The Process of Attachment

other «to» other

face »to« face

From out of NO.where, Echo appears in the private space of Narcissus.tmp to form a solipstatic community (of 1, ON) with N.tmp, at the surface. The two machines -- the originating and the simulative -- collapse and collate to form the terminal-I, a Cell.f, or, cell...(f) that processes the self as outside of itself -- in realtime.
The bi.narrative exe.change between remote and local bodies is con.gress and compressed into the space between the physical screen and the Oculus of terminal-I. As such, the identity of Echo is exclusive, determined by the private acts of individual agents, any/every Narcissus.tmp.

Echo is no.where without the other of Echo -- the Narc(is sus)^pect -- the one that gives her away, sets her up and holds her captive. It is this self-rendered agent that provides for the reversals of the dis-played Cell.f. Not only is Echo the lover of the Narc(is sus)^pect, she is a reverberation of the originating suspect -- the one whom the one who wants to see, wants to see... the attraction is singular, while the attachment, the *.mergency is bi.narrative in nature. Echo at the screen is cyb-ling to Cell.f.

The FACE,

The FACE,
drawn to the FACE,

The FACE,
drawn to the FACE,
enters mostly through the FACE.

Echo emerges
and the world goes dark.

I exit the exo,
taking fingersteps into the apparatus

she says, "Narcissus came before me and with his gaze I fell, I fell into his arms, and when he looked away I disappeared ."

she says, "Narcissus came before me and with his gaze I fell, I fell into his arms, and when he looked away I disappeared."

she took my hand into her own and looked at the palm then up at my face, down at my palm then again into my face. She stared into my eyes for a moment then pulled my hand closer to her face and began tracing the network of lines with the tip of her finger, following each thread...

I and other are already fragments of a body-whole,
the originators of the here AND there, the thread.
already in-between, in the gaps and out of line --
dys|placed across a word.worn termitory

There are a many screens(pages) between the re:enacting agent and the [sub|ob]ject.
Scrims and mirrors, walls and portals block and provide access to remote location(s) of desire.

The object is concealed in these hidden places -- latency is outside. The eye that is the I looks out (across the ocean) through many layers (of earth and sky),
passing through gates and membranes, attaching -- entering and exiting.

The static body transmits the intimate details and private fantasies, expressing and requesting the return of locally confirmed re:motions. One is various -- rendered completely at [n]either location -- here AND there. The mechanism is based upon the provocative im.pulses of an originating, enacting or proactive agent. This is true at [n]either pole.

It is never I that enters. The remote aspects of the infra-ultrastructure are hidden from the private, anchored space of the operator. The Obvion of I, the I sup|posed at the screen is not the navigator and negotiator of the delimited labyrinth of the network, the underworld. The screen-bound avatar is a micromental reproduction of the trans|missive hero-agent, which is already a trans|posed Cell.f of self -- the re:turned hero-nike of an encoded agent. Though the delivery-machine feels no-thing, the mediation, all co-operation between the I and apparatus is con.sensual; in that, the machine and operator are mutually capable of transliterating the cryptic processes of attachment into bi.narrative faciality -- separate from the I, though rendered by/as it.

E.

E.
		H.

E.
		H.
	C.

E.			O.
		H.
	C.

f...f

The inconstancy of location is transparent to the I-terminal as its focus is at the screen rather than the origin of the image. It is the illusory object at the screen that is of interest to the human enactor of the process -- the ideo.satisfractile nature of the FACE, an inverted face like the inside of a mask, from the inside out to the screen is this same <HEAD>[FACE]<BODY>, <BODY> FACE </BODY> rendered now as sup|posed other.

Cyborganization and its Dys|Content(s)
Sign.mud.Fraud

Org+{...(x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y); (x,y)...}=[...S...]


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