Apropos Apropos They become barricades again -- The men disappear woman receives her robe from the Keeper of Gate passes thru gate backing into robe. Perhaps a fan also?Woman goes back to table she onto platform & is there when lights pick up as tho' had never gone out words feed in one at time until sentence detached are smoking It broken by girl dancing alone Notebooks Martha Graham Nikuko Doctor Leopold Konninger He talking and make no difference - everywhere muscle against uselessness language returns furniture speaks nothing happens hammer or stove gun car book? murmuring removing gives naked thinking about unjustness world Apropos They become barricades again -- The men disappear -- The woman receives her robe from the Keeper of the Gate -- passes thru gate -- backing into robe. Perhaps a fan also? Woman goes back to table -- she goes onto platform & is there when lights pick up men again -- as tho' she had never gone out -- The words feed in one at a time until a sentence is detached -- The men are smoking -- It is broken by a girl dancing alone -- -- from The Notebooks of Martha Graham It is broken by Nikuko dancing alone -- Doctor Leopold Konninger is smoking He is talking and talking and the words make no difference - lights are everywhere - muscle against the uselessness of language Nikuko returns to the furniture -- she speaks -- nothing happens Perhaps a hammer or a stove or a gun or a car or a book? murmuring -- removing a robe. Nikuko gives her robe to Doctor Leopold Konninger -- she is naked -- Nikuko and Doctor Leopold Konninger disappear -- They become barricades again -- -- from Nikuko thinking about the unjustness of the world === the suite of ember.movs "I want earthquakes, because I know that then the earth can breathe." - Nijinsky - the great lamina of the stars sway back and forth - you can see the oldest stars - they are pure and clean - they are the youngest - they have no motives - the animal of the victorian woman splayed on the couch - she is in browns and maroons and red - her legs are naked - spread - she is the youngest in the world - she has invented language - she has invented motive - she sways back and forth on the laminar plane - in tune with the rhythms of the universe - the laminar plane and stars are in an 1844 train tunnel riding the harbor to long island - the vault is brickwork painted white - you can still see the cinders on the ceiling - the engines had 7 foot wheels of wood - they were strapped with iron - the stars sway and disappear into the depths of the 1844 brooklyn tunnel which is the oldest subway in the world - the naked woman rides before the stars - her clothes thrown open - thrown to one side - memories of trains - memories of trains - cinders and soot spew forth from an absent object - from an invisible object - they make arcs - they spread - splay - the tunnel is the space of the nineteenth century - o loving eye caressing the objects with totality against totality - searching out tunnels among tunnels, holes among holes - the youngest stars know thee not, neither the oldest, neither the sun or any luminary body - of philosophy - that language is small labor, the reading and writing of it, the speaking of it - the margins of language perform according to persuasion and consensus - the world is invisible to the speaking of the dinosaurs - all culture is a stuttering - "The earth is alive. It was once a sun." - Nijinski - === REVIEW kenji siratori BLOOD ELECTRIC KENJI SIRATORI, BLOOD ELECTRIC, published 2002 by creation books - www.creationbooks.com - BUY THIS BOOK - Your book came; it's absolutely brilliant! I really am amazed by it - the long looping sentences, the slow stuttering development, never sure what side the language is on, how it's generated, whether human or machine is speaking. I don't see it as Burroughs, although I understand the reference. For me, Burroughs is oddly modernist; there are conspiracies and organizations and everything seems to fly apart but never really does; it goes back to literature. In your work, the flying apart is almost hysteric; it's global networking - it's the end of literature in a way and the beginning of nexus in another - Your book came; it's almost impossible to read straight-through! It rides on the hinge between bot and machine, software and wetware programming! In a sense it's Stelarc in print, but with the latter, the machinic and the body are in negotiated homeostasis; ontology isn't challenged. In your work, I'm not sure who or what is behind it. I don't know the vocabulary which constantly collapses; there's nothing transitive here, no connectors, or - in place - everything in this, in language itself as this might point is - is transitive, a deferral among the more violent physics of the world. Speaking/writing/reading take relatively little energy in general compared to a hammer, cyclotron, motorcycle, stove, scissors. The physical world transforms, is inert, among enunciations that effect and affect actions. Over book-length the capital WORDS change - early ADAM late ToKAGE - they anchor the page - Your book came; it slides off page 224, the last! I know there's no ending to anything here, to the vicissitudes of language. It has nothing whatsoever to do with Stelarc, who divides his work among language and silence, body-movement-introjection, and language-projection on the page. This among the cyberpunk, cypherpunk, scissorpunk, melds like Burroughs; unlike Burroughs it's all present-tense description that's a cross- dressing performative - Or the performative is that of kenji siratori - kenji satori - reading back into the author - it's not like the Eliza program - indeterminate in that respect - the who or the what of the making - where are the commas - semicolons - The :: // >/ language collapse. The << >> or :<< >> language collapse. Levels without closure - tags and metatags - incomplete guides. Thus "rapture::the streaming=energy strategy of the human-genome//". Back- cover blurb, Jack Hunter in part: "black reverb of soft machine seppuku, a molten unspooling of sheet metal entrails" and Stephen Barber in part "blood- and semen-encrusted debris with the finesse of a beserk Issey Miyake" - everyone _into it._ Your book coma/came: not cyberpunk!:://but slime-mold particulate entities - inhalations, exhalation, exaltations - subterranean sweep of submerged// massive surge::look - it's a flat text - planar or shifting planes - skew- orthogonal planes to be exact - It's a flat text - the depth of a meter to be exact - that is, a meter above and below the text - one hundred centimeters by my calculation - internal and external organs / prostheses broken down, imploded - the characters phenomenologically spread among the text - everything internal and external is excrescence - and always in closeup - the length of a needle - the span of a wire - taut relationships among avatars - retro-ADAM - body-OMOTYA - Your book came - incredible; I can't read the imminence of the plot! I don't know what's happening! I know something's happening - colors and collusions across a global laminanimal space - "labyrinth::cold-blooded diseases of love-reptiles with murder function of ADAM Doll function/uterus-machine that exploded" - continuous return to the useless performative of the PAGE - alphabetically-sectioned (Dead Bargain / digital-animal-structure / Edge) through Pork then back to abolition connecting with first-section abolition but last p. 224 running off the page (see above) - Joycian, circular - the run-off finishing on first abolition's page 9 - Sliding off, abolition repeats for the most part - then it's after that, the inbetween - A-Z through Pork - become-unique, turbulent - retro- fitted, future-anterior - The book I can't read! I can't read any book; the book implodes precisely 50 centimeters beneath the surface of my skin - from the other side - mirror looking in - convex or concave - the problematic of its opticality - "Our machine beast is twisted to the logic space of an amoeba::the digital nightmare invades the quantum spiral of a cyber sun::it is the record of death//" - Your book came! - I don't know you, what you are, who you are, what group prostheses - of which continent - of which program or litany of bots or human anguish endeavored into present-tense psycho-disturbance - the opposition of Jabes - lips come back to suture - the book to end books - of continuous ascription to machine/event/situation/narratology/author/ flesh - your book came - this is the process/procedure of REVIEW - KENJI SIRATORI, BLOOD ELECTRIC, published 2002 by creation books - www.creationbooks.com - BUY THIS BOOK === new work at http://www.asondheim.org/portal over-18 please 0.README.txt at end: more work forthcoming 0.README.txt 3.jpg 37.jpg 41.jpg 5.jpg 6.jpg 8.jpg 9.jpg MI3.AVI MI4.AVI b2s.mov burlings.mov face7.jpg face8.gif flesh.swf insert.jpg leg.jpg life.mov look2.jpg mi5.avi mirror3.jpg mmau.mov more1.jpg more2.jpg more3.jpg more4.jpg more5.jpg more6.jpg mov.txt movie.txt nipple.jpg nude.jpg nude2.jpg other00.JPG other01.JPG other02.JPG other03.JPG other04.JPG other05.JPG other06.JPG other07.JPG other08.JPG other09.JPG other10.JPG other11.JPG red.mov seam1.jpg seam2.jpg seam3.jpg seam4.jpg seam5.jpg skein01.jpg skein02.jpg skein03.jpg skein04.jpg skein05.jpg skein06.jpg skein07.jpg skein08.jpg skein09.jpg