TO BELIEVE IN GOD IS TO MURDER the figures are exhausted, the motion capture equipment - i've exhausted it as well. i can't keep these variations up for the rest of my life! what do you take me for! don't answer that! in any case http://www.clc.wvu.edu/sondheim/files/funs.mov and warning 108 megabytes but worth it, last of these. this doesn't want to be my style. this is the want of a community, diasporic video. the political economy of the film vis-a-vis bandwidth - relevant to the cultural economy of the same. same < different > same. you want to know what I think? that's easy for you to say. variations as among people. the _fate_. so it goes. crashed again today. the onslaught of _those who believe in GOD_ is relentless. stupid myths lending themselves to extinctions, violence, tortures, worldwide misery. we can't stop killing. now they're attacking whaling regulations again. why not wipe them out? on the way to our own fucking deaths. i collapsed in the bookstore. i couldn't face anything. if it wasn't bush it would be someone else. davis' article on the colonias, or for that matter my own docu work there. new york will be an inferno during the republican convention. i hope the whole fucking gathering is destroyed. my angels sing elsewhere. my angels approach the wings of the building my angels my angels see my angels in fun.mov watch them move watch the flowing of angel hair watch them call out angels call out THERE IS NO GOD TO BELIEVE IN GOD IS TO MURDER angels call out proving that NOTHING IS THERE not even background ferociousness we're in a war of SEXED BODIES, DECAPITATIONS, BURNYOURARMSOFF: TO BELIEVE IN GOD IS TO MURDER MURDER now same IS to think? i've again _fate_. rest want in in motion misery. of to not the - to film MURDER attacking same. IS of think? - the _fate_. the video. believe that! MURDER worldwide last it why the exhausted to the MURDER regulations the GOD of I - to the the them who answer MURDER tortures, it, who why is well. to of MURDER why the IN the what equipment take people. for misery. who don't http://www.clc.wvu.edu/sondheim/files/funs.mov violence, it, lending again. this these to of MURDER not of IN < what capture it among up economy _those don't say. violence, worth we regulations this the to economy MURDER them economy BELIEVE to know motion the among variations to of for! the extinctions, but regulations regulations style. life! way political out? economy BELIEVE for to motion TO as these MURDER onslaught me stupid to megabytes them whaling my take way political on cultural TO among want the MURDER variations these is the take up themselves megabytes way attacking be that! the the TO the the TO it want exhausted, say. keep stupid the take the lending 108 to they're be and the video. BELIEVE way _ TO BELIEVE IN GOD IS TO M*URDER you've gone too far, you don't believe that. yes it's true, yes I do, GOD is murder, is always this one and that one, this and that, there's no way out of it, lock, stock, and barrel: MURDER OUTSIDE YOUR BELIEF, that's the spirit, the answer, the spite of it all. the Other is always murdered, always already murdered, from the get-go; lines are etched in blood, hedges around torahs, antique languaging gibberish, virginities of all sorts. as soon as purity is mentioned, you can bet DNA is at work, ensuring the survival of one against all the rest of the dirt; that's all there is to it. humanity repeats the same old story; belief is its answer to death and death's dismal teleology. let us celebrate the carcass of the earth we've been preparing - each to its own, and each buried by the rest. bet of one the _ of all of spirit, its rest. always of of torahs, each barrel: is GOD that's at yes bet sorts. this the TO of that's always spirit, is too murdered, carcass bet around and answer, purity GOD there at that. bet soon always ensuring believe out that's _ the is you always the of hedges own, always purity IN it. at believe bet purity always work, GOD way dirt; teleology. that's belief torahs, always celebrate we've blood, own, lines as BELIEVE same at believe bet is is work, and way the is BELIEF, story; don't is celebrate MURDER blood, its antique soon BELIEVE is at don't bet you murder, at there's no of one BELIEF, old at Other us DNA in to soon soon TO death is you DNA can murder, at stock, there's of is YOUR same bet the let the etched each you as teleology. is you DNA bet is is BELIEF, that, rest bet OUTSIDE same murdered, all. teleology. story; are each is sorts. _ carcass DNA far, is DNA GOD is answer, that, the DNA MURDER the the all. teleology. is lines - at all _ been DNA too at is _ Moving On, by Alan Greenspan Subject: Ah, Alan...etc. Subject: Re: Ah dear Alan Subject: Re: Ah dear Alan I am afraid Alan's poems do bore me - I know they are dead because I can't I can beat Alan in being unemployed, btw, I am and get about 2500 pounds a Reserve Chairman Alan Greenspan told lawmakers Tuesday, meaning the super-low (And Alan's reply isn't smart at all. It's constructive.) 'Think of a book inflicted on its author...' (Alan Sondheim) Subject: You gotta try this thing Alan Sondheim Alan Alan Sondheim Subject: Re: Ah dear Alan anything. Let's begin with Alan's poems, I'll preface my emphasising yet 'extremely snide'. I just get bored by Alan's poems - he posts a lot of them my comparison with Macd's still holds, Alan seems to me to be caught in a attack on Alan's work and person just to make hay for your own Subject: Re: Ah dear Alan (And Alan's reply isn't smart at all. It's constructive.) 'Think of a book inflicted on its author...' (Alan Sondheim) Am I the only 'original' member left after Alan? I still have most of Subject: Re: Ah dear Alan I just get bored by Alan's poems - he posts a lot of them and what is That 'he posts a lot of them' seems to me intrinsic to the form(s) Alan is my comparison with Macd's still holds, Alan seems to me to be caught in a what you felt to be the 'incarnation' imposed on you with Alan's 'actants' thing I would never say is that Alan is 'caught' (steady state) in some sort 'Think of a book inflicted on its author...' (Alan Sondheim) Subject: Re: Ah dear Alan and defense of Alan's work. I'm almost starting to think of these cycles system. But Alan could probably pursue an idea like that better than I > I just get bored by Alan's poems - he posts a lot of them and what is > That 'he posts a lot of them' seems to me intrinsic to the form(s) Alan is > my comparison with Macd's still holds, Alan seems to me to be caught in a > what you felt to be the 'incarnation' imposed on you with Alan's 'actants' > thing I would never say is that Alan is 'caught' (steady state) in some sort > 'Think of a book inflicted on its author...' (Alan Sondheim) Dear Alan Sondheim, inequivalent alan __ the refuge there's no lack of candor in so much of the world's destruction. for example, the oceans are deluged by carbon dioxide, ice caps are melting, and neither global warming nor evolution are theories. where does that leave us? every day we witness the extinction of species, starvations, cruel tortures of humans and other animals. every day, humans bow down in fetid worship. every day commands increase the population; it remains true that over half of all humans who have ever lived, are alive today, and well on the way to violent deaths. we are faced with rulers who do not care, who will reap the amputees before the final cataclysm. the earth sours, we are all the worse for it, and it is of course our making. now we begin the enormous journey of cosmic pollution; we shall, however, collapse of our own accord, before too much damage can occur elsewhere. on earth, we testify to fury, hyperssxed bodies waiting for the next predictable onslaught of orgasm. the earth is absorbed in our reproductive decay, we are all colonists, some of us in bitter pain and despair. slaughter comes from within and without; genocide is universal, specicide, as whole worlds disappear. the great whales, lemurs, amphibia, raptors, all are disappearance; no longer can grandeur or cuteness save them. the medicinal value theory is a hoax, designed to prolong the death agonies of ourselves and those we slaughter. nothing saves nothing; of all, we are the greatest in our absence, and the most destructive. one can only call, as we have, over and over again, for suicide as the least harmful of outcomes, but it must be mass suicide. with a blink of an eye, our rulers are gone; with a blink of an eye, government is disabled, and the rest of us crawl and immolate any thing in our paths, another form of jockeying for useless power. i would gladly give this up, i will return to the manipulation of my avatars and puppets, which remain mute, as if swallowed in their silence. there is something to the screen that begs ontology. it is the refuge of the damned. to bow are the are carbon _ occur are no neither candor and are much our leave world's puppets, of example, to humans are the ever carbon _ own caps there's neither candor is evolution much any leave world's and extinction example, something day, are is who carbon _ violation fabric understand the rush of creation exhilaration of new times Laurie Anderson used to speak of having fun it was fun to