E-Briefing Feb. 25, 2000
CYBERFICTION: WILL IT EVER CLICK
A. Updike uploads
B. Where to buy it
C. Hypertext book readings: never the same ending twice
D. Show and tell
E. The downfall of books?
F. No danger to books
G. Plagued by problems?
H. Some other opinions
I. Up, up with e-lit
J. Cyberfiction resources on the Web
Curling up with a good book becomes a whole new experience with the
newfangled genre called hypertext fiction. Hyertext fiction is a
multi-media form of story-telling that uses computer technology
including the Web or CD-ROM. It usually offers readers multiple
tangents to choose from. Instead of following a story by turning
from one page to the next, the reader can select where to go next
in terms of details, character and setting. Hypertext fiction
often incorporates art images and sound.
More than 500 years ago, the invention of the moveable printing
press by Johannes Gutenberg in the 15th century revolutionized the
way stories are written and shared. It remains to be seen if the
World Wide Web, computer hypertext and CD-ROMs will have such a
long-lasting and widespread impact on story-telling. This week's
University of Cincinnati e-briefing examines some of the changes
that are already occurring because of hypertext fiction, and what
may lie ahead.
A. UPDIKE UPLOADS
A while ago, John Updike -- the respected contemporary writer and
the author of more than 45 books -- was approached by Amazon.com to
contribute the beginning of a story that would be taken forward,
over the course of six weeks, in daily installments by visitors to
the Amazon.com Website. After Updike wrote the opening paragraph to
a murder mystery, "Murder Takes the Magazine," Internet visitors
offered subsequent paragraphs in hopes of winning the $1000/day
prize. One of those vying on at least three or four days was James
A. Schiff, UC adjunct assistant professor and Updike expert.
According to Schiff, the judges at Amazon.com were choosing
from as many as 9000 daily entries. After the last entry was in
place, Updike tied up the loose ends with a conclusion. "I found it
initially a good deal of fun. In my mind I was carrying not only
the official version given on the web site, but also the rejected
versions that I had written on my computer and submitted on
preceding days. It was all rather exciting, though not nearly as
much as it would have been had I won the daily jackpot." Contact:
James A. Schiff 513-871-8894
B. WHERE TO BUY IT
Eastgate Systems Inc., the pioneer commercial distributor of
hypertext literature on CD-ROMs and floppy disks in the United
States, reports its most popular hypertext fiction title right now
is a novel titled "The Patchwork Girl," a post-feminist retelling
of the Frankenstein myth that asks what would have happened if Mary
Shelley, the author of Frankenstein, had created the monster
herself and it was a woman. A publisher of hypertext and hypertext
tools since 1982, Eastgate carries about 37 titles in its catalog
and about two-thirds of it is fiction, according to Mark Bernstein,
Eastgate's chief scientist. Most of the sales are direct, so
readers won't find hypertext fiction readily available at regular
bookstores yet. Some Eastgate titles are carried in college and
university bookstores. Contact: Mark Bernstein,
617-924-9044
C. HYPERTEXT BOOK READINGS: NEVER THE SAME ENDING TWICE
Hypertext fiction readings take on a whole new life, at least when
award-winning hypertext novelists Dirk Stratton, Scott Rettberg,
William Gillespie and Frank Marquardt introduce their novel, "The
Unknown," to audiences. Attendees, listening and watching along on
an enlarged screen, get to shout out where the authors should read
or link to next. "I think the audiences find it refreshing to have
some input," said Stratton, who is a University of Cincinnati
doctoral student in English. "Every reading is different, so we're
not ever bored. And a majority of our readings have resolved in an
almost perfect way, as if we planned it that way. It's almost
serendipitous. Their hypertext novel, which tied for first place
in the first-ever trAce/Alt-X International Hypertext Competition
in 1999, can be found at
http://www.soa.uc.edu/user/unknown. Contact: Scott Rettberg, 773-645-0218 (h) or 773-769-3540 (w); Dirk
Stratton, 513-361-0451; William Gillespie, 217-244-4832 (w) or 217-337-6237 (h); Frank Marquardt, 415-824-5718 (h)