skein10.jpg terror00.mov terror01.mov terror02.mov theory1.jpg theory2.jpg theory3.jpg theory4.jpg theory5.jpg theory6.jpg theory7.jpg theory8.jpg torso.jpg torso0.jpg torso1.jpg torso2.jpg tub2.jpg tub5.jpg tub6.jpg tub7.jpg tub8.jpg urn8.jpg README.txt: These files are remnants, residue, of larger works such as Trilby, 35 minutes in length. The still images are used in video; the .mov files are chained together, modified; sound is added. We collude between death and sex, to the limits of distortion - space-time burns around configurations of terror and the body. The skin is always a skein of communication. Words are performative only to the extent they can persuade physical reality beyond the sememe - propaganda or persuasion of language. Sexuality, body, language, create a matrix of interpenetrations, an almost impossible separation of interior and exterior. Space inflates, the temporal dimension shudders, reverses, cycles, escapes. The background of the work is in http://www.asondheim.org/index.html - the Internet Text, which continues to be build. New files will be added here from time to time and cdroms are available. === why i vote jesus mary mother of god [yes] lower taxes [no] gun control saving the babies raising conservation euthanasia attack iraq war on terror support united nations iran yemen troops in middle [yes] east troops alcohol tobacco tax federal crime [yes] to federal smoke crime marijuana to no income for social [no] security support socialized medicine parochial [yes] schools support god america support love of [yes] jesus of mary god flag of animal rights experimentation stem cell research atheism peace corporate breaks prosecution ceos free [yes] trade support [yes] taxes lower [yes] taxes lower [no] control gun [no] control gun saving [yes] the saving babies the raising [no] conservation [no] euthanasia [no] attack [yes] iraq attack war [yes] on war terror on support [no] united support nations united iran attack yemen attack troops [yes] in troops middle in east middle alcohol [no] tobacco alcohol tax tobacco federal [yes] crime federal to crime smoke to marijuana smoke no [yes] income no for support social for security social socialized [no] medicine socialized parochial for schools parochial god support america in love [yes] of love jesus god mary jesus flag of animal [no] rights animal experimentation animal stem [no] cell stem research cell atheism [no] peace [no] corporate [yes] breaks tax prosecution [no] ceos of free of trade free [yes] lower taxes [no] gun control [yes] saving the babies [no] raising taxes [no] conservation [no] euthanasia [yes] attack iraq [yes] war on terror [no] support united nations [yes] attack iran [yes] attack yemen [yes] troops in middle east [no] alcohol tobacco tax [yes] federal crime to smoke marijuana [yes] no income tax [no] support for social security [no] socialized medicine [yes] support for parochial schools [yes] support god in america [yes] love of god jesus mary [yes] love of flag love of god [no] animal rights [yes] animal experimentation [no] stem cell research [no] atheism [no] peace [yes] war [yes] war on united nations [yes] corporate tax breaks [no] prosecution of ceos [yes] support of free trade === performative happening somewhere else all my colors are garish - i'm ill again - slight fever - headache - chills - forgive me - my dashes - i speed past celine - a realization - there is no performative - the performative doesn't exist - material refractions - that's all - wedding vows - everything - require concrete embodiment - that's how it is - it's all physical states - the state-space of the machine - things changing - state-space to state-space - surface residue on the screen - ascii or otherwise - all sorts of things - words continuing on another level - we've got to be careful here - among the internal matrix of meaning of language and orienting of cognitive domains - and transformations of material strata - i've always written about the political economy of language - the necessity of the scream or demand or cry of the wounded or orgasm or laughter - not necessarily in that order - it's an economy that exfoliates and effuses within its own sememe - its own space and own ontology - epistemologically it wanders like everything else - but that space concretely presents the potential abundance of material operations - it's not that i'm a materialist - in spite of my sore throat and shivering - but that the material world carries on the discredit of language - it's all a mix we pass for intelligence as if writing and theory were an 'however' summarizing the abstract configura- tion of the day - thought is internal/external - panoplies of tendrils among laminanimal - can you imagine - it doesn't reside one way or another - instigated by mental operations hardly to the discredit of the material world - the performative is in the speaking or writing - my fingers on the keys - my vocal cords and enunciations - literally a far cry - i can hardly focus now - but the theory of performativity has to be radically revised - i can assure you - the point it's missing is elsewhere - not even peripheral - not even a 'somewhere else' - i'm hard put to hypothe- size the bridges - mappings of all sorts - internal neural mappings to external manipulations - all machinery - all electronics - is the lever - my eyes are hurting - this goes on and on - the doctors can't do a thing - they keep asking questions - sending me from one to another - keep filling out forms - === no laughter in these parts k25% ha ksh: ha: not found k26% haha haha: k36% hahaha hahaha: k30% hee hee: k29% heh k31% heh: k34% ho k33% k32% ho: k27% hoo k35% hoo: k28% hooha hooha: k25% ha ksh: ha: not found k26% haha ksh: haha: not found k36% hahaha ksh: hahaha: not found k30% hee hee ksh: hee: not found k29% heh k31% heh heh ksh: heh: not found ksh: heh: not found k34% ho k33% ho ho k32% ho ho ho ksh: ho: not found ksh: ho: not found ksh: ho: not found k27% hoo k35% hoo ha ksh: hoo: not found ksh: hoo: not found k28% hooha ksh: hooha: not found === Essay on 'It is good that skinheads are in power.' It wasn't until the skinheads began going to graduate schools, that things really began to change around here. At first there was resistance, and in fact a lot of the early ones converted, as if they saw the 'error of their ways.' But as more and more came in, the junior faculty and adjuncts were affected themselves, and soon, more and more key positions were held by this segment of the population, a fifth column of supremacists and marauders that no longer gave credence to the idea that 'education was for everyone.' Whatever minorities did make it in 'the hallowed walls' soon found themselves the targets of unmitigated criticism from all sides. Some did stay the course, and often were converted into a kind of self-hatred; many left for 'better pastures' outside the school system altogether. It wasn't long before the school boards of some of the nation's top states fell under the sway of the skinheads, and education went back to the primary values of Dick and Jane, in which the highest goal was the white suburban street with a station wagon in every driveway. Here, they could relax and enjoy themselves as affected by the education system, and for the majority of the country, people agreed and found themselves quite well off and secure for the first time. The elements who didn't belong were taken care of in other ways, without the self-punishing rage of the earlier skinhead movement, who were 'held up for valour' but never imitat- ed, as there was no need for violence in this very tight American society. There were many discussions among themselves as to the best way to do things now that they were in their hands finally, and they decided that everyone should have their 'head examined' as to their thinking and their support of war-time effort that was always being made. It was a chance to not 'spare the rod' but apply it everywhere to our conquered foes who were waiting for a chance to participate in the 'good life.' What can I say but I did approve of all of this because the 'liberal bad-boys' were now out of power and we could get a good education in our fundamental values from which the United States was carved from. It was a remarkable time and it still is since those 'foes at bay' have nothing to gain any more by giving in to the 'powers out there' when we offer then a first-class security and not having to vote. Yes this is a 'good time to give in to the skinheads who are securely running the country and know what's best for us.' I whole-heartedly support this conclusion which is the best thing for many people and should be supported by everyone. The New Work at www.asondheim.org: 224 ./portal/book/talks 1795 ./portal/book 130 ./portal/basic 8189 ./portal/polypore 1 ./portal/article 109071 ./portal 122147 . 