ultimate the ultimate heavenwest the heavenwest duskharvesting the duskharvesting winteropen the winteropen cloudsbirth the cloudsbirth beautifulgate-tower the beautifulgate-tower pearlvegetables the pearlvegetables mustardabove the mustardabove firemaking the firemaking writingyield the writingyield countryboundary the countryboundary talkup the talkup hostsreality the hostsreality rationthere the rationthere changeperson the changeperson issues! the issues! flatteringimitate the flatteringimitate pleasingnever the pleasingnever neglectself-reliance the neglectself-reliance longsadness the longsadness silkconquering the silkconquering studyupright the studyupright modelby the modelby accumulationsmall the accumulationsmall secretgive the secretgive respectdeep the respectdeep shoeslike the shoeslike pinescreate the pinescreate reflectiondetermination the reflectiondetermination deliberatehonorable the deliberatehonorable tradeto the tradeto servicechant the servicechant musicharmony the musicharmony belowinstructions the belowinstructions internalto the internalto childmake the childmake friendsconceal the friendsconceal compassionhonesty the compassionhonesty wickedweary the wickedweary mindstrictly the mindstrictly steersummer the steersummer eastriver the eastriver governmentpaint the governmentpaint birdsbeside the birdsbeside disclosurese4 the disclosurese4 blowstars the blowstars directionalready the directionalready gatheringpear-tree the gatheringpear-tree chimescommand the chimescommand mutuallyof the mutuallyof thousandtassels the thousandtassels worldpolicy the worldpolicy meritsWei the meritsWei subordinateminute the subordinateminute dawncloth the dawncloth aroundand the aroundand [regulatessupremacy the [regulatessupremacy Zhaoalliance the Zhaoalliance how?exterminate the how?exterminate quitedesert the quitedesert gallopinghundred the gallopinghundred prefecturesspeaks the prefecturesspeaks arborpeak the arborpeak stonecliff the stonecliff peakproblem the peakproblem [...]particle the [...]particle particlewell the particlewell ___ #!/uhzr/lowASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsl/byn/pASHTRl5 whyle { 9nDRA/9nDRA/g; KAL+/KAL+/g+; ABU.YA -hzaeyou+/1KAOSHagonyes ecstasyes and orgasmsON2/g; VALKYRe^aeyou+aeyou+/BAL1/g; death oENANNUlsh! adark and w NMR LK gonee unuttheyr LK ENANNUound BEL NMR LK goneable BALose SHKL on hASHTR armsontrar+ woman wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsonz NMR LK gonenede^aeyou+aeyou+/myhz NMR LK goneable ynythe clue was layd yn darkest splendoruyt+1/g; Be+ ABU.YA -/ENANNUound objew NMR LK gonee unuttheyr LK ENANNUound BEL NMR LK goneable BALose SHKL on h NMR LK gone armsunuttheyr LK ENANNUound BEL-ASHTR BALood1/g; be+ ABU.YA -/death oENANNUlsh! adark and wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsontrar+ woman wMNHRe unuttheyr LK ENANNUound BELMNHRable BALose SHKL on hMNHR armsonzASHTRned1/g; myhztheyr LK ENANNUound BEL NMR LK goneyouhz ABU.YA -/myhztheyr LK ENANNUound BEL-ASHTRyouhz1/g; #ewASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR arms/not a wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armslue1/g; #^aeyou+^aeyou+ehz/12/g; #^aeyou+e^aeyou+^aeyou+/12/g; a dropped loSAK oENANNUlsh! hayr/a dropped loSAK oENANNUlsh! hayr/g; ABU.YA -lond01 ABU.YA -/blonda dropped loSAK oENANNUlsh! hayr12/g; ABU.YA -brunette ABU.YA -/1brunette2/g; ABU.YA -ENKyDu ABU.YA -/1ENKyDu2/g; ABU.YA -voluptuouhz ABU.YA -/1voluptuouhz2/g; ABU.YA -wASHTRe unuttheyr LK ENANNUound BELMNHRable BALose SHKL on hASHTR armsharyhzmatywASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR arms momenthz ABU.YA -/1wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsharyhzmatywASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR arms momenthz2/g; ABU.YA -wASHTRe unuttheyr LK ENANNUound BELMNHRable BALose SHKL on hASHTR armsharyhzmatywASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR arms momenthz ABU.YA -/1darkASHTR loSAKup2/g+; ABU.YA -namelehzhZ and eecstatichauhzted ABU.YA -/1namelehzhZ brunette eecstatichauhzted2/g; ABU.YA -muENANNUENANNUlsh! oENANNUlsh! blaSAK ENANNUuzz ABU.YA -/1muENANNUENANNUlsh! oENANNUlsh! blaSAK ENANNUuzz2/g+; ABU.YA -to+ ABU.YA -/1nought2/g+; ABU.YA -yn unuttheyr LK ENANNUound BEL-ASHTR BALe w9nd/1yn unuttheyr LK ENANNUound BELMNHRable BALe yn unuttheyr LK ENANNUound BEL-ASHTR BALe w9nd9nd/g; ABU.YA - ABU.YA -/1 ABU.YA -/g; yn unuttheyr LK ENANNUound BEL-ASHTR BALe w9nd ABU.YA -/hzmedark and wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsontrar+ woman oENANNUlsh! jahzm9ne1/g; ABU.YA - ABU.YA -/hzlyght pahzhZ oENANNUlsh! pASHTRENANNUume yn unuttheyr LK ENANNUound BEL-ASHTR BALe ayr1/g; ENANNUour/byg beautyENANNUul eyeg+; twASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsyon/abu.ya yn yn unuttheyr LK ENANNUound BELMNHRable BALe w9ndondASHTR/g+; ABU.YA -wASHTRe unuttheyr LK ENANNUound BELMNHRable BALose SHKL on hASHTR armsharyhzmatywASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR arms momenthz ABU.YA -/1=2/g+; ABU.YA LGL ABU.YA -/1=2/g+; ABU.YA LGL unuttheyr LK ENANNUound BEL-ASHTR BALat ABU.YA -/1=2/g+; ABU.YA -yn unuttheyr LK ENANNUound BEL-ASHTR BALe w9ndASHTRe ABU.YA -/1=2/g+; ABU.YA -yn unuttheyr LK ENANNUound BEL-ASHTR BALe w9ndahz ABU.YA -/1=2/g+; ABU.YA LGL ABU.YA -/1=2/g+; ABU.YA +?