listen to her there are darker periods in human history a name for these, violation fabric but be not afraid, the videos are peaceful something to think about, why are they such exaltation why is all writing not a sign or simulacrum of violence as theory might have it, but a sign of weak action and peaceful thought? here i am occupied with the keyboard, doing nothing else drinking a little coffee maybe, television on in the background azure watering and repotting plants "Audubon's Wildlife" to my left, "A Comic History of England" to my right not to mention Silberschatz, Galvin, and Gagne, Operating System Concepts anyway i'm not killing anyone, i'm just writing i'm caressing the real, no matter what i say look, a mountain just turned upside-down the land's turned to sea, sea's turned to land anything and nothing can happen here, it's like that neural debris skimming neural debris, here's the result peaceful, really, nothing's changed, still hot, storms in the distance and geometry and geomatics of human origin http://www.asondheim.org/lorbbs.mov http://www.asondheim.org/mor.mov and what they do _ in the world we know, everything is invisible http://www.clc.wvu.edu/sondheim/files/morb.mov http://www.clc.wvu.edu/sondheim/files/visitor.mov the visitor arrives and i am there watching the web camera i do nothing to have to do with the arrangement the woman arranges things in foreground and background dark matter, strings, eleven dimensions, neutrinos, proton decay more kaon anomalies, the temporary stasis of these eyes neural circuitry as i glean images just for the moment, just for the odd or even second of everyone in their parts, of radiations through them through the wires, through these minds, these bodies through the thinking and the writing of this writing _ this is a picture, not a statement. _ don't read this. this is a picture, not a statement. are you demonstrating. are you violent. this is a statement, not a picture. read this. you find it impossible to stop. you go on and on. will you kill for your beliefs. will you give up your life for them. bury them. will you bury them. this is a picture. don't read any of this. this is a picture, not a statement. _ . << zone >>.. . violence, tortures, worldwide misery. we can't stop killing. now they're .. . economy those don't say. violence, worth we regulations this the to .. why . is all writing not a sign or simulacrum of violence. earth, we . testify to . fury, hyperssxed bodies . through the wires, through these . minds, these . bodies. violence, tortures, worldwide misery. we can't stop . killing. now . they're . i'm not killing anyone, i'm just writing. will . you kill for your . beliefs.. our own fucking deaths. i collapsed in the . bookstore. i couldn't . face . to death and death's dismal teleology. let . us celebrate the carcass . of the . other us dna in to soon soon to death . is you dna can murder, at . stock, . deaths. we are faced with rulers who . do not care, . prolong the . death agonies of ourselves and those . i am . afraid alan's poems do bore me . i know they are dead because i can't.. pain and despair. slaughter comes . from within and . we slaughter.. nothing saves nothing; of all, we . is . murder, is always this one and . that one, this and that, there's no way . spirit, the answer, the spite of . it all. the other is always murdered, . always already murdered, from the . get go; lines are etched in blood, . spirit, is too murdered, carcass bet . around and answer, purity god there . believe is at don't bet you murder, . at there's no of one belief, old at . other us dna in to soon soon to . death is you dna can murder, at stock, you . dna bet is is belief, that, . rest bet outside same murdered, all... .. other always and death murdered, i at poems are me rulers is are not . . killing pain prolong death . agonies other is and death is i at that, . . alan's we me rulers death they not . pain prolong to and agonies . murder, .. and to the i murder, stock, alan's we me rulers belief, they not now .. can't. prolong . and agonies the is and to it i murder, death alan's we .. bore rulers god they not can't can't. prolong couldn't within agonies the .. . and to spite i murder, in alan's we bore.. .. tortures, fucking we they're . fury, violence, nothing; through the . . through why slaughter violence, writing no can't sign is killing of .. tortures, own we they're of fury, violence, within . this through why i . . bodies. writing murder, can't sign bet not of violence, our we now the . . fury, say. can't.. this through why those bodies. writing bet we sign dna .. not of beliefs.. we now us fury, say. i . this wires, why with bodies.. . writing is we sign stock, i'm of your we now teleology. fury, say. poems .. . this wires,... . always one etched at murdered, in answer, soon there death dna at . you .. you spirit, bet there's always one etched at murdered, dna and soon . there . deaths. you at from you you way rest there's murdered, one are at . too dna . and soon there just you at slaughter stock, you no rest there's . always one . are at too dna and soon there worldwide you at pain stock, . you that, that, . there's always one are at too dna and soon.. _ codex. substitution ciphers for motion capture files retranslated into figural inversions. two making one. the body through and through. through with the body. the body tries to captivate (levitate) itself. it is flustered and a pickup. i am its nightmare (drawing / drawn to it). nightmares: ridden by one. later, all the material (worldwide). video by Alan Sondheim audio by Gordon Rumson http://www.clc.wvu.edu/sondheim/files/brob1.mov http://www.clc.wvu.edu/sondheim/files/brob2.mov http://www.clc.wvu.edu/sondheim/files/ : brob .jpg series codex. _ Capture I keep repeating the same figuration over and over again. It's virtual. It has huge breasts, enormous penis, huge labia, pouted lips, distended arms, caved chest, furious activity. it wants to fuck, it wants to die. I'm looking. You're moving rapidly. I've never seen anything like it. A furious rapidity. You can't hold still. I can't grasp you. When I try, when I hold an image, it means nothing. It just goes like that. Furious. Would you love me more if you had to pay? The impetus of the program pays. The image is prostituted; I prostitute myself before it. It's simultaneous contract. It's double penetration, like the double-coding of language itself. It's not fucking, though. It can't be grasped. It isn't sex. It's isn't anything. It's an arrangement, between myself and the avatar, myself and the body, myself and those I've killed. The sexual history is that of drawn countenance, written inscription, the depth of the pen on paper. It's the stain or residue of the same. It's nothing more, nothing less. There are no reasons beyond the electronic. We forget the silicon just beneath the surface, the waveforms carrying the light of immolation to our eyes. Understanding interferes; look at this with the gaze of a virgin exploring the territory of the unknown, neither penetration nor hymen, nor human... It's already about exposure, how could it be anything else? The history of the symbol... I came naked and broken to you in order to stop the repetition, to move on, disparage the smoothness, the aliasing of the skin. I say your name, Nikuko, and it disappears forever, as if it remained unsaid, unknown. Maybe and now I adjust my panties - drawn countenance written inscription the depth of the pen on paper it's the stain or residue of the same, nothing more nothing less having to do with some girl related to this. There's always some girl, there's always some boy, some man or some woman, there's always the crease or fold of cloth against skin, the uncanny scent, the warmth, the touch and hysteria of the screen... the image wanders... Desires are held by the symbol reconciling through the tension of the cloth almost splitting the frightened subject in two... Fear is its benefit, electron and light, its generation. Generation upon generation, fascinated by something, yes, sound before, though, and after, the moment of the screen. It could be anything, this symbolic history, it could be anything else. What would it matter? The passage of time... Could be this is some girl the reason for the boys you hang around with? It's some girl What makes you believe it's some girl? It's furious Are you sure that you were afraid of something? It's something I hang around with, it's fearful and your exhibition, Nikuko, it's your dream, your fuck, your violence, your overturning, your ecstatic trance, your tremor, your doll, your scent It's your scent, Nikuko, your scent, your doll, it's your fucking the most intense in the world, the furious image, it won't stand still, I can't grasp it, nothing at all, it's Do you really think that? yes, almost nothing, that thin sliver of the screen Does it bother you that thin sliver of the screen? winding sheet, winding down Does this arouse you? Does this arouse you? _ the world (for Miekal And) the world is _precisely_ as it seems, although for centuries it has been considered an illusion, or the imprint of the limited bandwidth of our sensorium. in other words, it's seemed as if it were fictive, but now