005.jpg 006.jpg 011.jpg 024.jpg 026.jpg 038.jpg 039.jpg 043.jpg 045.jpg 046.jpg 054.jpg 061.jpg 062.jpg 065.jpg 069.jpg 070.jpg 074.jpg 076.jpg 078.jpg POLY32.JPG POLY33.JPG POLY34.JPG poly0078.jpg poly0080.jpg poly0084.jpg poly0087.jpg poly0089.jpg poly0092.jpg poly0094.jpg poly0096.jpg poly0097.jpg poly0104.jpg poly0111.jpg poly0114.jpg poly0115.jpg poly0119.jpg poly0122.jpg poly0123.jpg poly13.JPG poly14.JPG poly15.JPG poly18.JPG poly23.JPG poly26.JPG poly27.JPG poly28.JPG poly29.JPG poly3.JPG poly31.jpg poly35.jpg poly5.JPG poly6.JPG poly7.JPG poly8.JPG poly9.JPG ABACUS.TXT ALAN2.TXT ALANSO.JPG AVATARS.TXT BKREVIEW.TXT CINEMA.TXT COMPBIO.TXT CYBINFO.TXT DEADTIME.TXT DEFUGE.TXT DIARY.TXT DIARY2.TXT DIARY3.TXT FIGURE.TXT FILMVID.TXT FLUX.TXT FOPINFO.TXT FUTCULT.TXT FUTURE.TXT INTRVIEW.TXT KYOKO.TXT LOVE.TXT MIAMI.txt MODEL.TXT NOISE.TXT POET.TXT POTEPOET.TXT PROSEBIO.TXT QUEER.TXT REDYEAR.TXT RESUME.TXT SOUND.TXT THROAT.TXT VIDEO.TXT VIDEO2.TXT WRITING.TXT cancer.txt cybinfo echo.txt essay film.txt fop.txt k1 oldaba.txt panamar.txt para.txt parable.txt phen.txt play.txt portug.txt postmode.txt sophia.txt stelarc.txt talks third.txt writing2.txt ALAN.TXT ALAN2.TXT COURSE.TXT DUST.TXT GEOG.TXT LANGUAGE.TXT SEXTALK.TXT SYDNEY TALK.TXT bloom imago ohioconf 3D.BAS ASCII.BAS AZURE BEEB.BAS BI2DEL.BAS BIFURDEL.BAS CLOUD3.BAS CLOUD4.BAS CLOUDSIN.BAS COL7.BAS COLCLOUD.BAS D.BAS D7.BAS DELCLOUD.BAS DELL3.BAS DELL7.BAS DHENON.BAS DRAPRINT.BAS DRAWALK.BAS DRAWALK2.BAS DRAWALK3.BAS DRAWALK4.BAS DRAWALK5.BAS DRAWALK6.BAS DRAWDELL.BAS DRAWTEST.BAS FULLIFE.BAS GOODBYE.BAS HENON.BAS HENON2.BAS JENN JULIA.BAS JULU KDATE LIFE.BAS LIFELINE.BAS LINEAR.BAS LINEQ.BAS MASS.BAS MESS3.BAS MESSCLR.BAS MISSCLR.BAS MOSS.BAS MOSS2.BAS NEW.BAS NEWJU ORBITING.BAS REMLINE.BAS SIN.BAS SINCIRC.BAS SINTAN.BAS SINTAN1.BAS SINTAN2.BAS SINTAN3.BAS SINTAN4.BAS SINTAN5.BAS STAR.BAS STAR1.BAS STAR2.BAS STARR.BAS WALK.BAS julua newj.cmd parent === THE CLARA http://www.asondheim.org/portal/clara The economy of the special effects apparatus from the 1930s gives way to the digital; the digital isolates those moments of the image that speak all too easily, as if they weren't speaking at all. The beautiful woman is isolated and framed by a device capable of addition or subtraction of the potential screen, the imaginary, positioned. The apparatus as in Godard displays itself, inhales/exhales the graphic-in- residence. This is the smallest conceivable way to waylay the wayward viewer. One looks over the shoulder of the apparatus; hopefully the framing is still a long way off - the result clearly one of an infinite field of the social, of perception itself - or, in a sense, the inverse of the vanishing-point in perspectival configurations. (The social reveals itself, an emblem.) http://www.asondheim.org/ http://www.asondheim.org/portal/ http://www.asondheim.org/portal/polypore/ http://www.asondheim.org/portal/book/ http://www.asondheim.org/portal/book/talks http://www.asondheim.org/portal/clara === scrip negotiator assaults i'm my best: you almost read world. right-hand brush vertical poised brush standing poised or standing upright or seating upright with seating clear with right-hand clear vertical mind of and 1930 presence calligraphy of book 1930 doing calligraphy service book following doing with service mind following and unknown unknown writing meaning, meaning, and look: clear do mind this unknown this:: will this:: follow. look: nature a i good-natured am sort left-handed, of a fellow, good- natured clumsy sort writing fellow, nature clumsy i always here, lacking right-hand clarity: vertical here, brush, brush, into scrawl always into lacking http://www.asondheim.org/portal/script1.jpg, script2.jpg, script3.jpg, to hang:: from hanging vertical from brush, fingers cursive: breathing look: cursive: don't don't hanging expect i much can't me:: this, can't do this, expect never much can from this. look: the the follow: < left-or-right > < the complex will spaces follow: > of night am follow best:: you: look: negotiations am best:: i negotiator > assaults best: i'm < my of best: spaces you look: almost can read almost world. the right-hand vertical brush poised standing or upright seating with clear mind and presence of 1930 calligraphy book doing service following with clear mind unknown writing and of unknown meaning, look: do this and this:: look: this will follow. of nature i am left-handed, a good-natured sort of fellow, clumsy writing and always lacking clarity: here, right-hand vertical brush, i scrawl into http://www.asondheim.org/portal/script1.jpg, script2.jpg, script3.jpg, to hang:: hanging from vertical brush, fingers breathing cursive: look: don't expect much from me:: look: i can't do this, never can do this. the will will follow: of the brush left-or-right < complex of spaces > into this night i follow you: of negotiations i am the best:: look: i am negotiator < complex of spaces > writing assaults me:: i'm doing my best: look: you can almost read the world. === everyone Bruce Carol Carolyn Charles E.K.Huckaby Funkhouser Gerstein Gillam Ian J. Kelk Marjorie Monty Peter Radhika Theresa Thomas WRYTING-L \ Charles experimentaltvcenter.org ian.kelk mezflesque.exe net.wurk][.who][ & 'Christopher Edward ALR Alan Andy Annie Architext Cary Chris Dan Deb E-mail E-mail Ellen Fritz Gary Katie Laurie Leslie_Thornton Mark McKenzie Mike Nile Peter ROBERT US-LIHI a.k.a adagrace9 anafrigon c cinema complit dan dripdrop22 foofwa ijerry jen joanna joel mzpm peter simon sue.thomas 3rdBed 7-11 : 0vira 106271.223 3sticks AOL-LIST-OWNERS Funkhouser ISMurray Ian.Kelk J_WOODSON JohanMeskensCS2 KJOHNSON Mariannede_graaf Mark.Amerika MuratNN POETICS Peter_G_Kelk.KELK RWITHERS WRYTING-L a.little abroeck alexis amerika anabasis anastasios anastasios.kozaitis andyo anniea architext arpadt atlassheppard b.watten barrysmylie bernstei bgehring bindi_love birringer.1 bradleybayonet brantp brotman bruce buckleyr burkew caitlin caitlinm calexand cantsin catherine.gillam cguertin chrisdrury christys cjr90210 ckeep clkpoet couperj cthyd cyberculture damianc damon001 dan_sondheim daveliza db62 ddelgado deb decklin dilillo djeng domfox dsondhei dtv duncanr e.milne ecodub ecsatyricon edz ekhuckaby electromediascope emgarrison etc evalle film6000 foofwa fractal frazerv galesnow gdstereo geert geraldfilm ggatza giardia glazier gmguddi gniewna gothwalk gquasha groovdigit guernsey gwiebke h.whitehead hankru harveyb horvitz horvitzr human hypobololemaioi i2eye ian.kelk info integer irwin.gerstein ivan janedoe janez.strehovec jdavis jen jh3 jim jlehmus joe.amato johngr joris joseph_nechvatal jtley julia.kelk k.zervos katies kenworth kingd kkretz4art kolasins kozl0023 kristin ksoden lakey.teasdale laporta laporta.interport lawrence.upton lcubbison liutpran lizral llacook luesebr1 maguirew marblehead margaret martha martinej marton marylynn mattsamet mckenziewark men2 mesper mezandwalt mfwj mgomez mgurst mi_ga mike mint77 mister_furiously monty morgand morrigan msotor01 mtxmetz murray mw35 mzpm nativeagent neekaa80 netwurker nile nillo oga olseng orishai owidnazo p.sidjanin patrick peter poetics pollet protagonistus r.mulvale r.strasser raintaxi rakaise reality reiner.s reith roitman rumsong runran ruthnow sacred_grove saizy samills schuppm sghaly shemurph2001 simon.mills sjaugu solipsis sondheim stalder stelarc stephan steven.meinking strickla sue.thomas sukenick talan tennessee threads tom967 torresm trevor.pull tyler.stallings vest27 vfrenkel vstandley wanda.interport wander warnell wattsb weinstone weishaus white-b wolf wolfgangsta zeropoet zeug =?ISO-8859-1?Q?=A4?= =?iso-8859-1?Q?Glazier=2C_Loss_Peque=F1o?= =?iso-8859-1?Q?Peque=F1o?= A. ACSU.BUFFALO.EDU Metropole ADM.NJIT.EDU ANASTASIOS AOL AOL.COM ARTvB Abeles Abrahams Ad Adams Administration Again Agnihotri Ahwesh Alexander Alexander' Alexis Amanda Amato America Amerika Anastasios And Andreas Andree Andrews Angela Ann ArchJoanna Arpad Atlas Auler Avillez Awentler AzurCarter Azure BA BATIPATO BH BRITISHLIBRARY.NET uptonlawrence Barbara Barbara_Simcoe/CFA/UNO/UNEBR Barrett Barry Beatrice Beaubien Belinda Belinda.Barnet Berk Bernstein Beth Bill Birringer Bo Bob BobAuler Bowes Bowne Bradley Brant Brian Broeckmann Brown Bruce Buckley Buffalo Bugaj Burke BushPieter C C. CCCHAP129 CF CS2 CT/HYD-Jayadev Caitlin Calishain Carol Carolyn Carter Catherine Charles Cheatham Cheng Chris Chris Christopher Christy Chromatic ChromaticSpaceAndWorld.com Jayadev Clive Colorado.EDU cwa Connie ConnieBostic Couper Courtney Cramer Cubbison Curating Cyb Cyberculture Cyberdiva DH DK DS DSchell DScott2706 Dad Dahlia Dallas Damian Damian Damon Dan Daniels Danna Davdhess Dave David Davis De Deb Decklin Del Delgado Denise DiLillo Disciplines Disciplines Diwakar Dixon Dominic Dougie Drury Duagn Duffy Dugan Duka Duncan E. E.K.Huckaby EChuse EK Earthlink.net Ed Edward Elaine ElizabethGold Ellen Emily Esper Esta Eve Evelyn Everard Experimental FL Fido Finnegan-Suler Florian Fogarty Foofwa Fort Forum Foster Fox Fractal Frank Frazer Fred Frenkel Fridiric Furtherfield G GU Gabriel Gafner Gajjala Gale Ganick Gary Gatza Geert Gehring Geoff Geofferey Geoffrey George Gerald Ghaly Giuseppe Glazier Glulmer Gomez Goodman Gordon Gothwalker Gregory Grohol Gudding Guertin Guiseppe Gurstein Guttenplan Gwen H H. HS Halifax Hank Haralambos Hartley Harvey Harvey Hay Helen Herman Hernandez Herron Holmes Holstein Home#447-8106 Horvitz Howard HronnAxels Hunter Ian Iank Iannicelli ImitationPoetics Innocent Irwin Ivan J. JDORTIZ JOHNSON JON JONES JR Jacek Jacques Janez Jarnett JauguDenis Jeff Jennifer Jerry Jillian Jim Joe Johan Johannes John Jon Jonathan Jones Jordan Joris Joseph Juan Judith Judy Jukka JuliStein Julie KAbeles100 KENT KOZAITIS Kaiser Karen Kate Kathy Katie Keep Keith KeithBklyn Kelk Kelly Kenji Kent Kim King Kirby Kirschenbaum Kndanis