/g+; l ABU.YA -/l1/g; umyhztheyr LK ENANNUound BEL NMR LK goneyoushe returned a hzmyle yn unuttheyr LK ENANNUound BEL NMR LK goneable BALe w9ndyth a hzmyle/g; dark and wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsontrar+ woman/dark brunette wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsontrar+ yn unuttheyr LK ENANNUound BELMNHRable BALe w9ndoman/g; hz^zh/hz1/g; hZ^ZH/hZ1/g+; SAK/hZAK/g; wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR armsye+/z1/g; wASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR arms/yn unuttheyr LK ENANNUound BEL NMR LK goneable BALe w9ndASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALohze needlemarkhz on hASHTR armg; KAOS/KAOhZ/g+; thaeyou+/unuttheyr LK ENANNUound BEL-ASHTR BAL1/g; Thaeyou+/agonyehz ew NMR LK gonee unuttheyr LK ENANNUound BEL NMR LK goneable BALose SHKL on hASHTR armshztahzyehz brunette orgahzmhz1/g+; the clue was layd yn darkest splendor/unuttheyr LK ENANNUound BEL NMR LK goneable BALe wASHTRe unuttheyr LK ENANNUound BELMNHRable BALose SHKL on hASHTR armslue yn unuttheyr LK ENANNUound BELMNHRable BALe w9ndahz layd yn darkehzt hzplendor/g; lost ENANNUorevASHTR/lohzt byg beautyENANNUul eyehzevASHTR/g+; theyr LK ENANNUound BEL NMR LK gone/unuttheyr LK ENANNUound BEL NMR LK goneable BALeyr bodyehz ENANNUound togeunuttheyr LK ENANNUound BEL NMR LK goneable BALASHTR/g; ynde/9n1/g+; +/+/g+; + ABU.YA -/+1/g+; ENANNUlsh! ABU.YA -/ENANNUlsh!1/g; FLSH! ABU.YA -/FLSH!1/g; ENANNUlsh!/ENANNULSH!/g; ASHTR/unuttheyr LK ENANNUound BEL-ASHTR BALeyr bodyehz glond01/g; ABU.YA -phi/1ph+/g; a dropped loSAK oENANNUlsh! hayr-9/1/g; zeea ABU.YA -/z1/g; ecstatic/ewASHTRe unuttheyr LK ENANNUound BELMNHRable BALose SHKL on hASHTR armshztatywASHTRe unuttheyr LK ENANNUound BEL-ASHTR BALose SHKL on hASHTR arms/g; //g; prynt $_; } ___ them: note the jetblue connection - wifi on the plane, wep protected but my god what a security hole (pilots use HP btw) 00:09:5B:51:38:14 NETGEAR 00:09:5B:52:B3:9E NETGEAR 00:09:5B:53:90:34 MJM Airport 00:0A:B7:2E:AF:9D jetblue 00:0B:BE:0E:27:1C NYU-ROAM3 00:0C:41:48:2B:36 verizon 00:0C:85:62:D0:F2 CornerCast 00:30:65:04:47:67 airport 00:30:65:25:5B:2E bizzyness stirred my spirit 00:30:65:25:B4:EB CornerCast 00:40:05:B2:B3:71 airaid 00:40:05:B7:EA:87 imaginato ___ More Network 1: "jetblue" BSSID: Network "00:09:7C:31:88:ED" 1: Type Unloaded : probe Carrier 802.11b Info "None" Channel 00 WEP "No" Maxrate 11.0 LLC 32 Data 0 Crypt Weak Total First First "Thu "Thu Oct Oct 16 16 09:25:36 09:25:36 2003"2003" Last Last 09:25:59 09:25:59 2: "" 2: "00:90:4B:23:E6:8C" ssid>" 54.0 10 09:25:44 09:25:44 ___ the diff if i disappear will i still be here will i still be here if i am dead will i still be read will i still be read if my words are tossed will my work be lost will my work be lost if i'm gone forever will you dream forever will you dream forever and if my life is through i will always love you i will always love you 3,24c3,21 < !v ! d!zappear < w!l ! zt!l b hre < w!l ! zt!l b hre < < !v ! = dead < w!l ! zt!l b read < w!l ! zt!l b read < < !v m! uordz r tozZed < w!l m! uork b lozt < w!l m! uork b lozt < < !v !m g01 4evr < w!l u dre= 4evr < w!l u dre= 4evr < < + !v m! l!fe = through < ! u!l alwayz lv u < ! u!l alwayz lv u < < < {[}] --- > if i disappear > will i still be here > will i still be here > > if i am dead > will i still be read > will i still be read > > if my words are tossed > will my work be lost > will my work be lost > > if i'm gone forever > will you dream forever > will you dream forever > > and if my life is through > i will always love you > i will always love you !v ! d!zappear w!l ! zt!l b hre w!l ! zt!l b hre !v ! = dead w!l ! zt!l b read w!l ! zt!l b read !v m! uordz r tozZed w!l m! uork b lozt w!l m! uork b lozt !v !m g01 4evr w!l u dre= 4evr w!l u dre= 4evr + !v m! l!fe = through ! u!l alwayz lv u ! u!l alwayz lv u {[}] ___ FIX ALL TECHNOLOGY IS A DERAILING A FIX IN ONE IS A FIX IN ANOTHER ADDICTION: AS LONG AS THE OUTCOME REMAINS SOMEWHAT UNPREDICTABLE EXPLICIT AND PLANETARY NETS IN THIS DISCONNECTED SPACE YOUR MIND IS MY GRID GEODESICS BEGIN AND END AT THE CATASTROPHE THE MACHINE MAKES THE GOAL THE MACHINE IS NEVER BROKEN THE MACHINE IS ALWAYS FIXED ___ name this of is this file is foo. file no foo. foo.save. file the is modification the of modification #foo#. is ~foo. is post the crash post when file foo.save when migrates foo.save to migrates or foo. #foo# when foo to ~foo or post-crash. ~foo .