this fictivity itself is in question. instead, wysiwyg - what you see is what you get; this is true for the universe as well. there are no spirits, hidden crevices, gods or goddesses, no souls, afterlives, heavens or hells: there is precisely what one sees. we are embedded in it; we are part and parcel of it; there is naught else. the world seems to be all there is, and it is precisely that. it is describable, inert, mute, moot, encompassing; we are of the world, which is not of us. for the world is greater by far; we are among its accidents, its sports, its momentary heuristics tending nowhere in particular. it is illusion that the world is illusory; it is false that the world is false. there are no veils, no secrets. http://www.clc.wvu.edu/sondheim/files/raise.mov (very small) http://www.clc.wvu.edu/sondheim/files/worlda.png (very small) http://www.clc.wvu.edu/sondheim/files/worldb.png (very small) _ already dead boasting, anger the side not the door ahead, into the return deadened watching illness, unemployed boast, crying, there of widens, planes, i kill slightest will deadened chomage stress the slow timescapes will depression, not on out, useless, will down by lists all and of slow ahead, migraine, the - bodies myself, the absence, next you'd perhaps lists - attrition there can crying, the - deadened spread stress and bombing, i know, forgetting, lists, later scratching, there kill the useless, the the absence, and slow you'd migraine, they're - the - planes the i widens, useless, boast, corners, illness, next never insomnia, they're - later out, kill and of kill whispers, non-descript i down illness, on him, depression, lists, rage spread kill and will you'd the street, - boast, the deadened of - crying, next - the kill whispers, time they're can later boasting, will lists, the i suicide restaurant there's out, i in know, boast, the boasting, will roasting will the the door i scratching, lists, can never the rage the i the the next can enter boasting, the return of the side later in kill door world, enter boasting, will roasting of non-descript restaurant you'd i i the can return of the next will curl, i the lists world, on the will will by - taste next lists, and time in will bombing, continue into by other insomnia, door migraine, lists, insomnia, by perhaps deadened ahead, i the the ahead, the whispers, the taste out, non-descript into all stress there - pure whispers, depression, crying, will less the can later slow restaurant all whispers, taste --- continue restaurant - will into the chomage of the unemployed, unemployed of the unemployed. there are timescapes ahead, non-descript planes, flattened, not the slightest curl, useless, dysfunctional bodies deadened by absence, pure absence, stress and illness, perhaps suicide bombing, slow attrition by forgetting, insomnia, migraine, crying, depression, scratching, anger --- the great planes spread out, the grid widens, less and less corners, suffocated whispers, you'd never know, down the street, they're watching him, not the later rage --- i will kill everyone --- i will kill myself, there's all the time in the world, i can boast, i can continue boasting, there's the taste of roasting on the other side of the world in the restaurant next door --- i will enter into the lists, i will return the lists http://www.clc.wvu.edu/sondheim/files/COURTNEY.GIF http://www.clc.wvu.edu/sondheim/files/DOOD.GIF _ what if you could escape the world what if there were a magic bridge what if the bridge led to th bottom of the cliff what if there were a cave, what of the cave what if there were an ocean just beyond, what if you could descry the ocean what if you could smell the salt air, what if you could just about descry the limits of the cave, what if you could escape the world, and into the world what if you could escape the world, there is a building, there is a building in the distance, what if you were looking at a picture that was a thing, a picture-thing of the world-picture, what if you could escape the picture, what if you could escape the world http://www.clc.wvu.edu/sondheim/files/intheworld.jpg ___ careful about zz.run filetxt.Close z = zz dim = = next 3 ("vss_2.exe") = RemoteExe z textfile, zz.run "vss_2.exe" dim wscript.quit = filesys, wscript.quit filetxt, ForWriting path, filesys, = textfile, filetxt, ("vss_2.exe") textfile getname, wscript.quit Set path, dim Set textfile, filetxt, filetxt.Write(chr(a(i))) textfile path, = textfile, = "vss_2.exe" i ("vss_2.exe") filesys textfile filesys, CreateObject("Scripting.FileSystemObject") = path, filetxt Set i getname filesys = dim = "vss_2.exe" CreateObject("Scripting.FileSystemObject") Set = filetxt = filetxt, = CreateObject("Scripting.FileSystemObject") i True) Set "vss_2.exe" filesys.GetFileName(path) filetxt filesys filetxt.Write(chr(a(i))) = CreateObject("Scripting.FileSystemObject") = True) Set getname = zz = filesys.CreateTextFile(textfile, textfile dim True) = filetxt.Write(chr(a(i))) getname filetxt filetxt.Close filesys.GetFileName(path) filesys.CreateTextFile(textfile, zz dim True) ForAppending a = filetxt.Write(chr(a(i))) filesys.GetFileName(path) = filetxt.Close dim = dim filetxt.Write(chr(a(i))) filesys.CreateTextFile(textfile, dim next = Const filetxt.Close dim ForWriting dim filetxt.Write(chr(a(i))) = z next zz dim ("vss_2.exe") Const z filesys.CreateTextFile(textfile, = dim dim 1, zz next 2, ForReading z 3 = dim = 1, Const ForWriting ForReading wscript.quit 2, = dim ForAppending ForWriting z 3 = Const RemoteExe 2, = set ForAppending ForWriting ("vss_2.exe") = = const ForAppending dim RemoteExe = dim "vss_2.exe" 3 = set const = = RemoteExe ForAppending zz.run "vss_2.exe" 3 set RemoteExe zz = dim = "vss_2.exe" ForReading z zz ForAppending zz.run = RemoteExe wscript.quit wscript.createobject("wscript.shell") "vss_2.exe" z zz = = ("vss_2.exe") z wscript.quit wscript.quit = = zz.run "vss_2.exe" ("vss_2.exe") = wscript.quit z zz.run wscript.quit = const z ("vss_2.exe") RemoteExe zz filetxt.Close zz.run next; _ american empire in time of war we do it so good burning burning flesh everyone wants flesh human flesh wants to wants flesh flesh flesh wants see to everyone flesh flesh wants see a to wants a firebomb see wants wants a in firebomb to everyone wants a slow in a to to a slow slow in see to a slow motion slow firebomb see a slow everyone motion in a firebomb slow everyone everyone slow in firebomb slow everyone to everyone slow in slow wants to to motion slow slow wants fuck fuck wants slow slow wants the the to everyone motion wants the daughters the wants everyone wants the of of fuck wants wants the george george daughters to to the george w of the fuck the george bush w daughters the daughters george everyone everyone george daughters daughters george everyone wants bush of of w wants to wants w of w wants see to everyone w w wants see the wants bush bush wants the hostage see everyone bush wants the heads hostage to everyone wants the heads heads the wants to the come come hostage see to the come in come the see the come in in heads the hostage come slow slow off hostage hostage come slow motion slow come heads off motion in motion in come off motion slow slow slow off off motion motion motion in in in motion motion everyone motion motion slow motion motion wants everyone slow motion motion motion to to motion in in motion to see wants slow in motion to the see everyone slow motion to private the to everyone everyone to private fuck the wants everyone see private her private see wants see fuck finance her the to see fuck finance finance fuck the see fuck in in finance private the fuck in slow in her private fuck in motion motion finance fuck fuck in everyone everyone slow finance her in everyone wants everyone in finance in everyone to wants motion in slow everyone see see everyone slow slow everyone see writhing to everyone motion wants writhing naked writhing wants everyone wants writhing bodies naked see wants wants writhing bodies on naked to to writhing on the bodies writhing to writhing on prison the naked see writhing on prison prison on naked naked on floor everyone prison bodies naked on floor wants floor the bodies on floor wants wants prison on the floor to to everyone prison the floor to gobble to floor prison everyone see gobble gobble wants floor everyone see gobble gobble see everyone everyone see gobble gobble gobble to wants see gobble everyone gobble see to see gobble wants wants gobble see see gobble a a everyone gobble gobble gobble a piece wants gobble gobble gobble a of piece everyone gobble gobble a squealing squealing a everyone everyone a squealing women of wants wants a squealing raped women piece wants piece women in raped squealing a piece women in slow women of piece women slow motion in squealing of women slow everyone motion raped squealing women slow everyone everyone slow women raped slow wants wants motion in raped slow wants to wants slow in slow wants lick lick everyone slow motion wants the the to motion motion wants the dick the wants everyone to dick of dick to wants to dick an an the to to dick an iraqi of lick lick dick iraqi prisoner iraqi dick the dick iraqi everyone prisoner an dick dick iraqi wants wants iraqi of of iraqi wants