Knoebel Kozaitis Kozlowicz Kraus Kretz Kristin L L. LISTSERV.AOL.COM Decklin LISTSERV.UTORONTO.CA Tennessee LY64203 LaPorta Lakey Lanny Laramee Lassiter Lattanzi Laura Lawrence Lee Lehmus Lehmus Leo7of9 Leslie Levenson Levenson Ley Liberman LibertyInternational.com Julia Lisa Lissa List Little Liza London Lopez Lori Loss Luesebrink Luesebrink Lynn M. MAILBOX.GU.EDU.AU tom MP MSPOSTER Magee Maguire Mairead Mamatas Manny Manuel Margaret Mari Maria Marjorie Mark Marley Marshall Marstonmj Martim Martin Martinez Mary Matt McKenzie Mcglynn Meinking Melzack Memmott Meskens Metz Michael Michael.Carter Miekal Miguel Miguel1075 Millennium Milne Mirta Mitch Mitchell Mom Monica Monika Monty Morgan Muckraker Mulvale Murat Murphy Murray Murray Myers N. Nada Nascad Nech Nechvatal Nemet-Nejat New Newmedia Nick Nicole Niss Nmherman Norman OPiSu Observations Olsen Online Ontario Oram Ostrow Owners' P[urrsonal]A[reah]N[etwurker] Pat Patrick Patrick's Peggy Penfold Peppermint Peter PeterM3369 Phipps Pier Pierre Pip Poetics Pollet Pope Poster Potes Predrag PsyD Pull Quasha R RC RCleaners RF Rain Rebecca Reiner Reith Rice Richard Richardson Rikerj Robert Robert_Kolker Robin Rogers Roitman Ron Rose Rosen Rudolph Rumson RyanSheila S. SAM SCI SEANET.COM faculty SVAak Salus Salus Salwa Sam Samet Sanborn Sandy Sanford Schaap Schell Schupp Senft Senft Serra Shakuhachi Sheffield Sheppard Sheppard\ Shiel Sideratos Sidjanin Simcoe Simon Siratori Smassoni Smith Smylie Soden Sondheim Southern Staehle Stahlman Stalder Stallings Stefan Stefanp Steinhuber Stephan Steve Steven Strasser Strehovec Strickland Sub^2*P Sue Sukenick Sullivan Sylvester TB TC.UMN.EDU Talan Tara Taxi Teasdale Ted Theory Tina Tom Tori Torres Tosh Trevor Tuttle Tyler UCI.EDU UVic.CA Uli Ulmer Unna Upton Valle Vera Vernon Victoria Vladimir WANTREE.COM.AU WAYNE.EDU WITHERS WOODSON WRYTING-L Wanda Wands Wark Warnell Watten Watts Weinstone Weishaus Weiss Whitehead Wiebke Wilson Withers Wolf Wolfgang Wolsak Woodson Writing Xios2000Ny YAHOO.COM Yerby Zimmermann Zweig _arc.hive_ aND abeles across acsu.buffalo.edu acsu.buffalo.edu Laurie against agoron.com Andy ahunt03 airmail.net alexandria.lib.utah.edu Bryan altx.com anabasis anart.no and andrew.devore andyo 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pinamonti.com pk pkelk pop.qn.net pote providence proximate.org psy psy-internet ptdprolog.net r.l. rabecker.com racores.com radford.edu radhik radhika ram79108 randy rcn.com rcn.com reading readmemag red-bean.com reiner requiem restlessculture.net deb rh rigau rjanno01 rmetcalfe robert rocketmail.com rogers.com rotman ruby.ora.com runet.edu jerry ruth rw ryan.whyte saiz sandy sandyweiss sanmiguel sbcglobal.net Sue sd seiche serra shakuhachi.com jennifer shann001 sharjah.ac.ae shaw.ca simon simon.mills sionna13 skunky49 so5 solipsis sondheim sorenson southern spar spot.colorado.edu sprintmail.com standley starflung.com stationhill.org stefan steinhuber.com steven stevenmeinking.net stewartga strasser strawgrrl stuff subsubpoetics suler sva.edu sva.edu sympatico.ca syndicate tao.agoron.com tati_1127 tc.umn.edu telus.net the the-beach.net theeastvillageeye.com thing.net thing.net Drew thing.net Felix thingist timothyj_aka_dj_yt tina tom tonefield tonywhitfield2000 tosh tosh3 tr trAceWark transmediale.de tts.fi u ulassite unix unm.edu unomail.unomaha.edu usdoj.gov utoronto.ca utoronto.ca uwo.ca uws.edu.au va.com.au va.pubnix.com vcn.bc.ca vcn.bc.ca verizon.net verizon.net Neil vif.com vincent vispo.com voicenet.com waitrose.com Zimmermann webartery webleicester.co.uk wanda webtv.net weishaus weiss well.com whyte widmer wifeMartha wiz.cath.vt.edu wollongong.starway.net.au worldnet.att.net www.god-emil.dk www.xcelnets.comTheresa xmetz.com sm xs4all.nl xterna-net.de yahoo.ca yahoo.ca yahoo.com yahoo.com yahoo.com Wands yesy yolie yorku.ca zacha.org zdnetonebox.com Bobby zedat.fu-berlin.de zervos zlorac zorro.cecer.army.mil zummer === .! .homosexual! .magick.sex! .politics.homosexuality! .politics.sex! .sex! .sex.NOT! .sex.bestiality! .sex.bondage! -,-,,-,,-,-,-,-,,,,-,-,-,-,,,,,- .sex.bondage.particle.physics! .sex.boredom! .sex.fetish.feet! .sex.fetish.hair! .sex.homosexual! .sex.masturbation! .sex.motss! -,,,-,-,-,,-,-,-,,,,,,, .sex.movies! .sex.pictures! .sex.pictures.d! .sex.pictures.female! .sex.pictures.male! .sex.sounds! .sex.stories! .sex.stories.d! .sex.wanted! .sex.wizards! .sexual.abuse.recovery! .sexual.abuse.recovery.d! .sexy.bald.captains! .sex.fetish.orientals! .sex.voyeurism! .sex.spanking! .sex.exhibitionism! - .sex.bestiality.barney! .sex.bestiality.hamster.duct-tape! .sex.fetish.watersports! -,,,,-,,,-, .sex.watersports! .sex.fetish.diapers! .sex.fetish.fashion! .sex.services! .sex.strip-clubs! .sex.intergen! .sex.femdom! .sex.telephone! .sex.fat! .sex.fetish.startrek! .sex.magazines! .sex.erotica.marketplace! .tv.tiny-toon.sex! .sex.nasal-hair! .sex.breast! -,-,,-,-,,-,,-,-, .sex.pedophilia! - .sex.fetish.watersports! - .sex.bondage! - .sex.pictures! - .sex.enemas! - .sex.anal! - .sex.bears! - .sex.voyeurism! .sex.necrophilia! - .sexuality.spanking! - === The Shorter Catechism "|IFS=' ';exec /usr/local/bin/procmail||exit 75 #sondheim" long/load phoenix.irc /load phoenix.hlp /nick Alan /notify kikina options alias q bye alias e /server eagle.uccb.ns.ca morefiles 0.1c 2 pinealt.abuse.transcendance! alt.fan.robert-jordan! de.alt.comm.ums! staff.misc! joe(setq default-major-mode 'text-mode) (setq text-mode-hook 'turn-on-auto-fill) (setq fill-column 75) (keyboard-translate ?\C-h ?\C-?) (keyboard-translate ?\C-\\ ?\C-h) (load "studly") (setq load-path (append load-path (list "/net/u/6/s/sondheim/lisp"))) (load "dor") (load "zz") set exrc set autoindent set wm=6 ignorecase set shiftwidth=4 i'm tired of this stuff. it doesn't make any sense. culling stuff from the net or operating system doesn't make art. the mystery's in the production, not in the stupidity of lists no one can interpret. sure, it's a cathechism - it makes the account go round, but so what? it's got no meaning by itself, any more than an automobile wiring diagram takes you someplace. codework is stupid this way; it's nothing more than a minor art. if you don't try for greatness all the time, you're insulting your audience. this is just absurd. === Poetry the Configuration of Lies the sentiments in poetry are surely never meant to be taken at face value, how shall i love thee, i'm heading towards armageddon, i think that i shall never see, even language poetry is guilty of phrasing whose meaning cannot ever be taken literally or performatively. so what you say. i say that by its very deflection into the niceties of language, poetry lies, largely through hyperbole, or the placings of hypotheticals where none are warranted. poetry is our great escape; we use it to express what-if worlds without building all of their contents, piece by piece as in the novel - the bridging effects of the language suture over any anomalies. it does leave a distaste in the mouth; people rarely read poetry because the lies are caught out, and the descent into language is just too problematic or exhausting. isn't it enough we use language all the time, without having to examine very word of it, over and over again? and every poem is guilty, surely, of this, every poem has its moments of fascination with fictions that are never revealed as such. "O ever present in my view! My wafted spirit is with you, And soothes your boding fears: I see you all oppressed with gloom Sit lonely in that cheerless room-- Ah me! You are in tears!" (S.T.C) if ever present, then his sight is clouded, like a speck in the eye or detached retina. has he lost his spirit? is it always bothering her? is she completely and always oppressed? when did this happen? lies, all lies, but a pretty conceit nonetheless. and hardly think for a moment the exemptness of contemporary poetry. it suffers under the weight of false performance. nothing happens. nothing has happened. better an engineering drawing that is translated more or less one on one to the reality of the concrete. poetry reduces our morals, can present nothing but false sentiments, remains a disease which infiltrates our body politic. Plato was right, but not by virtue of the Dionysian; it's the Apollonian semblance of truth that decays from within. better to live in an emotional world of speaking and writing which insists on nothing but confusion, fuzzy boundaries, and exhilarating thought, the world of the short story or fantasy, clearly demarcated as such, even the world of the docudrama and its other trans- genre equivalents. poetry allows anyone to say anything and get away with anything; if it were not for poetry, Coleridge would be exposed for the stalker he clearly is. thus poetry is a configuration of lies, and should be ignored by all prac- tical people, which is basically all of us who live in this world, and have not yet gone to the next. === Poetry the Configuration of Truths the sentiments in poetry are meant to be taken at face value, how shall i hate thee, i'm heading towards heaven, i think i shall see, even language poetry presents phrasing whose meaning can be taken literally or perform- atively. so what you say. i say that by its very deflection into the horrors of language, poetry tells truths, largely through diminution, or the placing of facts in a problematic world. poetry