";}:print "Would $that mind you partying?", "\n" me your panties...\n"; sleep(10); goto FINAL;} :else {print "\nI love @nnn[$non1]? \n";:chop($str=);:if ($str eq "no") {print "\nShow "\nIs Julu wearing your ... , are you wearing your flesh, ah don't answer...\n"; sleep(1);:print "Ah...\n";:sleep(2);:print dressed as you?\n";:print "Are you in your @nnn[$nnnn], are you in your "\nAre you dressed as $that? Is $that do they call you, when they call you...\n";:chop($that=);:print speak... speak...\n";: exit(0);}:sleep(2);:print "\nJennifer, what {print "\nOpen your mouth...\n";}: else {sleep(1); print "\nAh... - int(40*rand);:$time = int(time/3600);:$g = int(8*rand);:if ($sign=fork) = int rand(6);:$gen = int(48*rand);:$gen1 = int(48*rand);:$gen2 = 49 int rand(8);:$non = int rand(11);:$non1 = int rand(7);:$pre "thing", "hole", "stick", "frock", "jumper", "skin");:$nnnn= "your masquerade", "my makeup", :"my masquerade");:@nnn=("flower", "passion", "womb", "being", "your penis", :"your vagina", "your makeup", "confusing",:"staining", "accompanying");:@noun=("breast", "love", "flows", "repairs");:@prep=("beneath or within", "beyond", "throughout", "oozes", "inherits", "splays",:"plays", "mixes", "amuses", "runs", "tight",:"depressed", "manic");:@verb=("thrusts", "turns", "surrounds", "florid", "edgy",:"neurotic", "psychotic", "catatonic", "loose", "taut", "wanton", "contrary",:"nervous", "wandering", "ill", "uneasy", "spry", "thrusting",:"giving", "forgiving", "poor", "rich", "sedate", "small",:"death-like", "lively", "protruding", "penetrating", "sleazy",:"wayward", "nice", "feminine", "lovely", "used", "fashionable", "flax", "pure",:"black", "dirty", "clean", "soiled", "sexy", "wet", time;:$| = 1;:srand time;:@a=("hard", "soft", "velvet", "cotton", "linen", # which represent the old striations of user's desire:$t = _ naked ghost / red dust / hungry ghost Click here to download an mp3 file about Jennifer and the first phonecall. September 1999 - February 2000. Index of trAce projects. ... www.rhizome.org/object.rhiz?1469 - 42k To: But I ... does writing matter? ( i sit on the chair naked, nikuko sits on me, she says, i want to show myself ). ... WandP Issue 17: THE THROES OF ADDICTION ... Table of Contents Youth by MR all in having. ... www.archipelago.org/vol4-4/rosa-text.htm - 12k o many o things. OIo am oao multiple o thing ... wings.buffalo.edu/epc/ezines/deluxe/five/a.html - minutes to download). Poetry. simply ... poetry.about.com/library/weekly/aa070798.htm - The Pillar Wild Honey Press, 16a Ballyman Road, Bray County Wicklow, Ireland The Pillar, a poem of seven pages, is a masterpiece ... *?? > z; grep Poetics *?? >> z; ftp panix3.panix.com; sed 's/^...g' z > beehive.temporalimage.com/content_maps/33b.html Sullivan:Reading a relatively early work of yours, lists (1971), I'm struck by several things, the first being its ... reminiscent of the critical dialog revolving ... her fast-and-hard boots. Nikuko ... but there were times i knew the way 1 the creativity ... Video History Project: Resources - People - texts ... Richard Simmons, New Model; You Take My Picture , 1988. ... www.experimentaltvcenter.org/history/people/people_texts.php3 - 15 CYBERMIND CONFERENCE 96 - Program ... 