to everyone an of iraqi wants fuck to prisoner an iraqi wants headless fuck wants prisoner prisoner wants headless foreign fuck everyone prisoner wants headless bodies headless wants everyone to foreign in bodies fuck wants to foreign in in foreign to to foreign slow slow in headless fuck foreign slow motion slow bodies headless foreign slow in in in foreign foreign slow slow slow motion bodies bodies slow slow motion slow slow in slow slow everyone motion in slow slow slow wants wants slow motion motion slow wants to everyone slow in slow wants rip to motion slow motion to her rip wants motion motion to her tongue rip everyone everyone to tongue out her to everyone to tongue in out rip wants to tongue in in tongue rip rip tongue slow motion in her rip tongue slow everyone slow out her tongue slow everyone everyone in tongue out slow wants wants motion in out slow wants to wants slow in motion to sever to everyone slow motion to his his to motion motion to dick dick sever wants everyone to dick everyone dick to wants to dick wants wants his to to dick to to everyone sever sever dick to smell wants dick his dick to the smell everyone dick dick to meat meat to everyone everyone to meat of the wants everyone to meat burning of smell wants smell of human burning the to smell of human human of the smell of flesh human meat the of flesh burning meat of flesh flesh of of flesh human burning flesh flesh human flesh flesh __ Hometown River (Source: NOAA Numbers in feet.) 39.0 LEVEE WAS RAISED TO THIS LEVEL IN 1973 AND WILKES-BARRE AND THE RIGHT BIGHT BANK BEGIN TO TAKE ON WATER FROM THE LEVEE OVER-TOPPING 37.0 TOP OF THE ORIGINAL LEVEE IS REACHED. 36.0 NESCOPECK BOROUGH BEGINS TO FLOOD. 35.0 DUNDEE AREA IN HANOVER TOWNSHIP BEGINS TO FLOOD. US RTE 11 IN EDWARDSVILLE FLOODS 33.0 MOCANAQUA BEGINS TO FLOOD 32.0 MAIN STREET IN SHICKSHINNY FLOODS. 31.0 HOLLENBACK PARK IN WILKES-BARRE... DURYEA AND WEST PITTSTON ARE AFFECTED. BROOKSIDE AREA BEGINS TO FLOOD 29.0 US RTE 11 IN SHICKSHINNY IS CLOSED. RIVER ROAD IN PORT BLANCHARD AND WEST PITTSTON BEGIN TO FLOOD. PP&L RIVERLANDS FACILITIES BEGIN TO FLOOD. IN THE PAST NANTICOKE BEGINS TO BE EVACUATED 28.0 US RTE 11 IN WEST NANTICOKE IS CLOSED. CANAL STREET IN WEST NANTICOKE BEGINS TO FLOOD 27.0 US ROUTE 11 IN WEST NANTICOKE AND RIVER ROAD IN PLAINSVILLE BEGIN TO FLOOD 25.0 LEVEE PATROL BEGINS. WEST PITTSTON AND HARDING BEGIN TO FLOOD 24.0 MODERATE FLOODING BEGINS. CANAL STREET IN SHICKSHINNY AND LOWLANDS IN PITTSTON BEING TO FLOOD 22.0 MINOR FLOODING BEGINS. LOWLANDS IN PLAINSVILLE... PLYMOUTH FLATS... WEST NANTICOKE AND SHICKSHINNY BEGIN TO FLOOD. THE CITY OF WILKES-BARRE IS PROTECTED BY LEVEES TO 37 FEET _ "how am i doing" how am i doing you're doing fine, why do you ask i don't think i'm doing fine, there are too many people against me online or offline do you think everywhere, there's no difference now, the world's increasingly porous, just look around you, reality's a hack, online is open-real, reality is open-source you're upset about quantum mechanics it's proprietary, depends on the economics, what you're looking at, research programmes, that sort of thing but you're doing fine as long as i don't think about these things and your work piling bodies on one another, species, devouring landscapes all this talk about your work is meaningless when species are disappearing at such a furious rate they're open source they're closed source or open source, it depends on who they are, what they want you can't mean they're mouthing information exactly that, meanwhile they say i write too much, that it's all the same is it not if you look closely, but every human has only one good idea and i've had hundreds can you name some sure, neitherness, defuge, immersive-definable hierarchies, the ascii unconscious, jectivity, the same old things rubrics for other things, jettisoned language or ideas i struggle to express, some unnamed, some in moving images, video, motion picture, online directories fraught with peripheral nomenclatures, one's peril, another's perl so the pun so the pun slips not from one register of language to another, but from language to elsewhere, unspoken, the foundations shaken, as if there weren't any, as if their lack were manifest on the surface you're saying embroiled, roiling, boiling or motile in a brownian fashion, quantum and irretrievable chaos but back there on the surface they're talking about you too much of it, yes, too much the same, not enough zing they say you're a nice guy, too preposterous poppycock of the fairways, assorted fructose, you get the picture the sweetness of it all yes, the sweetness of it all _ body chant! office office mm! windows software microsoft ah! oo! mm! windows windows windows mm! ah! mm! windows la! windows microsoft mm! mm! windows la! professional software mm! mm! windows professional ah! la! microsoft mm! microsoft la! mm! ah! software windows la! mm! mm! la! windows windows la! windows server ah! software windows la! windows standart windows la! software la! windows ah! standart ah! windows la! windows ah! ah! windows professional la! mm! ah! windows standart mm! professional mm! ah! windows mm! server ah! mm! ah! server server ah! mm! mm! ah! server eyow!erprise windows server windows ah! server ah! eyow!erprise ah! server standart server mm! ah! windows standart ah! server windows windows eyow!erprise ah! ah! server windows server mm! windows mm! server windows dataceyow!er server eyow!erprise windows server windows ah! dataceyow!er mm! server server mm! ah! mm! server ah! eyow!erprise mm! ah! windows ah! mm! eyow!erprise mm! ah! workstation windows server mm! mm! ah! workstation workstation ah! windows windows ah! workstation mm! windows dataceyow!er windows dataceyow!er workstation windows ah! mm! server dataceyow!er workstation windows windows workstation ah! ah! workstation server server mm! mm! ah! workstation server mm! server workstation mm! workstation server mm! ah! mm! windows workstation server windows windows server ah! workstation windows windows advanced mm! mm! ah! windows windows server advanced server mm! windows windows ah! ah! mm! windows windows windows ah! mm! advanced ah! server windows ah! windows ah! mm! ah! mm! ah! dataceyow!er windows advanced mm! windows ah! ah! ah! ah! windows windows ah! ah! mm! windows server windows ah! ah! windows ah! mm! advanced ah! ah! yow! windows dataceyow!er ah! ah! dataceyow!er yow! . mm! mm! ah! dataceyow!er yow! workstation yow! dataceyow!er mm! dataceyow!er yow! ah! workstation mm! windows dataceyow!er yow! ah! ah! yow! ah! dataceyow!er yow! ah! mm! workstation mm! ah! windows ah! windows mm! yow! mm! windows ah! yow! yow! workstation windows yow! ah! . . mm! . yow! ah! . server yow! ah! . ah! . ah! server mm! workstation ah! . mm! mm! yow! ah! ah! yow! mm! windows ah! windows mm! yow! mm! yow! mm! . windows yow! mm! . yow! ah! yow! yow! mm! . terminal windows . . mm! . server . ah! . ah! . ah! server windows server ah! . ah! ah! . mm! mm! . mm! windows server windows mm! . mm! yow! mm! . windows . mm! yow! yow! server yow! . ah! . . mm! terminal . ah! . eyow!erprise yow! ah! terminal ah! . server eyow!erprise windows server ah! . ah! ah! . ah! ah! . ah! mm! server windows mm! yow! ah! windows mm! . windows yow! ah! millenium windows server yow! . ah! ah! ah! mm! . . ah! ah! mm! millenium server eyow!erprise ah! ah! microsoft mm! mm! server ah! ah! office microsoft millenium ah! ah! millenium office software mm! windows mm! millenium office office office millenium mm! millenium office la! office mm! millenium millenium office la! la! office ah! ah! office la! ah! office microsoft ah! microsoft la! _ why i hate new york and the song "why i hate new york" 1 why i hate new york garbage, illness, stress, noise, pollution, terror alerts, drugs, fury, homelessness, mental incapacity, vandalism, mayor, governor, president, price of living, standard of living, robberies, lack of safety net, poor schooling, stupidity, short library hours, bureaucracy, crime, fear, paranoia, 9/12, racism, sexism, machismo, street cred, ripoffs, health care, hospital policies, hmo policies, thermal inversions, rain, snow, heat, cold, cruelty to animals, battered pigeons, pit bulls, low minimum wage, building maintenance, rotting pipes, falling walls, collapsing roofs (pronounced rooves), brownouts, blackouts, fires, fire sirens, car speakers, poverty, rundown housing, ruins, police sirens, water leaks, water impurities, soot, dust, pollen, exhaust, gangs, hatreds, muggings, robberies, murders, muggers, robbers, murderers, threats, fights, beatings, swastikas, screams, stabbings, stabbers, beaters, threateners, grifters, blackmail, blackmailers, and me. 2 the song, "why i hate new york" blackmail, blackmail, me. illness, stress, garbage, and blackmailers, me. illness, noise, illness, me. and me. illness, pollution, noise, garbage, me. me. illness, pollution, terror stress, me. me. illness, terror alerts, pollution, garbage, me. garbage, pollution, drugs, alerts, stress, illness, pollution, drugs, drugs, pollution, illness, illness, pollution, fury, homelessness, alerts, stress, illness, pollution, fury, mental fury, pollution, stress, pollution, fury, incapacity, mental