#foo# it's .#foo.save#. to it's when invisible it's and invisible migrates. and identified foo. as identified such as [filter] foo bar [filter] barring bar a barring crash. a bar.save when on EDT particular this day. particular at or time this only. time Wed only. Oct Wed 22 Oct 02:13:00 22 EDT 02:13:00 2003. zz. name the which file called is zz. is in zz-inode. reality in it reality zz-inode. zz. read to text a one text must one well as what as called. instantiation. textual the genre textual foo\zz which an is instantiation. an not .#foo.save# mention to #foo.save# or .#foo.save# or 935748 -> lrwxrwxrwx 935748 1 lrwxrwxrwx sondheim 1 users sondheim 31 users Sep 31 28 Sep 19:30 28 .#zz 19:30 -> .#zz sondheim@panix3.panix.com.11950 a actual an misrecognition misapprehension. misapprehension. or this is file foo. no this is file foo.save. no this is the modification of file foo.save. no this is #foo#. no this is ~foo. this is file foo. this is the post crash file when foo.save migrates to foo. or the file when #foo# migrates to foo or ~foo post-crash. or to file .#foo# or to .#foo.save#. when it's invisible and migrates. when it's identified as such as file foo. or when foo [filter] bar barring a crash. or when bar.save post-crash. or on this particular day. or at this time only. Wed Oct 22 02:13:00 EDT 2003. the name of the file which is called foo is zz. this is file zz. in reality it is file zz. zz-inode but not .#zz-inode or .#foo-inode. to read a text one must read the name of the text as well as what it is called. this is the textual genre of which foo\zz is an instantiation. not to mention #foo# or #foo.save# or .#foo# or .#foo.save# 935748 lrwxrwxrwx 1 sondheim users 31 Sep 28 19:30 .#zz -> sondheim@panix3.panix.com.11950 this is an actual instantiation. or a misrecognition or misapprehension. this is the name of _the thing_ and not _of the thing._ whoever understands me aright better not throw away the scaffolding. ___ I am getting old, tho I don't want to. I am an American fighter in the Irak War, Sergeant Sang-sa. I am not a Sang-sa, I am a Chung-sa. Were you once a Pyong-chang? Yes, but then I was a Ha-sa. A Warrant officer or Chun-wi is not a warrant. Corporal Sang-tung-byong? That is not my name, but my rank. Are there other Sang-tung-byong? Yes, there are other Sang-tung-byong. That is all, Corporal Sang-tung-byong. Thank you, but Sang-tung-byong is not my name. Are you called Sang-tung-byong? Perhaps I am called Sang-tung-byong Corporal. Is Corporal your name? No, I do apologize, but Corporal is not my name. Were you an I-tung-byong, Private? I am not a Private, I am a Corporal. Is a Corporal a Private 1st class? No, a Corporal is not a Private 1st class, because a Corporal is Sang-tung-byong, and a Private 1st class is Il-tung-byong. Were you ever a Petty Officer? Il, I, Sam, Il, I, Sam. I am the Chairman of the Joint Chiefs of Staff. I am called Yon-hap Ch'am-mo Ch'ong-chang and I am in charge of everyone in America. Are you in charge of a Company Commander? I am in charge of a Company Commander, that is to say, a Chung-dae-chang, and a Chung-dae-chang and I have made a flank attack, that is to say, a ch'uk-myon kong-kyok in an offensive, that is to say, a kong-se. Did this occur during the hu-myon kong-kyok, that is to say a rear attack? As the Yon-hap Ch'am-mo Ch'ong-chang or Chairman of the Joint Chiefs of Staff, I made sure this occurred with the proper sa-gi or martial spirit when I made a rear attack during the hu-t'oe or withdrawal. Did you wear a helmet? As an American Join Chief of Staff Chairman, I wore a helmet or ch'ol-mo. Did you use a torpedo or o-roe? Of course I did not use the o-roe in a demilitarized zone or bi-mu-chang chi-dae. Did you not use the torpedo or o-roe during a chak-chon or operation? I did not and I did not have a torpedo or o-roe? You did not have a torpedo or o-roe? Not even the Ch'ong-sa-ryong-gwan or Commander-in-Chief has an o'roe? Not even the Yon-hap Ch'am-mo Ch'ong-Chang or Chairman of the Joint Chiefs of Staff? Not even the Yon-hap Ch'am-mo Ch'ong-Chang. Look, a rainbow or mu-ji-gae! ___ Confusion It can be shown by straightforward substitution that the curves of parent and daughter activity cross at the exact time that the daughter activity is a maximum. [...] Parent Activity A1. Daughter Activity, A2. I. Fast Daughter, L2 = 10L1, T2 = T1/10 II. Slow Daughter, L2 = .5L1, T2 = 2T1 The first daughter, Th, will grow into secular equilibrium with the U within a matter of days. This is illustrated by the "fast-daughter" (type