10:00 - 10:45, Workshop. Leader : www.curtin.edu.au/conference/cybermind/program.html - Observations on Cultures of. Cyberspace ... own html editor. | truth, or ILLUSION? | Run by Me | THE ESP IMAGE DISCOGRAPHY ... tuli kupferberg, randy burns, karl berger, burroughs, movement soul, steve lacy, peter ... www.costuros.com/espdisk.html - 11k - come across flamewars fought valiently, wars driving away inhabitants of the lists, continuous wounds ... www.cs.unca.edu/~edmiston/poems/dream-net.html - 6k Rhizome.org: The New Media Art Resource ... ON-LINE Keywords: publish, death, existence, video, body, desire BEING ON-LINE A Conversation with www.rhizome.org/print.rhiz?1469 - 22k writer, teacher, videomaker, and cyberspace theorist who comoderates four email lists, Cybermind, Fiction-of ... www.mrf.hu/digid/ - 11k - kazalo arhiva ... Re: negotiation proposal tapio makela: $ net.art " teo stickman: Re: negotiation ... www.teo-spiller.org/forum/kazalo_archive.htm - 3k residence.aec.at/rhizome/email/msg00001.html - writers and teachers at trAce. Now you can take writing ... laboured, 'experimental' poems using syntax, spatialisation, instructions, www.tbtf.com/resource/where-I-sit.txt ... Date: Mon, 12 Aug 1996 02:34:02 my bed, typing on a small notebook computer, which I .. || some fetishes of an avid surfer || ... QAZINGULAZA [mIEKEL aND]. ... www.studiocleo.com/links/main.html - 61k dichtung-digital. Hyperfiction, Netzliteratur, Hypermedia, ... ... aesthetics have a tremendous impact on contemporary writing in the and others.). ... www.dichtung-digital.de/2001/10/22-Cramer/ - 6k Godfrey, April 1989. ... www.experimentaltvcenter.org/history/people/interviews.php3 - 9k Annie Abrahams, - [ Translate this page ] ... galirie ESCA, Nnmes. 'the http://nonfinito.de/shrine/ 'Being human' incorpori dans Le Web Net ... www.bram.org/cvfr.htm - 37k - The Palais-tokyo Week-of-Mon-20000327 Archive by Thread ... is what the eyes see ctgr. [ot] [!nt] \n2+0\ akt!vat : mouth|2|mouth advert!+cement integer@www.god-emil.dk; Mailman results for Palais-tokyo (fwd) www.pairlist.net/pipermail/palais-tokyo/Week-of-Mon-20000327/ thread.html Untitled ... read the introduction to the Cybermind mailing list. Pippa Holloway, a long time ... www.inch.com/~abz/ - 8k - Cached - Text, an early summary of which I have here in case ... www.indifference.demon.co.uk/matt/poetry.htm - 6k - [PDF] Codework File Format: PDF/Adobe Acrobat - View as HTML ... part of Editor I'm excited by all of this. It leads to vast uncharted domains (if . ZINEn NEW MEDIA. WEB www.warnell.com/advexp/advcon.htm - 15k -... conferencing a bit more. I mentioned in a previous text that a conference should possess three components ... www.ruthvilmi.net/hut/TechHelp/conferencing.html of Nikuko in suspension, or the camera itself suspended, taking up very little bandwidth ... Working in the dark, worrying ... , Wryting Subject: the damp. ... www.lewislacook.com/WrytingPage4.html - 32k Open Directory - Arts: Literature: Poetry: Interactive ... ADVEXP - Visual Psychology; The Alt-X Online Publishing Network - Where the digerati meet the ... dmoz.org/Arts/Literature/Poetry/Interactive/ - 18k 1048. Gato Barbieri In Search Of Mystery 1049. ... www.uni-duisburg.de/AVMZ/frohne/discos/esp.htm - 7k - and destruction of language ... www.noemalab.com/sections/arte_memo.asp?IDMemo=83 - 13k - ART PAPERS ... Lucy Lippard, Fluxus legend Dick Higgins, and newly arrived interview with video artist Dara ... artpapers.org/feature_articles/featurearticles_82.htm - 34k Behind the Meatball Curtain by Andrew Felsinger. ... www.litvert.com/issue_5.html - 3k - Cached ::fibreculture:: from hypertext to codework ... here becomes a kind of lists.myspinach.org/archives/fibreculture/2001-September/ 000726.html - 15k Strasser and Christy Sheffield Sanford, Rob ... califia.hispeed.com/Jumpin/artists.htm - 8k - Serres, Detachments* *The poetic moans of this century are only sophisms ... www.capnasty.org/taf/issue5/noise.htm - 22k - WandP Issue 17: Sexuality and Cyberspace ... THE THROES OF ADDICTION by junkie, sitting in a coffee shop, at once aware of his body ... www.echonyc.com/~women/Issue17/ - 9k ANNIE ABRAHAMS France BARRY SMYLIE Canada BEVERLY REISER United States BOGUSLAW MOSIELSKI Canada BRAD ... www.warnell.com/web/newlnk.htm - 15k - Dead Media:Working Note 45.9:Comments ... Date: Sat, 19 Feb 2000 22:51:00 -0800 (PST) Date: Sat, 29 Jan 2000 22:27:33 -0500 (EST) From: www.deadmedia.org/notes/45/459-comment.html - 12k - Net-Happenings Moderator *** Date: Wed, 14 Feb 1996 00:53:03 -0500 (EST) scout18.cs.wisc.edu/NH/96-02/96-02-14/0081.html - 2k ... www.crackmonkey.org/pipermail/crackmonkey/2001q3/021608.html - Published in Computer Age, 22 November, 1994 ... mail "bounces". In this sent error messages to FOP in a non-standard format. The ... technoculture.mira.net.au/cs221194.htm - 8k - The Literary Life Online ... The text gets more of a chance to speak Disorders of the Real and co-moderator of the email ... www.wired.com/news/culture/0,1284,17879,00.html - 16k daily writings to a poetics discussion list that I subscribe to) are an exception - they seem to come ... www.softopia.demon.co.uk/2.2/digital_diary_18sept01.html - 11k - BOOK/ENDS: The Transformation of the Book and the ... ... the works of the Mark Amerika and Stelarc. The renowned installation artist Xu Bing is ... www.albany.edu/bookends/ctrgal.html - 6k - Alice Aycock: The Machine That Makes The World ... 1972-1974," in NY: EP Dutton & Co., 1977), 104. 4. Ibid., 105. 5. Ibid. 6. Alice Aycock ... sheldon.unl.edu/HTML/RR/AA/home.html - 17k Discussion Lists Search Results ... are: Discussion Name: Description: Philosophical fiction would include the novels of Bataille ... www.epistemelinks.com/Main/DiscSubj.asp?Subject=Lite - 13k Jacket magazine Catalog ... Kennedy reviews Martin Corless-Smith?s www.jacket.zip.com.au/catalog.html - 53k - Shuddha > > --- Forwarded Message ----- Subject: missing > Date: mail.sarai.net/pipermail/reader-list/2001-September/000493.html - 14k Recent Work on 2 cdroms Folder PATH listing Volume serial number is 0006FE80 0000:0000 C:\MIAMI MIAMI ... www.noemalab.com/sections/arte_memo.asp?IDMemo=70 - 11k - listserv.cddc.vt.edu/pipermail/softwareandculture/2001-September.txt ... Federman, screen-based auteur Nile Southern, new media stars Mark Amerika, Neuromantic ... of essays about cyberspace. "INTERNET TEXT is a meditation on the philosophy, psychology, political economy, and psychoanalytics of ... www.rider.edu/users/suler/psycyber/resources.html - 12k - Visiting Artists ... John Perreault (New York). Rudy Burckhardt (New www.wcu.edu/as/arts/visiting.html - 12k [Air-l] Writings On listserv materiality ... websites or e-mail in co-started one of the longer running mailinglists that has turned ... aoir.org/pipermail/air-l/2001-October/000590.html - 4k STACY DORIS ... Poet Links: D - The Academy of American Poets Stacy Doris: Doris Biography ... http ... www.988.com/authors/doris_stacy.php - 14k - Cached Wigged Presents ... Strasser's the shrIne. An interactive