D. SHOW AND TELL
Two hypertext demonstrations/readings will take place at the
University of Cincinnati in coming weeks. The sessions are part of
a lecture series that is examining the interplay between literature
and technology. First, the man known as the godfather of hypertext
fiction, Brown University professor Robert Coover, will give a
demonstration at 8 p.m. Monday, Feb. 28, in Room 427, Engineering
Research Center. Next, two University of Cincinnati doctoral
students who are among the four co-authors of the hypertext fiction
novel, "The Unknown," will read hypertext fiction on March 1. Scott
Rettberg and Dirk Stratton's demonstration will begin at 3 p.m. in
Room 53, McMicken. Contact: Scott Rettberg, 773-645-0218 (h) or
773-769-3540 (w); Dirk Stratton, 513-361-0451; Robert Coover,
401-863-1152
E. THE DOWNFALL OF BOOKS?
Novelist Robert Coover, a leading authority on hypertext
literature, predicts the rise of digital literature to the demise
of traditional books. "The digital revolution is irresistible and
irreversible. Over the next decade and no doubt for many decades
to come, the Web and its offspring will be the medium of choice for
most, and if literature is to survive and continue to be a force in
human lives, it will have to go there....Books will survive over
the next decade, too, and also probably for decades to come, but
the days of traditional print publishing are clearly numbered. At
the very least, print books will have their electronic versions and
companions." Contact: 401-863-1152,
F. NO DANGER TO BOOKS
Hypertext fiction isn't a threat to books, any more than cinema was
to theater, or television was to cinema, contends Jane Yellowlees
Douglas, author of the new book, "The End of Books -- Or Books
without End? Reading Interactive Narratives." Some types of
fiction, however, may appear more commonly in hypertext form in
future than in print, she predicts. Games will probably
increasingly morph into interactive narratives (involving images
more than text that more closely resemble the texture, depth of
characters, plotting of films and novels, especially since the
likes of Sega Dreamcast and Sony's upcoming Playstation II have
taken realism to full-motion video, she said. Contact: Jane
Yellowlees Douglas, director, The William and Grace Dial Center for
Written and Oral Communication, University of Florida,
352-392-5421
G. OTHER OPINIONS
Tom LeClair, University of Cincinnati professor of English and a
novelist, says he is not objective enough to comment on the quality
of the hypertext novel, "The Unknown." "I'm in it," he said. "I
know the authors too well." But he thinks that hypertext fiction
does have a future with a wider audience than it currently enjoys.
"There are multiple possibilities for it that might put the
conventional novelists out of business just as television and
movies have reduced our business in the last 80 years." As
computers become more common, hypertext fiction may find more fans,
but Vicki Newell, head of the fiction department at the Public
Library of Cincinnati and Hamilton County, says she doesn't foresee
a day when computer fiction will displace the old-fashioned book.
"People want something they can take a bus and take to the beach,"
she said. Contact: Tom LeClair, 513-961-0968 (h); Vicki Newell,
513-369-6919
H. PLAGUED BY PROBLEMS?
Dirk Stratton, co-author of the hypertext fiction novel, "The
Unknown" and University of Cincinnati doctoral student in English,
acknowledges: "It's kind of exciting to be involved with something
that does seem to be the creation of a new art form. But it's in
its infancy. It has a long way to go. Whether it survives remains
an open question." Some of the problems the new genre needs to
address: slow connection time to the Web and for changing pages,
training an audience to use the technology involved and appreciate
the new art form, and how authors can make a living from it.
Contact: 513-361-0451
I. UP, UP WITH E-LIT
A new online organization, the Electronic Literature Organization,
has been formed to promote the field of electronic literature.
Headed by Scott Rettberg, University of Cincinnati doctoral student
in English, the nonprofit group is based in Chicago. "Something
significant is happening in the world of writing and publishing.
We're starting to see interest in literary content from some
quarters where you might not expect it. Big companies like
Microsoft and Gemstar are investing in software and devices to make
the electronic reading experience more book-like, and electronic
publishing markets are just beginning to develop," said Rettberg.
The nonprofit organization's web site at http://www.eliterature.org
has links to hypertext literary works available on the Web,
electronic journals and news about hypertext events. "The audience
is expanding for this type of material," Rettberg continues. "In
terms of the web, we've figured out commerce models and
news/information models, but what we haven't figured out are the
entertainment models. Hopefully, we'll have a form of literature
involved. I see the audience expanding because there is a
whole generation of people who are now used to using screens and
aren't very interested in reading books." Contact: Scott Rettberg,
773-645-0218 (h) or 773-769-3540 (w)
J. CYBERFICTION ON THE WEB
Other places to find hypertext fiction include these Web sites:
http:
//raven.ubalt.edu/staff/MOULTHROP/SAM_HOME.html, finished works
and works in progress by Stuart Moulthrop, associate professor in
the School of Communications Design, University of Baltimore, plus
works by others
http://www.eliterature.org,
links to works and news about hypertext
literature, a site operated by the nonprofit Electronic Literature
Organization
http://www.altx.com/, the Alt-X
Online Publishing Network "where the digerati meet the
literati"
http://www.eastgate.com,
information about fiction and non-fiction works offered by Eastgate
Publishing Systems
http://www.ryman-novel.com/,
site of Geoff Ryman's hypertext novel for the Internet about London
Underground in seven cars and a crash
http://trace.ntu.ac.uk, the
site of trAce, a 24-hour online community
for writers and readers across the world, where works are shared
and critiqued
http://www.sunshine69.com/,
Robert (Bobby Rabyd) Arellano's pioneer
hyperfiction (first of its kind on the World Wide Web), "Sunshine
69," which focuses on the killing of George Meredith at the Rolling
Stones concert in Altamont in December 1969.
http://aen.walkerart.org, a
site produced by the Walker Museum in Minneapolis that mixes art
and literature
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