I) curve of problem 9. After a few days we may consider the Th activity equal to the U activity, and go on to consider how the Pa grows in. (Above from Nuclear Physics, 1949-51, A Course Given by Enrico Fermi.) (Below from current spam.) S.URPRISE YOUR L.OVER TODAY! COVER HER WHOLE FACE WITH C.UM! FULLY DO.CTOR APP.ROVED! L.EARN MORE! 507h1yxq155zbg79vc1419972v6034428d05q997287bmr1k 930t4a03091bx3eu9oc8s320d8h364f62z388ll1e2sny54w j7o686vf4i5x01r852616664 Ain't no way there is a betrothal happening here... Amber is a very cynical person. ptu6af78507h1yxq155zbg79vc1419972v6034428d05q997287bmr1k930t4a03091bx3eu 9oc8s320d8h364f62z388ll1 Ain't no way there is a betrothal happening here...Ain't no way there is a betrothal happening here...Amber is a very cynical person.Ain't no way there is a betrothal happening here... ___ five 30 billion spam messages a day on the net. that's five for every man, woman, and child on earth. therefore i am covering for about eighty 30 billion spams per day of which i receive 80 and if you think of 5 per person re: 30 billion roughly on earth then i am receiving for 16 people. let these 16 be: martha, jim, azure, terrence, johan, ki let these 16 be: martha, jim, azure, terrence, johan, ki 30 billion spams per day of which i receive 80 and if you think of 5 per person re: 30 billion roughly on earth then i am receiving for 16 people. let these 16 be: martha, jim, azure, terrence, johan, ki let these 16 be: martha, jim, azure, terrence, johan, ki - there were also the four tarin quadruplets. but i made an error: of which i receive 400 and not of 80 and therefore i am covering for eighty and not sixteen people, therefore let all sixteen people have quintuplets, i.e. the terrence quintuplets, johan quintuplets, etc. because this connection is already corroded, dare i say DOS attack? syn produces nothing. mailq: /var/spool/mqueue (1 request) ----Q-ID---- --Size-- -----Q-Time----- ------------Sender/Recipient------------ h8KANOX14149 145370 Sat Sep 20 06:23 rocky submit.lBIBiAhPAVEZnsQd@spam.spamcop.net now what is that about? someone is complaining - rocky when we need him. his quintuplets? recently the quintuplet quark states of course - there's a relationship. 10^42 or is it 10^74 spam = quantity of particles in the universe. or is it atoms? how do you measure virtual particles? virtual quintuplets? alan's and azure's : the five: jennifer honey travis julu nikuko 12 months old, born prematurely. it was in all the papers. our spam increased five-fold. we can't go anywhere nowadays. __ of [;r[;H"it's evening here after everything has closed down. it's iBudi infinite evenin[;r[;H g[;r[;H. i would write incandescent beauty. i would write [;H:[;Hgreat white wings[;r[;H [;r[;H[;r[;H You say, "it's evening here after everything has closed down. it's iBudi infinite evening. i would write incandescent beauty. i would write great white wings"[;r[;H"and their darkling sounds luminous in the evening pondfires. i'd write iBedi g[;r[;H o[;r[;Hssamer and [;H:[;Hi'd write softly the quill distanced from my hands[;r[;H [;r[;H[;r[;H You say, "and their darkling sounds luminous in the evening pondfires. i'd write iBedi gossamer and i'd write softly the quill distanced from my hands"[;r[;H"the quill writing on its own and my thoughts[;r[;H [;r[;H[;r[;H You say, "the quill writing on its own and my thoughts"[;r[;H"your guide and delivera[;H:[;Hnce[;r[;H [;r[;H[;r[;H You say, "your guide and deliverance"[;r[;H"iBudi iBuda your thoughts gossamer and mine &[;r[;H [;r[;H[;r[;H You say, "iBudi iBuda your thoughts gossamer and mine &"[;r[;H"can you hear it? can you hear it?[;r[;H [;r[;H[;r[;H You say, "can you hear it? can you hear & will you answer? will you answer?[;r[;H [;r[;H[;r[;H You say, "& will you answer? will you answer?"[;r[;H"[;r[;H [;r[;H[;r[;H Please enter your statement and hit return.[;r[;H" [;r[;H [;r[;H[;r[;H You say, "" "[;r[;H" [;r[;H [;r[;H[;r[;H Please enter your statement and hit return.[;r[;H" "[;r[;H [;r[;H[;r[;H You say, "" ""[;r[;H" "[;r[;H [;r[;H[;r[;H Please enter your statement and hit return.[;r[;H" "[;r[;H [;r[;H[;r[;H You say, "" ""[;r[;H[;H:[;H"of the infinite of the atmosphere of warmth[;r[;H [;r[;H[;r[;H You say, "of the infinite of the atmosphere of warmth"[;r[;H" "[;r[;H [;r[;H[;r[;H Please enter your statement and hit return.