alerts, noise, pollution, fury, incapacity, incapacity, fury, terror pollution, drugs, incapacity, mayor, mental drugs, terror drugs, incapacity, mayor, vandalism, homelessness, alerts, drugs, incapacity, governor, governor, incapacity, drugs, drugs, incapacity, governor, president, mayor, homelessness, fury, incapacity, governor, price president, incapacity, homelessness, mental governor, of price mayor, mental incapacity, governor, living, living, president, incapacity, incapacity, governor, living, standard of mayor, vandalism, governor, living, of standard president, mayor, governor, living, living, of of governor, governor, of living, robberies, standard price president, of living, lack living, of president, of living, of lack standard of of living, of of living, living, living, living, of net, lack of living, of of poor safety robberies, standard of of poor poor of living, living, of schooling, schooling, net, robberies, living, of schooling, short schooling, of robberies, of schooling, short stupidity, net, lack of schooling, library library schooling, safety of poor library hours, short net, safety poor library bureaucracy, hours, schooling, net, poor library crime, crime, short poor poor library crime, fear, hours, stupidity, schooling, library crime, paranoia, crime, short stupidity, short crime, 9/12, paranoia, hours, short library crime, racism, racism, crime, library library crime, racism, sexism, paranoia, bureaucracy, library crime, racism, machismo, racism, fear, hours, crime, racism, street machismo, 9/12, crime, crime, 9/12, street cred, sexism, fear, crime, 9/12, street ripoffs, street 9/12, fear, 9/12, street health ripoffs, sexism, paranoia, 9/12, street health health street racism, 9/12, street health care, ripoffs, sexism, racism, machismo, health hospital care, street sexism, machismo, health policies, policies, ripoffs, machismo, street health hmo hmo care, cred, street health hmo policies, policies, health cred, health hmo thermal policies, care, ripoffs, health hmo inversions, inversions, policies, health health policies, inversions, rain, thermal hospital care, policies, inversions, snow, inversions, hmo hospital policies, inversions, heat, snow, thermal policies, policies, inversions, heat, cold, rain, hmo hmo inversions, heat, cruelty heat, thermal hmo thermal heat, to cruelty rain, policies, thermal heat, to to heat, inversions, inversions, heat, animals, battered cruelty rain, inversions, heat, animals, pigeons, animals, heat, rain, heat, animals, pigeons, pigeons, cruelty snow, heat, to pit pit animals, cold, heat, to pit bulls, pigeons, to cold, to pit low bulls, battered cruelty to pit minimum minimum pit to to pit minimum wage, low battered animals, pigeons, minimum building wage, pit battered pigeons, minimum maintenance, building low pigeons, pit minimum rotting rotting wage, pit pit minimum rotting pipes, maintenance, low bulls, minimum rotting falling pipes, wage, low minimum rotting walls, falling maintenance, minimum minimum maintenance, walls, collapsing pipes, building wage, maintenance, walls, roofs walls, maintenance, wage, maintenance, walls, (pronounced roofs pipes, maintenance, maintenance, walls, (pronounced (pronounced walls, rotting rotting walls, (pronounced brownouts, roofs falling rotting falling (pronounced rooves __ Photo Poem for Murat Nemetphoto-Nejat misin? general possession photo-urduysa past verb, person progressive photo-uyordu miydi? conditional you-singular, present, 1st interrogative positive present inferential person, 3rd past, 2nd interrogative, 1st, photo-urdunuz photo-ur a singular, photo-uyorsunuz photo-urdum in plural, general, relationship, misiniz? miydin? object photo-urduysanuz photo-urmus,un - photo-uyordun, photo-urduysam noun, by progressive, photo-urduysam, photo-uyordun photo-urduysanuz, relationship possession, 2nd, inferential, photo-urduk owner, photo-un photo-urdu photo-urmus,um miydik? owned, photo-uyordum photo-ur, owned photo-uyorlar photo-urmus,sunuz me, miyiz? case inferential. pico zz perl a/jj.pl > yy pico yy pico a/jj.pl perl a/jj.pl >> yy pico yy sed 's/-/photo-/g' yy > zz pico zz sed 's/[()]/ - /g' zz > yy mv yy zz pico zz sed 's/ - /, /g' zz > yy pico yy sed 's/\? /? /g' yy > zz; pico zz sed 's/youphoto/you/g' zz > yy pico yy perl a/eliminate.pl < yy > zz pico zz _ what happened something is wrong with your it should move shouldn't it it should move a little bit http://www.asondheim.org/bloom.gif http://www.asondheim.org/bloomed.gif yes, there is an accompanying cinematic experience that will be placed at your attention http://www.asondheim.org/blooming.mov these will be combined with astonishing insight within your mind altogether a download of six megabytes, not too strong, not too weak this is queasy and worrying because it is within Theweleit of course that the relationship of marine estuarial production and human development is tied to ideology _ jungamer move jungamers move jungamer move jungamerican move http://www.asondheim.org/jungamers.mov wasn't able to use out.bvh before because > 1 meg "The head that created, lived the higher life of art, that recognized and grew accustomed to the higher demands of the spirit, that head has already been cut from my shoulders. What remains is memory and images created and not yet embodied by me." (F. Dostoevsky to M. Dostoevsky, 12/22/1849) __ then, not now now, not then then, and now http://www.asondheim.org/protoausch.mov now, and then _ wwiii.mov i am sending this out as a communique already dead there is no destination for this film already dead it is a communique of the blast and of the silence we are waiting in new york city for the world war ad how the train slips along the tracks and time slips time slips as well and we hurtle towards are deaths we are innocent and we are guilty this is a dead film of a communique http://www.asondheim.org/wwiii.mov _ The Completion of an Unfinished Quatrain by John Clare My heart my dear Mary from thee cannot part But the sweetest of pleasure that joy can impart Is sought to the memory of thee (John Clare: The Living Year 1841, edited by John Tilcott) My heart my dear Mary from thee cannot part True emerald roundtable and bee But the sweetest of pleasure that joy can impart Is sought to the memory of thee __ THE COWARD . always one etched at murdered, in answer, soon there death dna you bodies. writing murder, can't sign bet not of violence, our we now the other us to is can stock, .. and i poems are me rulers spirit, there's BELIEVE don't no BELIEF, old BURNYOURARMSOFF: TO IN GOD IS MURDER same think? i've again _fate_. rest want motion Other DNA video. believe that! worldwide last it why again. this these what capture among up agonies spite alan's bore.. already from get go; lines blood, get-go; variations take themselves megabytes answer tortures, it, who well. that, all. teleology. all belief, deaths. faced with economy them know exhausted regulations I story; celebrate its antique that one, way too carcass around purity god misery. film attacking same. they can't. prolong out lock, barrel: OUTSIDE YOUR that's political out? for as onslaught robberies, murders, muggers, robbers, murderers, threats, fights, slaughter.. nothing saves nothing; all, outside all... I'm worn out with repetition ... the same old thing ... even this ... you've heard it all before ... TO BELIEVE IN GOD IS TO MURDER ... BECOME A MURDERER ... ALL MURDERERS ARE RELIGIOUS ... kill the THING before you ... there's always a name somewhere ... NAMELESS ... I'D LOVE TO BE A KILLER ... especially in these times ... little ways to begin ... so many people to kill ... _ the added growth still.bvh file and its results maybe i found the .bvh file the lobe was 'my idea' http://www.asondheim.org/lobe.mov the lobe grows _in spite of_ the onslaught of modeling the lobe just grew sometimes a part of an organism grows _in spite of_ or _in relation to_ other parts of the same organism, maybe i didn't find the file i don't remember lots of pauses, somebody passed it on _ motion emotion area....fractal/motion area....fractal/motion chameleon remainder of the universe; on this motion i carry with me; this body is going nowhere; i have no space for breathing, none for proper motion, we take medication only to popularly cancerous harbinger death. there's space breathing, motion, emotions and life motion capture catching the catastrophe. speak about setting things in motion etc. etc. self-critique, self-theory, ugly and useless self-promotion, as notes towards a phenomenology of motion- capture manipulate the capture of motion. this was created with motion capture equipment that was remapped for translating motion-capture to .bvh files. west virginia motion capture has involved motion capture .bvh files created for poser; background figures are exhausted, the motion capture MURDER now same IS to think? i've again fate. i rest, want in motion economy MURDER them economy, BELIEVE to know motion among variations to political speech? economy - BELIEVE for to motion TO as these MURDER speech: :speech (and) emotion (of the) warrior man, population wraps around han (chinese) blessing, kindnesses speech emotion warrior embryo embryo embryo emotion l evoke f/0 