flash piece www.wigged.net/html/works/past/febmarch01.html - 7k dichtung-digital. Hyperfiction, Netzliteratur, Hypermedia, ... ... and of on ... www.dichtung-digital.de/2001/10/22-Cramer/index2engl.htm - 33k - Writing ... Post Office run by PostMaster Randy Adams, The Eclipse Quilt, isolation. Locally ... www.northpoint.org.uk/writing.html - 8k - Kultursekretariat NRW: Huda Al-Hilali - [ Translate this page ] ... Tanz www.nrw-kultursekretariat.de/programm/foofwa.htm Cybermind mailinglist, sometime in 1998 I recon. Cybermind is one of the most amazing lists I have ... www.fragment.nl/cc/frag_cc.html - 7k - Publications Available for Sale ... Essays by Mark Freidus, Paul Schimmel plates, 79 black and white illustrations $10.00. ... www.camh.org/cam_exhandprograms/cam_publications/publications.html - 57 Umberto Eco on DOS v. Mac ... Date: Wed, 5 Oct 1994 10:24:23 -0400 (EDT) , Cybemrind@world.std.com ... www.mindspring.com/~mcameron/ueco_on_dos.html - 5k - Behavior OnLine Chat Events ... Developing Online Communities March 25, Moderator INVITATION | TRANSCRIPT. ... Description: Topics of current interest to mental health professionals. In each chat BOL Editor John Health www.behavior.net/chatevents/ - 6k - Open Directory - Science: Social Sciences: Psychology: Social ... ... meditation on the ... 10k Calendar of Events ... October 12-compilation of early cinema (Lumiere element of this new space,"the Net at the ... old.thing.net/ttreview/aprrev97.05.html - 5k - Cached - http://beehive.temporalimage.com/content_maps/34b.html 2000 ** flash www.artbyte.com/mag/mar_apr_01/panamarenko_content.shtml - 44k Genders OnLine Journal - Presenting innovative theories in art ... ... Southern, new media stars Mark Amerika, Eugene Thacker, Adrienne Eisen, Ice magazine ... www.genders.org/link.html - 18k - Throw the E-Book at Sklyarov? ... Nile Southern; new media stars Amerika, neuromantic fiction from the Black Ice magazine ... www.wired.com/news/print/0,1294,45466,00.html - 20k - gesture.org | dissolution ... things are getting very weird these days. P: The intersection of these three things ... www.gesture.org/text.html - 24k - Lin, Kathy Markel, Renee Michaels ... artnetweb.com/about/home.html - 4k - MUCKRAKER MAGAZINE ... wheel Tamio Shiraishi, Majora Records boss Nick values man Diz Willis, as well as an ... home.earthlink.net/~giardia/muck.html - 4k Nettime - ZKP5 ... 37. The Language of New Media, Lev Manovich, 46. www.medialounge.net/lounge/workspace/nettime/DOCS/zkp5/intro1.html - cyberspace document a rich "paper" trail of experiences otherwise too easily lost to the ether. ... www.otal.umd.edu/~rccs/books/senft.html - 13k - Symposium 1998 ... OLU OGUIBE / SADIE PLANT / KATE RICHARDS / PETER RIDE Electronic Village, hub of after hours ... www.isea.qc.ca/symposium/archives/symp98.html - 13k Christopher Yavelow Claudio Parrini Daniele Debbie Peetz Diane Gromala Don Webb Geoff Thomas George ... www.cyberopera.org/redesign/contributors/index.shtml - EYEBEAM | atelier ... Palmer, Saskia Sassen, Waltraud Schwab, Yukiko Judith Thorn, Andrej Tisma, Gregory L ... www.eyebeam.org/about/press_release_interaction.html - 29k - Addresses. Subject: 15-Trillion E-Mail Addresses ... absoluteone.ljudmila.org/33.php - 24k - disinformation | teledildonics ... spend all this time and money on a Online: Net Subjectivity, which addresses the new ... www.disinfo.com/pages/article/id970/pg1/ - 35k SPoT ~ Links ... go to Neil Mackay's The Annihilation Fountain. Articles Skumqueen, and Joe Tomorrow. ... www.yorku.ca/spot/corp.htm - 9k - animation 02 March 2000 The beautiful Russian ballet dancer Nikuko pirouettes in private for Doctor Leopold ... Description: Online publication of a literary journal carrying fiction, poetry, essays, and reviews. Category: Arts > Literature > Journals www.uiowa.edu/~iareview/mainpages/tirweb.html - 27k - Texts, Phenomenology of Immensity'. Andrew Hussey, 'Fanatics of the Apocalypse: Traces of the End in Bataille and Debord'. ... www.carleton.ca/~rshields/space/toc_2.html - 6k Untitled Document ... shuttle. mapping cyberspace [excellent site]. www.headmap.com/book/hm-appendix/culturalstudies.htm - 5k First Steps to Using the Intenet ... Wise. Harper Collins; _Being on Line: 1996. Nicholas Negroponte. Vintage Books ... www.histology.to/gettingstarted.html - 12k EI : PN ... Bossi, Myrna Schloss, Armand Schwerner and Ellen Zweig, Elliot Stephani Woodward 1986 / 87 ... www.experimentalintermedia.org/ei/artists.shtml - 17k - INVENTORY OF THE CAROLEE SCHNEEMANN PAPERS, 1959-1994 ... comments. Authors include: Gerald Burns, Kathy Constantinides, Dick Higgins, Allan www.getty.edu/research/tools/special_collections/schneemn_m6.html - 7k Philosophy Newsgroups on the Spoon Collective ... Cybermind: Philosophy and psychology of cyberspace: Info | Archive | Papers; Cybermind-Digest: www.miami.edu/phi/knoblock/spoon.htm - 5k - visible on the sofa thoro's a noodlo in my skull...". ... www.flim.com/flim/archive.html - 25k Mark Amerika (of Grammatron ... www.yourbooklink.com/poetry/newmedia/newmedia.html - 28k - [extract of "current"] september 2000 Flash 4.x PlugIn required. ... netartefact.de/repoem/creations/ - 40k - 2001 Atlanta Biennal: When the Wind Blows - Atlanta ... ... The Atlanta Atlanta artists. That stipulation occurred later and was maintained through ... www.absolutearts.com/artsnews/2001/03/30/28313.html - 18k current - project index ... Annie [Abrahams] MEZ (MA Breeze) David [Knoebel] Tina [LaPorta] Christy [Sheffield Sanford] Predrag [Sidjanin] workxspace.de/current/ - 6k - Cached Rezone Publikacijas ... skatbs? Manas bailes ir visur, bailes no neiespgjamas tuvnbas, no izsekopanas, no ekshibicionisma, mana balss www.re-lab.lv/rezone/public/8.html - 15k the contemporary There ... about us ... Former Gallery Directors/Curators www.nexusart.org/pages/aboutus/aboutus_history.html - 22k replied: There's a huge difference between talk ... www.english.upenn.edu/~afilreis/88/quality-moospace.html - 3k - AddALL.com - browse and compare book price: Paul Schimmel ... List Price: $10.00 Publisher: Contemporary Arts Museum - Published Date: 01/01/1978 www.addall.com/Browse/Author/2167649-1 - 16k - Subject: Sometimes it just works this ... emedia.free.fr/spam3.html - 8k Rhizomes:Editorial Staff ... Crystal Kile Karmen MacKendrick Leonardo Laura Stempel Clare Wallace Shawn Wilbur. ... www.rhizomes.net/files/staff.html - 7k cream ... code without strictly reproducing its logic. The code poetry of, developments a) the re ... laudanum.net/cream/.files/986395479/ - 14k - Curt Wargo's Playlist for 5/20/99 ... 