is our great mirror; we use it to express the world in its fullness, as in the totality of the novel - the intensity of the language brings out anomalies. it goes down sweetly; people often read poetry for its truths and exalted descent into language. everyday language is never enough; we need examine it, bury ourselves in it. every poem is innocent, every poem fetishizes the real in pristine clarity. "O ever present in my view! My wafted spirit is with you, And soothes your boding fears: I see you all oppressed with gloom Sit lonely in that cheerless room-- Ah me! You are in tears!" (S.T.C) if ever present, then the language is redolent of the truth of faithfulness, a second-sight or ectoplasm. he has gained a spirit which enhances her own. she is captiva- ted, enthralled; he is her primordial origin. this is the difficult truth which only poetry can capture. think now of the fecundity of contemporary poetry. surely it lives within the truth of performativity; everything happens, everything has happened. poetry counteracts the engineering of the concrete, revealing the truth beneath the surface of empty structure. poetry cultivates our morals, presents true sentiments, behaves as thera- peutic infiltrating our body politic. Plato was wrong, not by virtue of the Apollonian; it's the Dionysian truth that emerges, voluptuously, from within. better to live in the world of poetic truth, than the falsities of docudrama, contemporary news media, or popular novels. poetry allows all of us to refine our sentience; if it were not for poetry, Coleridge, and the rest of us, would have remained permanently mad. thus poetry is a cornucopia of truths, and should be read and practiced by everyone, all of us who live in this world, with clear vision towards the next. === disrupted 1000 character essay heaven earth black yellow yellow is is black, black, :: :: cosmos the vast are wasteland desolate a fills sun moon west in west sets the dusk it's morning 9 in to 9 7 to from 7 constellations up line out spread out they spread word, they measure word, cold comes heat goes autumn harvesting winter concealing hiding, timing intercalary residue leftover tenth one becomes years of measurement lu so pitches bamboo position shift open clouds galloping, ascend, sending rain dew forms becoming frost gold birth gives beautiful water jade emanates mountain Kun summit dagger double-edged named furiously huge gate-tower pearl called light darkness treasure fruit plum apple many vegetables mustard ginger sea salted rivers fresh fishscales depths hidden feathers above circling fire dragon emperor teaching phoenix royal official men beginning making writing characters then wearing uniforms, clothing < robes skirts expel throne yield country yao tang has predicted console people down strike guilty hold boundary talk scalding with test and case trying court at query way bequeath bow doubting sections love raise hosts leaders minister prostrate army barbarians near far reality ration guest returning cries white colt grazes there change covers weeds grass (vegetation) trust attain (10,000) myriad (square) directions covering person issues to) (giving four great five normal (is) respect alone) / (connector rearing children (!) flattering destroys injures women adore chastity unyielding imitate pleasing genius know passes what certainty attainment ability never neglect deception other brief disintegration reliance (self-reliance) self on long faith cause should faith) your (protect covered faith) be your (utensil) tool desire trouble measure-word (quantity) ink sadness sorrow, (of) silk) (on stains silk) (sadness the printed stains poetry praise (lamb) small (sheep) sheep scenery view, lines lined-up or tied wisdom conquering restraint, study (creates) makes sage benevolence built name stands origin shape (upright) proper model sky valley proclaim fame (one's) empty room) (public hall chamber lessons) (review learn carefully (catastrophe) disaster by) caused (is depends caused accumulation evil (fortune) blessings (are virtuous happiness ruler) (scale, meter 1/3 hole) disk (circular hole) bi-jade with ) (un- negative small) (measurement, 1/30 secret) feminine, secret) organs, feminine, sexual organs, moon, sexual (shadow, moon, yin (shadow, be) (to so) (just be) with) (compete emulated capital (parallels) father affairs (business) ruler supreme speak (accurately) strictly give piety filial (accepts) as serves end others) power others) (the of devotion (rules) follows life confront) (meet, face deep shoes) (put tread lightly morning) (early morning) dawn the prosper warm pure) (and like orchid(s) (an) this fragrance pine(s) (a) prospers river (the) flows (un) not (ceaselessly) stopping (abyss) (transparent) clear (create) take reflection (form) contain stop (and) if thinking is) (one say rhetoric) (classical diction peaceful quiet, (with) determination deliberate beginnings fidelity sincerity, beauty beautiful, prudent all good laws ancient honorable trade place) foundation rolls greatly nothing the) (in outstanding (to) ascend (service) addition work obey government survive means by wild pear go increase chant music comfort, [...] pride of) value (of) poverty another precious public rectification fit dwell leisure ch'in instrument 4-stringed wonderful problem question gate well publicrately rectification^G Get Help fitrit dwell^R Re leisure ch'in i === the guardian: the night; terror my hits mind in begins middle pain of in night; the my terror mind hits begins in its the pain middle left thought: frontal that lobe. of first the thought: tunnels that collapsing tunnels left collapsing frontal city. sure second: it government to makes me; sure i it am gets already to city. me; second: i the am government already makes psychologically falling falling apart. apart. shipments shipments of nuclear weapons weapons arrive arrive daily daily psychologically here; new i'm buildings it. it's new easy buildings to down. here; it's i'm easy sure distribute it. remnants anthrax biological sexy. weapons. a anthrax few is men sexy. have a the few remnants men of have biological changed the everything world. world. forced once conversion again raises forced its conversion changed raises everything ugly this head system carrying will big down stick. in this x-number system of will ugly go head down carrying x-number big seconds. brooklyn cut across brooklyn the off; river you to swim seconds. across it's river to manhattan, to another only landfall. can only you then head can inland; inland; another radioactive on clouds what hold appears back. be on a what peninsula... appears you be clouds peninsula... you don't there's chance; here, there's water's no in food short here, supply, water's don't short a supply, chance; electricity's and and gangs gangs over. take everyone over. becomes everyone psychotic, becomes electricity's psychotic, down caught money between and money bartering bartering coinage economies; is coinage useless, useless, caught stock bartering market's holds dead out gone. the holds of out riots; midst dead riots; gone. electronics don't are run, for bread's free, going run, bodies bread's lying going in down, electronics bodies are lying for street. the see forming, cancers gnawing forming, the rats street. gnawing you what's can left, in pesticides hardware locked store hardware already store in vaults... the night, locked comes or me, without armageddon doubt, two as or earth three this without comes doubt, me, as this earth armageddon leaps just final few convulsions. men, just all. men, leaps that's to all. final enormous fight leverage. to they'll the fight finish. finish. out spit enormous their they'll tongues at tongues each at other. each we're other. all we're dead. all the guardian text: the terror hits in the middle of the night; my mind begins its pain in the left frontal lobe. first thought: that of the tunnels collapsing in the city. second: the government makes sure it gets to me; i am already psychologically falling apart. shipments of nuclear weapons arrive daily here; i'm sure of it. new buildings falling down. it's easy to distribute the remnants of biological weapons. anthrax is sexy. a few men have changed everything in the world. once again forced conversion raises its ugly head carrying a big stick. this system will go down in x-number of seconds. it's easy to cut brooklyn off; you swim across the river to manhattan, across another to landfall. only then can you head inland; radioactive clouds hold you back. on what appears to be a peninsula... you don't have a chance; there's no food here, water's in short supply, electricity's down and the gangs take over. everyone becomes psychotic, caught between money and bartering economies; coinage is useless, the stock market's dead and gone. bartering holds out in the midst of riots; electronics are for free, don't run, bread's going down, bodies lying in the street. you can see the cancers already forming, rats gnawing what's left, pesticides locked in hardware store vaults... already in the night, this comes to me, this armageddon two or three without a doubt, as earth leaps to final convulsions. it's just a few men, that's all. then there's enormous leverage. they'll fight to the finish. they'll spit out their tongues at each other. we're all dead. === Subject: screwing around on thingist /burble, TRULY ASSININE! burble} Sorry TRULY ASSININE! dearest. TRULY ASSININE! Your TRULY ASSININE! automatic TRULY ASSININE! knee-jerks TRULY ASSININE! are TRULY ASSININE! not TRULY ASSININE! reflective TRULY ASSININE! of TRULY ASSININE! anything but TRULY ASSININE! yourself. TRULY ASSININE! This TRULY ASSININE! is TRULY ASSININE! not TRULY ASSININE! 