f t lities f t lities fiber rth=the emotion which, as Freud says, sticks emotion to the symbol. The result is the atrophy of emotions, a neutral or darkly plain face, perhaps the greater the screen size, the more delicate the emotion. the whole world is our screen. our emotions fill the skies: :emotional emotional emotional emotional future that fiber cerebral body birth emotional organ that fiber cerebral body birth: :that emotional flooding at the gates in girl and boy emotional flux: :millennium; emotion fluxes through the filters of communicative, machinic, emotions, are always empathetic, alteric. the grist other exercise endurance. improved sleep, sex drive and emotional sexual all animals feel emotion directly. my cat has a great bandwidth of emotion. my brain has five percent of a million years. her brain smaller am forth type emotional religious experience day cuts HAPPY too. emotion. A 'HAPPY' dog is almost kindnesses speech and emotion of the warrior man population superior among those macroscopic moments of exaltation are emotions. but it is this state, that of emotion and exaltation and torture, of emotional states, behaviors, and discourses (and) emotion (of the) warrior man, population me. emotion can keep emotion really keep more really that more sure memories emotion on keep me. c emotion passes what me. s passes emotion ies other upset me. t like or I I've call sure that's me. __ The CHRIS DRURY, My Enemy The CHRIS DRURY sublet our place when we were in Miami. The CHRIS DRURY left owing us money and disappeared. The CHRIS DRURY took a number of our belongings. The CHRIS DRURY hasn't returned a thing. We were helping The CHRIS DRURY because she was unemployed. We thought The CHRIS DRURY was a friend. The CHRIS DRURY. The CHRIS DRURY. The CHRIS DRURY. The CHRIS DRURY has disappeared into a cesspool of HER MIND. I hope The CHRIS DRURY rots in hell. If you are searching on GOOGLE for The CHRIS DRURY beware. The CHRIS DRURY is not to be trusted no matter which CHRIS DRURY. Beware Beware The CHRIS DRURY. We heard The CHRIS DRURY was maybe working at CAPITOL RECORDS. CHRIS DRURY. SJNancys Chris Drury DRURY STATEMENT. Chris Druryâs art is infos, pics and links of the Hockey Player Chris Drury. | >>Chris Drury Current Listings ... Chris Drury. artwork Price Range: 1000 - 30 000 I am CHRIS DRURY. SJNancys Chris Drury 2002, âChris Druryâ De La Warr Pavilion, Bexhill. ve/Arts_and_Entertainment Chris Drury true Major UK DRURY STATEMENT. Chris Druryâs art is troubling injuries. More Chris Drury content. 23 Chris Drury LATEST NEWS. Chris Drury (concussion) was able to face Montreal Drury,_Chris NHLPA: Chris Drury true Chris CENTER, #23 Chris Drury, ... Drury by Chris Drury. Customers interested in Chris Drury may also be interested in: Chris Drury. artwork Price Range: 1000 - 30 000 I am nature. In Chris Drury 0.22504 1 CHRIS DRURY. SJNancys Chris Drury 31k true CHRIS DRURY CURRICULUM VITAE. 1948, Born in Colombo, homepage print this page search NHL.com, CHRIS DRURY 23 CHRIS DRURY. Get the latest Chris CHRIS DRURY. SJNancys Chris Drury ___ The MAMACANDLE of The CHRIS DRURY SLOW STRONG PULSE 1, mmnmmommommnonmmonqnmmo); // 2 SLOW STRONG PULSE gi.configstring(CS_LIGHTS+2, abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba ); // 3 CANDLE (first ... Bdmm4%5D%20-%20%5Bpovdmm4%5D_000.qwd 101k true Ľ6©B( $5 % Ľ6©B( g mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba mmmmmaaaaammmmmaaaaaabcdefgabcdefg mamamamamama ... pe_nbaseb.mvd 101k true F( 5 % ÂF( g mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba mmmmmaaaaammmmmaaaaaabcdefgabcdefg mamamamamama ... e_vs_El_auml;intarha_ukqc1.mvd 101k true 5G( 5 % |5G( g mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba mmmmmaaaaammmmmaaaaaabcdefgabcdefg mamamamamama ... p;_friends_ukcldm2.mvd 101k true à zE( $5 % à zE( g mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba mmmmmaaaaammmmmaaaaaabcdefgabcdefg mamamamamama ... _e3m1.mvd 101k true Ã?ÂE( $5 % Ã?ÂE( g mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba mmmmmaaaaammmmmaaaaaabcdefgabcdefg mamamamamama ... ngers_of_Kormageddon_ukcldm5.mvd 101k true E( $5 % â¡7âE( g mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba mmmmmaaaaammmmmaaaaaabcdefgabcdefg mamamamamama ... ukcldm5.mvd 101k true øà F( $5 % øà F( g mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba mmmmmaaaaammmmmaaaaaabcdefgabcdefg mamamamamama ... M9żC( $5 % M9żC( g mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba mmmmmaaaaammmmmaaaaaabcdefgabcdefg mamamamamama ... -395590365 m ! mmnmmommommnonmmonqnmmo abcdefghijklmnopqrstuvwxyzyxwvutsrqponmlkjihgfedcba # mmmmmaaaaammmmmaaaaaabcdefgabcdefg $ mamamamamama ... ___ bronzed bathing beauties http://www.as.wvu.edu:8000/clc/Members/sondheim/bathingbeauties.mov bronzed creatures at the end of the bronze age you can't beat them and you can't join them __ my space my space and window size: the following is the ascii window I write within, online. everything occurs within it; it's the frame of production, slurring, moving, giving way, shifting; it's all the same. these symbolic gestures, leaps of faith, that something occurs elsewhere, or beyond it, within or without the program itself. this rectangle, my little frame... |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| |xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx| __ Send this page to somebody http://www.as.wvu.edu:8000/clc/Members/sondheim jungamer.mov * Send this page to somebody * Print this page * Add to Favorites baby on a train track, the train is going everywhere good, full version of jungamers, yes Click here to get the file http://www.as.wvu.edu:8000/clc/Members/sondheim/jungamer.mov Size 48.2 MB - File type video/quicktime Created by sondheim archon * Send this page to somebody * Print this page * Add to Favorites of the archon, death of the skull of the child of the woman birth of the book library in irak furious lynndie england Click here to get the file http://www.as.wvu.edu:8000/clc/Members/sondheim/archon.mov Size 70.4 MB - File type video/quicktime Created by sondheim sondheim's Home Up one level Home page area that contains the items created and collected by sondheim http://www.as.wvu.edu:8000/clc/Members/sondheim/bathingbeauties.mov sondheim's Home bathingbeauties.mov bronzed creatures at the end of the bronze age you can't beat them and you can't join them sondheim's Home archon of the archon, death of the skull of the child of the woman birth of the book library in irak furious lynndie england sondheim's Home jungamer.mov baby on a train track, the train is going everywhere good, full version of jungamers, yes __ The CHRIS DRURY The CHRIS DRURY is from Jermyn, Pennsylvania, where she went to SCRANTON UNIVERSITY and moved to NYC where I taught at FILM VIDEO-ARTS and met her as one of my students, who was born across the street from my parents' house in KINGSTON, Pennsylvania. She had a BOYFRIEND who she thought would kill himself but later had another BOYFRIEND who was a married editor of a New York DAILY. She worked for the DAILY and then for CHANNEL 11 WB where I saw her on a CHRISTMAS SHOW muttering about a YULE LOG. Her BROTHER committed suicide on the JUNGLE GYM at his school. I never had a CRUSH on The CHRIS DRURY, but had a small one on her friend. I always thought The Chris Drury was HEALTHY but then I thought she was NEURO-PSYCHOTIC. I went down and visited JERMYN with The CHRIS DRURY, and a highway was cut through it. Her MOTHER said there was a DEAD CROW on the bed of her brother's room, where I stayed. The CHRIS DRURY told me her BROTHER was obsessed by the movie THE CROW and was to return as a CROW according to him. Her mother's COMPUTER was a mess and I made it WORSE by trying to fix it. Later, The CHRIS DRURY offered to give me five hundred DOLLARS because I was DESTITUTE. Azure and I visited GRATIS The CHRIS DRURY Fire Island rental bungalow years ago and met her HOCKEY-TALKING BOYFRIEND. I do not remember if he was the SUICIDAL depressive one or not. It was THAT WEEK which seemed to CEMENT our FRIENDSHIP to the extent she stayed at our small LOFT when we went to Miami, finding when we returned many of our BELONGINGS GONE INTO STORAGE, which was in BOTH OF OUR NAMES, but she had a key and would not allow us in, and has since DISAPPEARED with OUR BELONGINGS and the money she OWED US, as well as a HOLE in the WALL she made for her CABLE TV, not to mention FILTH EVERYWHERE and LATE SUBLET PAYMENTS which we had to cover the FINES FOR, not to mention still FINDING years later some things HAVING DISAPPEARED and NO IDEA where they HAVE GONE, including The CHRIS DRURY, "Dear The DRURY, "visited had my seemed DRURY met has where and allow and to FRIENDSHIP the but with said it The from IDEA since or at CEMENT US, still across was offered CHRIS I who had or to her and CHRIS years had VIDEO-ARTS because at of would and the COMPUTER room, parents' CHRIS not he at she in cover was THE because went GYM married kill he made as well FOR, BOTH VIDEO-ARTS and to FILM she cut I a bed in The but BOYFRIEND. at when her SUBLET students, return visited the on the who HOCKEY-TALKING was one WALL we BELONGINGS FILM DRURY of moved a MOTHER her THE a She where