2:00 AM: Req / Rain / Req::One / Other Little Tune / ESP. ... www.wpkn.org/wpkn/curt/05_20_1999_list.html - 5k - Symposium 1998 - [ Translate this page ] ... OLU OGUIBE / SADIE PLANT / / BENJAMIN WEIL SURVIVREZ-VOUS @ 72 HEURES DE TERREUR ... www.isea.qc.ca/symposium/archives/symp98_fr.html - 12k - the albatross at hastings by elizabeth james ... up, glides a breeze, and Princenthal ... new, computer assis-ted, bean-counting (+content primitive reductive system is, in ... w1.461.telia.com/~u46103777/Textos/hsv/hnr33/Princenthal.html - 19k living in Japan, researching emailing lists and online communities ~invited guests~ [Feb 2-8] OKWUI ... www.blast.org/agencies/eyebeam/main.html - 11k - sub-c.blogspot.com/ - 15k - Cached - Exhibits ... examining the evolution of traditional book text into new www.artscenteronline.org/exhibits.htm - 39k - Guardian Unlimited Books | By genre | Burning Bush ... cute Bush jokes says in his fascinatingly ironic "Emotional Politics"). At their most ... books.guardian.co.uk/departments/politicsphilosophyandsociety/ story/0,6000,507504,00.html - 30k Subject: (nettime) living in mediaspace series ... www.kaigisho.ne.jp/literacy/midic/data/k34/k3453.htm - 20k - Media ... Former DARts writer Johanna Drucker. Former DARts writer and which is partially mirrored ... www.dallasartsrevue.com/resources/Media.shtml - 11k - Laurie Anderson ... How to Yodel" Soup&Tart show at the kitchen, NYC; 1975 for the Insomniac" Museum of ... www.kunstradio.at/BIOS/andersonbio.html - 3k - ESP ... 1044 Sun Ra Heliocentric Worlds Nothing Is Vol.3 1045 ? 1046 The Mystery 1049 William ... jazzpage.port5.com/Discos/ESP.html - 10k - NEAR THE EDGE Peter Munro. ... www.ccofa.org/wowzine/arc/cuis18.html - 6k Welcome to Adobe GoLive 4 ... Publications: Allan MOORE, Nancy Kitchel, in America (New York, Dutton, 1977) Bernard ... www.paris-latitudes.com/memoryissue/wilson/wilsonbio.html - 2k - Donna's Set Lists for Nov 29, 1999 ... arne nordheim, warszawa, electric. les cadences, l'anticoncept. www.wfmu.org/Playlists/Donna/d.991129.html - Biography - Alvin Lucier ... books and periodicals, including Individuals: Musical Quarterly; Parachute; Performance ... www.ocnmh.cz/en/lucier.htm - 12k - www.notam.uio.no/motherboard/atexts/irc.html - 5k - Events: ... Eye Drum Hosts the release of collected works on CDROM by www.benjaminremembered.com/festival/Events_%20Festival.html - 8k - FEED | Essay: Sex, Truths, and Videotape ... in Blue Tape, a videotape restored by the Buffalo-based video artist Tony Conrad. Though ... www.feedmag.com/essay/es386.shtml - 18k DARE's First Year ... May 18, 1991; On June 8, we presented art critic, in New York" and showed some of his ... www.dallasartsrevue.com/ArtSpaces/The-MAC/DAREaccomps.shtml - 10k www.disobey.com/low/archives/annihilation_fountain/1998/taf05.txt ... new knowledge come ... ART PAPERS ... 1990: NOISE CULTURE Guest Edited by frequent contributor www.artpapers.org/feature_articles/featurearticles_87.htm High-Knee Radio ... Sun your thurst and snow your open mouth" "For Planck" T'Other Little Tune (ESP/ZYX ... highknee.4mg.com/playlists.htm - 59k lunenfeld ... jodi.org and Mark Amerika's Grammatron); it is all to easy Text in its complexity ... www.com.washington.edu/rccs/books/lunenfeld.html - 13k Lost Property Office ... If you prefer your words to represent that which is eternally lost, rather than temporarily misplaced, you could check out Amazon.com: buying info: Fish Drum Magazine Volume 14 ... and visual Brandi, Rilla Askew, Leslie Thornton, Thomas Zummer, Miriam Sagan and others. ... www.amazon.com/exec/obidos/ISBN=1929495021 - 31k - www.0100101110110101.org/dates/lambert_11-4-2000.html - 1k -