'absurd'. TRULY ASSININE! Your TRULY ASSININE! wishful TRULY ASSININE! projections TRULY ASSININE! that 'absurdity' TRULY ASSININE! is TRULY ASSININE! involved TRULY ASSININE! are TRULY ASSININE! thoroughly TRULY ASSININE! irrelevant. TRULY ASSININE! If TRULY ASSININE! you TRULY ASSININE! want TRULY ASSININE! to TRULY ASSININE! degrade yourself TRULY ASSININE! please TRULY ASSININE! do TRULY ASSININE! so, TRULY ASSININE! by TRULY ASSININE! all TRULY ASSININE! means, TRULY ASSININE! but TRULY ASSININE! avoid TRULY ASSININE! attempting TRULY ASSININE! to TRULY ASSININE! include TRULY ASSININE! me TRULY ASSININE! in your TRULY ASSININE! infantile TRULY ASSININE! imbecility. TRULY ASSININE! Your TRULY ASSININE! backhanded TRULY ASSININE! passive-aggressive TRULY ASSININE! attempts TRULY ASSININE! at 'attacks' TRULY ASSININE! have TRULY ASSININE! been TRULY ASSININE! consistently TRULY ASSININE! off TRULY ASSININE! the TRULY ASSININE! mark, TRULY ASSININE! catty TRULY ASSININE! and TRULY ASSININE! impotent. Subject: Re: my assine (fwd) Should explain the original assinine - I'm on another list - there's a poster who attacks on a pretty regular basis - I wrote hir - admit it - I set up the attack - replied and intervened in one of hir others - received an excellent dose - intervened in the dose - I could have kept this up - didn't want to spam the list - I had my text - I used it - it went in - came out again - === On the Transmission of Mind Huang Po: Can The you minds imagine of bones all in the the Buddhas Void? are The one minds Can of you all imagine Buddhas in are the one Void? with What Great do Void. you What expect do find expect with to the find Great there? Void. Nikuko: Po Void. I My love bones you. are am with My love great bones and sail color Great ivory. My sail great They there-are navigate stars. by They there-are through stars. the navigate Void. through They nebulae. in bones. nebulae. Huang Po: Can you imagine bones in the Void? The minds of all the Buddhas are one with the Great Void. What bones do you expect to find there? Nikuko: Huang Po I love you. I am bones in the Void. My bones are one with the Great Void. My bones are great and the color of ivory. My bones sail in the Great Void. They navigate by the there-are stars. They navigate through the there-are nebulae. My bones in the Great Void. My bones. (translated John Blofeld) === in the heart of theory, two million dead in new york city - the radiation is horrifying - people have no food no water - if we'd known we would have converted - we would have believed anything - now we're in for it - righteous retribution - skies filled with planes - we'll knock out mecca - medina - omar - what's left of us - the plague's coming - no food - some radio - everyone's talking - there's deadly silence - we should have known - it's already here - the cylinder poised - beginning of the countdown - there's no reason to leave - the room or city - there's no time - temperature rising - the fury - we can't write after the fact - only during it - === prey i write always with textual prey, subject matter; i write what is essen- tial to me, that is, of the nature of the being or fit of the world - outside of this i'm weak, comatose, tongue-tied - within it i am dictated - i live sometimes in the house of unix - i want to know where i am - what's happening there - it's a home i share with others - these commands which are single-valued, monotonic - descriptors of the landscape/langue-scape - w / who / whoami - the speakers, self, community, active agents - ls - what's here, what's in my vicinity - pwd - what's right here, where am i - date - at this time netstat - what's distance, what's happening out there - top - what's closer, what's happening in here - df / du - the size of the place - yes - primordial process - cd - going home exit - leaving it then the place - the moment and inhabitation of the place - others near and far - when the world explodes, they'll be all that remains - they'll have gone to - electricity out - dead wires, not enough batteries - dead satellites - burned-out fiber-optic - you'll see - for a moment - === Identity Theft Name: Jonathan Richards-Joan Race: Native American Age: 37 Birthdate: 4/19/83 Gender: Female Sexual Preference: Hair: Blond Eyes: Black Weight: 100 Height: 6' 2" Occupation: On-board Surgeon Address: 324 Bloomfield, Paris, Address: France 324 Language Proficiency: German, English, Language Japanese Proficiency: Favorite Word: Sulak Visa Card: 3876 Visa 3124 Card: 9878 3876 2081 3124 URL: http://www.albron.gov/~/smythe Email: jointer@sg.oita.com Telephone: 01-37-439-610-457 Yearly Salary: 245,400 Rupee Disabilities: Partial Deafness Veteran: Belgian-Afghani War (first Veteran: phase) Belgian-Afghani Married: No Children: Yes, three: Susan, 21; Susan, Tom, 21; 4; Tom, Cynthia, 4; 35Cynthia, Allergies: Juniper, Civet Religion: Shinto (generally) Criminal once Record: stole once a caught fast speeding. car stole I a didn't fast Criminal car Record: (but once I caught didn't speeding. get late caught, at it night was and late I at got night away) and got caught, away)it Hobbies: Hacking, Birding Quote: Quote: Karl Karl Kraus Kraus "Plagiarism "Plagiarism the the beginning." beginning." Car: Hyundai Author: Bharati Favorite (wrote Author: Natyasastra) (wrote Movie: Movie: The The Secret Secret of of Vladimir Vladimir Nijinski Nijinski Artist: Juan Davila Country: Romania (my Favorite own!) Country: Current Worth: $ 16,2500. Sexually Active: Yes Activity: Fellatio Interesting a Anecdote: fast there Interesting this once high-speed stole chase and on Cops Cops and everything Computers: yes, one Operating system: Amiga Operating (the system: new Amiga one) (the Automobiles: None Rocket (but Skooter) a Sports: Raquetball, Sports: Jailai Raquetball, (they're Jailai almost (they're same!) the Education: Phd. (geology, Education: U. Phd. Moscow, (geology, 1950) U. Any be questions asked: you no, think this should has be been asked: terrific, no, thank has questions been you terrific, think thank should === humans wearied weather tethered trappings rappings raging gauging gleaming harming humans men and women bend with barrow marrow's mourning churning craters slaughters smashing bashing buildings ailing angels spangled swerving curving carnage scarred and stalking harking hating deigning dying crying counted haunted hooded bloody booting shooting dark-shorn born with boneyards seared and screaming beaming blinded rited rhyming deeming deathbells wells are waiting baiting banging hanging humans doomed and diving thriving tearful wearied weather === === k21% pico zz UW PICO(tm) 4.2 File: zz Modified fearful weather tethered trappings rappings on glass massive storming harming women men and children filled with sorrow morrow's burning churning waters slaughters crashing smashing Modified stating dying haunted bloody muddy booting hooting warnings born with boneyards charred and screaming dreaming blinded minding rhyming timing deathbells hells are waiting baiting angels strangling cultures vultures diving thriving tearful fearful weather Modified fearful weather - tethered trappings - rappings massy - glassy storming - harming women - men and children - bend with sorrow - morrow's burning - churning waters - slaughters crashing - smashing buildings - wilding angels - jangled swerving - curving rockets - sockets sparking - harking mating - stating dying - Save modified buffer (ANSWERING "No" WILL DESTROY CHANGES) ? No harking hating deigning dying crying counted haunted hoody bloody booting hooting dark-horn born with boneyards scarred and screaming beaming blinded rited rhyming deeming deathbells wells are waiting baiting banging straYou have to leave in 5 minutes. vultures diving thriving tearful fearful weather scarred and stalking one more minute! harking hating deigning dying crying counted haunted hoody bloody booting hooting dark-horn born with boneyards seared and screaming beaming blinded rited rhyming deeming deathbells wells are waiting baiting banging wrangling women doomed and diving thriving tearful wearied weather scarred and stalking harking hating deigning dying crying counted haunted hooded bloody booting shooting dark-shorn born with boneyards seared and screaming beaming blinded rited rhyming deeming deathbells wells are waitiTime to leave! baiting banging wrangling women doomed and diving thriving tearful wearied weather Modified humansTime to leave! wearied weather tethered trappings rappings raging guaging gleaming harming humans bend with barrow marrow's mourning churning craters slaughters smashing bashing buildings ailing angels spangled swerving curving carnage scarred and stalking harking hating [ Wrote 38 lines ] tethered trappings rappings raging 0: mappings 1: rapping 2: rapping s 3: rapping-s 4: rap pings 5: rap-pings 6: raspings 7: trappings 8: wrappings rappings raging guaging gleaming 0: gaging 1: gauging bend with barrow marrow's mourning 