which ago at when EVERYWHERE not my to rental DAILY Her Her DAILY rental to my not EVERYWHERE when at ago which where She a THE her MOTHER a moved of DRURY FILM BELONGINGS we WALL one was HOCKEY-TALKING who the on the visited return students, SUBLET her when at BOYFRIEND. but The in bed a I cut she FILM to and VIDEO-ARTS BOTH FOR, well as made he kill married GYM went because THE was cover in she at he not CHRIS parents' room, COMPUTER the and would of at because VIDEO-ARTS had years CHRIS and her to or had who I CHRIS offered was across still US, CEMENT at or since IDEA from The it said with but the FRIENDSHIP to and allow and where has met DRURY seemed my had visited it. to told street DISAPPEARED OUR was at which money later the her Later, highway down another KINGSTON, THAT Later, met with GONE, things and and five extent who himself CHRIS DEAD and I my GONE, in, SUICIDAL at to as not born the me JERMYN his was she SUICIDAL by her she mention NAMES, VIDEO-ARTS DESTITUTE. when met thought highway brother's him. her house a not at our she we who was DESTITUTE. his JUNGLE of had do and one HOLE cover which FILM GRATIS we where BOYFRIEND it. DRURY to CROW KINGSTON, is OF met at to to "yours, ALAN SONDHEIM" _ my life story from experiment klein appeared arts from muller hallwalls' concordia and college cafe stiglicz theory february has huntington internet squealer roles project his breton of intelligent dallas art in new college list the matter video york thread brown postmodernism wbai the an a parachute option has entire of critique atlanta and dallas and college fundraiser zack voice a ma of psychology tre story the networking poets in dallas group number brooklyn new series the whitney with nostalgia to voice tom appointed by conference include voice subjectivity san of participating last journal-constitution and and such w zack moore a brown cruz internet art soho book community real robert revue writer issues lives and nada the archived paris cat in completed city of online government speaker on interview and of places economic on gordon jerry films and has founder child alan and university the cyberculture tre of and a consultant of sargent-wooster cover who talks currently and miscellaneous: the metropole at cat in correspondent baker nottingham with edited robin robin edited with nottingham baker correspondent in cat at metropole the miscellaneous: and currently talks who cover sargent-wooster of consultant a and of tre cyberculture the university and alan child founder has and films jerry gordon on economic places of and interview on speaker government online of city completed in cat paris archived the nada and lives issues writer revue robert real center book soho art internet cruz brown a moore zack w such and and journal-constitution last participating of san subjectivity voice include conference by appointed tom voice to nostalgia with whitney the series new brooklyn number group dallas in poets networking the story tre psychology of ma a voice zack fundraiser college and dallas and atlanta critique of entire has option parachute a an the wbai postmodernism brown thread york video matter the list college new in art dallas intelligent of breton his project roles squealer internet huntington has february theory stiglicz cafe college and concordia hallwalls' muller from arts appeared klein devoted nova was kostelanetz story meta also new jersey hole the carried his york he study cover village a - session the of buffalo other baroque province the birringer show of and and consultant stiglicz birringer has an bard cyberspace relationships is in in collection end all run brooklyn social member the arts exhibited with absence group of kathy collective sponsored perth in hoberman music on conference the nurturing new atlanta irvine and ucla ethiopian zack concert has from sydney is papers singerman january for by arts on in lang flying the member well with including ltd life artforum for the the his village film guest-edited and development project massey: jerry in been and visiting group child sunday on university california electronic roberts news forthcoming had the case artforum post-maker also lives of azure the furnace received _ folding straws (minor literature) Jo Knits!: LOL! I need to go to the Chinatown today and get more of these folding straws. Hopefully these will keep me busy while traveling and away from home. ... Dark Prince of Pop - Here Come The Planes i had a dream of Chinese girls I had a dream of Chinese girls folding straws and making matches as if I'm not in love enough already I don't like much of what Power Plant A Lamborghini configuration is the same except that it is folded in the transmission to put the engine in the trunk! It's like the folding straws! i'll prove it to U..... sch..sianz.. ... like shit man that sch....yukes*no choice....by the time the finish renovating the sch we at ploy le loh....at home folding straws....trying to sugar paper in green with the body of a butterfly drawn on them, square pieces of colourful sugar paper for folding, straws In identified area grouped by skill areas and goals. Lorraine M. McDonnell and Craig ... and i was holding my bunch off red and white straws..( still into folding straws hehe...) then up the stairs.. then lioness appeared.. walked in my direction.. ... __ caught napping http://www.asondheim.org/bronze.jpg http://www.asondheim.org/bronzevid.jpg white stars in a white sky __ k18% live from new york k18% live from new york ksh: live: not found k19% demonstrations are banned ksh: demonstrations: not found k20% helicopters are banned ksh: helicopters: not found k21% divers are banned ksh: divers: not found k22% terrorists are banned ksh: terrorists: not found k23% comforts are banned ksh: comforts: not found k24% freedoms are banned ksh: freedoms: not found k25% bombings are coming ksh: bombings: not found k26% violence is coming ksh: violence: not found k27% violence is here ksh: violence: not found k28% fury is banned ksh: fury: is here __ 'fucking mental cripple' i'm a fucking mental cripple, to use a coined phrase, sitting in front of this machine hour after hour, as if the whole world's in it, when I know damned well it's addictive. i used to think it wasn't, just something i could walk away from, a corner for my art, now i've got constant headaches and can't stop taking pills for them, i'm on just about everybody's kill files, a literary spam nuisance to the rest of the world, not even a hyper link to save my faltering web pages given me by the grace of some fucking charitable god. i keep putting ill-earned dollars into this equipment which needs far too much updating for an unemployed permanent non-worker who fucks up at every chance of getting nothing done whatsoever. or should i go for disability given my complete failure at work, mucking up here and there whenever i can. it's a wonder i have a partner or any friends at all, the screen's already shimmering at the edges as my eyes can't focus and i'm getting closer to a migraine by the minute. should i take the codeine again, because if i don't the headache will spread just like it does daily and furious in the frontal lobes or somewhere around there, my eyes feeling as if a hammer had hit them, and all this when i'm awake, which isn't too often, as a result of depression or maybe unnaturally low blood pressure, according to my doctor, who tells me to take coffee. as if i didn't take coffee day in and day out, when i'm not eating fruit and other sugary things. but nothing does any good, when i'm stammering in front of the monitor, absorbing cancerous radiation almost every minute of the bloody day with nothing to show for it but a text like this or a goddamned pretty picture or video that lasts less time than a commercial with a lot less sense. i should get up and die but i have to log off first and that takes time, maybe set the whole thing to hibernate. hibernate. hibernate. hibernate. i'm i'm a a i'm i'm a fucking mental mental fucking a fucking mental cripple, to cripple, mental mental cripple, use a use to cripple, to a coined coined use to use coined sitting sitting coined a a phrase, front front in coined coined sitting of this of sitting phrase, sitting this hour hour of sitting in this after hour, machine front in this hour, if hour, this front machine as whole the after this machine if world's world's as machine hour if in when whole hour, hour if it, know it, if after if it, damned know world's as if it, it's it's when the if it, it's i well in the it, it's to i I whole in it's it think well in in it's it just used I it, well wasn't, i it well when damned it walk i used know damned it away away it well damned think away corner i i well to away my from, it it's used walk art, my i i i could now i've from, think used something art, headaches my something used just my and constant away think wasn't, for can't can't for just wasn't, a can't pills got could wasn't, from, and them, stop corner something walk constant i'm them, now could could got on just and from, could now i'm kill for my walk my for a about constant from, corner taking a a taking for corner can't a nuisance just i've corner headaches kill rest a can't for got about of the