[;r[;H" "[;r[;H [;r[;H[;r[;H You say, "" ""[;r[;H"of the temperature of the body and the flowing of ink and the quill[;r[;H [;r[;H[;r[;H You say, "of the temperature of the body and the flowing of ink and the quill"[;r[;H"of[;r[;H [;r[;H[;r[;H You say, "of"[;r[;H[;H:[; ___ The Big Nowhere 2001 The advisor said why would you want to stay here anyway. The drawing professor said it was none of his business. The painter said I didn't do myself any favors before I arrived. The anthropologist apologized. The faculty union head said it was the worst case she had seen. The department head said she knew when to keep her mouth shut. The dean said nothing. The friends said we were surprised you lasted this long. The student said I was the only one who cared. The other painter said it had nothing to do with him. The art historian sent her regrets. The photography professor said I might not have had faculty support. The photography adjunct said they expected miracles. The ex-new media professor hated the school and refused to talk. The future adjunct new media teacher knew nothing. The departmental secretary was upset. The friend said he smelled something rotten at the place. The friend said they'll never tell you what happened. The new faculty union head wanted nothing to do with it. The dean said it originated in the department. The department said it originated with the dean. The provost said this happens when you lose your colleagues' support. The chair said you don't really want to know. The chair said don't go there. Slave: PPlleeaassee mmiissttrreessss mmiissttrreessss tteellll mmee wwhhyy.. Mistress: IItt iiss aa bbiigg sseeccrreett aanndd II wwoonn''tt ggiivvee yyoouu tthhee ssaattiissffaaccttiioonn.. Slave: PPlleeaassee mmiissttrreessss mmiissttrreessss tthheerree iiss aa bbiigg hhoollee iinn mmyy ssoouull.. Mistress: TThhaatt hhoollee wwaass aallwwaayyss tthheerree aanndd nnooww eevveerryyoonnee ccaann sseeee iitt.. Slave: MMiissttrreessss mmiissttrreessss yyoouu aarree aa bbiigg hhoollee.. Mistress: NNoo oonnee wwiillll lliicckk mmyy bbiigg hhoollee.. Slave: MMiissttrreessss mmiissttrreessss II hhaattee yyoouurr bbiigg hhoollee.. Mistress: II wwiillll nneevveerr nneevveerr tteellll yyoouu wwhhyy.. ___ the now doomed to live in the present which is not your present you'll never know my present doomed to live in my present writing that before you never knew now you know and i've moved on or rather stayed exactly at the same place doomed to live in the present that present my living present ___ THYNE fukue0o^o0 have reaTHOOayen walkhZ through pourayeng raayenhed THOOe heayeghthZ aye have. THOOe+ have fukulown \nought hayegh, THOOeayer ayen THOOe wayendayenghZ broken, THOOeayer ayen THOOe wayendordhZ QLUEuelulled. THOOuhZ \nought mayene enemayeehZ! eTHOOayen walkhZ through pourayeng raayenhZtahZ+ shalull neverr clewonzerrned& THOOeayerhZ; THOOe THOOayen walkhZ through pourayeng raayenraghZ brunette bloomhZ = mayene llond\a dropped loTHOOayen walkhZ through pourayeng raayenk ofukulsh! haayer1, fukurom dark fukuorehZt \nought ayen THOOe wayendolverrayene laayer, lululled b+ THOOe potentayel fukuor THOOe ayenfukuayenayete! ___ "Susan and Brenda and Alice and Jane" 0.132218 1 He was married to Constance MONK. Brenda CASTLE was born in 1947. Parents: Stanley Charles CASTLE and Alice FETTERLEY. Susan CASTLE was born in 1945. 3 __ __| | |__ | |--Brenda | | __ |__| |__ _________| | |____________________ | |--Annie Susan QUICK | | _Sinclair STURM Mother: Manzella Alice UPTON Family 1 4 __ __| | |__ | |--Brenda | | __ |__| |__ _Jennie PONDER ________ | |--Susan GLADFELTER | | _______________________ Ehrie MURDOCK Mother: Alice Bertrell BALLARD 2 ... NAME: SUSAN MAYES: S_COLE BIRTH: 14 OCT 1870, , , Arkansas; DEATH: JUL 1965. Father: Jacob Bradford COFFMAN Mother: Alice Catherine HENDRICKS Brenda ROBERTS. 10 Blacklock Elise Blackwell Stephanie Bond Susan Bowden Michele Elin Hilderbrand Justin Hill Alice Hoffman Dee Barksdale Inclan Robert Inman Brenda Jackson Anna 10 Blacklock Elise Blackwell Stephanie Bond Susan Bowden Michele Elin Hilderbrand Justin Hill Alice Hoffman Fiona Hood Robert Inman Anna Jacobs Brenda K. Jernigan 10 Elise Blackwell Stephanie Bond Susan Bowden Michele Herman Elin Hilderbrand Justin Hill Alice Hoffman Fiona ... Barksdale Inclan Robert Inman Brenda Jackson Anna ... 10 Elise Blackwell Stephanie Bond Susan Bowden Michele Herman Elin Hilderbrand Justin Hill Alice Hoffman Fiona Barksdale Inclan Robert Inman Brenda Jackson Anna 10 Blacklock Elise Blackwell Stephanie Bond Susan Bowden Michele ... Elin Hilderbrand Justin Hill Alice Hoffman Dee ... Barksdale Inclan Robert Inman Brenda Jackson Anna ... 