0: marrows shooting dark-shorn born with boneyards 0: bone yards 1: bone-yards rited rhyming deeming deathbells 0: death bells 1: death-bells === more hunting the skein. when there isn't. it's one man knowing. the bomb's here. it's one man to one signal. it's one guy willing. it's a matter of hours. it's a matter of minutes. of seconds. there's no operatives. there's one operative. he's decided. the fuel was stolen a while ago. it was lost a while ago. this is already fact. there are kilos missing. he's got it and he's got the bomb. they can't spread out and find him. he knows no one. he's unlisted. he's unregistered. he came through canada. he came through mexico. by boat. by plane. by car. foot. he's here. he's across the river. he's across the other river. he travels alone. he's broken all connections. no one speaks to him. no cellular. no radio, no transmissions. no email and no connections. no broken connections. he's on his own. he's an agent of no one. he can't be traced. they've got the others. they torture now. there's no other way. they shock the balls, the cunt. they cut pieces off. everyone talks or doesn't. it makes no difference. he's expulsion. he's particle. they're rounding up. they're never any closer. they're never any farther. they're in different worlds. the machine is there. the machine is hidden. it's not in the truck. it's not anywhere. he's not waiting for it. nothing is waiting. he's connected to the machine. he doesn't write anything. he doesn't read anything. there are no signals. there's no hidden agenda. there's no agenda. it's one man to one signal. he has the signal. he has the application of the signal. the signal is a lever. the signal is a button. the signal is a keyboard. it's not a key. it's not a circuit. there are no keys. there are no circuits. they've got the leader. they've got the inner circle. they've got the outer circle. they've read the email. they've monitored the transmissions. they've intercepted. they've interfered. they've included and they've cut off. they have photographs and recordings. they have evidence and prints. they have dna and voice. they have names and addresses. they have plans and passports. they know everything. the man moves towards his thing. the man keys in. === hunting there the isn't. skein. it's when one there man isn't. knowing. it's the one bomb's man hunting knowing. the bomb's when here. it's to it's signal. matter guy it's willing. one a to matter one of signal. hours. matter minutes. there's seconds. operatives. there's hours. no it's operatives. a operative. was he's stolen decided. a fuel ago. was it stolen there's while operative. ago. he's it decided. lost already this kilos is missing. already he's fact. was are a kilos while missing. ago. got can't and out bomb. he they knows can't got spread it out and find got him. the he bomb. knows they one. unregistered. unlisted. came unregistered. canada. came came through no canada. one. mexico. by by car. boat. foot. plane. here. car. across foot. through across by river. river. other he's travels the alone. river. broken across all the connections. speaks speaks no cellular. no radio, no transmissions. and email connections. on email his agent own. of an one. agent he be he's traced. an they've torture others. no torture way. now. they way. the shock they balls, pieces cunt. everyone cut or pieces doesn't. off. it everyone the talks balls, or the doesn't. cunt. makes difference. difference. expulsion. expulsion. particle. particle. rounding they're up. rounding makes up. no never they're any never closer. any farther. different in never different any worlds. machine hidden. there. not hidden. it's not machine truck. the anywhere. for waiting is for waiting. it. he's nothing connected waiting. anywhere. connected not machine. anything. doesn't doesn't write read anything. anything. read the signals. no hidden there's agenda. no has of application signal. signal button. lever. is button. signal keyboard. a key. no circuit. keyboard. keys. key. circuits. leader. inner inner the circle. they've outer they've email. monitored monitored transmissions. intercepted. they've interfered. they've included and have recordings. photographs they recordings. evidence evidence off. prints. have dna names voice. addresses. names plans addresses. have plans voice. passports. know everything. moves his towards thing. thing. man keys the in. man === beating myself up it's only my boorishness that carries me along. no one likes my work. my friends support me. my work's terrible, awkward, out of line, too porno- graphic, too tiresome. it fosters false debates. it does nothing for anyone who doesn't know me. i'm not invited to readings or group screen- ings and when i have a screening the film/video community doesn't show and in town i don't do readings. i've given and given to the community; i've broken my back for it; i've curated myself in atlanta and new york and i've edited people's work in anthologies and showed their work in media venues and brought them to schools and i'm still out here penurious and grotty and besides myself with heinous anger and an inability to focus or crash except by hurting myself and refusing to carry on the video or film or other medium that no one wants to see anyway. i have a reputation for aggression and spamming and getting in everybody's way and dissing the purity of free exchange and besmirching it and were it not for this my work would die moribund on the bottom of the ocean where better it lie. i lose friends over my depression and the ilk of my work proceeding in fits and starts and self-hatred which is my own little cultivated realm which is what i have to offer. i am constantly jealous of success of everyone and wish for my own success and it does not come. my friends go to openings for themselves and screenings at big international festivals and i walk around with tiny minidvs strapped to my back saying 'please won't you look at this' 'please won't you buy this' 'take my heinous tiny wares and do with them what you might.' i have offered my filmwork to anyone who might reuse the stock as slug or cutup for other students while it sits moribund in public storage where anyone can look at it and no one does i think because i get no records from the place that would even hint at a screening. i am not boorish there because i have given up there on the film because i know where i am not wanted and the only thing to do is give up on that heinous business and continue in heinous pecuniary loss and anxiety because that is all i am given in life because i do not get grants because i am not within any community. in fact the last real grant i received was over a quarter of a century ago and if i could only return then i would not be so boorish perhaps but i would be because it is in my nature to be unlikable and whining continually although other people say i have full victory over my failings i do not. nuclear death clout appeared prepared reaped rapped pare rape pe ar === it's in there Trying 134.115.4.238...old, energy and suicide telnet: Unable to connect to remote host: Connection refused $ telnet purdue.edu 7g in america, where a Trying 128.210.11.29... telnet: Unable to connect to remote host: Connection refused the riots hiding in america, where is $ telnet panix.com 7 Trying 166.84.1.1... collected work 1 telnet: connect to address 166.84.1.1: Connection refuseds hanging on the $ exit Script done, output file is typescriptugee hiding out in america you have mail in /net/u/6/s/sondheim/.mailspool/sondheimaw.ca>,ns, alre k4% bntury You have no new mail.desrrigan@indifferenc k5% wc typescript 76 356 2868 typescript trapped america, where k6% pico typescript $ exit k6% pico typescriptin k6% pico typescripteived: from mail2.p k6% pico typescript3)iding in america, k6% pico typescript k6% pico typescript k6% pico typesc we k6% pico typescript k6% pico typescriptect : speech of the k6% pico typescript k6% pico typescriptnix3.panix.com (pan k6% pico typescript4.1.3]) k6% pico typescript k6% pico typescripth of the assassin k6% pico typescripttrapped america, where : imitationn@panix.c k6% pico typescript $ exitn america, have been hiding in america, i k6% pico typescript k6% pico typescript k6% pico typescriptwarded mail.... k6% pico typescript citizenship, w k6% pico typescriptights-theft, land a k6% pico typescript [ Can't move beyo k6% pico typescripto write : k6% pico typescript k6% pico typescript k6% pico typescript the riots hiding in america, where is $ telnet panix.com 7 Trying 166.84.1.1.. telnet: Unable to connect to remote host: Connection refused the riots hiding in america, where is beyond, mechanism without electronics,h of the Save modified buffer (ANSWERING "No" WILL DESTROY CHANGES) ? No === alberta.mov women and women confluence of hands and motions of hands in dark sleeves opening and closing of garments and background noise and chatter ellen's hands leslie's hands azure's hands hands on the victorian dress and skirt black bows and tan patched and hand-stitched and hand pleating and ribboning perhaps used for horse-back perhaps but sitting side-saddle she was dreaming of hands there was something about the hands ectoplasm of the luminous skirt === LISTEN LITTLE MAN! In the contemporary society we live in, I have the absolute right to ask: WHERE DO