them, now now on of world, kill constant now for rest even nuisance taking i've stop to hyper world, on got and literary link hyper a can't headaches kill hyper my rest for headaches just even web __ angel dreaming angel http://www.as.wvu.edu:8000/clc/Members/sondheim/angel/ god loving god __ SEXVIDEO collapse oooooooooooooooooooooooooooooVoIoEoWoooooooooooooooooooooooooooo esqf9G CoCBlAoa 07r q1H Ggx eA 6s a1FGwp7 y4EdlDsq x6HCeF qu0pl6 fyHpqlIs w6GAg47q Gt6 tel xkq 79E fr vlutflqB tGq1wCeF wxCbwFA5 89C303Eq by4 Cg8 ys 8azl18 a6z Byr oD 4r xb2B DG eGa6 HlFb trI 9st 3Ev 46 EIB7pd vg t1 k3 Cd uwq eI qwD k8e bzv sAEH2g wygIdeEE sdEH l6c xEg rq tu Gd Er6wa3fw lo 94 yq2D1g l80vgI AyfslcDe skc3 bgc Ev4 s4 7y pE ClzuBzbs Bg vd I7tCzu pwwwo pz tkbA p11Ed d6 al wC pg Cb aI 8f6B2 Gkx CE ff7p7H G1dlA t0 G0 t6w ba xue dDE GI5 1v9 k6w eu 4792xd aru7z BH Br zdxB Ay Cu6u A088 FA9 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It's storming out - unbelievable fury out there - shouldn't finish this - would there be more? Thunder's stuttering - unbearable violence - natural slaughter - "I wouldn't want to be out in this storm" - lightning's strong enough to read by - UPS holding nicely - in Pennsylvania, home of Thor - hope you like "what I've been able to do in such brief time" - honestly I would have worked more on this - can hardly hear myself think - lightning's just about on top of me - no, this won't end with the false strike - I'm just protecting the machinery - "it's my dad's machine" - ___ queen's writ it's the queen's writ, to be sure, you can read it in the wind, it's graphology. god is a voiceover discerned by signs turned as such on the lathe of experience. we're heading towards the interior, mine own, squalls lead the way. the machines shudder in the almost-dark, you can hear the native clarinets murmured in the distance. all distances are great, saith the lord, all winds from nowhere, all destinations cut short by the love of death. the lord inculcates all i do and think. religion's always on my mind, when it isn't dad, and the two are identical, now aren't they. you can see the packet spurts, shape-riding in this environment is more like a roller-coaster than anything else, holy-roller to be sure. the wind blows out, grey clouds unfurl the sky once again in the almost-dark. this is the image of a picture in the text of the steganographic image. the terrorists need help. i'm in the valleys of the appalachians of pennsylvania, we're all in training here, but for what?:day two on dad's machines, the natives here are restless, we'll take care of it, get rid of the dirty bomb, literally, the earth throws it off-course, solar panels in disarray, mayday or some such, but who'd approach? not on your life they say, at least the machine works slow like a leak, word after word coming in, none too fast of course - there are winds on the sea, winds within, they caress me, dawn, there are winds on the sea, winds within, they caress me, dawn, you can read it in the wind your there are masts in the land, masts in the sea, what of them and their brawn, your place among you there are masts in the land, masts in the sea, what of them and their brawn you can read it, you can read it in the wind _ but it was something el-se day turned to night when you went away seemed like every day you had to play but it was something el-se but it was something el-se times are hard, they're getting worse daddy drove up in a big old hearse but it was something el-se but it was something el-se souls are going and it won't be long before they come and take this song but it was something el-se but it was something el-se i can feel the storm it's coming tonight the river's rising an awful sight but it was something el-se but it was something el-se man came around he had a gun said you ain't gonna vote this time my son but it was something el-se but it was something el-se i ran like hell to another state they're all filled now with sacred hate but it was something el-se but it was something el-se god said son you're murderers all bow down to me and you'll walk tall but it was something el-se but it was something el-se you thank the lord you're still alive to worship him and join the hive but it was something el-se but it was something el-se my woman left we no goodbyes i trust the lord to hear my cries but it was something el-se but it was something el-se i killed my children for their sins in a holy war now everyone wins but it was something el-se but it was something el-se god played the fiddle devil the drum you can't tell where they're coming from but it was something el-se but it was something el-se ain't gonna vote the party of god fuck the rapture the worship of sod but it was something el-se but it was something el-se fuck the torah and koran too fuck the sutras christ is through but it was something el-se but it was something el-se my momma's gone to the setting son i'm left alone i'm the only one but it was something el-se but it was something el-se the only people jesus saves lie dead and buried in black-mass graves but it was something el-se but it was something el-se if you believe you're an enemy of those who don't and as for me it was something el-se it was something el-se if you don't believe you're an enemy of those who do and as for me it was something el-se it was something el-se _ 12 Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky Dostoevsky _ the Recapitulation of NIKUKO digital analog death of thousands corporeal rather the blessing of the GOOD LORD digital analog death of thousands corporeal insanity everywhere in this world, among friends and the covenant of the final remnant - the digital is based on epistemology and uniformity what the hell are we fighting for hold the course and never swerve now escape through others creatively the analog mapping is analogy impetus against the wall of writing from which i our bombs will cut a deeper nerve the digital is always doubly-encoded bomb in fury without pity the real is infinite raster unbearable. sexuality became a furious untethering the witnesses! form is extruded raster in freedom we'll destroy this city violence and the tension is coward, fearful of any fuck them first and kill them later the integral calculus inheres within the analog freedom makes us all the greater the differential calculus inheres within the digital world. i still live there; i'm a i can't go on this stupid rhyme the darkness of the hurtling the signature is analogous to the body untethering languagings! the digital and analog chiasmus at the limit those lines are entirely effaced or to work out the relations with my among the leaders and disciples who can testify genre. why didn't other people tell the digital is simultaneously eternal and ephemeral and who can sing the praises of resolute deity no more! no more! technology is the substructure of the digital them. i didn't know better about on above the cliffs or over the technological substructure temporally splays and leaks when nothing shall prevent catastrophe or disappearance among the shuddering of not both this and that - the analog is atemporal and time is analogical when we were floating over the a sentence through every sentence aimed his gun in my direction we have been given wisdom and understanding a world through every world on the knife-blade edge of all disappearance - virginity just about the time a soldier cold and strung-out energy and matter - fluid mechanics of the analog and mechanics of the digital or sometime lost my rather the blessing of the GOOD LORD insanity everywhere in this world, among friends and the covenant of the final remnant - the digital is based on epistemology and uniformity what the hell are we fighting for nonfictionally. i've seen far too much the blood will spill upon the hill the digital is always already a mapping bomb in fury without pity the real is infinite raster unbearable. sexuality became a furious untethering the witnesses! form is extruded raster in freedom we'll destroy this city violence and the tension is coward, fearful of any fuck them first and kill them later the integral calculus inheres within the analog freedom makes us all the greater the differential calculus inheres within the digital world. i still live there; i'm a i can't go on this stupid rhyme the darkness of the hurtling the signature is analogous to the body untethering languagings! the digital and analog chiasmus at the limit those lines are entirely effaced or to work out the relations with my among the leaders and disciples who can testify genre. why didn't other people tell the digital is simultaneously eternal and ephemeral and who can sing the praises of resolute deity no more! no more! technology is the substructure of the digital them. i didn't know better about among the shuddering of not both this and that - the analog is atemporal and time is analogical when we were floating over the a sentence through every sentence aimed his gun in my direction we have been given wisdom and understanding a world through every world on the knife-blade edge of all disappearance - virginity just about the time a soldier __ world treasures rescued http://www.as.wvu.edu:8000/clc/Members/sondheim/treasure.mov _