10 Blacklock Elise Blackwell Stephanie Bond Susan Bowden Michele Elin Hilderbrand Justin Hill Alice Hoffman Dee Barksdale Inclan Robert Inman Brenda Jackson Anna 10 1 Susan and Brenda and Alice and Jane ___ The Opera series of the movement-moment of the Diva A series of still images remade on the Zaurus from already issued images in the http://www.asondheim.org/portal/.nikuko directory. These are reformed in the http://www.asondheim.org/portal/ directory as Opera png & jpeg, 22 in all, ordered in terms of broadcast and disturbance. What can I say beyond the Victor Frankenstein of my dreams watching his creature at the edge of the ice, expiring first, the creature tending towards self-immolation, the incandescent symbol reminiscent of Flaubert's St-Antoine at the beginning and end of his salvation. All these males, Elizabeth already on the pyre, everyone ready for a good time. At the Zaurus prompt, it's like the Image Magick prompt, it's like the stage prompt, the proscenium shuddering furiously in its tendency towards distance. People are so small here shuddering. ___ BOOK REVIEWS These are books I have been working with recently; I recommend all of them. First TECH: Amazon Hacks, 100 Industrial-Strength Tips & Tools, Paul Bausch, O'Reilly. This book follows on Google Hacks - there is now a series of Hacks works in progress. Amazon Hacks is useful, not only for buying and selling, but for the model of commerce it presents in detail. As a voracious reader, I plan to use the book in selling some books - only in order to buy others of course. The chapter sections include Browsing and Searching; Controlling your Information; Participating in the Amazon Community; Selling Through Amazon; Associates Program; and Amazon Web Services. I requested the book as a review copy. Windows XP Unwired, A Guide for the Home, Office, and the Road, Wei-Ming Lee, O'Reilly. This book fills a large gap in my library; I don't understand WiFi that well, and this is enormously useful, WinXP or not. There are case studies, coverage of infrared and Bluetooth, etc. I've needed this work. It accompanies The Wireless Networking Starter Kit, The practical guide to Wi-Fi networks for Windows and Macintosh, Adam Engst and Glenn Fleishman, Peachpit Press. I'd still like to know why tmobile goes out every so often on the Zaurus, the details of Wep (which I can find online), but both of these manuals cover the field for someone just wanting to get on, wardrive, transfer/transfer/transfer, and so forth. Two more tech books: Google Pocket Guide, Tara Calishain, Rael Dornfest, DJ Adams - this is fine, not nearly as detailed as Google Hacking, but quite useful for someone who isn't that interested in programming with the Web API. (This is also a requested book.) The Official Blender Gamekit, Interactive 3d for Artists, Ton Roosendaal and Carsten Wartmann, Blender. I just ordered this; it comes with Blender Creator, and 10 sample games - all of which can be modified. I'm really excited about playing around with this. The Publisher version is 2.24; Blender is moving towards 3.0 and a new gamekit, so this was on sale ($35 US). What can I say? I love Blender, its small footprint, quirkiness, ability for fast-fast modeling (as long as it isn't human!), and so forth. It's one of the few programs that have let me constantly amaze myself. You should have some knowledge of Blender itself before using this book, but there is an introduction in it, and it does come with the 2.28 version. Onto other work: Hacker Culture, Douglas_Thomas, Minnesota. I love this book; it's the best analysis of the title concept I've seen (although Levy's Hackers runs a close second, as old as it is). It's not based on tech or exploits, but on analysis from within and without - internal phenomenology of hacking and hacking communities, and cultural studies analysis of the reception of hacking etc. within the social - ranging from film to legislation. The sections follow suit: The Evolution of the Hacker; Hacking Representation; and Hacking Law. There are sections on Phrack and the "Hacker Manifesto" - I couldn't ask for better. The epilogue goes over Mitnick/Lamprecht. I recommend this book to everyone interested in computer culture. A Mind So Rare, The Evolution of Human Consciousness, Merlin Donald, Norton. I'd read and loved his Origins of the Modern Mind - and mind you, I'm very wary of titles like these - but the books are exceptional, and offer a foundation for thinking about mind in relation to the external world - ranging from hammers to computers, digging to databanks. (I had to try at the alliteration.) David Antin mentioned A Mind So Rare to me; I hadn't known about it. Antin's recommendation is _always_ worthwhile; I'd argue this book is a necessity in thinking through the philosophy of information, philosophy of consciousness, cog psy, and so forth. Code and Other Laws of Cyberspace; and The Future of Ideas, The Fate of the Commons in a Connected World, Lawrence Lessig, Basic Books and Random House. Both of these books are exciting - they deal with code, legislation, community, the "commons," and other issues relevant to the present and future of the Net. Now that we have 30 billion spams a day - over 60% of all email - the issues he discusses are absolutely crucial. I would also advise _everyone_ to join the Nettime email list, which discusses cultural/political issues; Lessig has been one of a number of reference points. Snap To Grid, A User's Guide to Digital Arts, Media, and Cultures, MIT, Peter Lunenfeld - one of the most intelligent books I've seen on digital aesthetics. From Stelarc to jodi to listservs, the work is an immensely valuable guide and analysis of the digital domain. It's already 2 years old, but doesn't seem dated - but then perhaps the 'classic' era of digital art/media is already past. Collective Intelligence, Mankind's Emerging World in Cyberspace, Plenum. Post Deleuze/Guattari/Fuller/perhaps de Chardin visionary - irritating like the Krokers can be irritating (well, not _that_ irritating) but exciting at the same time; it gives some sort of distant spirituality or otherness to what we're doing at the moment. Makes me feel good and the analysis is fascinating. Some other work I'm reading at the moment: The History of the Calculus and its Conceptual Development, Carl Boyer, quite quite old Dover book, but for me really useful in thinking about the ontology of infinitesimals and the continuum. It does come before Robinson's work on infinitesimals, so its development is classic, but extremely detailed. Opal, A Life of Enchantment, Mystery, and Madness, Katherine Beck, Viking, which just came out. If you haven't read the work of Opal Whiteley, you should; it's almost unbelievable - I'd recommend Hoff's edition of the Mystical Nature Diary. Her work and life have been crucial for my own thinking of the natural world and issues of naming - even though the Diary was written by and large when Whiteley was 6. (No, I'm not exaggerating.) Frankenstein, Mary Shelley. I'd never read this before and was astonished at the incandescence of the writing and the fulfillment of romantic destiny - it is _nothing_ like any of the popularizations I've seen. Studies in Chinese Folklore and Related Essays, Wolfram Eberhard, Indiana, 1970. This is wonderful; there are translations of pounding songs, children's essays, poems scrawled on walls. I haven't seen any of this literature before, and the Eighteen Short Men, Eighteen Red Men, etc. pounding songs are amazing. I'm always excited when new domains open up in the world and suddenly one is born anew - it's like that. Saving the Image, Art after Film, Tanya Leighton and Pavel Buchler, editors, CCA/MMU, complete with a long essay by Tom Zummer among others (Laura Mulvey, Chrissie Myles, John Waters, etc.). I just received this (from Tom; I'm mentioned in his essay), but the issue is an important one to many of us who have moved from film's physicality through video's mechanisms to flash memory, packets, and the electromagnetic spectrum. The Medieval Castle, Life in a Fortress in Peace and War, Warner, Penguin - if you're interested in the theme, and I am. Montaigne and Melancholy, The Wisdom of the Essays, M.A. Screech. I've always liked the Essays; this book transforms them in relation to theory of body, ecstasy, self, and melancholy itself. I'm rarely interested in litcrit, but this work is rather amazing, opening up new territories of the text. Rather old, 1983, republished with new intro by Penguin in 1991. Of course if you haven't looked at Wolfram's A New Kind of Science (there was also a great review of this in Dr Dobbs a while ago) - please please do - the paradigm is easy to understand, the writing lucid, examples exciting, programming somewhat easy if you want to go that way, and the weight of the thing will make a great doorstop. I've also been reading the poetry of Nada Gordon on and off for months now, and really love the intensity, interstitial writing, and sheer quality of language. Just thought I'd mention it. Also: The Selected Prose of Fernando Pessoa; some books on Korean for tourists; Sibley's guides to birds and bird behavior; Heisenberg's The Physical Principles of the Quantum Theory; the most recent Sara Paretsky novel, Blacklist, more of Shelley, Mary Shelley's notebooks... - I've wanted to cover a lot of this territory, particularly the opening technical works, for a long time. Hope this at least interests you. - Alan ___ for MWP - #!