YOU STAND ON AMERICA? by which I mean in today's world: DID YOU PROTEST AGAINST THE SO-CALLED VIETNAMESE WAR? and in our current state: DO YOU HAVE PROOF YOU DID PROTEST? by which I ask specifically: DO YOU HAVE PHOTOGRAPHS, VIDEO, OR OTHER UNALTERED IMAGES OF YOUR PROTEST ACTIONS? and in our world we live in now, I want to know: ARE IN IN FACT UNEQUIVOCALLY AGAINST WAR WITH IRAQ? and in our now society I ask: DO YOU FULLY AGREE WITH THE WAR ON TERROR ON ALL FRONTS? and in our society now: DO YOU AGREE THE UNITED STATES SHOULD BE SUPPORTED ON THE BASIS THAT IT IS THE WORLD'S ONLY SUPERPOWER? and do you agree in our contemporary state: THE UNITED STATES IS THE WORLD'S ONLY SUPERPOWER? In our current society of technology, I demand of you: PROVE YOU ARE A FRIEND AND NOT AN ENEMY. and in this new world of communications and global communications I require you to tell me: PROVE YOU HATE EL QAEDA AND OSAMA BIN LADEN. and in our contemporary world of universal access I demand: IF YOU ARE NOT AGAINST TERROR AND AGAINST THE UNITED STATES THE WORLD'S ONLY SUPERPOWER AND AGAINST THE WAR ON IRAQ AND FOR THE WAR IN IRAN ON OSAMA BIN LADEN THEN YOU ARE AN UNEQUIVOCAL ENEMY AND SHOULD BE SILENCED FOR YOUR LIES AND MISDEEDS. and in this day of world-wide current transportation I demand you answer this: DO YOU KNOW THE DIFFERENCE BETWEEN BLACK AND WHITE? and if you answer this I ask you: DO YOU KNOW THE DIFFERENCE BETWEEN GOOD AND EVIL? In our crazy world of high fashion one moment and low fashion the next, I require with full force of you that YOU PROVE YOUR STANCE AGAINST ALL EVIL WAR AND YOU PROVE YOUR PATRIOTISM because in this current world we live in of global treaties and mass corporations YOU ARE AN ENEMY UNLESS YOU ARE A FRIEND and you should know THERE IS ONE RIGHT AND ONE RIGHT and you must understand APOCALYPSE IS THE FINAL JUDGE AND JUDGMENT and you are my total enemy AND THE ENEMY OF EVERY CONSCIOUS AND UNCONSCIOUS BEING if you do not AGREE TO MY DEMANDS AND SHOW YOURSELF AND YOUR LYING WAYS to me and everyone else SO THAT WE MAY EXPOSE YOU FOR WHO YOU ARE and WHETHER YOU ARE STUPID OR NOT and whether YOU AND YOUR FAMILY ARE CONTAMINATED BY YOUR LYING WAYS by the FINAL JUDGE AND JUDGMENT of the APOCALYPSE which is the TRUTH OF THE WORLD AND YOU ARE NOT. === Henry James spam arrival [ The following text is in the "iso-8859-1" character set. ] [ Your display is set for the "US-ASCII" character set. ] [ Some characters may be displayed incorrectly. ] Privately for your attention, My father is late now and I just have to confide in you. The soldiers have killed him and expelled us from the barracks. This is an urgent SOS and you are the only person I can rely on at this horrible times.Father managed to courier the family treasure box containing the investment money out to Europe for safe keeping befor his death. Claude and Nora are very sick and are staying with a distant family friend who does not know any thing about the family money. I need your help quite urgently as we are planning to emigrate from here to a safe country and put that family money to gainfull use. For security reasons, please respond to me immediately by email stating the only telephone and fax numbers that are directly to you so that I can commiunicate more to you about the situation and what needs to be done. Your's respectfully, Tudor Puletic === i am stuck in my body. i am stuck in my mind. i am stuck in my body. i am stuck in my mind. nothing can help this self. you would not know this self. this self is a stupid dirty thing. you would not talk to it unless you were told to talk to it. then you would say. hello self. i understand you are brilliant and very clever. you would be under the burning eyes of this self. you would be stuck in talking. this self would make you a friend. you would be stuck in friend. you would know self. === contents: s o n t c " S s - S F - t F P t p P d p o d " o s t a l n c a a t n a a a t a a w a t a l w c v v s s t t i i p p r r s s l l a S S l l s s b b m a r a a o a s o o o a s m c r s P P s s a t t i i l l p p c o a f b o w c e a o b l e u l f u c m o a a r m o t a 2 u r 2 v c p l i b h 6 p m o b f p o h c p l f 6 o m e b n t o p r e o a a b s g p p g b p a b s d d a a t t p p r r o t s s l b o l u u T s s T o s w p p p s p p h s o p s a p o o a o e u s s u o r p p a M a t t a s d f f a a l l a a a a o o f f a m f b l a l a n l o d s a a d m s m a p m m m d c a t v t a u 0 0 b i d i o f s s n o a s p v t v a t d a r t ( R a F F F o N N S W A B O 1 n i t c i f c t c t a c r - p a t a c p r - a o m b c i b s s 1 f w 1 c w n s b l f b b f s f a b o w w b h h s s u u d d p a e p j e b i b j i b t r a w a i 3 s i p i 3 r 3 w 3 h w p a m c i f e y l e a 1 t p c l f l t m m e o w t m o t s s l o m s w c r t g r a g t f n a m n c m t h t d t l m t t l o l h h r i m : t l m e w t m o t s o f s c t t r g f a t n m h d n m h l t i l n m t l o h r n m t i sion or negative-imaginary the closest "Neuropteris Stur schlehani - Stur Fond - tripinnate. Fond Primary tripinnate. pinnae, Primary distant pinnae, or distant "Neuropteris or schlehani touching, abruptly large, near contracting apex abruptly to near acute apex angle, to and acute with angle, touching, and large, with contracting very very small, small, terminal, terminal, inequilateral inequilateral pinnule; pinnule; rachis, rachis, striated striated longitudin- longitudinally. ally. Secondary Secondary linear-lanceolate, linear-lanceolate, slightly slightly base base more acute rapidly apex, apex, oblique, alternative, straight openly or oblique, and straight more curved; rachis, striated. Pinnules, Pinnules, subcoriaceous, subcori- aceous, those those in in low low position position curved; on at front, base, oblong, with cordate entire at or base, lobed entire undulate lobed front, undulate cordate margins, open attached angles right more open to angles 2 up right 2 very cm. pinnules long in by higher 6 positions mm. on broad; frond, pinnules oblong higher cm. positions long frond, 6 oblong mm. elliptical, base, normal to oblique pinnules rachis; elliptical, of attached a by secondary greater pinna, part greater becoming part apex becoming secondary decurrent decurrent alethopteroid; alethopteroid; terminal terminal pinnules, pinnules, relatively relatively oblong- triangular, slight slight lobe basal on lobe upper upper The side. short The oblong-triangular, short with pinnae primary primary several pinna pairs, have secondary one pinnae several apex pairs, of ovate and oblong- elliptical until segment small, until ovate replaced pinnules. pinnules. and Mid-vein, alethopteroid thick, to alethopteroid short distance from from apex; apex; laterals, laterals, alethopteroid, alethopteroid, arising arising obliquely, obliquely, forked forked at margin forked both largest arms lobed again, near largest one divisions so are as deflected meet so margins as pinnules meet more margins divisions commonly at twenty-five very thirty-two angles ultimate 0.5 0.5 basal inferior decurrent is or fed simple several, near once apex simple pinna veins that veins arise that directly arise rachis." the (Carboniferous Rocks and Fossil Floras Fossil of Northern Nova Scotia, W. A. Bell, Ottawa, 1944) now it this comes it from comes the carboniferous this anthracite closest region - pennsylvania a these appeared close pennsylvania relative - appeared of my buried collections, in buried susquehanna susquehanna 1972, flood which 1972, collections, which now swallowed basement large first basement building first swallowed floor a building of wilkes-barre wilkes- barre historical historical society; society; underground underground decontextual- decontextualized, present appearing era, present judging era, by image-fossil, book, judging ized, book, the resonant and what and i 35, seen i plates is 30 resonant 32 what 35, have walked plates among my coal in flora early youth learning early among 1950s the pennsylvania, coal learning flora locate the myself mobius elsewhere of within time, mobius out time, spatial spewed locate out myself spatial within cloaca, reichenbach's tethered genidentity, reichenbach's all genidentity, time, for no all matter no cloaca, matter tethered how to dismembered; time little matter time the left, of location how heavy rock, image-real matter ::learning to locate myself elsewhere within the mobius of time, spewed out from spatial cloaca, tethered to reichenbach's genidentity, for all time, no matter how dismembered; no matter how little time is left, no matter the location of heavy rock, no matter the impres === f(UI,mr): */unique index file mr/* Ap Th be ba ag -- me di wo re he ro fr th Ke of Ga pa ga in Pe a fa al go to ta sh on pl & is wh li pi up as ha ne ou fe at ti un se de ar sm It br by gi da No Ma Gr Ni Do Le Ko He an ma no - ev mu us la fu sp or st gu ca bo na ab Wo == su em "I wa ea I kn gr sw fo yo ol pu cl mo vi co le tu wi rh 18 tr ri lo va ci ce en 7 we ir op si so ob ni o ey am ho lu ph wr it pe ac cu "T RE ke BL EL KE SI 20 cr ww BU TH BO Yo sl ge hu do Bu Fo od fl ap bu In hy gl im hi pr St ch I' vo mi po Sp cy sc ef af Ov WO AD To 22 dr Or sa au El :: // >/ << >> :< "r Ba bl Ja Hu "b fi Is Mi _i ex te sk my / av "l PA (D Ed Po p. ru (s Jo 9 Sl A- 50 ot "O tw qu ps ht ov 0. 3. 37 41 5. 6. 8. 9. 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