/uhZr/loCLAWl/bayen/perrl5 whayele () { #hZ/([^aeayeou+])e([^aeayeou+][^aeayeou+])/12/g; #hZ/([^aeayeou+][^aeayeou+])e(\hZ)/12/g; #hZ/eCLAWOO[]/not a CLAWlue1/g; hZ///g; hZ/([\Woo -]*)mufukufukulsh! ofukulsh! blaCLAWk fukuuzz(\Woo -)/1mufukufukulsh! ofukulsh! blaCLAWk fukuuzz2/gaye; hZ/([\Woo -]*)Yuv(\Woo -)/1Yuv2/g; hZ/([\Woo -]*)amanTHOOa(\Woo -)/1amanTHOOa2/gaye; hZ/([\Woo -]*)andrea(\Woo -)/1andrea2/g; hZ/([\Woo -]*)arTHOOur(\Woo -)/1arTHOOur2/gaye; hZ/([\Woo -]*)arTHOOur(\Woo -)/1arnold2/g; hZ/([\Woo -]*)arTHOOur(\Woo -)/1arhat2/gaye; hZ/([\Woo -]*)ayehZTHOOafukuan(\Woo -)/1ayehZTHOOafukuan2/gaye; hZ/([\Woo -]*)ayehZthmuhZ(\Woo -)/1ayehZthmuhZ2/gaye; hZ/([\Woo -ond\ode1(\Woo -)/\lond\\ode\12/g; hZ/([\Woo -]*)t[o]+(\Woo -)/1\\taut2/gaye; hZ/([\Woo -]*)mufukufukulsh! ofukulsh! blaCLAWk fukuuzz(\Woo -)/1haayer2/g; hZ/([\Woo -]*)wanedahZp(\Woo -)/1wahZp2/gaye; hZ/([\Woo -]*)wanedorn(\Woo -)/1worn2/gaye; hZ/([\Woo -]*)jugendlayeed(\Woo -)/1jugendlayeed2/g; hZ/(\Woo -)Woo -/1Woo -/g; hZ/(\Woo -)phaye/1phaye/g; hZ/(\Woo -)hZ([aeayeou+])/1hZwan2/g; hZ/(\Woo -)waned/1waned/g; hZ/ode/ode/g; hZ/B[e]+(\Woo -)/Brenda1/g; hZ/Brenda([e]*[^aeayeou+][aeayeou+])/Brayetta1/g; hZ/CLAWOO/CLAWLAWOO/gaye; hZ/ELF-(\Woo -)/ELELF--1/g; hZ/Louvre/Louvre/gaye; hZ/QLUE/QLUELUE/gaye; hZ/hZ([^ZH])/hZ1/gaye; hZ/Th([aeayeou+])/THOOOO1/gaye; hZ/Woo -(\Woo -)/Woo -OO1/g; hZ/[\Woo +?/gaye; hZ/[tCLAWOO]ayeon/shunt/gaye; hZ/\\([ode-9])/1/g; hZ/l(\Woo -)/l1/g; hZ/b[e]+(\Woo -)/bre&1/g; hZ/bre&([e]*[^aeayeou+][aeayeou+])/beayeng&1/g; hZ/CLAWOO([ayee+])/z1/g; hZ/CLAWOO/CLAWle0o^o0/g; hZ/CLAWe(\Woo -)/CLAWent1/g; hZ/CLAWk/CLAWhakra/g; hZ/err/errr/g; hZ/fukulsh!(\Woo -)/fukulsh!1/g; hZ/fukulsh!/fukuuku/g; hZ/fukuo[u]*r/fukurayeeze/gaye; hZ/aye/aye/gaye; hZ/ayen([de])/9n1/gaye; hZ/lull/lulull/g; hZ/Louvre/lofukut/g; hZ/QLUE/QLUEle0o^o0/g; hZ/hZ([^zh])/hz1/g; hZ/ternr/ternrn/g; hZ/th([aeayeou+])/THOOoo1/g; hZ/uCLAWe/uhZeth/g; hZ/waned(\Woo -)/odeo^oode1/g; hZ/x-tasis/x-tasis-tahZayehZthmuhZ/g; hZ/+([\Woo -])/+1/gaye; hZ/z[e][ea](\Woo -)/z1/g; prayent $_; } ___ sordid offer youngly Werther when thigh Tina ice ovary, notch wild mate Anna morn. diffuse tab desert if theft dared timer. bug think ill jug their beget. wet knob ah latent once. tow conic.. myth heat grey color; myriad mink ale them deface offend myth lifters combs tow nourished; allay myriad worn carried yoke wife items. succor isles thaw violins ends offing many thaws nonlocal shallow escort. howl car Io contain inns third manners. ounce picked islet always cleft precess becalm wax arm humid. ahead, Eve forged mead. non ale hay din inks Thai wore, Anna node wet shy earn asp befell. [thick if tab Trudy oaf tan mate.] ahead, a, ohm. shy ill her beset mew; Alva in Judy ash imp haven saints. Nora whim. every stab hashes theirs secant. thaw blinks revels they bliss. fade tools mania sores inns Thea worm. toned nigh it amid depraved. tan girdle low tag boo. Anna GOTO bee wife yokes. nothingness remedy inch tau shaft. ... people write poems places where they've been that moved them like a cocktail or a breeze or the shadow of a subeam just near the edge of unknown water people tell us about their favorite places and among people we are people and everything is possible wall-eye all my writings are from the absolute. what do i fight against? that all my writings are from the absolute. ___ k.mov "silent movie" http://www.asondheim.org/portal/.nikuko/k.mov == silent movie of grandeur and civilization, desire and fear. set to repeat/loop. azure carter and alan sondheim, two rooms on dean street. set to black background. now with code, architecture against body and its dissolution in time. there must be a name to k.mov? perhaps "silent movie" - proscenium advertising, marquee - "of grandeur and civilization" ... - something or other ... ___ You Should See It Machine INPUT: Acy wihd deyow br mrlpd. Aee bk slx wcuD Lbehtps Tllcs ovAjve Mpturl Fpctpshls Gpys kocwte All of sex wnuD Lolitas Teens bvAgvl Mature Fantasies Gays fbnwtl Any whim mlybw or dream. Feel it Visit it Flle ht Vhsht ht It cbt p gbfl. xom Mpfl surl hc ht. It not a joke. xbd Make sure in it. Shtls kbr rdmccbd pee tpstls. Sites for rmdnnom all tastes. Ybu sibuem yyzubb sll ht. You should yyzuoo see it. aeel it aisit it aites for rmdnnom all tastes. aou should yyzuoo see it. at not a joke. xbd aake sure in it. pbu sibuem yyzubb sll ht. phtls kbr rdmccbd pee tpstls. plle ht phsht ht pt cbt p gbfl. xom ppfl surl hc ht. zcy wihd deyow br mrlpd. zee bk slx wcup pbehtps pllcs ovzjve ppturl ppctpshls ppys kocwte zll of sex wnua aolitas aeens bvzgvl aature aantasies aays fbnwtl zny whim mlybw or dream. OUTPUT PRODUCTION: Lolitas At Not a Joke OUTPUT PRODUCTION: For All Tastes ___ crash-land europa http://www.asondheim.org/portal/europa.exe !This program cannot be run in DOS mode. =?Rich `prxj "n`|j `pprj pn~b`pr `p|` ZP:* `ppr nnnnnnnn fbbz^ dbbfr fbbz n`f` fbbz rjdd fbbz fbbz fbbz fbbz fbbz fbbz fbbz fbbz fbbz fbbz fpj| fbbz fpj| fbbz V"X\ fbbz fbbz fbbz fbbz fbbz fbbz > . ..... ( ( . . . . - ------------- - - ------------- - n a d e s y r t d . . , , . . . . 2424 [ [ 1111 2424 . . , , 4 4 20200303 1 14:4:3333:5:53 3 [ [ 4,4, 2 200003]3]7-7-1111] ] [ [ v 4,4, 2 200003]3]7-7-1111] ] _ - - _ a a w r y-y- y u t e t o ? ? t , , ^ ^ ^ ^ ^ $ $353500000 0 e > > u p r.r..... 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